Phantom: Requiem for the Phantom

Mafia is rife in America where assassinations are a regular occurrence on the streets. Inferno, a mysterious company, is behind most of these dealings through the use of their near-invincible human weapon, "Phantom."

One day, a Japanese tourist accidentally witnesses Phantom's latest murder. Desperate to escape, the tourist hides in a secluded building. However, Phantom, revealed to be a young woman named Ein, and the leader of Inferno "Scythe Master" captures the tourist and brainwashes him.

Given the name "Zwei," this once peaceful tourist is now a puppet of Inferno with no memories. Drawn into a world of lies, deceit, and violence, Zwei must fight to survive, hopefully to one day regain his memories and escape from this world where he is constantly on the brink of death.

[Written by MAL Rewrite]

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Adaptation:	Phantom: Requiem for the Phantom, Phantom: Phantom of Inferno
Alternative version:	Phantom The Animation
Spin-off:	Phantom: Requiem for the Phantom Picture Drama

More characters

Characters & Voice Actors

Zwei

Main

Irino, Miyu
Japanese

Ein

Main

Takagaki, Ayahi
Japanese

Devens, Cal

Main

Sawashiro, Miyuki
Japanese

McCunnen, Claudia

Supporting

Hisakawa, Aya
Japanese

Garland, Lizzie

Supporting

Watanabe, Akeno
Japanese

von Giuseppe, Helmut

Supporting

Chiba, Isshin
Japanese

Kubota, Sanae

Supporting

Mizuhashi, Kaori
Japanese

McGuire, Raymond

Supporting

Chiba, Susumu
Japanese

Fujieda, Mio

Supporting

Koshimizu, Ami
Japanese

Inada, Hirono

Supporting

Toyoguchi, Megumi
Japanese

More staff

Staff

Cook, Justin

Producer

Itou, Yoshiyuki

Producer

Oosawa, Nobuhiro

Producer

Yoshinuma, Oshi

Producer

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Opening Theme

	1: "Karma" by KOKIA (eps 1-19)
	2: "Senritsu no Kodomotachi (戦慄の子供たち)" by ALI PROJECT (eps 20-26)

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Ending Theme

	1: "Jigoku no Mon (地獄の門)" by ALI PROJECT (eps 1-19)
	2: "Transparent" by KOKIA (eps 20-26)

Reviews

Feb 23, 2010

Moonfrost

Recommended

Regret always comes last. People realize that they are doing wrong deeds when everything is over. They may try to go after a new life and start again but the fact that they messed up before will haunt them forever.

Story: 9/10
Prepare yourselves as you will be taken into a world full of violence, betrayal, deceit, and madness. You will be in the edge of your seats as every episode is an action packed episode. Everyone has the ability to kill or will kill when they think that their survival is being threatened. The protagonist chose a path that will change his life drastically. Not like ...

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Mar 20, 2015

SSparK

Mixed Feelings

My thirst for gun action animes had grown after watching Hellsing Ultimate and Black Lagoon, and somehow, this particular anime showed up in my recommendations quite frequently. So I gave it a try.

PLOT
It started off with a Japanese young man where he founds himself in a room. Having completely no idea about his reasons for being there and his identity, he tried to explore where he was. It was only then he was "attacked" by a girl named Ein. It was then shown that he was experimented in an abandoned outlet in the States to test his abilities and skills. Next, he realized that his ... memories were lost and he was ultimately forced to work for a large mafia company known as Inferno. He was also given a new name called Zwei. Throughout his jobs, psychological thoughts were tested, manipulated and toyed. I liked how it deals with the mind, about how life feels being abandoned and trapped but you're still urging for an escape. That was how the plot goes. Slowly as the plot progressed, we could see Inferno's goals, the aristocrats' battle for power in the group, the struggle for freedom and of course, betrayal. Ein and Zwei also got closer in their relationship to fight for an escape but was hesitated by doubt and premonitions. I really liked how they played with your mind honestly speaking. But that was how it all started. There were risky but nicely planned plot twists albeit some parts were blurry in terms of where the plot wanted to go. It started off slow, but managed to pick up. The first part was a bumpy ride of despair and hope basically speaking. The second part was the separating point between Ein and Zwei. After Zwei acknowledged his true identity, a tragic incident transpired that caused him to switch paths which ultimately he met a young girl by a chance encounter. A new hope was revived and a new progress was revealed. Although there were more depth relating to power, escape and evil, the psychology was dealt greatly. But after another turning point of a tragic misunderstanding, everything that continued right after that was underwhelming. The third part of the plot became unclear due to a huge gap of time. The psychological aspects were suddenly forgotten, and everything was solely for the sake of a longer, useless plot that felt silly. It's an anime that progressed simply when something hopeful comes up, it's ultimately thrown away by another stupid tragedy only to be compensated by another flicker of hope that's fated to be destroyed once more. The reason for that? I'm guessing it's for masochism. Don't get me wrong, I don't mind multiple tragedies to prolong the story, but when you run out of fresh ideas, it's better not to add another twist that doesn't seem like a fine deal, I don't buy it. With the plot getting unsteady towards the end, the authors perhaps decided to add some more bitter icing to their distasteful cake that not only made it taste worse, but it became inedible. The aforementioned ending obliterated the plot's whole progression, the characters' motives and basically makes you feel horrible. Not only that, it served up as an obviously huge plot hole. I won't tell what but you could probably tell how bad it was coming from me. It was messed up so bad that ultimately, it only tells you this: Nothing in this show, including goals and dignity and essence, actually matters. There's no reason why you need to accomplish something. Which is why the plot was, as I said, wrecked terribly.

