Baccano!

Every so often an anime comes along that isn't afraid to challenge the conventions by which a story is told. Too often, despite being noteworthy or groundbreaking, these shows can fail due to poor animation, lackluster characters, or a marked failure in plot development. In other words, they get so caught up in being unconventional that they sacrifice the other, more important aspects.

Thankfully, Baccano! is not one of those.

Animation

Baccano! maintains a very high standard of animation throughout its entirety. Brains Base made good use of color to heighten the effect of the more dramatic moments in the show. The animation quality is particularly noteworthy considering ... the fact that Brains Base is one of the smallest studios in the animating business. The fact that Brains Base managed to achieve a level of animation to match many of the larger studios and maintain that level of quality for the length the show, especially during the action sequences, is a credit to their effort and skill.

Sound

Baccano! opens with the excellent (and very appropriate for the setting) track "Guns N' Roses" by Paradise Lunch. The jazzy theme of the OP fits perfectly against the backdrop of 1930's America, in which the majority of the show is set. This jazz themed music continues throughout the entirety of the show and adds a certain authentic flavor which is often lacking in other shows. The only true downside to the music is the ED, which is a stereotypical J-ballad. However, this is only a small detraction from the otherwise great music though and can easily be skipped over.

Another area where Baccano! excelled was the voice acting. The talented VA's for each role managed to breathe life and individuality into the large and diverse cast of characters. The most singular achievement of the voice actors is that each of the characters can be easily identified by voice alone, as each actor has brought a different timbre, a different nuance, sometimes even a different accent, to each role.

Characters

From the marvelously hilarious Isaac Dian and Miria Harvent to the psychopathic Ladd Russo, all the characters are very well designed and as unique as their voices. Isaac and Miria are without doubt the most memorable members of an excellent cast of characters. The duo effectively serve as a glue that holds the story together. They dance through the series's multiple time lines like a giddy gyroscope on acid, occasionally colliding with one of the other cast members at random (usually by fluke).

There is one minor downside regarding the characters. Baccano! is a 13 episode series, with a cast of approximately 12 main characters. Though they all receive a certain amount of development, some critics would argue that it is not enough. However, the quality of the overall show is of such a high value that any shortcomings in development had no impact on enjoyment.

Story

The story in Baccano! is very straightforward. Usually, it is the style of in which the story is told that receives the most attention. Baccano! adopts a non-sequential storytelling style. While this may not be anything new (the TV broadcast of Haruhi and the movie Pulp Fiction did the same thing), it adds to the enjoyment by removing the need for the universally derided "down time" episodes. Baccano! has multiple individual storylines, all of which intertwine into a larger story. At first, the events and characters may be confusing. But once you're past the initial surprise of leaping feet first into the middle of the story, you find yourself immersed in an unusual, fast-paced and entertaining style of storytelling that whets your appetite for more.

Overall

Baccano! contains a nice mixture of drama, action and comedy. This, coupled with some amazing characters and a good short story, makes Baccano! one of the most enjoyable romps in recent years. The absurd, comedic moments serve as a perfect counterweight to the action and tension that builds throughout the show. Nothing is too dramatic or depressing, and both the humor and the violence aren't forced. The most enjoyable thing about Baccano! is that each character's actions feel natural to that character and this comes across to the viewer in a big way.

Baccano! is one of the rarest types of anime as it successfully merges comedy, suspense, action and even a little romance, without sacrificing animation or sound quality. It is a gem that will appeal to fans of many different genres and it is one of the few animes that can be watched again and again without suffering any loss of enjoyment.



This review is the final result of a review team composed of members from the "Critics and Connoisseurs" club. The team members were:

Archaeon - Wrote the review
Lowell - Who contributed to and edited the review
Megadedhed - Who contributed to and edited the review

Here are their individual scorings for the show:
Category - Archaeon, Lowell, Megadedhed

Story - 9, 8, 9.6
Art - 10, 8, 9.5
Sound - 9, 9, 10
Character - 10, 8 , 9.8
Enjoyment - 10, 9, 10
Overall - 10, 8, 9.5

In the club wide poll held for Baccano! it received an average overall rating of 9.03

Throughout my childhood, I wasn't really much into movies or the whole moving picture theater idea when I was young. I was more into video games and playing outside. All that changed when i watched a certain movie called Reservoir Dogs. At first, I was only into it simply because of the blood and violence. But further throughout my multiple viewings, I realized that the story and acting was also a big part of my fascination to this particular film. Then a few years after that another movie created by the same person came out called Pulp Fiction. This was done in the same ... style as his first movie but on a much bigger scale, involving so many more characters and following more stories stumbling toward one goal. During one of my multiple viewings of that movie throughout the years, i had a friend tell me to watch a movie by a man named Guy Richie named Snatch. Why am I taking the time to write 169 words about actual movies? Watch them to find out.

Story (Outstanding)
It's because you see, Baccano is very heavily influenced on these western movies made in this style. From the opening theme (Snatch) to the storytelling (Pulp Fiction) to even the coolness (Reservoir Dogs/Godfather) oozes western-style. Therefore, it's practically pointless to explain the plot of the show since they show how the show ends in episode one. That's the hook, the viewer isn't supposed to understand what they are seeing at first. Instead, they are enticed to want to know how did a 'mess' such as this happen in the first place. After that giant hook of showing you how it ends, it all unravels almost perfectly into a story involving over a dozen individuals. For the most part they are all complete strangers but through a little luck, chance, and happenstance their stories will cross paths most definitely.
...with a little anime flair of course.

Art (Great)
The art is something of perfection, from the minor details in the shadowing and brutal violence left on victims, to major details like the painted streets of 1930's New York City. You can tell there was a large team summoned to make this 13 episode epic. Where it shows the best though are all the action scenes, where the movements are fast but smooth at the same time, and gun shots come complete with flash and gun smoke. Blood splatters in all different directions, teeth and bones can be torn apart and you can point them out as they're flying in the air. It's all just simply amazing. Art would be a perfect only if they wouldn't add some poorly placed 3D backgrounds in some spots, and if certain parts weren't so overly dark. The darkness ruins some of the beauty of a few scenes and its a shame since this is a show where everything it shows is a visual treat.

Sound (Outstanding)
The sound is second to none. The op is classic, and I love how they meld the last episode synopsis with the opening theme. But this show would definitely not be as cool without the jazz styling, piano solo's and everything else in between. Every scene has an amazing amount of environmental sounds running at the same time and definitely sets the mood. If you watch it a few times I swear you'll hear something different every time. This is easily one of the few shows best enjoyed on a good surround sound system on high.

Characters (Great)
The characters are out of this world. Some plucked off of gangster flicks, some plucked out of action flicks, and some straight out the anime stock. With a cast of characters this large, you're bound to find a favorite one or have fun pointing out what RL actors they resemble or portray. Their voice acting is also top notch, I even enjoyed the annoying characters voices as well and thats rare. The crazies were my favorite overall though, just how they managed to sound so insane without it being annoying but rather fun was rather cool. My only gripe is the "comedy relief" of the show. Why do 'serious' shows such as this require comedy relief? Sure its fine to have to relieve the viewers from all the masochism throughout the show. But i don't think they should have given so much air time to the comic relief as they did.

Enjoyment (Great)
This show is basically a 4-hour Tarantino-esque movie, if you remove the credits and extra recollections that get the viewer back on track. Overall its a perfect sized anime for a Tarantino-esque story. Any longer and the viewer will get tired of the mixed up style of story telling especially with the attention span of people these days. Think of it as "it will get exponentially complicated if this series went to 26 episodes. Although i would be all for a brand new story if Narita Ryougo made it. But only time will tell. It would have been cooler if they kept anime without all the anime 'hoodoo' and tried to make it a serious anime. But like the Japanese say, "It can't be helped."

Title: Baccano!

Novel, Manga, Anime: Baccano! was originally a light novel series authored by Ryohgo Narita, with art done by Katsumi Enami. The series was published by Dengeki Bunko, at it currently stands at fourteen collected volumes. It also won the Ninth Dengeki Novel Prize.

A manga series based on the second storyline of the novel series (basically picking up where the anime leaves off) began running in February of 2007, with story still done by Ryohgo Nartia, and art done by Ginyu Shinjin. It is currently being published by Media Works and is running in Dengeki Comic Gao!. At this point in ... time, it has one collected volume to its name.

The anime series itself was directed by Takahiro Omori (famous for directing both seasons of Jigoku Shoujo) and produced by Brains-Base (well-known for their work on KamiChu!). The anime is thirteen episodes long and ran from July 26th to November 1st of 2007. It has yet to be licensed Stateside.

Story: It's really hard to describe this anime, because the plot in and of itself is extremely complicated. There are three storylines: one that revolves around the mafia and an elixir of immortality in 1930, one that involves a hostage situation aboard a train called the Flying Pussyfoot in 1931, and a girl's search for her missing brother in 1932. For one episode, the show jumps back to a ship carrying alchemists headed for the New World. Each episode contains multiple jumps from time to time, but the main focus is the Flying Pussyfoot in 1931. And all of these plots intertwine.

You think that's complicated? Add into this a cast of about twenty main characters, along with another ten side characters that are still equally important to the story, and you've got about thirty people to handle. Initially, these characters are introduced with one-note personalities, but each and every character gets development, along with advancing the intertwining plot lines. You are guaranteed to find at least one male and one female character that you like in the cast.

And they did this all in the space of thirteen episodes.

There's not a lot more that I can say about the story for Baccano!. Just my description above should give you a sense of the epicness that the writers undertook for this. And the fact that they managed to pull it off and pull it off well is absolutely amazing, as there was plenty of chances for it to pull a Rozen Maiden and not adress anything, or a Nishi no Yoki Majo: Astraea Testament and try to rush things and fall apart. But by the end of the thirteenth episode, everything is completely settled; you will know what's going on and how everything is connected to each other.

WARNING: There is some gore in this series (blood, limbs getting cut off, things along that line), but it's nothing compared to Elfen Lied.

