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Apr 29, 2023
Tonari Tenshi is the most miserable experience I've had watching a one-to-one romcom in a while.
I don't know why, but recently shows have a propensity to cast bland no-personality doormats as the MC and have unbelievably hot girls be attracted to no one but him. Fujimiya is a dense motherfucker and bland as all hell, and his obliviousness/stubbornness is frustrating and annoying more than a charm point. That's strike one. Now his love interest (oh I'm sorry, the other person who happens to occupy the same amount of screentime as him, I don't wanna get the wrong idea), Mahiru, is a strange character
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who might as well be a figment of Fujimiya's hallucinations, since she apparently only has eyes for this bland doormat and no one else around her. Strike two.
I'm generally forgiving for shows with bland characters if they can compensate on other fronts, such as plot or world building. But let's not kid ourselves here, this is a romcom with no com and no rom. It's a series of events bordering on voyeurism with someone blatantly meant to be a self insert and a strange girl who can't seem to think for herself beyond being the MC's mom-wife. There is no story, and you're only gonna be watching this shit for its non-existent characters. Strike thrree.
Look, I'm obviously not gonna be self inserting as Fujimiya, or Mahiru for that matter. Romcoms/dramas/whatever you wanna call em are about watching two characters or more get together, so it is imperative that the girls, AND GUYS, be interesting and have some semblance of character. If I ever wanted to self insert, I'd play an eroge. There is no justification or meaning for the existence of shows like these. I hate 1-1 romcoms in general, but at least Uzaki was funny at times. This, and, don't get the wrong idea on this, is an exercise in frustration whenever it isn't boring you. Where the author has a warped and strange idea on how romance works and just comes across as uncomfortable to me in the end.
3/10
Reviewer’s Rating: 4
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Mar 27, 2023
When I saw Draluc pop in a shitty game that has Sugita yelling "QUEST OF SOUL GATE GA HIROGARERU WOW!", I knew then I was in for something truly special.
I wasn't the biggest fan of the first season when this first came out, but KyuuShinu S2 is shaping up to be my favorite comedy of the year. After overcoming the initial hurdle of getting to know everyone, you start to appreciate the humor of KyuuShinu once you know who's who and how they act around each other. And my word does S2 improve upon S1's humor and then some, with familiar characters getting into
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wacky situations and new characters feeling right at home in all the mess.
The series' trademark wacky humor with everyone being a loud asshole never fails to make me laugh. But what elevates this more than the first season for me was how well it balances the chemistry of everyone with each other and constantly finds new ways to humiliate/spotlight already familiar characters. I never asked for a romantic(?), redemption(?) arc for Yakyuuken, but it ended up being surprisingly wholesome, heartwarming, and hilarious at the same time. And I'd never thought I'd see the climax to Mountain of Madness from The Simpsons in anime form. There is just an endless treasure trove of madness lurking in Shin Yokohama that makes you wonder just what the hell is wrong with the town.
The show has it all. Expensive veteran seiyuu being cast as important characters, impeccable comedic timing, stunning visuals, and many, many dick jokes. Somehow they crammed an entire 7 minute section with nothing but dick jokes and it's one of the funniest things this year has to offer. As usual, the animation staff clearly shows a lot of love for the show. Including even subtle references only seasoned readers would get (such as including the butt doctor twitter manga from the author).
KyuuShinu S2 is a blast and I'm not gonna spoil all the other scenarios in the show. If you even had a passing fondness for the first season, the second season just completely blows it out of the water. Go watch it. John is cute.
8/10
Also maybe play QUEST OF SOUL GATE on their official site.
Reviewer’s Rating: 8
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Mar 24, 2023
When they first announced a Trails anime, I was fully expecting the show to be "So Bad It's Good", especially considering the trajectory the series has been going. With Kuro 2 being another shitty followup to an otherwise decent Kuro, and Cold Steel being completely batshit by the time Hajimari ended. What I got however was even more disappointing: A mediocre depiction of the Northern War event.
