English: KILL la KILL
Status: Finished Airing
Aired: Oct 4, 2013 to Mar 28, 2014
24 min. per episode
R - 17+ (violence & profanity)
L represents licensing company
Score: 8.441 (scored by 91122 users)
1 indicates a weighted score
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SynopsisRyuuko Matoi is a vagrant school girl traveling from place to place searching for clues to the truth behind her father's death—the "woman with the scissor blade." The journey has led Ryuuko to Honnouji Academy.
Honnouji Academy—where an elite group of students is granted superhuman power by their special uniforms called the "Goku uniform." With the power of the uniform, the student body president, Satsuki Kiryuin rules the students with unquestioned power and fear.
Satsuki holds the secret to the "scissor blade" and Ryuuko confronts Satsuki to gain information but... Was their encounter a mere coincidence or fate? The clash between the two will soon consume the whole academy!
Related AnimeAdaptation: Kill la Kill
Sequel: Kill la Kill Special
Characters & Voice Actors
It's been said by many veteran anime watchers that anime is dying. In the old days we had our Cowboy Bebop, Trigun, Wolf's Rain, Neon Genesis Evangelion, Akira, FLCL, Berserk, Fist of the North Star, and Miyazaki; we had Space Captain Harlock, Lupin the Third, Yu Yu Hakusho, and Ghost in the Shell. Even if you haven't seen these, you've likely at least heard of them and the impact that they've had on anime as a whole. Anime was an intellectual, creative medium that reflected flair and pizazz. It wasn't just silly entertainment for kids, like many Western cartoons, and people of all ages could enjoy it. As of late it seems that anime has been stuck in a rut of moe, harems, rom-coms with unrealistically dense male MC’s, and onii-chan/imouto obsessive garbage. Lately there's been a lack of courage to sack up, step outside of the box, and say, "Hey, let's try something new." After you peruse season after season of the same regurgitated genres you might find yourself wondering if anime has lost its way... And to answer that question Trigger will look down and whisper: "No."
Watching the story of Kill la Kill unfold was confusing, exhilarating, comical, lively, and goddamn refreshing. What began as a simple revenge story, with a shaky plot direction, overabundance of fan-service, and obnoxiously flashy fight scenes, ended in a surprisingly competent and satisfying fashion. Although Kill la Kill is entertaining, it is still a series that prioritizes style more than substance. This isn’t to say that the series is shallow in the slightest, but it’s often difficult to overlook the abundance of panty shots, suffocatingly tight and revealing outfits, the FLCL-esque action, and all their allure.
While there is a lot of wild enjoyment to be had in Kill la Kill, it's also easy to disregard what makes this series so brilliant. Part of the genius behind Kill la Kill is the fact that the show itself is a parody of many overused tropes in recent anime. Oversexualized, provocative clothing and fan-service for no reason? Check. Student council is overpowered? Check. School system that emphasizes uniforms? Check. Story about revenge? Also check. Not only does the series poke fun at commonalities in anime, it also fires shots at the oppressive nature of the Japanese education system. The most astounding part about all of this is that Kill la Kill doesn't just adhere to the common tropes itself for shits and giggles; it actually takes these tropes and literally makes them its plot. Even if you don't take the stance on viewing the series as a parody, you'd probably still find the series entertaining and fun to watch on a different standard. That's ingenuity, ladies and gentlemen.
Trigger did something interesting with its characters in Kill la Kill that you don’t see in anime too often, adding to the fresh factor of the show. They took a series that banks on testosterone-based, over-the-top action and made the main characters girls. It's not often that you come across an anime with a strong female lead that can not only stand up for herself, but also against tyranny and male counter parts. Ryuuko personifies these values. There’s a struggle within our current modern-day society to fit in with social norms. It’s tough to be that black sheep individual that goes about their own business without being judged by the majority, hence why we generally follow fashion trends, region-specific social etiquette, and so forth. The growth of Ryuuko reflects this as the development of her character is steadily shown across the span of the series. Ryuuko starts off as a bland teenage girl with attitude looking for retribution against the one who killed her father. When introduced to Senketsu — a revealing sailor uniform made of life fibers — she is submitted to humility in exchange for power. It’s things like this that should make you raise an eyebrow and wonder whether or not this is reflective of the advantages and disadvantages that sexuality offers women. Maybe I’m looking too much into it, or maybe I’m right. What’s great about Kill la Kill is that there isn't a right answer. You take from it what you want.