Art: Brains-Base shows the same amount of detail in this production that they did in KamiChu!, only in a different way -- each character design is different, and you can easily recognize a character when they come on screen, and this is really important, with the sheer amount of characters. The animation is fairly-high quality, attaining Victorian Romance Emma and Elfen Lied-level beauty.

In short, excellent work.

Music: The show's set in the thirties, and appropriately, there's a lot of jazz-themed numbers for background music, all of which is fairly well done, and makes me want to find the OST. This includes the OP, which is done by Paradise Lunch, and is pretty good, too. The ED is the stereotypical female J-Ballad, and is really kind of a letdown.

Seiyuu: There are a lot of new talent that was used on this show, and they all do a great job. Sanae Kobayashi (famous for voice work on Daedalus of Ergo Proxy and Nyuu/Lucy of Elfen Lied) plays one of my favorite female characters in the show, Ennis, so that's always a nice touch.

Length: See my rant in Story to see how amazed I am at what they were able to do and do well in the length that they were given.

However, the story covered in the anime only covers the first four volumes or so of the novel. And while the manga is covering another storyline, it would be nice to see an adaptation of the rest of the material, just to see what they can do with it.

Overall: This anime manages and develops thirty characters in three different times/storylines that all intersect with each other, and manages to wrap it all up and do it well, all in the space of thirteen episodes. And it's got pretty music and great seiyuu. In short, made of bloody genius.

This is one of my top picks. Go watch it. NOW.

Story: 10/10
Art: 9/10
Music: 9/10
Seiyuu: 9/10
Length: 9/10

Overall: 46/50; 92% (A)

Baccano! Is a Shounen, Supernatural, Action, Adventure, Comedy series with a very attention-grabbing and peculiar story style that’s entertaining to watch. There’s plenty excitement and laughs to be had however prepare to be lost, at some point, in the numerous, connected storylines. ^_^

Baccano! is set in 1930’s America and revolves around different characters and their stories, which involves several unrelated plots intersecting and crossing each other. The way the series is portrayed is very interesting however first time watchers will easily get confused and lost, as it constantly switches from story to story or moves between different timelines. But for those able to ... concentrate for long periods of time will be able to handle it easily. It is then that you can truly appreciate the story for what it is.

The characters of are also another important element seeing how this series has a surprisingly large cast of characters, so remembering them may become a problem. However there will be some that stand out to individual viewers, be it for the character traits, personalities or eccentric behaviour (Isaac & Miria). These will be the ones you’ll enjoy.

The animation is superb in the way that everything and everyone moves fluidly, from their little gestures to the action sequences. There’s also a fair bit of blood and gore, which is used appropriately and the environments including buildings look authentic. The only real downer is with the lack of detail in the character designs. The music of this series goes for the Jazz theme, which suits perfectly with time period it relates to.

Overall Baccano! strangely felt like Quentin Tarantino’s classic “Pulp Fiction” not only for its non-linear storyline but also for its ironic mix of violence and humour. The story is one of the best aspects of the series as it tells a bunch of random events that later on piece together to make a whole story. Not only that but it was incredibly enjoyable to watch the characters go through their own stories, with plenty of mafia action and hilarious comedy. Some may be turned of by the gore and the confusing aspects of the story but all in all this is a series worth checking out.

^_^

Never before has so much madness been crammed into so short a series.

STORY - Surprisingly, Baccano!'s story -- or really, I should say stories -- is very straightforward. It's just takes a while to realize how simple it is because of its crazy non-linear storytelling and ridiculous onslaught of characters. Indeed, this is definitely one of those series that I'm going to have to watch a second, or even third time, in order to pick up all the connecting threads that run through the thirteen episodes. I'm a big fan of things told in a non-sequential fashion though, and while the scenes change frequently enough ... to be incredibly confusing, it serves to move things along quickly, insuring that there's rarely a dull moment (and even if there is, it won't last long at all). It definitely won't appeal to everyone, but I think it's worth it to have to rewatch something like this a few times if needed -- after all, that only means that its definitely got your attention.

Storytelling and pacing aside though, the story itself I found to be a very exciting and unique blend of genres. Prohibition era (or approximately so) America is not a common setting for an anime, nor is an entire cast of American characters. Alchemists and the mafia don't generally mix either. It's a very eclectic bunch of subjects to say the least. Other reviews have likened Baccano! to a slew of film noir and pulp fiction films, but I've personally not seen very many of them (not because of lack of interest though) and thus can't compare very well. Still, there are similarities in style that I can pick out between the series and the few I have seen. Sin City comes to mind rather quickly, what with its multiple casts of characters and heavily exaggerated/stylized violence.

"Baccano" has been translated into meaning "noise" or "commotion" in Italian, a very fitting title for this series. Dozens of perspectives spin several stories, coincidentally connected. The only real downside to this chaotic presentation is that it makes room for a lot of plotholes and unresolved subplots and subsubplots. A lot of secondary characters' stories feel unresolved or completely useless at the series' conclusion. I have mixed feelings about this mostly because the lack of a solid conclusion contributes both to a sense of realism and the way the stories are "packaged" within the series (a newspaper company is recollecting it). It's interesting, but it definitely means you'll be left with questions. That said, I would not vote to lengthen the series. Thirteen episodes might seem a little short when there's so much going on, but it's actually the perfect length to me -- any longer and it would have felt drawn out and forced. Ironic, I suppose, but this series breaks a lot of traditional boundaries and so traditional expectations don't really apply in a lot of cases.

All in all though, you're definitely in for one hell of a train ride.

CHARACTER - Oh, man, where do I start? The characters in Baccano!, more than anything else, make up a large part of the series, especially considering how closely they're all connected to the overarching story. Because of their sheer number, and because of the varied genres that have been tossed into the mix, there is an incredible range of characters. From outrageously outrageous thieves to badass mafia under-bosses to conniving, immortal old men to beautiful, mute women to traumatized little children, there is a character for everyone to take an interest in, to sympathize with, to cheer on, and to hate. Some of the characters are perfect representations of their archetypes, and others are far out in the left field. It's crazy (and most of them are crazy too).

Unfortunately though, while almost all of the characters are fun and amusing to watch, I would venture to say that there are just too many of them. I could not count all of the "main" characters on my ten fingers, though, of course, "main" is difficult to define in a series such as this. But really, having more than a dozen characters running around, each with their own story, gets very confusing, very fast, especially when you factor in the arbitrary-seeming jumps in time, space, and story. Names and faces become difficult to remember, especially the tangle of mafia families and their relationships to each other. It also becomes hard to keep track of who knows who and when since groups of characters meet at different points in the timeline (you see why I say this is probably a series you'll need to watch more than once to understand all of).

Finally, once again because of the sheer number of characters, very few of them seem to show real depth or development throughout the series. Some of them overcome obstacles or face setbacks and challenges, but their personalities and core beliefs don't change. I suppose its probably an impossible wish for a series such as this, and it may even be a distraction that would unbalance the even plain all the characters stand on, but a well-developed character is one expectation of a traditional series that I'm finding difficult to discard. But yes, since this is a rather unconventional series, its an unreasonable expectation for me to have, and I hold nothing against it.

ARTSTYLE & ANIMATION - At first glance, there's really nothing exceptional about Baccano!'s art style, but after a while, after you see a few of the gorier scenes, you kind of notice that they treat the raw violence a little different than usual. While people seem to lose limbs and body parts too easily to be realistic at times, the rendering of their injuries is incredibly sophisticated and impressive. Seriously, a severed arm never looked so good! Additionally, the backgrounds and character costumes for the entire series show demonstrate the wonderful depth of research that went into the series' creation -- New York of the early forties is wonderfully convincing with appropriate fashions adorned on characters and so on. The interiors as well are pleasingly accurate -- the insides of train cars, bars, and mansion homes are all fantastic. For an anime set in an unfamiliar time, it's really great to see that they did indeed take the time to look stuff up.

Also, it was really awesome seeing them weave the previous episode (or episodes) sypnosis into the series opening. It's refreshingly creative and lengthens the amount of time devoted to the actual episode, which is significant considering how much happens in every episode.

MUSIC - I love Baccano!'s music. From the very first time I heard its opening theme, I knew it was going to be one fantastic soundtrack. Since Cowboy Bebop's foray into jazz, I don't think I've seen any other series utilize that unique music choice. The jazz in Baccano! is energetic and upbeat, perfect for the mood of the series, not to mention wonderfully appropriate for its time period and setting. Beyond the opening song, Baccano! employs some really awesome Psycho-esque violin tracks that heighten suspense and drama, not to mention thrashing pianos with tension-filled broken chords abound. The ending theme is notably different from the rest of its music being a more traditional-sounding Japanese song, but its slowed melody and contemplative mood works well as you should definitely devote some time after each episode to sorting out and processing everything you just saw.

VOICE ACTING - With such a formidable cast, it would be incredibly difficult to have outstanding voices across the board. Still, Baccano! seems to do a pretty good job -- none of the voices are shoddy by any means, though yes, some of them are quite normal and unspectacular. (I was most impressed by the fact that none of the female characters seemed to have that characteristically annoying voice. You know what I'm talking about.) Of those that do stand out, the voices for Isaac and Miria are at the top. This is probably due in part to their incredibly eccentric personalities, but their voices just fit them perfectly. Baccano! has yet to be licensed Stateside, but I'd definitely be interested in watching the dub should one ever be produced, especially since all of the characters are indeed American.

OVERALL - I won't lie. Baccano! presents itself as a very confusing and complex series, and at times, it can be frustrating trying to decipher what exactly was going on and to remember who the hell everyone was. Despite this though, it somehow remains very entertaining to watch. There is a perfect balance between action-packed and "cool-down" scenes, and there is rarely a dull moment in between the crazy characters and crazy storylines. I'm going to go watch it again now.

