Zankyou no Terror


Terror in Resonance

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Alternative Titles

Synonyms: Terror in Tokyo, Terror of Resonance
Japanese: 残響のテロル
English: Terror in Resonance
German: Terror in Resonance
Spanish: Terror in Resonance
French: Terror in Resonance
More titles

Information

Type: TV
Episodes: 11
Status: Finished Airing
Aired: Jul 11, 2014 to Sep 26, 2014
Premiered: Summer 2014
Broadcast: Fridays at 00:50 (JST)
Licensors: Funimation
Studios: MAPPA
Source: Original
Genres: MysteryMystery, SuspenseSuspense
Themes: DetectiveDetective, PsychologicalPsychological
Duration: 22 min. per ep.
Rating: R - 17+ (violence & profanity)

Statistics

Score: 8.081 (scored by 663779663,779 users)
1 indicates a weighted score.
Ranked: #5972
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity: #125
Members: 1,265,959
Favorites: 23,274

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8.08
Ranked #597Popularity #125Members 1,265,959
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Episodes: /11

Synopsis

Painted in red, the word "VON" is all that is left behind after a terrorist attack on a nuclear facility in Japan. The government is shattered by their inability to act, and the police are left frantically searching for ways to crack down the perpetrators. The public are clueless—until, six months later, a strange video makes its way onto the internet. In it, two teenage boys who identify themselves only as "Sphinx" directly challenge the police, threatening to cause destruction and mayhem across Tokyo. Unable to stop the mass panic quickly spreading through the city and desperate for any leads in their investigation, the police struggle to act effectively against these terrorists, with Detective Kenjirou Shibazaki caught in the middle of it all.

Zankyou no Terror tells the story of Nine and Twelve, the two boys behind the masked figures of Sphinx. They should not exist, yet they stand strong in a world of deception and secrets while they make the city fall around them, all in the hopes of burying their own tragic truth.

[Written by MAL Rewrite]

Background

Episodes 1 and 2 were previewed at a screening in Los Angeles at Anime Expo on July 5, 2014. Regular broadcasting began on July 11, 2014.

In an interview with Otaku USA Magazine director Shinichirou Watanabe stated that the music of Icelandic band Sigur Rós gave him visual images that inspired the series and its soundtrack. He also states that the team went to Iceland to record the music.

Characters & Voice Actors

Mob-ko

Supporting
Satake, Uki
Japanese

Mukasa

Supporting
Kanuka, Mitsuaki
Japanese

Hamura

Supporting
Aigasa, Keisuke
Japanese

Kurahashi

Supporting
Tezuka, Hideaki
Japanese

Clarence

Supporting
Takahashi, Daisuke
Japanese

Staff



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Opening Theme

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Amazon Music
Youtube Music
"Trigger" by Yuuki Ozaki (from Galileo Galilei)
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Ending Theme

1: "Dare ka, Umi wo. (誰か、海を。)" by Aimer (eps 1 - 10)
2: "Von" by Arnor Dan (eps 11)




Reviews

Jan 5, 2026
The main story of this was pretty great. There wasn't a lot of time to get across the whole story, but I think they managed. I do think this would have been better if we had more episodes to really get to know the characters' backgrounds more. We understand all of their backgrounds fully, but just getting more clips from their past to develop stronger emotional stakes within the viewer would make certain things hit harder — the show did still hit real hard though, especially the ending. Also, you're not left with any questions by the end, which is another ...
Nov 30, 2025
Mixed Feelings
Man, this was a struggle to get through - despite the pretty animations and genuinely beautiful music. The story keeps threatening to live up to them, but it never gets anywhere close. Roughly once every 3 episodes or so there's a moment of genuine intrigue and suspense but that's it.

9 and 12 are... Fine characters but I didn't really care too much about them. I kept rooting for Lisa and 5 to get proper development, to become less obnoxious but it never happened. The only character I genuinely really like is Shibazaki. What can I say, I'm a sucker for the middle aged wash ...
Feb 4, 2025
It seems as though, in America, there is a cult-like obsession with Shinichiro Watanabe. This can be attributed largely to the immense stateside success of "Cowboy Bebop" and "Samurai Champloo." Because of their heavy presence on the Adult Swim programming block, during the early days when anime was still becoming mainstream in the states, they have a lot of nostalgia factor for many people. Unfortunately, many self-proclaimed 'anime fans' in this country are in the business of mistaking their own nostalgia for another man's genius. Although I am a fan of "Champloo," I am under no such delusion. For a long time, I have felt ...

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