While Ryuuko portrays big themes and intricate lessons woven into her character, it would be a crime to disregard the rest of the cast of the series. The character body of Kill la Kill is quite diverse and there are plenty of likable characters. Each character brings something to the table in terms of entertainment and, as a whole, makes sure that there’s never a dull moment. Characters that are depicted as the antagonists, such as Satsuki and the Four Devas, are likeable. Mako, who is essentially the fool, is actually funny. The way these characters fit the mold of wacky, but wacky with personality, is astounding. Characters feel like they fit into the show seamlessly and that can be hard to come by.
The art and animation is similar to the chaotic, yet extremely fun style that Gainax offered in both FLCL and TTGL. It’s hard to ignore the resemblance when Hiroyuki Imaishi and Masahiko Ohtsuka, originally from Gainax, are now a part of Studio Trigger. The action defies logic and physics, the art is stellar, the animation is fluid, the backdrops are majestic, and all of it meshes together nicely. The sound criteria of Kill la Kill is also quite exceptional itself. The OP’s and ED’s are good, the OST is great, and the voice acting is on point. There’s nothing else to ask for. With that being said, I think the biggest problem is that Trigger has with Kill la Kill is that while retaining the style, they also retained dips in the quality of the art and animation, similar to those in TTGL. There's a lot of repeated animated scenes, such as the Kamui change scene, the shot of the heel clicking the ground, and even sword swinging. It’s not horrible or extremely detrimental to enjoyment, but it is there. The animation drops for a series as chaotic as Kill la Kill is understandable, given that Studio Trigger is also very new, and so I’d take this fault with a grain of salt.
For Studio Trigger’s first original anime series, Kill la Kill came in and went out with a bang. While it doesn't quite hit the status of masterpiece, I’ve been made a fan. I will be looking forward to whatever creativity their future works will bring. read more
It’s not often I come across shows that I would consider an “instant classic,” a term that is often thrown out by a lot of movie critics. There have been a lot of anime classics in recent memory that have proved to be worthy of the spotlight and has garnered intense admiration from both casual and hardcore fans. However, these past couple years have proved that the ones that do get a great deal of hype and attention during its inception are looked at with mostly skepticism as to whether they deserved all of it to begin with. Then in the year 2013 , out comes a show named Kill La Kill. A show that had the same extraordinary exposure that not only justified its own hype, but managed to break the mold for current trends that will make it unforgettable for years on end.
If you don’t know the history of how this project was made, it’s quite an accomplishment, to say the least, for a little studio like Trigger. Being headed by director, Hiroyuki Imaishi, a man who previously worked for Gainax and directed the other anime classics like Gurren Lagaan and Panty & Stocking, but later left in 2011 to form Trigger with co-director Masahiko Ohtsuka. Considering how Gainax has been doing as of late, this would probably be the smartest move any director would’ve ever made. The studio has made a few production credits before Kill La Kill and had gained some exposure after making the short film Little Witch Academia. Finally, they made their first official anime series in Kill La Kill. Out of all of the debuts for anime studios, you couldn’t have asked for a stellar first impression quite like this show.
From the very opening of the first episode of Kill La Kill, we are now being shoved into a world that is chaotic and filled with disorder within the social classes of people. Not just from the actual story itself, but from the art style and animation that comes with them. Every single character is drawn with fluid clarity while at the same time very disorganized with a really cartoonish aesthetic to it. These sorts of thematic set-pieces shouldn’t be a surprise to anyone who has seen Gurren Lagaan; at the same time, it can be argued that Kill La Kill is ten times more wacky than Gurren Lagaan in terms of tone and art style. It’s these two aspects about Hiroyuki that really make him one of the top anime directors living today, in how he has this huge vision for spectacle. More often than not, he does not disappoint in any of the shows he’s been at the helm of.
To describe the plot in the simplest terms, it’s quite absurd, silly, anarchistic, and ridiculous in many areas. Many might see this as a negative at face value with the advent of gratuitous fanservice being thrown out left and right, the uneven pacing, and the alienating nature of how the story is told with hardly any context. Yet, despite all of these aspects that might sound negative at first, upon closer speculation of the show as it goes along, all of them feel really proper to Kill La Kill’s overall vision of how it portrays its story, characters, and art. All of them have the specific purpose of being the way they are and they succeed in achieving the amount of charm and personality it incorporates with them that make them entertaining to watch and laugh at. Now, if it were animated in a traditional way, like how most anime shows are animated, it wouldn’t have necessarily been bad, but it just wouldn’t accomplish nearly enough with the lack of coherency with the tone and animation.