It bothers me to say I took a while to realize the quality of "Baccano!". Aside from boasting no less than 18 main characters, the Pulp Fiction-esque narrative would constantly fracture and leap back and forth in time. I didn't like that I had to make an effort to constantly focus and be forced to remember so many names and faces; three episodes in, I was feeling frustrated and close to losing interest. Something needed to be done and in a last ditch attempt to salvage the series, it became clear I'd have to wait it out, build up the fansubs and spend a long ... weekend working my way through each episode; allowing time to fully immerse myself in the story. And now that weekend is past; the end result is? What the hell did you expect? Awesome!

Many desire immortality, yet the key to eternal life has forever eluded man. The story of "Baccano!" begins in 1711 when a group of sea-faring alchemists capture this most desired of gifts. Nearly all of them become immortal there and then, yet, as fate would have it; only one is granted the knowledge to recreate the potion. Of course, he quickly decides not to tell, wisely realising the folly in allowing such power to leak out into the public domain, but his brave decision quickly incites murder and ultimately, a struggle that's raged for over 200 years. We join the story as it reaches its climax during prohibition-era North America; this was the absolute height of organised crime in the US, a violent and cruel time to live, or indeed, die.

Despite its frequent lapses into light comedy, squeamish readers should be warned that this is a deceptively violent (and often, sadistic) series. Without going into too much detail, lets just say that bones break, arms get sliced, faces explode and children are tortured. Of course, this refreshing lack of moral compunction inevitably climaxes in some breath-taking and unpredictable action scenes, including several sequences of beautifully animated hand-to-hand combat, fought on the windy carriage-roofs of a moving train. Just so you know, it turns out that knives, guns, grenades and even flame-throwers aren't much of a match for blood-thirsty gymnasts. "Baccano!" is a lot like "Black Lagoon"; it has that same delirious hunger for gruesome carnage.

On its own, the action wouldn't be enough, but as I've already mentioned, this is hardly a conventional series. Aside from the fact that the narrative will regularly interchange years and events in a matter of seconds, many of the characters provoke empathy and romance despite having splattered the brains of an adversary all over the wall minutes earlier. I loved the playful dialogue, and the character interactions are remarkably fun and natural; you believe in their fear, sadness or anger. You can see a love affair unfolding and it's almost heart-breaking. By the end I was completely riveted by the story, lost in the characters.

There is so much to say about "Baccano!" but I'm afraid I'll lose your concentration if I keep going. I've already had to completely scrap the first version of this review since it degenerated into a bloated rant. Obviously, I absolutely loved this series, and if I ever get around to writing a review of 2007, it will easily make my top 3 of the year. The best decision I made was to push through it over a quiet weekend; as expected, the jumbled jigsaw of a plot and all those unique characters are so much easier to remember this way. The only problem is that now I'm having trouble letting go, I'm still stuck in the world of immortals and trying to fathom out the few remaining mysteries. Hints are made at characters and storylines beyond the anime narrative and quite frankly, I'd die for a sequel. If you're yet to watch "Baccano!"; I envy you.

It is said by many (Livejournal users), that everyone has a story inside them just waiting to be told.

Many action adventures rely solely on plot, letting the characterisation come second; inversely, many romances have virtually no plot to speak of, letting character interaction and reflection drive along the drama - while historical chronicles often rely on the setting and the carefully researched daily-living conditions of the characters to paint a rich saga of that time and place.

Baccano! - Italian for 'ruckus' - is a blend of all these genres, and yet, it fits none of them.

The 2007 anime, produced by Brain's Base (Spice ... and Wolf II, Kuragehime) and based on a series of light novels, is something of an enigma. It is simultaneously infamous for its popularity and unpopularity, recieving nothing but praise from foreign fans and nothing but apathy from Japanese ones.

A possible reason for this is that it doesn't feel like an anime.

To be clearer, this feels solidly American, from the jazzy soundtrack to the character designs, from the trains to the accents (in the dub, at least). As a Western viewer, even if not as an American, this feels instantly relatable.

Of course, it helps that we get thrown straight into the action.

Speaking of, the first episode is something of a decoy. We immediately get two characters discussing a story who are never to be seen again (outside of the OVAs, anyway, Karyll~) and then a clusterfuck of spoilers for the next 13 episodes. Is that girl crawling up the train the rail tracer? Did that guy just lose his arm? Did someone just kill a kid? Did his fingers just..? It's messy, it's bloody, it's confusing.

It is hard to be original and compelling without being a mindfuck, but despite the fantasy element, Baccano! feels thoroughly grounded in reality. Perhaps it's the realistic setting; perhaps it's because the characters act so much like we would. Capturing the surprise we felt as children, watching the idle sketches in the corner of your notepad suddenly gain life as we flipped through, and audacious, like robbing a train for explosives with only your boyfriend and your two friends by your side.

After the first episode the story is a non-stop ride on the Flying Pussyfoot (if you need a minute to laugh that off, take it now), along Eve's search for her missing brother (who everyone hates), the clashing of the Gandors and Runorata families in what must be the longest cardgame in history, and the quest to recreate an immortality elixir, the panacea, the ultimate goal of the alchemist. The story slips in and out among the different times with graceful ease, and a title card with the year appears for a second as a transition. Tension is continually built and smaller revelations continue to break as we see other character's points of view on different incidents, overlapping, building up and foreshadowing.

Despite the seismometer of a plotline and the lack of clear protagonist, characterisation is never sacrificed. Characterisation comes first in this series, as everyone has their past and their reasons even if they aren't immediately apparent. Why does a crybaby like Jacuzzi have such a large tattoo on his face? Why is Chane so silent? A woman in a suit, in the thirties? And where the hell did Firo get such a snazzy hat?

The period setting is gloriously rendered, yet, it is not a setting that the series gloats about. There are hardly any scenes that pull back and focus on the environment as a pat on the back for all the research and effort put into recreating it. Though the series is very obviously set in the 1930s, we see it through the characters' eyes as their present - pressing, urgent, real.

I mentioned romance before, and, without giving too much away, the affectivity of the characters throughout all this constant turmoil is never sacrificed. Firm friendships are made from chance meetings and several canon romances appear, each one uniquely forming in ways that tug upon the heartstrings and ultimately feel very real.

Of course, I can't talk about the validity of this series without touching upon the English dub, produced by Aniplex. This is a dub that has been ranted and raved about in anime circles, and as someone who watched sub first and who genuinely prefers Japanese dubs to English ones, I was very prepared not to like it.

While the Japanese dub certainly isn't bad, the addition of accents and slang added so much to the characterisation and atmosphere that it was almost like the difference between 720p and Bluray HD: like watching a slightly better, sharper series.

However, this dub is no means perfect: the generic cute voice that sounds so natural in Japanese dubs came off slightly annoying with Maria (a general complaint of all English dubs, not this one in particular nor the voice actress herself), and the fact a few epic lines of Ladd's were changed. 'Thank you, fuck you, a villain has arrived' is one of my favourite things to say when entering a room, and its omission irked me a little bit - if memory serves, some other lines were changed, but it wasn't so obvious in their cases. However, I think this is a small price to pay for such perfect synching of, for a lack of a better term, the lip flaps. They were absolutely perfect, throughout it was hard to believe the animation wasn't made to fit this very dub.

The soundtrack, too, is absolutely top-notch. The OP is plain addictive, and while the ED is rather dull in comparison, it does grow on you. The OST throughout the series always adds to the scene and atmosphere, never feeling out of place.

The art in this series seems rather dark at first glance. There is not much use of bright colour in the series, but there is a deep saturation like the smog that clings to a city and fits the general air of the 1930s well. The character designs are on the realistic side and though many of the older, blonde men look alike, most characters have distinctive visual traits that set them apart and make it easier for the viewer.

The characters themselves are all enjoyable in their own way (except Dallas). Isaac and Miria are contenders for the most well loved character duo of all time, the most incompetant thieves ever, who spread happiness inadvertantly wherever they go. Isaac rather looks like Andy from Cowboy Bebop, don't you think? Other than Isaac and Miria, there is perpetually closed-eyed Maiza, estrogen brigade bait Firo, stoic Chane, surprisingly bishounen Luck Gandor, a guy who eats birdfood, an explosion fetishist, delicious shota, the Rail Tracer and enough psychopaths to keep you chugging along until anime does some sort of answer to Girl, Interrupted.

I would recommend this series to anyone who enjoys piecing together a very satisfying plot or anyone who enjoys a cast of diverse and interesting characters. This is not a story for someone who wants to switch their brain off; nor is it for anyone with an aversion to animated blood or gore.

This review is about the story that is Baccano! It is a story can never really end. Why? Because it's enjoyable, of course.

Baccano is not only a great example of what can happen when a series is based on a series of novels, but also a refreshing reminder of why I watch anime.

The story is centered around a group of immortal alchemists and their involvement with the Italian-American Mafia at various points from 1930 to 1932. There are three main, separate storylines occurring in parallel, one on the streets of New York in 1930, another on board the transcontinental locomotive "The Flying Pussyfoot" in 1931, and finally, a third one in New York in 1932. Throughout the show, this world really comes alive, thanks to the animation, ... music, hairstyles, and clothes all contributing to a viewer's sense of what that era in American history was like.

The anime constantly switches from one setting to another at a moment's notice, has events occur wildly out of order, and, to add to the confusion, there are a couple dozen important characters to remember,each with their own back story. While this is completely normal for a novel, it's unusual for an anime, especially one with only 13 episodes.However, Baccano pulls it off, with everything from the art style to the opening theme making it all digestible for the viewer.

Each character, while not particularly deep, is likable, unique, and far from predictable. They're one-dimensional, but that dimension is interesting and funny, and in several cases, even receives development during the course of the series.

This approach to character creation is a strength here; "Baccano" moves at an extremely quick, frenetic pace, with a plethora of different characters. Choosingto make all the characters interesting instead of focusing on just one,to the detriment of everyone else, was a wise move on the part of the creators.

The story is remarkable for its repeated, constant use of deus ex machina plot devices. In every episode, a great deal of purely accidental events occur that completely change the course of the storyline. A man attempting a magic trick involving fire accidentally burns a house down, and it just so happens to be the secret lab of a character creating the elixir of life. Two characters steal a car and decide to get away, just so happening to hit the main villain right before he can kill one of the main protagonists.