This anime is not for newcomers at all. You'd need to have read the documents in Cold Steel 3 that describes the war in order to even understand what's going on, who the factions are, and why there is
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even tension to begin with. But, the thing is, you end up not needing to watch the anime if that's the case. There's nothing new the anime adds in terms of world building, plot, or even characters. It all feels so inconsequential in an event that's already pretty inconsequential in the grand scheme of things.
My main gripe is that the show is just mediocre. I suppose it's not the most boring show of the season, but even moments that are supposed to be significant or have any gravitas to them fail to draw out any emotion from me. It goes to show that stripping out the gameplay really exposes how shallow the games really are.
That clown terrorist episode was fun though, and the closest thing that matches the madness of the original series. The rest is as boring as it gets. Not overly predictable, which is nice, but again, when you're not too invested in the characters or the plot, it's hard to be excited over any developments in the story.
There are nice references here and there, but nothing amounting to anything significant. Northern War is a bore and akin to the first half or so of Cold Steel 3 where nothing happens.
5/10
Reviewer’s Rating: 5
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Mar 23, 2023
Onimai has finally Oshimai...
Onimai has got to be one of the best success stories this generation. I remembered reading the original when it was still a Pixiv manga all those years back, and seeing it animated with such high quality animation is simply stunning.
I knew I was in for a treat when the OP first played. Such fluid animation that blows everything else from this decade out of the water, with a flair you haven't seen since the 2000s ended, all wrapped up in a beautifully directed package by the always great Watanabe Akio. No rotoscoping, no 3DCG, no cheap stills, what you see
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is what you get. And this high level of quality continues on with the rest of the show.
Indeed, Onimai, despite the manga being from 2017, feels like a long lost series from the good old days of 2007, where shows with similar themes were much more common than it is today, where you'd get actual varieties in genres and not Isekai A and Isekai B all the time. Hell, this wouldn't feel out of place next to all time greats like Lucky Star or Zetsubou Sensei. A non-ironic non-otaku pandering GB show is so refreshing these days, and I'm glad Bind put in this much effort into making this show into what it is.
One aspect of the show, albeit minor, is the depiction of Mahiro's hobby. I just love seeing the attention to detail paid to depicting the parodies of the various manga/anime/games he owns (along with that one episode where they actually got the rights to show the actual manga covers). If anything, when it comes to Otaku culture, Onimai does serve as a time capsule for the future in preserving how things are in the late 2010s/early 2020s, similar to how Oreimo was for late 2000s/early 2010s.
Compared to the original manga, Onimai has several changes that make it really different from the original source material. Notably the fanservice has been jacked up considerably (the original was a purely wholesome manga, making this even more surprising). I didn't mind this however, if anything it was oddly nostalgic to be harkening back to an era where fanservice heavy shows were dime a dozen without heavy cuts to pander to an overseas audience. Even more surprising is how the show still maintains the essence of the original source material in spite of this, and can get genuinely heartwarming, nay, even more wholesome than the original manga ever could thanks to incredible voice performances and as always, the incredible presentation and directing that binds the show together. Comedic timing is nearly perfect. While some scenes can't be replicated 1:1 because an anime is fundamentally different to a manga when it comes to pacing your scripts, the anime takes advantage of the medium and reimagines scenes to fit the format better.
Mahiro is just so adorable. He's everything you'd want as a little sister, and Mihari's playfulness complements him very well. Not just them, but all the characters have incredible chemistry with each other. You can (and the show often does) mix different characters together and get interesting scenario after scenario out of them. My one minor gripe is Kaede's redesign. She never was that busty or slutty in the original manga, which did put me off a little. I suppose it fits her gyaru personality more, but her gyaruness was never really her appeal in the first place.
My praises above may make the show sound like it's nostalgia pandering, and it's not. Onimai is a show that can easily stand on its own without needing to do so, and believe me I have my fair qualms on nostalgia pandering in general. No, I get the feeling Nekotoufu always wanted to tell this story, and we are blessed that the best studio possible was tasked in making his vision (or some fanservicey version of his vision) a reality.
Mahiro is cute, and the show is very funny. I don't think there's much more you can ask for. It's great entertainment that's very easy on the eyes, and the emotional core is enhanced with the adaptation. Shows like these don't come often, and we have to appreciate what we have.