In critiquing the actual plot itself, it’s not necessarily the most original that anime has come to expect. Just your average revenge action show that follows a linear narrative of a girl, named Ryuuko Matoi, with her sidekick, Mako Mankanshou, who she encounters early on in her revenge journey to kill the main villain of the show, Satsuki Kiryuuin. That shouldn’t suggest that Kill La Kill needed to have a complex story to begin with. Everything else that makes the show work is its self-awareness of how nonsensical the action scenes are and the ridiculous amount of fanservice that would put most ecchi series to shame. As I’ve described the show’s plot as anarchistic before, I meant that in the sense of how the writers feel that they basically shot down the cliches that have plagued the vast majority of anime today and make them of their own accord that make them unique to Kill La Kill. They are the same cliches, but they make it fresh by how they portray it in an old-school layout with the Japanese texts that pop up, which are reminiscent of anime from the ’90s. As with Gurren Lagaan, Kill La Kill’s grand finale proves to be worth the joyous ride thanks to some well-developed cliffhangers that add some very interesting plot twists.
Along with plot, the characters that sprout up in Kill La Kill are no less than unforgettable from their personalities to their eventual growth as real characters. Individually, I’d like to start with the main hero, Ryuuko Matoi. Her intentions are simple in layman’s terms, however her enthusiastic rage and determination written to her archetype are absolutely stellar. It’s these two facets that make for an ingenious hero in an action shounen show with the great size and scope that Kill La Kill has. They make the hero engaging and attention-grabbing so we can empathize with her struggle to overcome any obstacle that gets in her way of achieving her goal, whatever the case may be. As the plot goes further, her growth is handled with great clarity and pacing. Her strength and courage become more vivid to see while she improves her well-being as a person after learning new information about who killed her father and so on.
Another character that deserves her own spotlight is the lovable Mako. Probably the most eccentric out of all of the characters in Kill La Kill, although her entire family could be construed to that as well. The same way how Ryuuko is a fantastic character due to her charisma and attention-grabbing, Mako is like that but in a different angle. She’s the primary comic relief for the show and thanks to the great snappy animation, her comedic antics that involve jumping on people affectionately to show her love for her friends and her attempts at trying to encourage Ryuuko to stay strong are all incredibly sincere and entertaining. Most of the charm that is apparent in the show come from Mako, and it’s a great blessing that she’s given a huge amount of screen-time, which really gives her a lot of material to show forth.
To finish off the rest of the cast, our main villain Satsuki is about as charismatic and devoted to her goal as our main heroine, which is saying a lot. She has an extremely intimidating presence to her and likewise is always a great sign for a villain. Due to spoilers, I won’t go further on how the other villains play out, but needless to say they all fill out their roles just as well as Satsuki does. The male characters in the show all have the same type of charisma that made Mako a great character, with the similar comedic schtick that only differs slightly due to their genders. Another sidekick to Ryuuko is her own talking outfit Senketsu, whose amusing quips are pretty genuine and funny.
Fanservice has been the black sheep of anime for many people who generally can’t get into it. Some may say that there’s no such thing as an intelligent way of showcasing fanservice, but that’s far from the truth. Sure, there are many examples that do fail in doing so, but that doesn’t necessarily mean that fanservice can’t be done in a positive manner; in which Kill La Kill may be the best example that we have. Allow me to explain. You have girls wearing very provocative clothing in this show that barely covers every part of their body that might seem like they are just portrayed as objects or characters just for the sake of sexual promiscuity. Bad fanservice like this is when girls are only portrayed as that and nothing else, but good fanservice is when the girls themselves actually control their sexuality and body that overshadows the potential scenario of becoming just an object of affection. When Ryuuko puts on the suggestive outfit, she still becomes a strong woman despite being portrayed in this lewd fashion and is able to become one with the outfit, along with Satsuki. When you want fanservice to become intelligent, you need to realize the true strength of how girls can truly become independent beings and still become strong characters, while pleasing the audiences’ eyes as a bonus. If you don’t even attempt in doing so, then you’ve failed to gain any sort of merit to the fanservice.