In fact, two of the characters, Miria Harvent and Isaac Dion, are nothing more than agents of these bizarre, accidental circumstances. At first, they only seem like comic relief, being an idiotic, overly cheerful couple that commits crimes like stealing candy bars, fancy hats, and the door of a museum.

However, throughout the story, they come in contact with most of the other main characters, and through their incredibly stupid deeds,optimistic and sanguine personalities, and purely accidental physical acts, change everyone's lives for the good, defeat the bad guys, and save lives... without even realizing it.

Normally, I'd criticize a story for so many absurd and improbable events, but since random circumstance are a central theme of Baccano and is openly acknowledged as such, it becomes both a humorous and entertaining element of the plot.

The art and music of the show are used to enhance and highlight the characters and story. The opening theme is a catchy blues theme that also lists all the main characters by name. Throughout the series,we hear upbeat, 30's era jazz and swing, which helps immerse the viewer in the story's environment.

The animation style uses very unique faces for all the main characters,making them easier to distinguish. Everything besides the character faces is drawn with very indistinct, smoky lines and a warm palette,giving one the impression of hazy Mafia backrooms, with green felt,cards, huge cigars, and Jack Daniel's whiskey.

Overall, the pacing, humor, and action in the series is great, and the plot climaxes in the final episode, resolving most of the mysteries earlier in the series.

Now, for me, a "9" means a masterpiece classic, and I think Baccano deserves this title. However, there is one problem I have with the series.

As good as the show was, none of the episodes in the series were spectacular.Nothing I saw mesmerized me, or made me feel I had just witnessed a work of supreme genius. It was a good story, with good characters,excellent sound and art, directed well.

Before the hardcore Baccano fanatics go crazy, ask yourself; what episode here stood out for you, really amazed you with its brilliance?The last episode was the most satisfying because it answered all the questions, but what episode had something unexpected, magnificent, and fantastic in it?

Nitpicking aside, Baccano is among the top 10-15 anime I've ever watched, and highly recommended to any fan of the medium.

Click. BANG! That's the signal! Grab your stylish hat, your most powerful gun, and employ your sixth sense (you'll need it!). What Baccano! confronts you with is exciting, fun, mildly disturbing and incredibly unique.

You're all ready to go? Well let me brief you first. Baccano! is a perfect blend of crime, action, comedy and the supernatural bound together in a beautifully wrapped, non-linear style of storytelling. You may be thinking. “That's a bit ambitious!” And it is! But Baccano! pulls it off so well that you'll be left wondering “what is linear even?”

If you're not captivated by the classy opening then the characters will surely ... enthral you. With a diverse range of fascinating personalities – from the hilariously lovable to the psychopathic, you'll be watching them on the edge of your seat. However with so many important characters in only a 13 episode series it can feel as though the development of some characters was sacrificed (Yes Chane Laforet, I'm looking at you). But don't let that deter you cause other characters are fleshed out in full, and you will love them like an ice block on a hot day.

Admittedly, the first few episodes of Baccano! can feel a little daunting. It has multiple storylines and you're flung head-first into the middle of all of them. But pull that magnifying glass out of your pocket and get inquisitive! Here you get to play the role of detective as you piece it all together. Don't worry, it's not hard – rather, it's rewarding and adds to your enjoyment! Embrace it.

Despite not being a recent anime its animation holds up quite well, and is far from outdated. So don't let the fact that it isn't the newest thing stop you from giving it a bash. However a word of caution – there is a lot of blood. Like...heaps. So if you hate violence with a passion enter slowly and with caution.

Peculiar, quirky and oddly addictive. If you're ready for some supernatural viewing (pun intended) then Baccano! is begging to be added to your 'watching' list. Consider heeding its call.

When was the last time that you were stuck in a traffic jam and looked around you, only to find all the other drivers’ expressions mirror yours exactly? The frustration, the annoyance and the exasperation plastered all across their faces, each telling a story of their own, as loud horns blare in the background. The irritated young fellow next to you might be rushing because he has a huge presentation to make in front of the office’s senior officials. The middle-aged woman in the minivan behind you might be furious because her son got into trouble at university and they were calling her over when ... she was in the middle of her favorite soap opera. The old man just ahead of you could be on his way to the hospital and might be extra jumpy today because the doctors called to tell him that they finally found him a donor. (edit: word for this is "sonder")

Everyone has their own story. Baccano is an anime that realizes that all too well and decides to puppeteer different people with different personalities, ideals and aims into making one blockbuster series that will have you throwing roses on stage as the curtain closes. It’s anime like these that I shove down people’s throats when they say it’s a medium for kids.

Set in the 1930s Prohibition Era of America, it often shifts its focus to events that take place in New York and even unravels the mysteries that happened on a ship in 1711. The story, told through multiple points of view, revolves around the adventures and atrocities of the passengers aboard a Chicago train called the Flying Pussyfoot (yuuuup). Keeping up with the train's name, the characters are colourful - alchemists, thieves, assassins, landlords, mobsters, immortals, chemists, monsters, delinquents, information brokers and many more fascinating characters. Sheer ruckus ensues when their security is compromised and they all set out to carry out their individual missions. And so it begins - stories, with no clear ending or beginning and no specific protagonists, but just methodical mayhem.

The story starts off by giving you a glimpse into the everyday life of (most of) the characters and it does so all at once. And by that, I mean that you have a few minutes denoted to each of them and all this information at one shot can be confusing, if not a complete turn-off. This might be the major reason for people putting down this anime as the initial three episodes are an overload of what is considered “unnecessary” information. But, here’s the thing: Don’t.

Once it gets going, the show effortlessly glides from one perspective to another, seldom leaving you confused, weaving order out of the initial chaos. For an anime with twelve main characters and an assortment of side characters, that’s quite an achievement. The same goes for the time/place shifts. There is just something always happening on screen, be it a funny conversation or a deadly fight. Thus, the flow while smooth for the most part might be a little jerky due to the variation in character. Seeing a gun fight being interrupted by some comic relief is mildly frustrating, but upon retrospect, it seems like the kind of thing that makes the serious scenes more intense.

The characters themselves are truly refreshing. One of the most recurring characters in the show are Isaac and Miria, who are entertaining to say the least. Watching them prance about and mindlessly cosplay is hilarious. Initially frustrating, most of the characters do grow on you. We also have a Heath Ledger-esque Joker in Ladd Russo, a psychopathic hitman who's just unmissable. Just going through the varied type of characters must make you wonder how long it must’ve taken the producers to prepare the script, which happens to be very well done. Analyzing the characters (or even mentioning them!) any more would be a serious disservice for people who are reading this review without watching the show.

Brain’s Base spared no expense while producing this show. They sent their artists to America to study the locations so that they could recreate them as realistically as possible. And it was a wonderful investment indeed as 1930s America looks exactly like it should – dusty, grand and mysterious. The backgrounds are detailed very well and buildings in different areas look completely different from each other. The characters themselves are drawn neatly with light shades of water colors. When Ladd gets angry, you can actually notice the blood rush up to his face. The emotions of all characters are done very subtly and artfully. When one of the characters breaks his hand, you can see the bone fragments in the flesh around the forearm. That’s how good the animation is.

The soundtrack is pretty difficult to judge. The OP, Guns N Roses, is a jazzy piece of classical American music, which is pretty fun. There's even a tiny recap squeezed in the middle of the OP. I always love it when anime mess around with the OPs. Addition of some more thematic tracks could’ve definitely kicked things up a notch.

There is hardly any character development, but with 12 main characters squeezed into 13 episodes, what do you expect? The cast, which up until now was an asset, turns into a liability towards the ending. It’s hard to give all of them a decent epilogue and some of your favorite characters’ futures will be left unexplored. Thankfully, the 3 episode OVA wraps things up rather neatly.

Baccano is a bloodbath and its monstrosity rivals that of Elfen Lied. You will be subject to witnessing some horrifying and disturbing scenes such as a face thrust into the rail tracks from aboard a moving train and hot tongs being used to gouge a child’s eyes. Suffice to say, this ain't for kids.

[ THE WRAP-UP ]
Baccano is a 13 episode rollercoaster that will take you on the train journey of your life. The mood of the 1930s is captured perfectly and is presented in beautiful light-shaded animation that instantly transports you into the Prohibition Era America. The unique method of multiple-perspective storytelling is groundbreaking and very enchanting. The first couple of episodes are mildly infuriating because of the constant perspective shifts, however, this is all evened out in the next few episodes and you get into the thick of things really quick in this otherwise fast paced anime. There are the usual culprits, such as mood ruiners, an unsatisfactory ending (fixed in the OVA that follows) and bland soundtrack, but nothing that even comes close to ruining the overall experience. With an intricately designed plot and an intriguing set of characters, it does not fail to impress.

Masterpiece or classic? Eh, debatable.
Gives you a rush like very few shows can? Definitely.

Baccano is Italian for ruckus, and boy, does this show live up to its name. You'll be hard pressed to find a show more crazy, chaotic, and downright entertaining than Baccano. It is very much like a Quentin Tarantino or Guy Ritchie film, with its western settings, focus on the gritty underworld, and distinctive characters. However, it takes the characteristics of these filmmakers and dials them up tenfold, with some extreme violence and piecemeal storytelling. The result is an exercise in pure unadulterated entertainment.

The show follow three different plots taking place in 1930's America. One revolves round an elixir that will grant the drinker immortal ... life. Another is centered around a young lady's search for her missing delinquent brother. And the third follows the gruesome events that took place aboard the transcontinental train, The Flying Pussyfoot (yup, that's its name). Events from all three storylines are presented out of order and jumbled together. Now, it might sound like the show is a big mess, and it is confusing at first, but it is actually brilliantly constructed. It is kind of like Pulp Fiction, but taken to the extreme. The show knows just when to drop which plot point from which storyline to clarify things for the viewer, and connect the dots. It is left to the viewer to piece together this insane jigsaw puzzle. Since each story is really quite simple at its core, this piecemeal presentation makes the show much more engaging than if they were told in a straightforward manner, as it challenges the audience to use their brains while watching the mayhem unfold.

