The iDOLM@STER

765 Production Studio manages the unique talents of 13 professional idols as they slowly make their way to the top and become country-wide celebrities. But the girls' journey is far from just fun and games: hard work, sweat, and tears are some of the prerequisites needed to flourish in this industry—and for 765 Pro in particular, a watchful eye out for their rival, the infamous 961 Production.

As the girls' fame grows, however, their time together as a family diminishes, and now the very popularity they sought is threatening to tear them apart. A difficult balance of work and bonding must be achieved, or they risk everyone going their separate ways. The personal and professional ordeals of these idols can not be conquered alone, but with each other's loving support, any obstacle or hardship can be overcome!

[Written by MAL Rewrite]

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Adaptation:	The iDOLM@STER
Alternative setting:	iDOLM@STER Xenoglossia, The iDOLM@STER Cinderella Girls, The iDOLM@STER Million Live! 1-shuunen Kinen PV, The iDOLM@STER Million Live! "Dreaming!" Animation PV, The iDOLM@STER SideM, The iDOLM@STER Million Live! 4-shuunen Kinen PV, The iDOLM@STER Shiny Colors
Alternative version:	The iDOLM@STER Live For You!
Sequel:	The iDOLM@STER: 765 Pro to Iu Monogatari
Spin-off:	Puchimas!: Petit iDOLM@STER, Puchimas!!: Petit Petit iDOLM@STER, The iDOLM@STER Million Live!
Other:	Voy@ger

More characters

Characters & Voice Actors

Kisaragi, Chihaya

Main

Imai, Asami
Japanese

Hoshii, Miki

Main

Hasegawa, Akiko
Japanese

Kikuchi, Makoto

Main

Hirata, Hiromi
Japanese

Shijou, Takane

Main

Hara, Yumi
Japanese

Amami, Haruka

Main

Nakamura, Eriko
Japanese

Minase, Iori

Main

Kugimiya, Rie
Japanese

Ganaha, Hibiki

Main

Numakura, Manami
Japanese

Takatsuki, Yayoi

Main

Nigo, Mayako
Japanese

Hagiwara, Yukiho

Main

Asakura, Azumi
Japanese

Miura, Azusa

Main

Takahashi, Chiaki
Japanese

More staff

Staff

Toba, Yousuke

Producer

Nishigori, Atsushi

Director, Episode Director, Script, Storyboard, Animation Director, Assistant Animation Director, Character Design, Key Animation, Layout, Series Composition

Takao, Noriko

Director, Episode Director, Storyboard, Series Production Director, Layout, Key Animation

Kikuta, Hiromi

Sound Director

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Opening Theme

	1: "READY!!" by 765PRO ALLSTARS (eps 2-12)
	2: "CHANGE!!!!" by 765PRO ALLSTARS (eps 14-19, 21-23, 25)

