Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai.

Jinta Yadomi is peacefully living as a recluse, spending his days away from school and playing video games at home instead. One hot summer day, his childhood friend, Meiko "Menma" Honma, appears and pesters him to grant a forgotten wish. He pays her no mind, which annoys her, but he doesn't really care. After all, Menma already died years ago.

At first, Jinta thinks that he is merely hallucinating due to the summer heat, but he is later on convinced that what he sees truly is the ghost of Menma. Jinta and his group of childhood friends grew apart after her untimely death, but they are drawn together once more as they try to lay Menma's spirit to rest. Re-living their pain and guilt, will they be able to find the strength to help not only Menma move on—but themselves as well?

[Written by MAL Rewrite]

Honma, Meiko Main

Kayano, Ai Japanese

Yadomi, Jinta Main

Irino, Miyu Japanese

Anjou, Naruko Main

Tomatsu, Haruka Japanese

Hisakawa, Tetsudou Main

Kondou, Takayuki Japanese

Tsurumi, Chiriko Main

Hayami, Saori Japanese

Matsuyuki, Atsumu Main

Sakurai, Takahiro Japanese

Yadomi, Atsushi Supporting

Ogata, Mitsuru Japanese

Honma, Satoshi Supporting

Mizuhara, Kaoru Japanese

Yadomi, Touko Supporting

Ohara, Sayaka Japanese

Aki Supporting

Makino, Yui Japanese

Saitou, Shunsuke Producer

Ozaki, Noriko Producer

Nagai, Tatsuyuki Director, Episode Director, Storyboard

Aketagawa, Jin Sound Director

Reviews

Jun 24, 2011

Archaeon

Recommended

Dealing with the death of a friend or loved one isn't easy, no matter how old you are, and everyone comes to terms with their loss in different ways. Adults can drink themselves into a stupor in an effort to dull the pain, take off on a journey of self discovery, bury themselves in their work, or find some other coping mechanism. Unfortunately the same isn't true for children, and all too often they are unable to truly deal with the emotional turmoil that occurs.

Now it may seem a bit odd to talk about death, grief, and learning to deal with the loss of someone ... close, but essentially that's what Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai (We Still Don't Know the Name of the Flower We Saw That Day), is all about.

The story opens with Yadomi Jinta, a seemingly grumpy teenager who is playing a game in his room on a hot summer's day whilst his childhood friend Honma Meiko (Menma), pesters him repeatedly. Having had enough of the game, Jinta decides to make lunch, but only for himself and his father which annoys Menma no end as she also wants to eat the ramen he has made.

It all seems like a fairly normal, everyday scene that one might see in anime, but not everything is as it seems ...

On the surface AnoHana looks like a fairly straightforward tale of teenagers learning to deal with a past trauma and maturing in the process, and for the most part that's a fairly accurate perception. The plot is well constructed and takes a measured, almost methodical approach to events which is reflected in the often placid tone of the narrative. Unfortunately this leads to a degree of predictability as certain events in the storyline are clearly foreshadowed, and while the series promotes a degree of empathy for the characters and their situation, there may be occasions where viewers want the story to get to the point.

One surprising aspect is the manner in which flashbacks are used to punctuate specific occurrences or emotions, whilst adding historical context to the relationship between Jinta, Menma, and the rest of the "Super Peace Busters". These sojourns into memory act as a nice counterpoint to the current state of relations between the characters, and highlight just how much has changed for each of them over the last ten years.

This contrast is also reflected in the visuals, and while there is a marked difference in the appearance of almost all of the Super Peace Busters, it's actually the subtle contextual setting that makes the change much more pronounced. The key thing to remember is that people often romanticise personal history and memories, especially if one has undergone some kind of trauma, and AnoHana plays on this by sharpening the focus and darkening the tones on the present day, which contrasts with the soft focus flashbacks that are often filled with "light".

The design itself is well handled, but while efforts have been made to really highlight the changes ten years can make to a child's physical growth, it's the character animation that stands out. A-1 Pictures have tried to visualize the movement differences between a child and an adolescent, and while there are a few niggles here and there, the overall effect promotes the sense that the characters are no longer the children they once were.

Because AnoHana is a character driven piece there is a heavy emphasis placed on the dialogue, and while the majority of the script is actually pretty intuitive, the manner of speech during the flashback scenes can sometimes seem a bit odd. Thankfully the series has some very talented seiyuu on hand, and it's interesting to note that some of the roles feature two different voice actors - one for the present day and one for the past. Each role is given due care and attention, so it's unfortunate that even with so much talent on hand, there are a few issues from time to time as the seiyuu handling the child roles are all adults. Now while this may be standard practice in the industry, studios like Ghibli have proven time and again that children are much more capable of playing the younger roles than the majority of adults, and while the relatively minor flaws in the dialogue do stand out, one has to wonder how different the series could have been if child actors had been used.