ANIMATION
This anime was made in 2009, but it wouldn't mean that I'll give it some leniency for this. I do have reasons. First off, this anime had considerable amounts of fanservice, even at the second minute of the first episode you already get two "you know what" right in your face. However, nudity was, thankfully, not exaggeratedly conspicuous, but still, I can't seem to find reasons for these occurrences, which means that they were unnecessary. The character designs were pretty much bland and lackluster and not consistent all of the time but the backgrounds of the show were brilliant. Action scenes were great though. However, it was awkward seeing different contrasts that didn't compliment each other which felt somewhat incomplete. On the other hand, this anime had two opening and ending animations. As for the first opening and ending, I'll admit it was pretty damn good. It portrayed the mood of the songs perfectly and it was one of the few animes that seem really artistic. Truly, very well done. But, as for the second opening and ending, it burned my eyes. The second opening looked as if it came from a regular slice-of-life show which absolutely couldn't click with the pessimistic song that was playing along with it. The second ending was very lacking in animation compared to the first one and wasn't much to see. In conclusion, the animation is noticeably inconsistent and occasionally lackadaisical.

MUSIC
The soundtrack was actually really good in my opinion. Every track that played in a particular scenario fitted well. Some were good while others were actually really great. I did notice that there were two or more tracks that were remixed in terms of genre to fit the mood of a scene which I have to admit it was pretty ingenious. Repetitiveness may be an issue but the tracks still complimented every scene, and that's more important. The singular genres were diverse ranging from chant, violin, progressive rock, folk, orchestral and even music box while the fusion ones were pretty unique like techno chant, ambient folk with contemporary piano concerto and happy trance mixed with music box and drum 'n' bass. I'm loving the fusion ones more than the singular ones actually, but there's still room for the soundtrack to reach a top-tier level. As for the two opening and ending themes, they were all fantastic. Ali Project and Kokia done a beautiful job in conveying the anime's theme with neoclassical genres to give it an authentic feel to it. The soundtrack's great, but it's such a shame that the animation couldn't keep up with some of the intense or chaotic tracks.

CHARACTERS
The characters were probably the anime's strongest point, but it was also its greatest downfall. The development for the main characters were great and thorough as the plot progressed slowly -- showing the bonding between them as they attempt to escape from the relentless struggle of acquiring freedom. Psychological standpoints from the characters (normally the mains) were dealt in a way that seemed realistic enough to be almost ingenious when it comes to decision making. But secondary characters were a bit lacking and unclear in character development. There were glimpses of their past, probably it gave them the drive of persistence, but it was still insufficient enough to determine their motives, which sometimes made their decisions seemed unappeasable towards me despite the actual plot had a major impact on it. But I felt that some characters were probably, no offense, dumb in making decisions. Most of the time during the last five episodes I was saying: "Why the heck do you do that?!" or "How in the world could you even have that sort of mentality?!" Basically, the characters' decisions and motives were disappointingly shallow which gave off to cliche, silly and predictable drama. But at least the anime gave us an advice: Always check your building even if it's blown up.