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Ending Theme

	20: cont. (Asami Imai & Eriko Nakamura & Akiko Hasegawa & Mayako Nigo & Azumi Asakura & Hiromi Hirata & Asami Shimoda & Rie Kugimiya & Chiaki Takahashi & Yumi Hara & Manami Numakura) (ep 20)
	1: "The world is all one!!" by 765PRO ALLSTARS (eps 1)
	2: "Positive! (ポジティブ!)" by Iori Minase & Yayoi Takatsuki (Rie Kugimiya & Mayako Nigo) (eps 2)
	3: "First Stage" by Yukiho Hagiwara & Makoto Kikuchi (Azumi Asakura & Hiromi Hirata) (eps 3)
	4: "Aoi Tori (蒼い鳥)" by Chihaya Kisaragi (Asami Imai) (eps 4)
	5: "MOONY" by Chihaya Kisaragi & Azusa Miura & Makoto Kikuchi & Miki Hoshii & Hibiki Ganaha & Ritsuko Akizuki (Asami Imai & Chiaki Takahashi & Hiromi Hirata & Akiko Hasegawa & Manami Numakura & Naomi Wakabayashi) (eps 5)
	6: "THE IDOLM@STER" by 765PRO ALLSTARS (eps 6)
	7: "Ohayou!! Asagohan (おはよう!! 朝ご飯)" by Yayoi Takatsuki (Mayako Nigo) (eps 7)
	8: "Hanikami! First Bite (ハニカミ! ファーストバイト)" by Ryuuguu Komachi (Iori Minase & Azusa Miura & Ami Futami) (Rie Kugimiya & Chiaki Takahashi & Asami Shimoda) (eps 8)
	9: "Reimei Starline (黎明スターライン)" by Ami Futami & Mami Futami (Asami Shimoda) (eps 9)
	10: "GO MY WAY!!" by 765PRO ALLSTARS & 876PRO ALLSTARS (eps 10)
	11: "START!!" by Haruka Amami (Eriko Nakamura) (eps 11)
	12: "Shocking na Kare! (ショッキングな彼!)" by Miki Hoshii (Akiko Hasegawa) (eps 12)
	13: "i" by 765PRO ALLSTARS (eps 13)
	14: "Colorful Days" by Haruka Amami & Miki Hoshii & Chihaya Kisaragi & Ami Futami & Mami Futami & Takane Shijou & Hibiki Ganaha (Eriko Nakamura & Akiko Hasegawa & Asami Imai & Asami Shimoda & Yumi Hara & Manami Numakura) (eps 14)
	15: "MEGARE!" by 765PRO ALLSTARS (eps 15)
	16: "Brand New Day!" by Hibiki Ganaha (Manami Numakura) (eps 16)
	17: "Cheering Letter (チアリングレター)" by Makoto Kikuchi (Hiromi Hirata) (eps 17)
	18: "Mahou wo Kakete! (魔法をかけて!)" by Ritsuko Akizuki (Naomi Wakabayashi) (eps 18)
	19: "Kazahana (風花)" by Takane Shijou (Yumi Hara) (eps 19)
	20: "Yakusoku (約束)" by Chihaya Kisaragi & Haruka Amami & Miki Hoshii & Yayoi Takatsuki & Yukiho Hagiwara & Makoto Kikuchi & Ami Futami & Mami Futami & Iori Minase & Azusa Miura & Takane Shijou & Hibiki Ganaha (eps 20)
	21: "Sora (空)" by Kotori Otonashi (Juri Takita) (eps 21)
	22: "Happy Christmas" by Haruka Amami & Chihaya Kisaragi & Ami Futami & Mami Futami & Azusa Miura & Takane Shijou & Hibiki Ganaha (Eriko Nakamura & Asami Imai & Asami Shimoda & Chiaki Takahashi & Yumi Hara & Manami Numakura) (eps 22)
	23: "Mitsumete (見つめて) (instrumental)" (eps 23)
	24: "Massugu (まっすぐ)" by 765PRO ALLSTARS (eps 24)
	25: "Watashi-tachi wa Zutto...Deshou? (私たちはずっと…でしょう？)" by 765PRO ALLSTARS (eps 25)

More theme songs

Reviews

Dec 26, 2011

Ryhzuo

Recommended

When one gets to point where they begin disregarding anime because they have too many girls on their front poster, it's probably time to take moment and re-evaluate. Granted, I've forced myself to sit through so many generic harems, rom-coms and ecchis these past few years that it has almost become reflexive of me to steer clear of any anime which possibly looks like it may contain any one of the aforementioned three. It was only natural then when I saw the poster of The Idolm@ster, an ensemble of 13 cute girls gawking up at me, that alarm bells tripped off in my head like ... fire sirens at a pyromaniac's convention. Only due to vigorous recommendations did I reluctantly pick up the series later on.

Proverbial justice looks down on the pretentiously knowledgeable, or so it would seem. My transition from skepticism to fanboyism was swift. Within episodes I was converted, all preconceived doubts I harboured for the series unfounded or long forgotten. I almost felt ashamed, my predictions of meaningless plot and mindless ecchi not only completely wrong, but also reflected the conceited critic that I had become. The Idolm@ster humbled me, never again shall I judge an anime at face value.