The out-of-order storytelling isn't the only thing Baccano has going for it, however. No, Baccano is also blessed with one of the best casts of characters in an anime ever. The cast is composed of gangsters, thieves, shady information brokers, ruthless cult members, and psychotic serial killers. Yet for being a collection of morally deplorable people, there isn't an unlikable character in the bunch. Mafioso like Firo and the Gandor brother have that certain charm to them that only slick gangsters can posses. The robber duo, Isaac and Miria, are hilarious in all their nonsensical glory. It is always fun to see the psychopath among psychopaths Ladd Russo off a few people, or even just glee over the prospect of killing. Heck, you'll even be cheering for the resident wussy, Jacuzzi Splot, by the end. This massive likability is shared by even the smallest of roles, really there isn't much more you could ask for in a cast of characters.

...Well, you could ask for more depth. Actually, that is what the show is missing as a whole. For all their likability, none of the characters are particularly deep. Sure, they have their own feelings, desires and such, but its all pretty simplistic characterization. Likewise there isn't any huge, mind-blowing themes here either; no questioning of morality, no off-hand philosophizing. Really though, this is almost inconsequential. Baccano's goal is above all else to entertain, and it succeeds with flying colors to that end. Baccano is just as entertaining the second, third, or even forth time (or however many times you decide to watch it) around as it is the first.

Looking at the art style, it is clear that the team behind Baccano did their research. The visuals do a great job of capturing 1930's America. From the busy city streets of New York to the lavish interior of The Flying Pussyfoot, all the backgrounds are marvelously detailed, and really give the viewer the feeling of being in the Prohibition era. The character designs do the same. The clothing they wear, and the presence of several different nationalities and races add to the settings. Another thing noteworthy is how violent the show is. Fingers are cut off, heads are blown to pieces, one character kills his victims by pushing them against the tracks as the train is moving; all of this is shown in gruesome detail The soundtrack is dominated by Jazz, one of the most prominent genres of the time, which really adds to the atmosphere. Not only that, the music near-perfectly captures the excitement of what is happening on screen. Whether it be the sound of beating drums as Ladd beats a man to death, or the blasting of trumpets as characters do battle on the roof of the train, the music enhances the experience.

Baccano is a show that never fails to entertain. Viewers will undoubtedly be thrown off by the shows unique storytelling at first, but will be sucked into the madness. The colorful cast of characters is insanely likable and the attention to detail regarding the time period is astounding. If you are in search for high quality entertainment that is not too heavy, then you should be watching Baccano. It is one wild ride you won't be forgetting anytime soon.

Anime Review: Baccano!

Every now and then, out of all the generic harem anime coming out, we get one anime that sticks out more than a white guy in an NWA concert. For 2007, we get Baccano! An anime that feels like it has everything an anime should have. Action, Adventure, Supernatural, Fantasy, and don't forget Comedy. With all this in mind, this anime will have you hooked all the way till the last episode.

Story (9): Baccano has multiple individual storylines, all of which intervene into a larger story. The story is not told in order, so the first episode is actually the last episode, while ... the middle is actually the beginning, etc, etc. At first, you'll be mind fucked but that's what will get you watching an episode after an episode. The more you get into the story, the more you find out what's happening and why is it happening. The story is unique as it revolves around a train robbery not knowing there's mass murderers, bootleggers, immortals, mercenaries, and a loving couple who commit crimes on board.

Art (9): The art is realistic and smooth, from the streets of New York to the blood squirting out of a guys face. The animation holds up for the greatness of the series, it's nothing special but it should be noted that the animation is very lively especially during the action scenes.

Sound (10): Baccano takes place in the 1930's so it would only make sense that the OP and OST is nothing but good old jazz music. The music fits perfectly with the show, you'll be bopping your head to the rhythm of the music, while watching Ladd Russo punch a guy to death. The music is excellent even if it's not my choice in music. Not only that, this has the best English dubbed I've seen next to Cowboy Bebop. The voice actors were spot on with accents from new york action flicks. Giving the dubbed version a must watch.

Character (10): Without a doubt, Baccano has an outstanding cast. With this large of a cast, you're bound to hate at least one character but this was the first anime, that made me like every character including the villains. Never before in anime I've seen a psychopathic killer being my favorite character. You have your cool guys, your badass girls, a couple, and even a wimp who gets to kick ass in the end. Characters in Baccano is definitely a strong point in this series.

Enjoyment (9): Being a huge fan of Quentin Tarantino, this anime was a pleasant treat for me. I didn't want this show to end, and when it did I was left there longing for more. This was an anime that made made me want to rush to the next episode, that kept me at the edge of my seat after ending the episode with a cliff hanger. This show will kill your boredom in a jiffy.

Overall (9.5): Baccano! feels like a big puzzle solving it's self with every episode. As it shows a bunch of events that later on piece together to make a great story. It is incredibly enjoyable watching every character going through their own story mixed with mafia action and hilarious comedy. Baccano! should be a prime example for what an anime should be. Instead of watching today's anime for the tits and ass route, go check out Baccano for the entertainment that anime was made for.

Hey guys, this was my first review. Please feel free to give me some feed back, help would be much appreciated. Thank guys.

This is my first ever review.

Before I go into the specifics I would like to say one thing. All of these are my own beliefs and I do not expect anyone to completely agree with them or agree with them at all. But as a person who have watched almost all genre of anime, and countless number of shows (I do not really feel like adding all to my profile), I believe my opinion may help someone who has trouble deciding Baccano is worth their time or not.

Storytelling style:

Unlike most 12 to 16 episode shows, it tells multiple stories. You might be thinking ... that it would be rushed and confusing to fuse multiple stories in one short anime. In a way it is true. Most characters are not able to develop and sticks with the personality the show started with. If you are not paying attention the story can easily confuse you. The transition between story arcs are very brief, making it somewhat unsettling when it switches over.

The actual story line:
As I mentioned before, there are multiple separate story lines. It amazed me when they all fit in so perfectly like a puzzle. Instead of multiple stories that were completely irrelevant to each other (eg. Darker than Black), they all came together and finished as one story. The conclusion however, was somewhat disappointing due to the lack of closure with certain characters.

Characters:
Every character has their own unique personality(obviously). But the huge problem I had was the lack of character development. Off course all the characters are lovable, but it does get old after the first few episodes. I would say 90% of the characters will stay the same throughout the show. Their beliefs and actions are already set on the first episode and doesn't change. I understand the difficulty of cramming in character development on top of multiple stories in a short anime. But because it lacks character development, you can easily predict what the he/she will do ahead of time.

Sound:
The soundtrack is simply marvelous. I don't think I have ever been this addicted to an opening in my life.

Do i recommend it?
I would recommend Baccano if they ask for my opinion. I have been very critical, but the overall experience of the show is very good. The complex yet simple story lines will hook you instantly. The characters are lovable and the soundtrack makes you want to dance.Yes, the show definitely has flaws. But every show has flaws.

“Don't let nobody tell you there's no future in a life of crime, because some rackets can last forever. But we'll get around to all that immortality jazz later. A mafia turf war is raging on the mean streets of the Big Apple, a place where regular joes bounce between backdoor booze joints and the breadline. But this caper ain't about a simple gangland brawl. It's about hoods who can't seem to die proper after catching a bullet or five between the eyes. Sadistic hit-men and the dames they love, mad bombers going boom, monsters going bump and soul sucking alchemists bootlegging an elixir of ... eternal life. Just remember, Baccano! ain't about beginnings and ends. It's about the twists and turns, bub. Paths don't cross in this story - They collide. Every Dick and Jane plays the lead and it's gonna be a bumpy ride.” – The description of Baccano on the back-of-the-box set, and probably the best back-of-the-box description there’s ever been.

A few years ago, before I became enlightened and engrossed by anime in general, I would have said that for a show or film to be good it needed to have a linear narrative that was both intriguing and well-executed, good character development, and an ending that tied everything up nicely that the audience could all understand and enjoy. Fast forward to today, and I sit here wondering how I was so foolish and simple-minded back then; ignorant of other methods that stories could be told. Overtime those beliefs I had about what fundamentally makes a show good were challenged and proven wrong as I started watching more anime, but no other anime had an influence on these thoughts more so than Baccano. Because Baccano had almost none of those initial beliefs, yet was praised by so many anime fans. So, I watched it, and what Baccano did was it took those beliefs, and shredded them till they were unrecognizable, splattering them with animated blood before burying them six feet into the ground. Yes, it is that good.

Baccano is a 2007 anime adaptation of a series of light novels, made by Studio Brain’s Base who were behind the making for shows such as Durarara!!, Blood Lad and the Natsume’s Book of Friends series. Baccano is made up of 13 episodes (16 including the OVAs) and revolves around alchemists who have learned the secrets of and gained the power of immortality… but the show is about a New York turf war between rival Mafia families… as well as a group of madmen who hijack a train… and it also includes a girl searching for her lost brother. As you can see, Baccano is not your average run-of-the-mill anime. Baccano is made up of numerous plots that are crammed into 13 episodes and the show bounces between these different storylines taking place at different times and places. It is told in a non-sequential style and because of this, one could easily imagine this show turning out as a massive clusterfuck. Thankfully, Baccano is clearly no clusterfuck; all the individual stories told intertwine to create a larger, overarching story. And the way Baccano juggles both the characters and subplots matches the ridiculous tone and energy of each of these arcs, leaving us with an insane, mental and downright fun show that is as well-written as it is enjoyable.