For a while, there hasn’t been many action anime that actually made me feel really excited to watch the actual action, due to how the animation in most of them don’t really translate well with great flair and precision. Backed up with the animation of Kill La Kill, I found myself really engaged with the action in the show by how the art style of the characters and how they move really fluidly in the retro looking animation. The way to do action right is to keep the action flowing with minimal interference while we listen to the characters thinking to themselves for almost a minute on how they’ll get out of a certain situation. Not a dull moment passes by with the level of creativity that is given to Kill La Kill’s animation and the action sequences are just one of the few big reasons as to why this is the case.
With music being the main driving force of how action can be exciting, The main genre Kill La Kill focuses on is your typical guitar-driven orchestration that is influenced by many J-Rock acts as of late. The other thing that also gives the show its added camaraderie is the voice casting. Ryuuko being played by Ami Koshimizu is probably the most appropriate voice actress anybody could’ve picked. I would even argue that this is Ami’s best role that she has ever had in her career since Kallen from Code Geass. Another amazing performance is by the up and coming star Aya Suzaki playing Mako. Her energetic voice fits perfectly with Mako’s presence in the show and the amount of enthusiasm she expresses through her lines that go on for quite a while in each episode is quite astounding, to say the least.
The accomplishment of Kill La Kill’s influence is something that will live on for as long as anime will continue to prosper. It’s a show that does not care what its detractors say about it, because it simply doesn’t have any rules or order to be found in its bones. Imaginative ideas are very hard to come by with any medium as of now, but that is to be accepted with how the economic climate is in Japan. Kill La Kill and how it was created by a young studio goes to show that these possibilities still exist and will continue to exist for however long this medium will live. Trigger studio has a lot to prove for whatever projects they’re planning to do in the future, but with this as their first main series, that possibility is but only at arms reach.
Grade: A read more
Both are outrageous series, with an over-the-top animation style and some ludicrous character designs. If you like one of them, you'd most likely enjoy the other.
This serious is full of ridiculousness and crazy fight scenes. It's by the director of Gurren Lagann and it truly shows. We get crazy outfits, villains and fight scenes that just make us think of fire through the flames!
Both series are made by the same group of people, and both series have very fast pace storytelling with wacky and frantic animation. They are both action shows, too.
Kill la Kill has many references to TTGL and is about a badass main character who obtains a special power to battle against the tyranny. Both are epic beyond imagination.
Extremely dynamic and fast pace, pure and over exaggerated epicness and awesomeness, resulting in concentrated wtf and energy.
Those two shows should go together and actually by many are considered as set in one universe - the same adventurous spirit, the same riddiculous actions, many epic fights, unique, memorable characters. There is no end of that positive creaziness :D
TTGL and Kill la Kill are series by the same director so they retain the craziness, excitement, and wild epic battles that both perspective series share (minus the mecha part for KLK).
Both series have similar artwork with the main protagonists going out-all, odds against their adversaries.
The action presented from both of these series is over-the-top in the sense of craziness and insane movements. The main female protagonists also share a trait of being natural-born fighters with gifted talents.
There is also over the top comedy that both series share to deliver entertainment that you deserve.
Kill la Kill is the spiritual successor of Gurren Lagann. Made by Studio Trigger, which was composed of mostly the same crew that brought to you Gurren Lagann. There are some striking parallels between the characters (sometimes even the same voice actor). Fights are brought to ridiculous proportions of awesomeness. Both are quite random at the first half, but in the second half the plot gets moving.
It's made by the same makers and has the same drawing style. It is just as EPIC, and over the top but this one will makes you al ot more sexually frustrated ;) (In a good way)!
From the same creators of Gurren Lagann brings you Kill la Kill
1: Perverted Scenes just like TTGL.
2: Action just like TTGL.
3: Randomness just like TTGL.
4: Awesomeness just like TTGL.
Both are very flashy and over the top, also share some of the same staff and style. They have blatant fanservice and characters aren't afraid to be silly.
If you look on it closer you will see that mechas and clothes are pretty the same, you get in them and get superpowers, jet-packs or other useful stuff to destroy super evil enemies.
It's all about nonsense.