9/10
(Also eyecatches in a modern cute girls do cute things show!? This show really has captured my heart)
Reviewer’s Rating: 9
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Mar 23, 2023
Urobuchi comes back and pens his first anime in God knows how long and all we get is this!?
Revenger is a poor imitation of Urobuchi's works without the quality that makes his shows the way they are. After watching so much Thunderbolt Fantasy I was hoping to get a show of a similar caliber, now in Feudal Japan instead of China, one that subverts expectations and delivers surprises at every corner. But no, all you get is a predictable "Church Bad Opium Bad Trade Union Bad" story that fails to elicit any emotion from you outside of boredom.
I should have known things were bad when
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the typical damsel in distress who suffers a lot dies in the first episode, with no attempt to either play on our expectations or to make any meaningful statement on it. It just...happens, seemingly out of obligation because "that's what usually happens in a story like this". You get your usual spotlight episodes on each member of the cast in a few episodic adventures before the final arc when the main antagonistic group is finally unveiled.
And I guess that's what it's like to me. Just going through the motions of a predictable story to reach a predictable climax and a predictable ending. Of course the seemingly antagonistic Chinese aren't smuggling opium in, the show is only halfway done; of course the Church that is sanctioning all the murders evil, of course the big baddie is some capitalist. One predictable beat after another you'd swear you've seen the screenplay before.
And all without any fun or interesting characters to save it. No smug sidekick who you're never sure is working for you or not, no obviously evil demon lady your party just happened to recruit, no evil talking swords, no magic talking lutes that sound like a rock guitar, no former villain burning with JUSTICE, no nothing! Here you get stoic, stoic, somewhat standoffish, brat, and muscle man with too little screentime. Each has one tiny quirk that makes them a bit more interesting than your usual flock, like the doctor growing muscles when using a bow, but they are hardly given any time to showcase it. The antagonists that are introduced near the end are a bit more interesting, but by then it's a case of too little, too late, and you really don't have the luxury of developing such characters near the end of such a short series.
Presentation wise it's fine I guess, I've seen worse looking shows with delays in their scheduling. But the show doesn't do anything to sell itself apart from other shows. Coasting off of a recognizable name doesn't magically make your show entertaining, you gotta get the guy you're promoting to put in a modicum of effort into at least producing a screenplay that doesn't seem like it's taken from a textbook. Mediocre shows like this are often harder to sit through compared to actual bad shows since it's never easy to articulate why you're not enjoying your time. You're just passively watching background noise and not really engaging with the show in any manner.
What I'm ultimately saying is that you should go watch Thunderbolt Fantasy if you like the designs in this and want an Urobuchi show from recent times that shows he still has it, and not waste your time on this monument to mediocrity.
5/10. It's so mediocre I can't move my score from its default position.
Reviewer’s Rating: 5
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Mar 22, 2023
Before I continue with this review, a full disclaimer: This isn't an isekai. It's all fake, done with the flimsiest justification plus a reversal so people would read the author's fantasy novel.
Tenten is full of surprises. You would never expect a show selling itself as an Isekai, animated by Diomedia of all people, to look this good. And yet in spite of the odds it still manages to deliver on a believable and engrossing romance set in a (now refreshing) non-RPG-based fantasy world.
It's clear from the word go that the team has a lot of passion and love for the original work. Far from
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being a repeat of the WN or Manga, the anime instead takes advantage of its own medium and does its own thing without deviating from the original source material too much or being a 1-1 repeat.. Gone are the endless expositions, in place are instead more natural integrations into the actual episodes themselves, scenes that happen later in the LN with minimal explanation are given proper foreshadowing too. The show is in that sweet spot where it almost never has a dull moment yet isn't overly exhausting. If I have one critique, it's that the show does feel like it's going too fast.