With how much is going on in Baccano, between all the plot lines the premise throws at you and the scattered timelines, it would not be difficult to see how this can make the show difficult to follow and understand or even want to give the show a try at all. However, to counteract these issues one might initially have, Baccano’s first episode is used as a guide to help viewers comprehend what the show is all about. The first episode looks at two characters who are looking at the different storylines that take place within the show, acting as both an introduction and a spoiler to each storyline as it practically tells you how each one ends. They show initially how the overarching story looks to outsiders under first impressions; a clusterfuck, full of action, black comedy and violence that are all pretty entertaining on their own, but are meant to entice one how such a clusterfuck ever happened. Looking at this deeper, the first episode is used as a means to challenge conventions through most stories are told, questioning why audiences should believe that the beginning of a story should take place at the beginning of the timeline. It is after the first episode where the show unravels the initial mess shown at first into the numerous plot threads and characters Baccano contains. And overtime, common plot threads emerge and confusing pieces to the puzzle come and fit together to tell the eccentric masterpiece that is truly what Baccano is.

Baccano is usually known as the Pulp Fiction of anime and it is clear why. Both have non-linear narratives that exude this essence of coolness about them, all while being packed with dark humour, violence, guns, blood, wit, grit, slick dialogue and more that make these kinds of shows break the mould and stand apart from every other story told. One could think of the show as a 4-hour flick directed by Tarantino; it’s a good time. It’s filled with many references, cinematography and directing techniques you would have commonly found in the West before the turn of the millennium. In fact, Baccano overall feels more American than Japanese, and for someone like myself, who has watched many Western works throughout my life, this show is definitely one of the more relatable works in the anime industry. It’s actually surprising to me that to my knowledge the West has not even attempted to adapt Baccano into a live-action TV show or a series of films. Oh well, this is already great as it is.

Another great thing about Baccano it that it has great pacing throughout the entire series. No episode in this show feels like it wasted time that could have been used elsewhere more effectively or that it should not have been made in general. Everything that happens in the show is of crucial importance to the many subplots this show contains. With only 13 episodes that this show originally had to work with, the lack of filler and overall quick pace matches the overarching tone of the show and the unique style of storytelling Baccano has even further. The show is dense, yet continues to be this high-octane ball of fun that is appealing to many diverse types of anime fans. The writing continues to stay tight and fast-paced as opposed to a similar show, Durarara!!, a 24-episode TV series that attempted to recreate what Baccano brings to the table, but ultimately failed to do so due to falling apart in the second half. Baccano is initially 13 episodes long and stayed compact and intricately woven all the way through, with the show being so large and successful, that it was allowed 3 more episodes to follow up on some of the subplots. These are commonly known amongst fans as Baccano Specials, which will be brought up later.

If you were to ask someone who has been Baccano what the show’s biggest strengths are, they would probably tell you either it’s non-linear storytelling or cast of characters, and what a great cast this show has. You see, for a show like Baccano, a show full of stories barely connected, that jumps from story to story, it would be difficult to properly establish a main protagonist and it would not make sense to have one in this show. Baccano does away with another common element of conventional storytelling by having no proper main protagonist and instead being composed of over a dozen main characters, where each are given enough focus and development for all to be considered fully fleshed-out. Rarely any show that runs this short is able to pull of such a large cast of characters so well, but Baccano, of course, pulls it off to near perfection. Every aspect these characters have, from their personas to their dialogue are all executed exactly as needed for this show.

The cast is a mishmash of all kinds of personalities and tropes found throughout Western entertainment. The only characters that are able to transcend the different arcs in Baccano are Isaac and Miriah, two burglars that are in love with each other. Both are oblivious to a lot of what happens around them and are the comic relief of the series that surprisingly never got old. From the New York turf war is Firo Prochainezo, member of the Martilla family mafia who is incorrectly dubbed the main character initially, due to possessing many traits that make up your average shounen protagonist. There’s also Keith, Berga and Luck Gandor, in charge of the Gandor family mafia. Moving to the Flying Pussyfoot (the name of the train), we have Jacuzzi Splot, who leads a gang that also doubles as bootleggers with girlfriend Nice. Jacuzzi is basically a whiny bitch that develops into a likeable badass by the end. There’s Chane Laforet, a silent assassin who leads a group of men in black suits whose motives are unclear until later in the show. Ennis, a homunculus that has no freedom of thought or emotion until she begins to understand human emotion. Of course there’s Ladd Russo, over-the-top psychopathic hitman of the Russo family mafia that happens to be the common favourite character amongst many Baccano fans and it is not hard to see why, as his love for killing and monologues make him one of the more interesting personalities. There’s also Vino, an assassin who I won’t say any more about due to spoilers. There are many more characters I could mention here, but this should be enough for you to understand that this show is abundant of interesting and likeable personalities. The only character I disliked in this show was Graham Specter as he is more or less a weaker version of Ladd Russo, however he is still entertaining to watch and does become important towards the end of the OVAs so there is no really need to complain. All in all, Baccano gives every main characters depth, a back story and a little bit of flair that makes them all so great!

Because there are so many important characters to the overall story of Baccano, putting names to faces can be a difficult task despite the difference in character designs, especially when the show jumps around stories so often. Thankfully the show’s opening renders that problem nearly obsolete. The opening lists of the names of 17 (I think) characters that are considered main characters in the show, which is useful in remembering who some of the characters are when starting an episode. The OP also show characters together as the opening twists and turns its way using clever transition through the cast, sequenced in a way that is as fun and blood-pumping as the actual show is. The insanely catchy jazz tune that is played alongside it matches the scenes so well and makes this opening on of my favourite and one you will never want to skip. Only problem I have with it however is that it gives too much attention to characters that barely matter to the characters, whilst giving next to no introduction to other, more important characters. But other than that, it is excellent. As for the ED, it is nice to listen to but honestly you are probably going to skip it every time to get to the next episode since this show is like a drug.

The overall soundtrack continues the vibe the opening gives off, comprised of a number of Western-themed and jazz-inspired tracks to fit both the historical setting and the upbeat tempo the show always has. Probably the best jazz soundtrack in all of anime, second only to Cowboy Bebop. Baccano no Theme in particular is a great track on its own that is played many times throughout the anime and never got dull, being an anime OST that I believe everyone should go out of their way and listen to at some point. The sound of this show overall is just excellent, especially the English dub. Personally, I prefer dub over sub when watching, but also understand that a lot of dubs are terrible. But in the case of Baccano, it is must-watch for the same reasons that Hellsing Ultimate and Cowboy Bebop need to be watched dubbed. All the voice actors give a terrific performance that match the New York setting as well as both enhance and distinguish between the personalities of every main character in the show.

The animation for Baccano is like a perfect fit for this show despite being almost a decade old from the time that this is being written. Colour was used very well in this show, from the bleakness of the alley streets of New York to the bright, colourful and lively environment inside with characters as joyous as they are insane, to even the most minute of details on the faces of Ladd Russo’s victims. But the action is where the animation it at its best. Gun shots are authentic, teeth and bone break and fragments flying across the screen, character movements are fast yet fluid and blood splatter is everywhere… it’s great. While there were a couple moments where the animation was off-putting, like with a couple of 3D backgrounds and at times the scene was too dim, overall it is another part where Baccano is fantastic.

Regarding the Baccano Specials specifically, these extra episodes picked up on some of the plot lines from the original series that, despite being wrapped up well, were not properly completed helped to further explore these stories and introduce some new characters, whilst further developing other characters that were already established. The specials did not measure up to the quality of the original TV series, with the non-linear storytelling being almost non-existent in these three episodes. However, the cast is still strong and the trouble they get into after the fallout of the TV series is still entertaining, keeping these episodes worth the watch and a nice addition to the franchise in general. These specials also show more cool interactions between characters and clues as to where the stories will go from there. Sadly, those hints are nothing but cliff-hangers as nothing from the light novels was ever animated after the Baccano Specials ended. The anime only covers 4 of the 21 released novels. But the Specials did give some resolution to the anime, conveying how the stories in this show do not necessarily end. While other shows would try and create an ending that brings closure, Baccano just throws these incredible characters into the audience’s faces that makes one want to imagine what would happen to them. While it may not be the ending that most people wanted, it is an ending that suits Baccano, complementing the blurb of this show: ”Baccano ain't about beginnings and ends. It's about the twists and turns, bub.”

Baccano is a non-stop action thrill-ride and is a shining example of the kind of exhilarating narratives that anime is capable of. Both the plot and characters are enough to make this show stand out from the crowd, but the way it blends all the craziness that takes place throughout the show so soundly that makes Baccano one of the greats that this medium has to offer. It is a masterpiece of storytelling, proving that pure quality entertainment can be just as influential to viewers as thought-provoking shows with deep themes and messages.

Overview

Baccano is a series featuring alchemists, the Italian Mafia, a bloodthirsty vigilante, and a thousand other American pop culture cliches. It is like an American culture cluster bomb exploding in your face! All of this is told in the disjointed style of Pulp Fiction and seems to borrow heavily from Tarantino's awesomely random dialogue and hyper violence. If you love American culture, you will love Baccano. Hell, even you don't you may still love Baccano! This is one charming motherfuckin series!

Story 9/10

The story is essentially a "frame narrative", which means it is many different stories all being told by the same character or characters. In ... this case the gruff yet hilarious newspaper editor Gustav and his adorable assistant Carol. These 2 narrator's are piecing together a number of unusual events that mostly happened from 1930-1932. Although there is a flashback to the 1700s that explains some plot points later. In 1930, the plot revolves around a batch of elixir that will make the drinker immortal. In 1931, the plot involves a massive bloodbath on a train named the Flying Pussyfoot. Yes, that's really what they named it. In 1932, the plot mostly revolves around a girl's quest to find her missing brother. I will avoid going into further details about these plots in order to avoid spoiling anything. I will say that although many plot points aren't exactly new or creative, the series is pieced together incredibly well and is extremely entertaining to watch unfold.

Characters 10/10

This is where Baccano really shines! You have the hysterical idiocy of Isaac and Miria, the delightfully entertaining sociopathy of Ladd Russo, and the sheer badassery of Clare Stanfield. There are so many characters, yet pretty much all of them are given depth, back story, and a certain something that makes the viewer simply love them! Even if you happen to not like a particular character or subplot, you won't have to wait long before getting to see someone you do like again. That is one of the aspects of Baccano that works so very well.