AnoHana features a number of slow pieces of background music performed on piano or guitar that reflect the measured plot and add a slightly bittersweet air to the storyline. The opening theme, Aoi Shiori by Galileo Galilei, features a sequence that shows the characters in their past and present forms and hints at the the reason for their emotional difficulties. The ending sequence features a montage of the three girls of the Super Peace Busters, Menma, Anjou Naruko (Anaru), and Tsurumi Chiriko (Tsuruko), and is set to Secret Base ~Kimi ga Kureta Mono~ (10 years after Version), which is a cover of the 2001 single by Zone and is performed by Kayano Ai, Tomatsu Haruka and Hayami Saori, the seiyuu who play the roles of Menma, Anaru and Tsuruko.

Now given the nature of the series and the near constant focus on the characters, certain viewers may assume that AnoHana should feature almost continuous development, so it may come as a surprise to some people that the show takes more of a "stop-start" approach. Because of the attempt to apply a degree of realism to the characters and the emphasis on depicting them as plausible, any attempts at continuous development would seem overly contrived.

Balancing that though, is some rather strong characterisation. One of the key things to remember about each person in the story is that they have experienced a specific defining moment in their lives, and that allows the characters to be depicted as individuals from the start. The strength of the characterisation is even more palpable if one compares the present versions of the Super Peace Busters with their past selves from the flashbacks. That said, there are occasions where the story has difficulty finding a resolution to a given situation so it can sometimes seem as though events are being dragged on in a effort to develop the characters.

AnoHana is a surprisingly simple, yet slightly over sentimental, look at the coping mechanisms of children and adolescents when coming to terms with a past trauma, and in that respect it's one of the more surprising titles of the last few years. The series errs more on the side of soap opera than outright drama from time to time, but like many of the other relatively minor flaws, this can be forgiven in light of the fact that the subject matter is well managed and delivered. In truth, the closest neighbour to AnoHana would probably be Tokyo Magnitude 8.0 as that also highlights the difficulty children have in dealing with the sudden loss of a loved one.

It's difficult to say whether I actually enjoyed the series or not. On the one hand it has some genuinely entertaining moments, but on the other the series deals with an issue that has little enjoyment value (unless watching kids coming to terms with emotional scars is your thing), and even though AnoHana isn't a story without flaws, that doesn't mean it's bad. In fact, the reverse is true as while the series does take a slightly romanticised look at the characters and events, the constant element of realism that runs through the narrative sets this anime apart from many others.

If nothing else, AnoHana is a great example of how good a completely original anime can be.

Reviewer’s Rating: 8

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Jun 27, 2011

Radzeer

Mixed Feelings

What do you do, when you suddenly see a ghost of a person that you were close to? Most people would think it's just their imagination or the effect of stress. But what if your mind doesn't play tricks on you and you really encounter a ghost from the past? AnoHana plays with this idea. The story starts out on a usual day for the shut-in Jinta, who suddenly sees the ghost of his childhood friend Menma. Menma tells Jinta she has a wish that she wants to be granted by him. And from here on, Jinta's unusual summer starts.

Story:
The story itself centers around the ... six members of the Super Peace Busters, which was seemingly disbanded after the death of one their members. At first you'd expect that the story revolves around Menma and her wish but the truth is, the story tries to center around the members' lives and the way they were affected by the death of their friend and the show does a sloppy job with that. Of course true friends wouldn't leave each other in times of need. So why were the Super Peace Busters disbanded? Obviously there are more reasons behind that than the death of their friend.
I personally thought that story would be a coming-of-age story, where the characters deal with the problems of becoming adults and finally dealing with the death of their beloved friend. And boy was I wrong. Instead, the show turned out to be a love story pretty soon and the romance became the major driving force of the entire show. The mystery behind Menma's wish didn't unfold until the last episode and tension has been lifted so suddenly, at first I didn't know how it happened. The story itself moved forward pretty slowly, until the last 3 episodes, where the pace suddenly changed and everything was wrapped rather quickly up in one final episode. Not to mention many questions were left open and many were left unexplained.
The first 4 or 5 episodes were very promising, but after them, the plot went down the drain pretty soon and was dragged out for too long. I think the story could have been told in roughly 6 episodes, and then we could have been spared of all those unnecessary scenes that were dealing with the love polygon between the characters. It's a pity that they wasted 11 episodes on a story that was worth roughly 6 episodes.
The reason why AnoHana became popular is the romance and the fact that you could ship many characters together. Most of the characters rethink their relations to the others and since the cast is half male half female, it is inevitable that some of them play with the thought of starting a relationship with someone other from the Super Peace busters.
The plot wasn't really planned out from the start and it seemed the writer didn't know what to do with the 11 episodes he or she got, the pacing of the story made this obvious. This problem affects most of the original anime shows and AnoHana wasn't an exception either.