Very similar art styles in just about way from the character designs to the action to the fanservice. The action is always as over-the-top and nonsensical as it can possibly be and (almost) no one in the show ever finds it the least bit strange. Similar mixes of comedy and drama (most of the comedy comes the nonsensical parts). Strong people are extremely overpowered and keep getting stronger. Matoi is kind of a mix of Simon, Kamina, and Yoko all rolled into one girl.
-both are by the same director
-both deny logic and common sense and put forward ridiculousness
-both are epic to the MAX
-both have epic action
-both have similar art style
-both have crazy badass characters
-both are extremely exhilarating and exciting
Conclusion: If you liked one or the other, you will most likely/definitely like the other.
Same animations, same ridiculousness, same great character awesomeness. Both have great plots along with plot twists, and both have some really good scenes.
Both shows are very similar except some replacement so it isn't a copy.
-plot goes from personal fight to galactic level
-similar plot twist and progression
-focusing on friendship
-will power is the strongest power
-instead mechas kill la kill has Goku uniforms
-MC is female in Kill la Killa
-Kill la Killa has ecchi
-more cartoon style
if you liked fighting highschool super uniform boobs you'll love bikini sniper boobs
but seriously same director and equal manliness
These anime where made by the same people. If you like the creative genius of either anime you will more than likely enjoy the other.
The protagonist in both anime are young with one main goal stated at the very beginning of the show. In both they have to overcome insurmountable obstacles to achieve that goal.
the animation and over-the-top nature of the two shows is prevalent throughout each series. Kill La Kill was directed by Gurren Lagann's directors. If you like explosions, ridiculous fight scenes and a great story, these are both shows that you should try out.
Two Blockbusters from the same director in Hiroyuki Imaishi that both have epic battle sequences, amazing soundtrack, over the top animation with a colorful cast of characters that define Manly and Overkill. There is fan service, more so in Kill la Kill...a lot more but it is part of the plot, believe it or not.
It's by the same creators to start off. Kill la Kill doesn't have the mecha genre but its a great anime all the same. Both of these series are about humans fighting back for mankind. Also both of these series have a tenancy to go overboard when their main characters power up. The only real thing I would advise about Kill la Kill is that its more comedy which gives it a slower start from Gurren Lagaan which usually hooks people episode 1.
Both are super over the top not to mention that ''aniki'' looks like one of the characters in kill la kill.Ttrust me when you see him you'll get what i mean. Also in both the Mc's get super powers battle someone with almost the same powers if you consider clothing mechs Kill la Kill is even more similar to Gurren Lagann.
And if you consider the premise with the beastmen ruling the world thats pretty similar too
While it may not be a mech-based anime, Kill La Kill is made by the same people who made TTGL. It certainly has the same over the top feeling that TTGL had, and its what makes me love both series so much. If you enjoyed Kamina's outrageousness in TTGL, you'll surely love every character of Kill La Kill.
One word to describe both of these shows: Badass ! These 2 shows have crazy stories with amazing actions scenes that will make your jaw drop.
It has similar fight scenes
It has the same good amount of action
It has a really good storyline
The characters are both extremely good
It gives off the same vibe of wanting to continue
It is very good.
If like me you loved Gurren Lagan, you will find Kill La Kill amazing! I found a lot of similarities between the two animes. Both are a subtile alliance of fights and humour with a little echi side. The two stories evolve really fast, you never get bored.I would put Kill La Kill a little bit above for the quality of the fight scenes.
Both shows are created by Studio Trigger and have over-the-top super powers and creative, crazy, nonsensical action and comedy.
Like the over the top action of Kill la Kill? Then you'll love the SUPER over the top action in TTGL!
They were made by the same producer that made TTGL, that alone made me so excited for KLK when it first came, all the fast paced action and art styles just reminds me of TTGL.
Though KLK had more fanservice, you just have to watch this if you liked TTGL.
Kill La Kill has the same director as Gurren Lagann, so one might think that's the only similarity. But the similarities number far more than just that.
-The animation style of both shows are extremely similar.
-The story is completely batshit crazy in both cases.
-Both have an unbelievable amount of awesome in them(More so Gurren Lagaan than in KLK)
-The main villains aren't what they seem.
-They both have iconic battle songs:"Libera me to Hell" and "Don't lose your way".
-The "over-the-top" action scenes are the main draw in both of them.
If you loved/liked TTGL/KLK then you will probably feel the same way for the other.