PROGRESSION
It started off slow, but managed to pick up its pace just fine in which the show was narrated in an initially unclear form to a clear and transparent understanding of every party striving for their own goal. My only problem with the progression was the third part, and it's always that! It felt tedious and long-winded because it's predictable and not suspenseful. Because of that, the final battle of the show was rushed and didn't seemed to give off a sense of finality that it felt somewhat illogical for it to be rushed due to the plot holes. Even when the main villain was defeated, it didn't feel decisive at all, as if something was lacking. Some major plot holes were obvious enough to be seen with the naked eye that it felt unsatisfactory when it ended, because it wasn't complete. No, it didn't even receive closure. It stopped right before the closure and credits just rolled and that was it. The finale was never shown because something bad was added that was never explained -- which created the biggest plot hole ever.

CONCLUSION
I had been criticising lots of points of Phantom: Requiem of the Phantom, mainly it was because of the third part of the plot that messed up its original brilliance, which I felt biased already. It was initially enjoyable, I'll admit that. I really enjoyed the music as well. But what creates satisfaction is not how it started, but how it ended. It's the show's ending that's more important than its beginning. And since there isn't a sequel, the plot holes will forever remain in your interpretation. Phantom: Requiem of the Phantom started off strongly and interestingly, but gradually loses its grounds and topples.

And deliberating over the ten traits of the anime: plot, characters, music, animation, artwork, progression, voice acting, setting, opening/ending and my personal enjoyment, my verdict for this is a 6.3/10.

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Oct 25, 2015

SanaeK10

Not Recommended

Phantom is simply a mess. It's a mesh of fine ideas that ultimately is not executed well and ends up with a lot of wasted potential. Let's dive down deeper to see how Phantom ended up.

This review contains minor spoilers after the "Read More" mark.

Phantom consists of 3 main arcs, each separated by a recap episode, and each focusing on 3 different characters, Ein, Zwei and Drei, although with Zwei being an important character throughout. The story starts of with an interesting premise of an amnesiac man being manipulated by a shady organization.

However this thread is very quickly resolved when he learns of his ... identity 3 episodes in. And Zwei, oh Zwei isn't known for making rational or even normal decisions. I mean, how else did he get himself stuck in this situation am I right? Several times in the series I really question his true motivations or even reasons for carrying out certain actions, not because of some mysterious plot thread or engaging character behavior, but because of shoddy character writing.

The other main characters aren't any better in this regard. Ein is your standard emotionless girl who finds emotion through main protagonist stereotype and is absolutely dependent on someone else, be it Zwei or Evil Doctor person to live. Her character development is cliche as all hell, and ultimately she isn't much likable as a result.

Drei on the other hand is more entertaining. She is a lot more enjoyable than the other 2 characters when it comes to her scenes, although her character motivations are just terrible. I won't go much into her reasons for being in the plot, but it feels so shoved in and terribly written that I couldn't garner any sympathy for her plight.

The other side characters are pretty forgettable. The main antagonist is an evil doctor whose name I forgot and is always one step ahead of the protagonists but has nothing substantial about him. He's evil and depraved and that pretty much sums up his entire character. Near the end he becomes a lot more theatrical and a lot more entertaining but that still doesn't redeem any of the previous moments involving his character.

There's also the issue of the overall plot. The plot is competent enough, but the characters and the pacing drag it down significantly. The pacing in particular ratchets up so quickly near each arc's end that the audience would be left confused and tired by it's conclusion. The third arc manages it all best, where Zwei and Ein are more likable/less dumb and Drei always makes for interesting encounters.

The series has very bad problems managing its themes/messages. One of the main themes the series attempts to showcase is that a name isn't everything and one should live to be oneself. This theme is delivered in the first arc when Zwei told Ein to ditch her old name and live anew, saying that she shouldn't be retrained by a name. Ironically afterwards he starts calling her Eren and expects her to abide by and live by that arbitrary name he gave her. Ein even calls him out on this but the show just ignores this and thinks it has written something profound or meaningful or something. It's ridiculous.

There's also the ending which is just terrible. It differs from the original visual novel by purposely altering it slightly to make it a bad ending but doing so completely defeats the purpose of the protagonists' journey and is also inconsistent with the previous parts of the anime where they could eat up bullets without needing too much medical attention. It's just bad.

There's a lot more I could go on about but I should just stop here. Phantom isn't worth your time.

4/10

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Phantom: Requiem for the Phantom

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Zwei

Ein

Devens, Cal

McCunnen, Claudia

Garland, Lizzie

von Giuseppe, Helmut

Kubota, Sanae

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