Anis is great to follow as an MC. Too many shows of this ilk often fall into the same pitfall of being too invincible with conflict only arising from external factors. Anis on the other hand, and this is the big difference between it and most other Isekais, has actual weakness and character flaws within her otherwise bubbly and confident exterior. It's character flaws like these that make Anis so interesting to follow, and makes her eventual romance with Euphy just so fulfilling. Both characters supporting each other in a mutual relationship with their personalities complementing the other may seem like an obvious thing , but believe you me so many shows just has some one way relationship between the audience surrogate and some invincible character with no flaws (COUGHLycoRecoCOUGH). Actually speaking of Chisato, I had similar feelings with Senbongi's performance as Anis. While initially I felt it was off in the PVs, I cannot imagine anyone else doing Anis' voice. She is able to deliver a such believable performance for Anis and really sells her confidence, optimism, determination, and even vulnerability when the story calls for it.
Euphy herself is fine but doesn't fare as well as Anis. She does have her own struggles and overcomes them during the runtime of the show, but she does come across as being too perfect and too willing to put herself for Anis even relatively early on. Still, she is a great foil to Anis' personality and her growth from a meek damsel in distress to a confident leader is well earned. The other secondary characters are fine too. Kudos for having a non typical King character, who's actually kinda crass and straightforward in an Apple Doesn't Fall Far From The Tree kinda way. I do think Kugyu's character appears far too late for her arc to have any significant meaning, Lainie and Ilia complement the main couple well enough, though their arc and spotlight is over too soon for my liking. Tilty is best girl and I always sympathize with her type of character, ie the third wheel who never scores despite meeting the protag first. But as a consequence of having so few episodes to expand upon, these characters do feel somewhat throwaway.
The story itself is fine. I do appreciate it being able to weave from fantasy adventure to political intrigue back to fantasy adventure without feeling out of place, but the true draw of the show really is just Anis and Euphy's relationship. Over time you really do get to understand how the pair ended up falling for each other and how their relationship grows over the course of the series. For my money, it's the best romance show this season, and one that isn't as generic as the usual one-to-one no drama romances that are really common these days. In fact, while the plot beats are fine at best, what truly elevates each scene are the Anis and Euphy and how their drama and growth relates to the scene at hand. I'm particularly enamored with the ending, which delivered such a sweet and satisfying conclusion that serves as the perfect capping off point to the pair's romance across the series. (though with a final flimsy justification to technically classify the show as "Isekai" when it never needed it)
The presentation is surprisingly good, again, coming from Diomedia. Fights that would have been done in 3DCG these days are accomplished in pretty good looking 2D. The show is pleasing to look at, and there is no sense of mediocrity you'd usually get with their shows. Then again, it says a lot when one of the best looking shows of this season is something that is above average and hasn't been delayed.
All in all, Tenten has everything I want in a yuri romance that goes far above and beyond a typical romance. No "best friend" nonsense here, you get what, as its namesake, I hope will bring in a yuri revolution in seasons to come.
Reviewer’s Rating: 8
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Mar 12, 2023
SEGA fans are a dedicated bunch. Even with their exit from console manufacturing, you'll still see dedicated SEGA fans who will passionately gush about their favorite games everywhere. Isekai Ojisan is a beautiful show borne from this passion, and, despite its many delays, manages to pull through with a stunningly fresh take on the Isekai genre.
Isekai Ojisan is 2 shows in one. On one part, you get a pretty comfy Slice of Life on a SEGA fan, who Isekai'd before the Dreamcast came out, and his nephew as they run a Youtube channel. The other half is said SEGA fan, his nephew and nephew's friend
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watching his exploits in Isekailand in a commentary type fashion. For as long as the Isekai genre has gone on, this has got to be the freshest take on it I've ever seen. For one, the MC actually returns to the real world, so it has that going for it. But personally, the real world sections are my favorite of the two as you do see how Ojisan grapples with living in a bold new world where SEGA exited the console business. And magic of course.
As a fan of retro games, and videos about retro games, I loved these segments as the author behind these clearly has a passion and knowledge on actual games. The producers for this must have pulled a lot of strings to have the brand names depicted without censoring unlike the manga, so you get a lot of real world references to not just Sega games, but also Sony, Nintendo, Youtube, and other companies/products as well. And as silly as it may sound, it helps to ground the show and make it more relatable despite the magic realism and all. And speaking of retro games, the OP itself deserves a special shoutout for its commitment to detail as it parodies various Sega games/tech demoes that Ojisan would no doubt be familiar with (down to the Saturn compression for FMVs), while correctly deriving its parodies from sources that came out before Ojisan got Isekai'd.