The Idolm@ster follows story of 765 productions, a small time idol agency and their road to stardom and success. The narrative of each episode are alike but flexible, each one generally focuses on the backstory of one character, but also contains plenty of interwoven exposition of various other characters so that no episode can really be considered standalone. The general theme of each episode often revolves around a character issue or weakness, some form drama arises from this issue, which is then eventually resolved with the character experiencing some kind of revelation or growth. In many episodes the show cleverly relates the story to a broader context; for example the episode "Everything Starts with One Courageous Step" refers both to Yukiho's small step in facing her phobia, and the day's events as 765 production's first step towards their future.

There are times where the structure of each episode feels a little formulaic, however this is largely offset by the large variety of different stories the show offers. The tone of the stories are what I like to call very PG-13 esque, many of the problems and struggles are grounded in realism, but airbrushed with a heavy hint of optimism. Whilst the drama does get quite heavy towards the later stages of the anime, you can always rest assured that there will be a happy conclusion. In fact, the entire overarching theme of the anime seem to revolve the simple ideas of happiness and optimism which it conveys well, sometimes to a fault.

The characters of course are, quite literally, the stars of the show. It quickly becomes apparent how unexpectedly deep the characterization for these girls go. Each character is unique and Idolm@ster goes out of it's way to make sure these girls all interesting and memorable, which it does a surprisingly good job of. Idolm@ster features an amazing ensemble of voice actors that do a fantastic job of bringing these characters to life, both on stage singing as idols or off stage exchanging playful banter with each other.

Ironically, the true unsung hero is actually the main protagonist. Given a largely clean slate, the nameless "producer" remains very undeveloped and uncharacterized, acting as a role of sorts for the viewer to jump into, (if one was interested in that sort of stuff). What it also meant was that the spotlight always on the girls, never stolen away to implicate or relate the girls with a largely support figure character, romantically or otherwise. Funny how irrelevant the titular character ended up being.

There are many standout qualities The Idolm@ster offers, but the gem of the glitter has to go to the cinematography. In many ways the cinematic progression of the show reflects the characters themselves. While 'offstage' the production value is reasonable at best, easy to look at but not spectacular. The anime goes about it's daily business, not hinting at the show that's about to come.

Then, as stage is set and the music cues, here's when you finally realize that all bets are off. Explosions of lights and sound ensue, magnificently choreographed sequences aided by thrilling transitions, zooms, pans and cinematic techniques I didn't even think Japan knew existed, all cumulating in an electrify experience that's really putting my vocabulary limit to the test. The contrast of onstage and off really allows you to appreciate the level of workmanship devoted into these few minutes of animation. And then there's the ED sequences, which being unique to each episode itself is already unprecedented, also offers some great imagineative style backed with wonderfully fitting music. I have nothing more to say about The Idolm@ster's production value, other than two giant thumbs up of approval.

The Idolm@ster is in many ways a neat little snippet into a prominent Japanese idol subculture. Though perhaps not entirely accurate and/or realistic, The Idolm@ster takes a risk with it's presentation, using what could easy come off as a simplistic and childish tone, and instead delivering on a show that has both enthusiasm, energy and character.

Watch Idolm@ster with an open heart, and you'll quickly discover the sparkle that is perhaps one of the most underrated anime this season.

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Dec 23, 2011

Inushinde

Mixed Feelings

There are some anime series that you desperately want to love. You’re either drawn in by the premise, one of the characters will strike your fancy for some reason and you’ll begin a furious Pixiv binge in search of any fanart of them to the point that your computer crashes and you’re declared legally dead, or you see some shimmer of pure gold underneath that thick sheen of shit and mediocrity and want to see if it’ll be more evident later on. The Idolmaster was one of the latter series, and it left me feeling entirely unsatisfied from start to finish.

The premise is simple enough: ... Twelve girls of questionable talent with single-note personalities and insecurities all vie for the chance to become idols with the help of their talent company and their ever-faithful producer. This single idea takes them all over Japan as their popularity inexplicably soars and they learn important things like trust, friendship, and synchronized dancing. Say what you will about the overall quality, it sticks to this premise throughout without ever losing the spirit of the idea. If you’re not in the market for a show all about the power of friendship or supposedly catchy pop music, there won’t be much for you here.