Art 9/10

The backgrounds in this anime are incredible and pain staking research actually went into making Grand Central Terminal in New York look as realistic and accurate as possible. The character art is also very well done and the animation captures all that beautiful blood splatter quite well.

Soundtrack 9/10

Baccano has one of the best jazz soundtracks in all of anime, with only Cowboy Bebop really exceeding it. Baccano's opening "Guns and Roses" ranks among the greatest anime openings of all time. The only thing that could have made the Baccano soundtrack better was to follow the example of "The Sting" and include lots of Scott Joplin pieces in the soundtrack. Since Baccano is essentially a giant love letter to American pop culture, how could they have had so many bar scenes set in the 1930s with no Joplin??!

Enjoyment 10/10

I really enjoyed pretty much every minute of Baccano! This may not be the deepest or artsiest series to ever exist, but my god is it a lot of fun! My only warning is to aware that the first episode is a bit slow. Once you get past the first episode, you will most likely be hooked. This is one of "those" anime that is 13 episodes and the first episode is bafflingly the worst by a substantial margin. A first episode should be one of the best in a given series in order to draw viewers in, but anime like Baccano, Elfen Lied, and a few others seem to defy all logic and give the viewer their worst first. If you gave up watching Baccano after the first episode, I urge you to reconsider and watch at least 2 more before making a decision.

Overall 10/10

If I somehow failed to make clear that I really like Baccano and I am highly recommending it, then I need to retake writing comp 101. This a unique and fun anime that has something for almost everyone.

Story
The story begins with Saint Germain and Carol as our guides, two characters that give us an interesting perspective on the three unusual events that occurred in 1711, 1930, and 1931. All three incidents seem to be connected in some way and through the retelling of the exploits of the cast, Germain and Carol are able to reveal what transpired. To make the tale more gripping and insightful, the story is not told in a chronological order, but instead jumps around between the different timelines and characters, making each incident mysterious and intriguing until the very end. Doing this allows little downtime and keeps the ... audience on their toes in a manner that is sure not to disappoint.

Animation
Considering this was animated in 2007 by a smaller studio, it is done quite well and never really dips in quality. The contrast of colors used in the show, especially during the action scenes, helps maintain the exciting atmosphere while the character design ensures that every character is distinct in appearance; with every face and outfit befitting each character’s personality. Seeing how the story takes place in America instead of Japan, the staff did a fantastic job in researching American history and developing characters and backgrounds that fit into the time period seamlessly. One minor problem--although some might not think so--is the excess of blood. It seems a bit too unnatural and exaggerated at certain times, but it is a nice little addition to the gruesome ambiance the anime portrays.

Sound
The most memorable aspects of this anime would be the music and voice acting. Right from the start the soundtrack opens up with an appealing and relevant OP, "Gun's&Roses" by Paradise Lunch, that fits the early Depression Era setting well and really gets the show into the swing of things. The rest of the background music not only keeps up with the opening track’s high quality, but also sets the bar even higher by adding unique beats, superb solos, and talented vamping. The only downside to the soundtrack would be the generic Japanese ballad appointed as the ED. It isn’t terrible--in fact some might even find it appealing--but it doesn’t fit the style prevalent in the rest of the series. The voice acting is also exceptionally well done as each voice actor establishes their character with a distinguished and easily recognizable voice. This also includes the English dub version, a rare specimen of considerable quality.

Characters
Baccano! has a full cast of colorful characters: gangsters that could be found in any western-style mobster movie, cynical psychopaths taken right from the noir genre, a very entertaining comic relief duo, and some normal, more relatable folks as well. Almost everyone who watches this anime will find someone they can admire, relate to, and maybe even consider putting on their favorites list. Although the show is only thirteen episodes long and contains a large cast, it still does a fine job of developing each character and making them stand out as individuals.

Enjoyment
This anime really is something that can be easily enjoyed by everyone. The execution of the unconventional plot is admirable; it’s able to suck the audience in by constantly switching from one story to the next and at the same time show how each one is connected to one another. The deadpan comedic style is definitely another trait that keeps the show fresh and entertaining. It always finds the right moments to make you turn your head and laugh. Also, the mysteries behind not only the immortals but the dark and enigmatic Rail Tracer create noteworthy suspenseful and artistic moments. All in all this is hands down one of the best series released last decade; if a newcomer to the world of anime asks you for a recommendation, this should indisputably be one to mention.

Overall
Drama, action, mystery, comedy, and a little bit of romance--this anime has it all. The unorthodox way in which the story is told allows the viewer to observe each incident in more than one perspective; just like a puzzle, it can’t be fully understood and appreciated until it is completed. Although it may be a bit confusing for some at first, everything is well tied together by the end and gives an overall feeling of fulfillment. This along with the vibrant cast of characters, superb animation quality, and catchy soundtrack make Baccano! a must see for anyone.

Value
Immortality is a blessing and a curse. Almost everyone has thought about what it would be like to be immortal at one time or another. However, believing it to be a blessing or a curse is something everyone thinks differently on. The show presents it as a blessing for the most part; certain characters are able to escape death multiple times because of it. But it also shows a darker side, revealing that even if you are immortal you can still be made to suffer.

Baccano! also shows the audience that no matter how cynical or psychopathic one is, there will always be someone else out there ready and willing to accept them for who they are. However clichéd it might be, beneath first impressions there is still a lot more to everyone in this world--no matter who they are or how they portray themselves. Anyone can fall in love and devote their life to someone. The feeling of love and the desire to protect someone dear to oneself does not require a sound mind to be experienced and if this love is ever found, one should do everything in their power to take hold of it and never let go!


VIA (Value in Anime) – Restricted Division

Ckaos_Inkarnate- Writer
Schizoidmouse- Contributor
Phantomtigers- Contributor
CoolMorz- Contributor
Black_Lighting6- Contributor

These are the individual scores for the anime. (In the same order as the names appear above)

Story: 9, 8.5, 9, 9.5, 9
Animation: 8, 7.5, 9, 9, 10
Sound: 10, 9, 10, 10, 10
Characters: 9, 9.5, 10, 10, 10
Enjoyment: 10, 8, 9, 9.5, 10
Overall: 9, 8.5, 9, 10, 10

As a club, we- The V.I.A.- not only watch and review anime, we also discuss the value and life lessons they contain.

Vigilate et discite!

The first thing to note before watching Baccano! is that the story starts off by introducing you over 20 characters at once, and can be very confusing. However, don't let this deter you, as Baccano! offers a rather interesting take upon storytelling, giving the same story from many characters' point-of-view at once, which ties together by the end in a highly satisfying and well executed manner.

This sort of thing has been done quite often; a studio comes up with a great plot that makes sense, interesting and likable characters, a way to present the story in a way that pushes the bar; they start ... out well, but then end up like most do: they fail. Baccano! happens to be one of the instances where they actually succeed.

NOTE: Baccano! is somewhat gory, and does contain many scenes filled with blood and a few dismembered limbs here and there, as well as a few scenes of torture. It does nothing to reach gory levels in anime such as Elfen Lied, but if you have a weak stomach, perhaps it is better to keep your distance. Although I did not particularly like the more violent scenes, they don't last for very long, and it's easy to look past them to the great anime that they belong to.

Story: 10
The story consists of three stories being told at once (and the very brief interludes to the present day, early 2000s, and one episode in the 1700s), taking place in the years of 1930, '31, and '32, jumping between the three several time frames in a single episode. Each story involves many overlapping characters and involves all of them in some way or another. The story itself isn't necessarily the series' strong point; it's pretty standard as stories go - what makes it stand out is the way in which the story is presented, how each piece of information revealed is carefully planned out and you're given enough to be satisfied and not get lost, while not giving away so much that it ruins the plot. The story releases just the right amount of each plot line in each episode, finally culminating in the last two episodes, in which everything all finally comes together, and the grand unfolding occurs; it's well worth the wait.

The story does tend to make the jumps between it's three stories rather rapidly throughout an episode, and if you're not paying attention, it's easy to get lost. My main advice would be to plan to watch the series when you're not going to be distracted easily many times during an episode, since as long as you follow along, the story makes sense.

Art: 9
The art quality in Baccano! is nothing to shrug at. The character design is exceptionally well done. Nearly all of the main characters are well defined and very easy to identify immediately. I did have some trouble recognizing a few characters for a while (as you are introduced to a large cast rather suddenly), but after a while, it became pretty easy to tell them apart. One particularly great feature is the OP of Baccano!, which freeze-frames at every character and gives you their name. This aids greatly in learning the characters quickly.

The quality of the animation is rather high, and remains high throughout the entire series, avoiding the drop in quality that many other series unfortunately suffer from. Action scenes are fluid and easy to follow.

Sound: 9
The OP is the perfect fit to this anime. The jazz tone that it sets is perfect for the feel of the series as a whole, and music played in the background throughout the various episodes maintains this same atmosphere. The ED, however, is your standard j-pop number, and is rather disappointing.

In terms of voice acting, the voicing cast does exceedingly well at portraying their characters. Not only do they bring personality to their respective characters, they also are rather easily distinguishable, making it easier to identify the large number of main characters from the rest.

Character: 10
The characters of Baccano! are the series' strongest point, as they are well defined, unique (most of them), and the chemistry between them is simply amazing to behold. Even the most annoying character (believe me, you won't have any trouble figuring out who it is) is redeemed at the end, and I even started to like him a bit. The dynamic duo of Miria and Isaac is just brilliant, providing great entertainment just observing how they unwitting screw with everyone and somehow make things right in the end without ever knowing. The humor between the two is great, although some people will no doubt find these two to be annoying. By the end of this series, you are bound to find at least one character that you will like. Although many of the characters receive a healthy dose of development, the large number of them makes it so that many feel somewhat underdeveloped, but this is expected considering that the series only consists of 13 episodes.