The Isekai segments are pretty fun too, but outside of the initial premise of a SEGA fan being Isekai'd into a fantasy world, it doesn't deliver anything particularly new or fresh. It's very well executed with plenty of memorable characters and a great sense of humor, but a lot of good isekai also offer that so Isekai Ojisan has one less leg to stand on if you're comparing it with other shows. Still, I've never seen a character like Mabel before appear in an Isekai before. She's somehow even more pathetic and egotistical than Bocchi, and I love her for it. The general plot within these segments is fairly typical and nothing special, but they are there to steer the characters into wacky situations and hijinks, so I don't necessarily hate it for its lack of originality on that front. And again, the unorthodox mix of retro games and Isekai make for a really fun watch.
If you're sick of the endless Isekai shows that crop up every season, you owe it to yourself to watch Isekai Ojisan and be comforted in the fact that there are people out there who don't lazily churn out a cheap shitty power fantasy LN that gets adapted into a mediocre anime down the line. You watch it and then go play Panzer Dragoon again. Preferably on original hardware.
8/10
Reviewer’s Rating: 8
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Mar 12, 2023
Shinkai films (especially after Kimi no na Wa) generally follow a similar pattern: Supernatural disaster + Couple + Poorly Defined Romantic Relationships = Movie. Suzume no Tojimari is no different, even with the perspective switch to a female main character. All this wrapped in an absolutely gorgeous film that has to be seen on a cinema and not on your phone.
And if Shinkai has an Achilles' Heel, it's character drama. I hated 5cm/s despite its beauty and only enjoyed Tenki no Ko in parts. Suzume no Tojimari thankfully eschews most of this, though it does rear its ugly head near the beginning of the
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third act seemingly to drag the film out even more. While I generally prefer character stories over overarching plots, this does not apply when it's done poorly, which is often the case with Shinkai's films. Suzume herself is a fairly flat character, with her developments in romance coming off very suddenly with no buildup, and Souta is barely a presence apart from spouting generic hero lines. The supporting cast don't fare much better either, with poorly defined motivations applying to the main cast and supporting cast alike; like how the main antagonist just decides to give up and aid our heroes for no good reason or why Suzume just wants to sacrifice herself for a dude she barely met for a few days. Like, I hated Hodaka from Tenki no Ko, but he earned that ending at the end.
Of course, for a Shinkai film, characters are ultimately secondary to visuals. The plot, while similar to his most recent entries, does manage to emotionally create a sense of discomfort and despair in me. When I watched the intro and saw the boats on rooftops, I thought, no way are they gonna do a movie on Fukushima and turn it into a supernatural disaster, it'd be in poor taste, it's gotta be some parallel fantasy world the posters keep showing. But, I gotta hand it to Shinkai, I felt he handled the depiction of 3/11 well enough. Depictions of this disaster is somewhat rare in anime, and usually most would use a parallel analogue to indirectly comment on it (Yuuki Yuuna for instance), so seeing a film so straightforwardly addressing the event is surprising and almost constitutes a plot twist in it of its own. The film does a commendable job on highlighting the tragedy and the pain it causes, but also importance and concept of moving on in spite of it without it being overly sappy or melodramatic or preachy. It also does a good job building up to that moment, with the initial door closing events be Suzume relieving the memories of locations abandoned due to time, financial disasters, up to the climax of her relieving her own memories of 3/11 making for a great emotional climax.
But I hated the cats and the worms and the cats really should never have been in the movie.
And of course the visuals need no further elaboration. Suzume no Tojimari's world is highly detailed, beautiful, cozy, and at times, haunting and uncomfortable. Going from the breezy seaside port town in Miyazaki with its large open coasts to the desolate ruins in Fukushima surrounded by seawalls conjours up more emotions than the characters ever could. The audio is a bit of a letdown though. Apart from the music that plays when they close the doors (which also reminded me of Yuuki Yuuna), nothing is particularly memorable, soundtrack wise. Even the ED did nothing for me. A far cry from Tenki no Ko and it being basically a RADWIMPS music video.