Art:
One of the major strong-points of the show. The animation is consistent, the backgrounds are well drawn. This is no wonder, since the anime was originally meant to attract tourists to Chichibu city and I think that AnoHana managed to capture the beauty of the region pretty well and reached its goal with this.

Sound:
The background music fits in the show perfectly, it was very well done. The opening and ending songs are very catchy and perhaps they are the best of the season.

Characters:
There are 6 main characters in the story. The creators could have used 6 episodes to explore their backgrounds and the nature of their problems, but the show wasn't able to do this either. I would have really liked if we could have gotten more info about Chiriko and Poppo too, since they were as important as the other four. The characters aren't any special and there is little to no character development throughout the story. Not to mention everyone is emotionally so unstable, that they can break into crying every now and then. This became very annoying especially in the last two episodes. The conflicts between them feel over-exaggerated most of the time and everyone runs in circles until the very last episode. But the execution of the last episode was so terrible, I can even tell the exact moment when all the problems are suddenly solved. The character interactions are melodramatic and take everything to the extreme. As I was telling earlier I was expecting a coming-of-age show, so I thought maybe the characters were going to discuss their problems and try to find a solution to them, but all the cast was doing was crying and complaining about their issues throughout the story and they didn't even care about the things the others were saying. Without analyzing characters I must say, that they weren't original, the show just managed to re-use some common and popular character archetypes. They are rather easy to forget.

Overall:
This show makes a perfect job on summoning emotions from the viewers and fills the holes of the plot with the tears of the viewer. It started out as a promising drama but failed to live up to its high expectations. But this might be a good start if you're unfamiliar to dramas, because AnoHana heavily relies on the sympathy that you feel towards the characters and takes you on an emotional rollercoaster and sucks you in to the story easily. If you had experiences with dramas before, I suggest you skip the show, because it’s forgettable and has many flaws that might disturb you and the rushed ending basically ruins the tension that has been building up since the beginning. Overall I say that AnoHana is a mediocre show, that had potential, but failed to exploit it, but despite this it became very popular. If you like shipping in general and crying over love stories, AnoHana is the anime for you.

Reviewer’s Rating: 5

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Mar 29, 2015

Tantony1992

Not Recommended

In this review I will defend the claim that "Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai" is an absolutely terrible show. It is well known that this show get's a lot of positive attention. At the time of this write-up, it is currently ranked 42nd on the site overall (or, if the site had good programmers, 39th since Gintama 2015, Unlimited Bladeworks season 2, and One Punch Man are above it and have not even aired any episodes), with a weighted score of 8.70. It is often discussed in forums as being a tear jerker. Indeed, there ... were points where I simply couldn't stop the tears of laughter from flowing down my face. This is a spoiler-filled review.

Ano Hana begins with a boy (Jinta) hanging around a house. There is an immature, white-haired girl pestering him. It turns out that she is the ghost of a girl who died in an accident ten years ago. Her name is Menma, and she has come back to earth to fulfill her wish, just as soon as they find out what it was that she was wishing for. His father's non-reaction to Menma's antics, and a visit from Jinta's friend (Naruko Anjou) suggests that only he can see her, but that she can physically affect things. In other words, the only element of her non-corporeality is that she is invisible and cannot project her voice. She is in no other way a non-corporeal entity, and is LITERALLY just a normal human, except not visible to anybody but Jinta. She can pick things up, and she can eat things, and when she jumps on Naruko her weight is felt.

Menma is portrayed as a very sweet, wonderful little girl. Ignoring nitpicky aspects about how annoying she is, let us examine the larger picture. She is haunting a childhood friend until he spends copious amounts of energy fulfilling her unknown wish. To me, this negates any "cuteness" she may possess and makes her a menacing turd.

The above was merely a subjective issue I had with the show. Now, let's get to the biggest objective issue that I have already alluded to earlier: the fact that Jinta can prove his assertions to everybody, literally, by handing Menma any object whatsoever and pointing out the levitating object. In fact, you could show that it's Menma, and not some other supernatural entity, by draping anything over her body that would reveal the shape of her body. You could even splatter her with mud or paint and you could basically be able to see her just walking around. This is a huge issue because he doesn't do this for the vast majority of the show, and the vast majority of the melodrama can be traced to this plot point.

The plot point starts off as a background thing that could more or less be rationalized away in the first few episodes. Perhaps she cannot do physical things unless Jinta is around, but that's not true because of the scene where she jumps on Naruko and her weight is felt. Perhaps she is limited in some other way. Maybe the things that she touches and cooks are also only visible to Jinta.