For me, the most important thing in any show is how the characters develop and interact. Something with a fantastic plot or great production won’t leave much of an impression if the characters don’t; see Madoka Magica. Unfortunately, this is the first and gravest misstep that the Idolmaster makes.

Though it really can’t be helped with such a large cast of main characters, there isn’t much gravity to how the characters develop or interact. One minute, soliloquies are dropped regarding what problems a certain character has on their rocky road to idol stardom, the next the plot tousles them on the head, tells them to move on with their lives, and it’s never brought up again. While I understand that everybody is supposed to develop, it still feels awkwardly crammed in when it shouldn’t be.

This would be acceptable if all of the characters were memorable in some way, but some quite simply shine over the many others, leading to some intimate moments feeling resolved much too quickly in order to get back to what the Idolmaster perceives to be the most important characters. Haruka and the Futami twins seem to take up the most time, leaving the likes of Azusa and Makoto in the background for all but a few scant moments when they could have been fleshed out and humanized much more.

These overly-sentimental bits are punctuated every so often by the meddling of a rival talent company, 961 Pro, led by the conniving Takao Kuroi, which essentially play out the same each time. While they’re a welcome distraction from the slew of halfhearted character developments, these scenes could have easily been left out without the series suffering in any way. Don’t get me wrong, these were the only episodes in which I believed that the 765 Pro girls would come out more mature and fleshed out in the end, but I acknowledge their overall pointlessness. They take away nothing from the experience, but they add very little in return.

Where the Idolmaster came closest to breaking out of mediocrity was in the last few episodes, as Haruka dealt with everyone’s newfound success and consequential estrangement. It’s well paced and actually competent, leading to a complete departure from the episodic format of before.

Story and character-wise, the Idolmaster falls a bit flat for me, even with the competently strung together drama in the final episodes. However, if there is one area where it shines, it’s definitely the production. The animation is crisp, the character designs are pleasing to the eye and soft by comparison, the dancing is wonderfully choreographed, the music could actually be confused for something thrown onto the market to be bought by thousands of impressionable Japanese teens and otaku of all sorts… in short, the Idolmaster went all out to bring the games to life, and that’s something to be admired.

Yet, for all the dazzling displays and occasional moments of interesting storytelling, the Idolmaster fails to be anything more than a flashy series that’s ultimately completely forgettable. Yet I can say without a shadow of a doubt that this is the best adaptation of the game series that anybody’s ever going to make. I tried to like the Idolmaster for what it was, and I did enjoy it every now and then, but overall it was a disappointing experience that I wouldn’t in good faith recommend.

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Jul 31, 2016

KUNYIT

Not Recommended

Story: 3 (no impact. Mostly episodic, and while episode 08 is the only one that i like, the rest was boring for me)
Art: 8 (moe-moe cute girls)
Sound: 7
CHaracter: 2 (annoying and childish)
Enjoyment: 2
Overall: 2 (don't bother this at all)

Before proceeding to review sentence, allow me to apologize for my harsh overall ratings.

The Idol Master has potential to be the most entertaining idol anime because it was adopted by A-1 Picture that notably has abundant budget to create appealing animation, art, and music/OST. Unfortunately it falls apart from the expectation due to that it diverges its way from being realistic in idol topic...or not ...

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Do you have the original (this one) in order to watch million live and cinderella girls FruityLime - Dec 9	1 replies	by Mardhav_2007 »» Yesterday, 3:58 AM
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The iDOLM@STER

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Characters & Voice Actors

Kisaragi, Chihaya

Hoshii, Miki

Kikuchi, Makoto

Shijou, Takane

Amami, Haruka

Minase, Iori

Ganaha, Hibiki

Takatsuki, Yayoi

Hagiwara, Yukiho

Miura, Azusa

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The iDOLM@STER

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Synopsis

Background

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Staff

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