Tada-kun wa Koi wo Shinai

Love has never really been a concern for Mitsuyoshi Tada, and as the aspiring photographer enters his second year of high school, it truthfully could not be further from his mind. However, things just might change after he meets a bright and bubbly foreigner named Teresa Wagner while he was taking pictures of a cherry blossom tree. Nevertheless, after she asks him to photograph her, the two soon separate, only to meet each other again twice more that same day. Finding Teresa just as she is caught in a sudden downpour, Tada invites her to his family's coffee shop to dry off. There, she explains that she was separated from her traveling companion, a no-nonsense redhead named Alexandra "Alec" Magritte. When Alec reunites with Teresa shortly after, they say their goodbyes, expecting to part ways for good—but the two unexpectedly show up as transfer students in his class the next day.

Teresa and Alec quickly get used to their lives at Koinohoshi High School and decide to join Tada in the photography club, along with his narcissistic friend Kaoru Ijuuin, the idol-obsessed Hajime Sugimoto, the serious class rep Hinako Hasegawa, and the dog-like Kentarou Yamashita. With these two peculiar additions to his equally eccentric group of friends, Tada's second year of high school is about to get even livelier, and he might need to start rethinking his approach to love.

[Written by MAL Rewrite]

Wagner, Teresa Main

Iwami, Manaka Japanese

Tada, Mitsuyoshi Main

Nakamura, Yuuichi Japanese

Ijuuin, Kaoru Supporting

Miyano, Mamoru Japanese

Hasegawa, Hinako Supporting

Ishigami, Shizuka Japanese

Magritte, Alexandra Supporting

Shimoji, Shino Japanese

Tada, Yui Supporting

Minase, Inori Japanese

de Loire, Charles Supporting

Sakurai, Takahiro Japanese

Sugimoto, Hajime Supporting

Umehara, Yuuichirou Japanese

Yamashita, Kentarou Supporting

Shimono, Hiro Japanese

Rainbow Shougun Supporting

Koyama, Tsuyoshi Japanese

Oowada, Tomoyuki Producer

Tanaka, Shou Producer

Iizuka, Aya Producer

Ogata, Mitsuhiro Producer

Reviews

Feb 8, 2019

TakaCode

Recommended

When I reviewed 3D Kanojo Real Girl and Woatku Love is Hard For A Otaku I mentioned that were two romcom shows that were competing with each other? Well, there was actually three romcom anime that were competing each and that anime is Tada Never Falls in love. Unlike the other two Tada Never Fall in Love is an anime original probably meaning it's not as restrictive as the other two it has to follow the source carefully or else fans of the source material would riot. Also unlike the other two where I watched them weekly, I decided to wait until once it finished ... airing and I wanted to see people's opinion about it before I even invest my time with this show. While people options on the show were mixed compared to Wotaku I still wanted to give a shot because I wanted to see if the show is actually better than Woatku as well not being worse than 3D Kanojo Real Girl. So after marathoning all 13 episodes of Tada Never Fall in Love all I can say it's pretty solid romcom anime that I liked. Not on the same level as Wotaki but still good enough to be one of the better animes of Spring 18 season.

Story.
The story follows a boy named Tada who doesn't know about any form of love. During a regular day in the cherry blossoms, Tada decides to take pictures there and while he's taking pictures he meets a transfer student from a European country called Larsenburg named Teresa. Upon arriving in Japan she gets's lost from her travel comparison. Like with any typical male lead Tada decides to help her by taking her to her grandfather's coffee shop from there relationships will form and will Tada finally understand the meaning of love.

The story for Tada Never Fall in Love is pretty solid overall. Like with any good romcom anime the story is heavily character driven where it relay on the characters from the interactions to relationships more than the plot itself and surprisingly the show does a good job at being a charted driven story.

One of the main things that I liked about Tada Never falls in love it how it gives the charterers the appropriate screen-time that they need. The main characters will obviously get most screen-time while the side characters get they screen-time that they need without overstaying the welcome or having barely any screen-time at. This alone makes it's main and some of the side characters more memorable. It does a great job as tacking the themes of friendship, love and understanding each other in the more realistic way where every single character shows a different side to love and friendship making they character interactions stand out in the process which speaking off.

Another thing that I liked about Tada Never falls in love is how it was able to avoid most romcom cliches that seen to plague mainly romcom shows such as a generic lead, a tsundere main love interest, long and complected love triangles, harems etc for the most apart least.
It also does a good job as tacking the themes of friendship, love, royalty love and understanding each other in the more realistic way where every single character shows a different side to love and friendship making they character interactions stand out in the process which speaking off. The characters interactions as well the plot twist in this show were well handed as not only the interactions for each character was great but the way the plot twist in the series which I won't spoil.