-Similar comedy and overblown style
-Both revolve around the "human vs automated life cycle entity (for lack of a better word)" type conflict
The series are subject to character and plot "super-development" with the characters going god-mode and the scales of the plots exploding towards the final episodes.
No plot, just mindless violence. Requires you to put your brain aside and watch. There's bit of fan service present too. But TTGL is better than KlK.
Maybe this two things are the most crazy action-drama+comedy gainax`s titles. I was asking wondering what the hell was going on, laughed and cry at the same time. I stringly recomend both this titles to every anime-lover.
Made by the same studio. Storyline is similar due to the main character starting weak and becoming more and more powerful as the story unfolds. Also both are pretty ridiculous in nature.
Both are made by the same people (Those at Gainax who made Gurren Lagann went on to form Trigger and make Kill La Kill) and are similarly fast-paced and energetic, with simple but interesting storylines and lovable characters. I will follow everything Trigger makes because of these two wonderful anime!
The anime have very similar fast paced zaney action and over the top comedy. The art style and use of colours can also be thought to be similar. Definitely both are worth a watch.
These shows are very similar in their over the top nature. Kill la Kill is very high energy and constant action, whereas FLCL has it's moments of peace. Both these shows are very interesting and fun to watch.
Similar feeling and humour
the art might seem alike as well
FLCL and Kill la Kill are the epitomes of craziness with their delivery.
Both series possess an explosive energy that will draw you in with their action, comedy, drama, and dialogues. By explosive standards, both shows go beyond logic and intensify themselves with their artwork and characters.
Both series' main female protagonists also possess a high degree of energy that unleashes itself like a time-ticking bomb. Their artwork is also similar along with their stunning soundtracks.
Wild animated and wild story
These two anime have similar art styles, and both deal with adolescence (FLCL with a boy and Kill La Kill with a girl). They also both have crazy fight scenes, and similar humor.
If you're looking for the craziness similar to Flcl then look no further, the action is crazy and pretty much throws logic out the window.
The soundtrack on both are awesome, but Flcl easily takes the cake with its amazing soundtrack. They also share that Over-the-top nature.
Both are full of high-action ridiculousness and randomness. The animation is also similar and so is the comedy.
Kill la Kill and FLCL are both just all-round really fun to watch.
Fooly Cooly. One of the first animes I saw and one of the reasons I started my...well, obsession of wanting to watch anime all the time. I was always a little sad at how short Fooly Cooly was and how there weren't that many animes like it around. Then 12 years later Kill La Kill jumps into my life and fills the hole that was once in my heart. Imaishi, Hiroyuki strikes again. The art, random ass story, animation style, and comedy are VERY similar in these two anime. If you've seen FLCL or have been watching KLK I highly recommend the other. Really excited for Kill La Kill. Hope it gets a good reception so this style of comedy can thrive in the anime world.
Over the top insanity and nonsense. Similar art styles and fighting styles with bizarre characters that keep getting stronger and more bizarre. Basically the two shows are just some of the weirdest thingd you will ever watch and if you like that, then both of these are good for you.
They're both just crazy.
They're also extremely fun and essentially have you saying "I don't know what I'm watching but I love it!"
Both are ridiculous but have a lot of action's scene.
It's a wonder these two shows don't come from the same studio. Both anime have a strikingly similar overdramatic feeling, accentuated by changing soundtracks and ridiculous animation. And if you thought Kill la Kill's plot was hard to follow, you'll be blown away by FLCL's. The latter also has the advantage of much less fanservice.
Similar animation, characters, and have almost constant action, with a similar type of comedy
Opening Theme#1: "Sirius (シリウス)" by Eir Aoi (eps 2-14)
#2: "ambiguous" by GARNiDELiA (eps 16-23)
Ending Theme#1: "Sirius (シリウス)" by Eir Aoi (eps 1, 15)
#2: "Gomen ne, Iiko ja Irarenai. (ごめんね、いいコじゃいられない。)" by Miku Sawai (eps 2-14, 24)
#3: "Shinsekai Koukyougaku (新世界交響楽)" by Sayonara Ponytail (さよならポニーテール) (eps 16-23)
Which fansubbers do you like the best? Click + to approve of their subs for this show. Click - if you don't think they did such a great job.
HayaiSUB [Hayaisubs] (Brazilian Portuguese)
AnimeYO! [AnimeYO!] (Brazilian Portuguese)
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