Enjoyment: 10
As can be expected, when I first started watching this anime, I was very confused with the initial presentation. However, as the story continued to progress, it steadily escalated until the final few episodes, where everything reached a great climax which was pulled into a satisfying ending to a great series.
The only thing that I would say that was a drawback was that despite tying up nearly all the main important loose ends, there were still a few little things here and there that still had to be addressed (such as firmly establishing the identity of the people you meet at the very beginning and how they tie into the story). However, that's what the 3 episode Baccano! OVA is for (hopefully; they are currently being released and I will check them out very soon to confirm), and I'd like to believe that it will explain everything else, as well as give even more character development.

The fact that they pulled off a complex story following a large number of characters in several time frames within a small total of 13 episodes is nothing to scoff at. Despite the fact that many critics of the series could pretty easily point out a great number of minor flaws, the overall brilliance of the series outshines these small issues, and makes them more than easy to completely ignore.

Overall: 10
In short, this anime is one that presents a great story, and most importantly, presents it well. This is a series that almost anyone could pick up and find something to enjoy (except perhaps those with a great aversion to blood). Although the series at first is hard to understand and will leave most viewers in confusion, the ending does a successful job of tying everything up, and everyone should have their initial questions well answered by then. This is a series that I would readily recommend to just about anyone to at least try out and watch a few episodes.

Score: 48/50; A (96%)

Baccano! Review
or This Reviewer Embraces the Fact that there is no Main Character

Baccano! is a show which has taken parts of the anime community by storm, while simultaneously remaining relatively unknown to the larger whole. The series is frenetic and has more energy than perhaps any other anime. Each scene, while displayed with no heed for chronology, is nonetheless structured to introduce questions and answer them little by little, even if the answer is chronologically first. This is an interesting and ingenious structural choice, and also is in many ways responsible for the series' undeniable style. Baccano! does a good job of offering a ... little something for most everybody, without watering any of it down.

Baccano! is a show that defies description. Generally speaking, it's about a number of people and a spattering of events which are connected, sometimes loosely and sometimes directly. More specifically, it is itself a story about these things and about stories in general. It, in some ways, comes close to breaking the fourth wall with its acknowledgment of the place of human subjectivity in any story. The framing of the series with the exchanges between Carole and the Vice-Director put the entire show in this context, and the re-telling of specific events from multiple perspectives provide examples as basis for the overall framework.

Baccano!'s placement in the American prohibition era and embracing of this setting lends it a taste of the exotic. Even to American audiences, a unique take on the prohibition era such as this one seems foreign and wild, despite the familiarity of many of the places represented. Anyone who has ever seen a mafia movie feels at home, and yet at the same time it is made foreign to us. Unlike many other series which utilize a unique setting or particular aesthetic, Baccano!'s use of its setting, its powerful aesthetic, does not come off as heavy-handed. Baccano! oozes style without ever feeling the need to shove it in your face, allowing for someone to not connect with the aesthetic yet still enjoy the series overall.

The animation in Baccano! is definitely a strong point, even though it is a little rough around the edges. Stationary art in the series is certainly good, but nothing especially worth noting. In motion, though, the style of the series comes to realization with its somewhat flashy, rough animation style. Colors are bright and vibrant, matching the characters' flair and the feel of the setting. Despite some remarkably over the top designs, everything meshes very well within the series, and there is nothing which visually feels out of place, even the occasional CGI section.

Sound plays a unique role in Baccano! in reinforcing and bringing to life its setting. In this, through the use of primarily jazz and swing tracks with unique twists, the soundtrack is remarkably successful, lending a credibility to the endeavor without being vestigial or overbearing. The soundtrack is solid even without considering the above, and is definitely good enough to warrant listening to on its own. Within the series, it never really takes center stage—aside from the dramatic string piece that closes each episode—but instead achieves a healthy balance with the other aspects of the show, unlike many series with strong, aesthetically-driven soundtracks, such as Cowboy Bebop or Samurai Champloo. While not as strong on its own as those two, it does a better job of navigating its place within the overall work.

The voice-acting in Baccano! is unique in the anime world. It features few, if any, big name seiyuu, and, possibly as a result, is superbly cast. It is common for big name seiyuu to be included in a project for publicity and increased viewership, even where their voice does not fit the character, or where the show must be altered to accommodate the actor. In Baccano!, though, each voice actor fits their character extraordinarily well, and their performances overall are definitely solid, naturally bolstered by clever writing and a supporting soundtrack. As far as stand out performances, I must point out the seiyuu of Isaac and Miria, who managed to make what could have been very irritating characters enjoyable and fantastically entertaining. Ladd Russo's voice actor is also remarkably good, making a character who sounded simple and uninspired in description great in practice. As far as main characters are concerned, it is difficult to pinpoint a weak link, and the supporting cast is solid, if not as exemplary.

It is difficult to speak much on that plot of Baccano! without spoiling the mystery and the fun of it all, so I'll be brief and general. Baccano!'s plot is an evolving mystery which fills out completely the 13 episodes it inhabits. There is no idle time in Baccano!, and each scene fits very well into an overall picture. While this frenetic pace is paramount to the impressiveness of the series and to further its very postmodern style, at times it can be somewhat jarring. This, of course, is most likely intentional, considering the mindset of the rest of the series, but it does irk some, especially those less interested or familiar with postmodern literature. The plot itself is fairly straightforward if laid out chronologically, but the way it is presented makes it somewhat extraordinary. It does a better job of engaging the viewer in the plot, making them an active participant, than perhaps any other series I have seen.

If I had to point out a primary flaw of Baccano!, it would be the voluminous cast which limits the characterization of each. Each character is a larger than life, highly-stylized figure, but as a general rule there is little more to them than that. There is some nuance to each, but it is only in the relationships between the characters that they achieve depth, keeping this from becoming a crippling weakness. Even so, the aesthetically-charged character design is worth noting, differentiating each character powerfully from the others even in keeping with period attire—or at least a stylized, egalitarian version of it.

Baccano! takes everything you know about anime and shows you that there is another way, all the while engaging you with a flashy mystery full of action and suspense. Flush with style and ripe with content, Baccano! manages to give the audience a little bit of everything, without feeling rushed or particularly shallow, although its biggest weakness is the lack of complexity in its characters and plot. It offers unforgettable characters, powerful aesthetics, and a great soundtrack to frame a frenetic narrative which challenges notions of narratives themselves. The series challenges you as a viewer, interpreter, and active participant.

Final Score: 9/10

Baccano! was outstanding for what it offered it'll hook you with the story, you'll want to know what's happening in the next episode and you will want to be careful and pay attention to the story, so you can understand more and more when you put the pieces of the story together and the way the story is told it's confusing at first but you will understand and like it.

Story
The style of the storytelling in Baccano! is unique, there are more than 1 MC, around 15 in which the storytelling manages to cover them in sequences and then jumping to another character all of a ... sudden, you can imagine the confusion and yes it's confusing but that's why it hooks you, you want to understand and put the pieces together for the story that you're watching making sense, and by having multiple individual storylines you will see how the characters met and how important they are to the story. It's outstanding.

Art & Animation
I wanted to score the animation properly, because even if it's from 2007 and i'm the one who watched Baccano! just now, i got to say that it was very good but it could've been better, but the art style and animations were very good and enjoyable in almost every aspect.

Sound
The music in Baccano! was accurate, the jazz from the OP was damn good, not everytime you stumble with an OP that you want to listen and see over and over and in the middle of the OP it has scenes from the previous episodes after the introduction of the characters is done, the background music for the comedic and serious parts were just on point, the voice acting made the characters alive, it was amazing to listen to the characters they were unique and the ED song was good, it was a ballad. Overall it was outstanding.

Character
What can i say more than, they were amazing, it has a mix of everything, there were like 15 main characters and not to forget the support characters, as i stated they are unique, some of them are psychopaths, some of them good people, bad people, others were quiet, cowards who are brave inside, others were happy fools no matter what, i don't want to get into details because knowing them in every episodes is a part of the engaging story.

Enjoyment
This is one of those animes that you could watch over and over and you won't get tired of it, the story of the characters is enjoyable and that is one of the best parts of the anime, the transition between the intrigue, the comedy, the violence, the storytelling, the music, watching the OVAs is a great addition too, those are the eps. 14, 15 and 16. One thing that i thought was that i couldn't decide if i didn't want a 2nd season because how well it ended (defenitly wanted more OVAs) or if i wanted a 2nd season because of what one of the characters said (The Subdirector). This was outstanding.

It is truly sad how the most popular shines so bright that it blinds most people from seeing such great things, and it is even sadder how personal interests or preferences discourage people who are unaffected by that blindness to view them. Unfortunately, I am one of those blind and discouraged people, but my curiosity about high ratings has once again given me the chance to experience great art. I encourage everyone who are still unfamiliar with Baccano to check it out because this series is definitely a MUST WATCH.

Baccano is a story about a series of mysterious events connected to immortality which occur in ... the years 1711, 1931-1932 and 2001. It is told in an interestingly complex chronology and is very rich in content in a way that it has so many genres. This is a comedy, suspense, thriller, drama, romance, action, supernatural, mystery, horror, etc. One would not expect all these in a story because there would be a case of incompatibility and everything would be in disarray. Funny and shocking gore just don't go together, but here, they are all in excellent harmony.

The animation is high standard. The character and environment drawings are fit and well designed with beautiful and proper colors. Everything is well animated with good movement details, consistent frame quality, and light effects which bring about nice action scenes. Top-notch sounds, good ambience and exceptional voice acting. All voices are well chosen and are perfectly fitted for all characters. The OP is also good with fitting jazz music but the ED however is disappointing.

It has great casting. Filled with various characters that are unique and most interesting, this is one of the best points of the show. You have alchemists, mafias, psycho killers, delinquents, a newspaper and informant group, a comic thief duo, a homunculus, a train monster, etc. All of them are well made, with unique traits and sensible purposes.

Baccano gives outstanding enjoyment. You will laugh, you will be thrilled, you will be shocked, you will be curious and you will want more. Well actually, you will demand more because in the 13 episodes some things were not explained so hopefully, the OVAs would cover those holes in the story.