All in all, Suzume no Tojimari is exactly what you'd expect from a Shinkai film. You're not gonna get a good story or characters from him, but it's a great way to kill 2 hours in a theatre.
7/10
(Funny story, I watched this thing on 3/11 without realizing it)
Reviewer’s Rating: 7
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Jan 2, 2023
DIY is certainly a rarity among anime. A CGDCT original that's actually really good and not boring/a thinly veiled ad for something. In a season already with several great CGDCT shows already, how does DIY fare?
Quite well in fact. While your typical archetypes are there, they do a good job in making them immensely likeable with plenty of character interactions abound (most noticeably for Yua Serufu, Purin, and Jobko) to let you get a feel for their personalities. With 6 characters as opposed to the usual 4, it can feel a bit overwhelming at times, but the show never feels bloated when it comes to
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its cast, and maximizes their usage well enough in its short runtime. There's nothing you haven't seen before, although the genius loli archetype feels like its 15 years out of fashion, but the show still does a great job in making you care for the characters.
When it comes down to it, DIY isn't too different from forming a band, climbing a mountain, camping, or shilling Hondas. The technicalities are there for those with a remote interest, but the real focus is always on the cast and their various SoL activities and rarely on the actual DIY-ing. Of which the girls do come very close to sustaining serious injury. I mean seriously, don't drill something if someone is underneath it.
The show is very beautifully animated with a very gentle artstyle that is soothing to look at and relaxes the eyes. The presentation is just superb too, with very painstakingly detailed 2D animation over something that other shows would otherwise mask with 3DCG.
One thing that's very noticeable is the show's setting. It's a relatively minor thing in the grand scheme of things, but the depiction of a not-too-distant future where currently prototype technologies are mass market is certainly unique, if it does make me feel old. Seriously I've been seeing people riding on these electric unicycles for 10 years now and only now we're starting to see them in anime.
All in all, DIY is a Good Job. It doesn't do anything remarkably special with its animation, nor does it conclude a decade long arc, but it's a soothing and fun relaxing show to wind down to and maybe consider picking up (and subsequently dropping) a new hobby over.
Reviewer’s Rating: 8
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Dec 30, 2022
Let's talk irony.
Had this show stuck to its fake premise of a shitty ecchi harem circa the early 2000s, it would have been less generic and more enjoyable than what it ended up becoming: a shitty bait-and-switch nakige circa the early 2010s.
In a way, there is some enjoyability when it comes to the shitty harems of the world. Now almost a bygone era, the shitty school life ecchi harem is strangely nostalgic to me, and are something of a guilty pleasure as one guy seems to effortlessly draw the attention of every female in his vicinity. Renai Flops however, wants to be more
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than that. Written by the hack who ruined Steins;Gate 0, it wants to be this sentimental story about some guy who lost his childhood friend and who now lives on as an AI.
Let's also talk tone.
Unless you're a good author writing some novel that takes several dozen hours to go through, not some 12 episode anime, you would generally avoid massive shifts in tone as the dissonance it creates can be physically unbearable. There's a free tip for you, Mr. Writer. All attempts at drama completely fall flat as the show never seems to commit itself to having a serious tone and sticking with it to the very end. Instead, your dramatic scene as Asahi learns the truth of the world is punctuated with terrible attempts at "comedy" and strange out of place light hearted banter, only for it to swiftly jerk back to some sense of sentimentality? What?
You tend to be less critical when approaching some farce of a comedy too. Had this been some generic ecchi harem, I'd been less harsh on it. But since it wants to be treated as some serious drama, then, well, the kids gloves are off, proverbially. This has got to be one of the most disappointing shows I have the displeasure of sitting through. I could barely keep myself awake in the final episode as I have seen the same tired tropes repeated ad nauseum again and again in so many other shows. Asahi is not charismatic, none of the girls are particularly interesting, and Ai, the supposed main love interest, has all the personality of a cabbage.
And Passione. Oh Passione. What happened to you. Where's the ecchi in this ecchi anime? Even the manga adaptation does a better job than you.
4/10
4 means death.
Reviewer’s Rating: 4
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