As the show transitions into it's middle section, these rationalizations become more and more difficult to contrive. It would be one thing if this didn't affect the character interaction very much, but nearly every tension and grievance can be traced back to the fact that Jinta cannot muster up the 2nd grade level brainpower required to prove Menma's existence. The entire time, I was assuming there was some technicality, but situation after situation confirmed that Menma can just move stuff around at will, as she demonstrates by opening a door (and everybody in the room noticing), knocking stuff off of tables, other people feeling her weight when she jumps on them, and her moving a light and then everybody remarking how the wind couldn't have possibly done it. There is even a sequence where Menma tries to communicate with people and is actually able to place phone calls (but her voice messages aren't there since only Jinta can hear her voice). Meanwhile, the old friend group has a long stick up their collective asses about whether Jinta is just outright lying, and large amounts of time are devoted to melodrama derived from this.

There are several times where Menma is in the room with Jinta, reminiscing with somebody else about the wish situation. Hey... hey idiot... just hand her a thing... hand her literally anything... hey... you can remove all doubt by picking up those chopsticks over there, and then saying "hold this"... you can immediately resolve half of the plot... right now.

At this point, you're still holding out hope that the show will ignore it and you have to come up with your own rationalization for it, or that the show will explicate some as yet hidden concrete reason as to why Jinta cannot provide evidence for his claims. Nope. The worst possible thing happens: he finally has her just hold objects to prove his claim. In episode 9. They even try to rationalize it away by using a character to conjecture that Jinta wanted Menma to himself. Then what was the point of his endless pleading for the group to just believe him in the prior episodes? Essentially, the resolution of this simple plot hole takes six of the eleven episodes. I say six because it is not a central plot point in the first two episodes, whereupon it then becomes important, and then isn't resolved until the 9th episode of the show.

Let's get to the second worst aspect of the show: the characters. We have already shown that Jinta and Menma are terrible characters. We also know that the average IQ of the entire friend group hovers around 40 by dint of their inability to devise any experiments demonstrating the existence of a ghost that can be seen and interacted with by one person and can move physical bodies like a normal person. Moving away from the plot hole (which by itself ruins the entire show) the dynamic between the characters in the group (which is called the 'Super Peace Busters' or SPB) is as follows: two of the males are in love with Menma (Jinta and Matsuyuki), one (Hisakawa) is just a chill dude and the only one to suggest that Menma could just hold something, and the two remaining girls are left wondering why two males are still in love with a girl who died when they where about 5 years old. However, this doesn't stop them from wanting to date them.

A prominent theme in the show is the guilt that all of them feel about the circumstances of their group the day that Menma died. Jinta is a broken human because he defensively argued against accusations of a crush and called Menma ugly, just like every 5 year old on the planet. Matsuyuki is still intensely in love with Menma. In fact, he keeps a broom with a white wig in his closet and frequently takes it out to sniff it; and then runs out in the woods in a cross-dressing cosplay of Menma for multiple consecutive nights. The last two sentences were not a hyperbole or a joke. Hisakawa is the best character, the only one who suggests any way of proving Menma is there prior to episode 9, and the only one whose past (actually seeing Menma get carried down the river and drowned) actually warrants the amount of sadness he exhibits (and he is still less sad than the other group members by orders of magnitude). Anjou has a crush on Jinta, and Tsurumi has a crush on the cross-dressing creep.

The plot hole and terrible characters make the melodrama hard to care about, and it's poorly executed anyways. The show doesn't actually show you anything sad. Instead, it has characters cry so that they can beat you over the head with a metaphorical hammer that says "ITS SAD, WE SWEAR! CRY RIGHT NOW!". You can feel the writers using the crying characters because you don't actually feel sad: you have to be told that something is sad. Nearly every scene in the entire show is melodramatic, which means that the characters only speak in lines that are emotional jabs at one another. At virtually no point do we see more than one consecutive minute of logical, level-headed discussion. Nearly every scene of the last three episodes is insufferably overdramatic, and by the end of the series everybody is bawling all the time and screaming out their feelings.

This is my first ever review. Why did I decide to write this review? I chose to write this review for one main reason: it is the most divergent my opinion has ever been from general consensus about the quality of a show. I am in no way the type of person who diverges on opinion for the sake of divergence. In my opinion, if a show is in the top 100 on MAL, it is probably a very enjoyable show. I also believe that shows with higher ratings are generally better than shows with lower ratings. Popular anime is probably popular because it has good elements in it. I was genuinely shocked at the appalling quality of this anime and cannot possibly see why everybody would think that it's even watchable, let alone near perfect or perfect. The only saving grace was the better than average animation, which prevented it from being a 1.

Reviewer’s Rating: 2

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