The best thing about Tada Never falls in love is how slow paced the romance is. Unlike most other romcoms where the romance elements feel underdeveloped thanks to lack of focus on the actual romance Tada and Terca slowly build a relationship with each in a way that is satisfying.

I could go on and on about how good this show is but I think it's talk about the show's flaws.

For starters while I appreciate the slower pacing in the show in favour for better chararter development for the mains I thought at times the first half was too slow for my liking and what I mean by this is certain scenes in the show seen to drag way longer than it should.

Speaking of drag the second issue that I have with this show it was the comedy itself or in this case too much. I know the show eventually fixed this problem in the last couple of episode but my god the comedy in this show to drag on to a point where at times it overtakes the romance elements. Not only that but the comedy itself just become unfunny and at times repetitive.
The final issue that I have with the show is that it's how predictable it became. Now being predictable doesn't equal bad but there were certain character expressions in the second half ultimately predicted the shows ending. I know shows like this are meant to be predictable but I honestly wish they didn't have to make it this very oblivious to the viewer with theses certain character expressions.
Overall despite it having some issues, I thought the story was good and enjoyable.

7.5/10

Characters.
When it comes to the characters to Tada Never Falls in love I thought they were pretty solid for the most part.

Our main protagonist Tada is a pretty solid romcom lead. While he may not be a complex and well written as other romcom leads but he still a very interesting and likeable chararters nonetheless. He's chararter development while more in the predictable side was still fun and enjoyable to watch.
Teresa’s is a pretty good romcom female lead. She is an overall nice person who is kind to every-time but at the same time she is very royalty and does not show any arrogance in terms of expectations where she is the Princess of Larsenburg as well being the heir of Queen's throne.

While she doesn't as developed as much as Tada she's still a nicely developed and fun character that I liked.

While the main characters were great the side characters not so much. Apart from Alec and Kaworu the characters are nothing more than comedic devices than actual characters. It got to a point where if you removed every character from the Photography Club apart from Tada, Teresa, Alce, and Kaworu the story would not change one bit. This alone was the weakest part of Tada Never Fall in Love.

7/10

Visuals.
Compare to the other two this show visually is the best looking of the three.
The art-style of the show was very appealing to look thanks to its soft use of colour palettes for the character designs and the background scenery. The character designs themselves were great and well drawn. Also, the lighting and use of camera shots in this were brilliant and well thought out.
The actual animation while basic still pretty nice for what it was.
7.5/10

Sound.
The soundtrack in Tada Never Falls in Love is honestly for the most part forgettable. Sure there are a couple of tracks that were solid but at a lot of the time they are not that memorable at all
The opening theme Otomodachi Film by Masayoshi Ooishi is a great and catchy opening that fits well with the upbeat tone of the series.
The ending theme Love Song by Manaka Iwami is a cute and adorable ending theme that I really enjoyed.
The voice acting is a bit of a mixed bag overall
While some Seiyuus did a good job others ranged from okay to overdoing they performances where it became quite annoying.
At this time of the review there is no English Dub for this series but hopefully, it will get one sometime in the future.

6/10

Final Thoughts.
So that was Tada Kun Never falls in Love.

A flawed but good romcom series that I enjoyed quite a lot.

The story was solid for the most part, the characters were mostly good the visuals are good. The only negatives things I can say about this show were the mediocre treatment for the side characters, too much comedy and at times slow pacing that seems to drag. Other than this Tada Never Falls in Love is a pretty solid series. While it's not better than Wotaku it's still a hell of a lot better than Takagi san and especially 3D Kanojo Real Girl.
Final Score 7/10

Reviewer’s Rating: 7

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Jun 28, 2018

Yas-

Mixed Feelings

There's always that one show you find that starts off excellently and you expect it to go to greater lengths and remain consistent if not become better but then that does not happen every time, partly because a show doesn't bring any originality with it and partly because it doesn't strive to make things even a little unpredictable, that is the case with Tada-kun Never Falls in Love.

Right around the first and second episodes I felt it was amazing since it started off so well, showing a bright artstyle not unlike Doga Kobo’s other more popular (and obviously better) anime, Gekkan Shoujo Nozaki-kun. The characters ... felt cheerful and the whole anime gave you a cheerful vibe, now this vibe was obviously continued in the rest of the anime but the differing point is that it was cliched to the extreme. Don't get me wrong, cliches aren't bad, but they have to be handled properly to make the show watchable and not lazily copy over cliches and skin them with your colour and post it as your anime, this is unfortunately what Tada-kun continued to do and it certainly was heartbreaking for me to see that the show I loved in episode one became a cliche machine by the 5th episode (and I'm talking about myself here, others may have started seeing effects way earlier than me).

Being a Slice of Life meant that a concrete plot wasn't exactly on the list of priorities for any anime studio for that matter, so it comes by no surprise that this show as well didn't have one, and since this is very normal and common with most Slice of Life shows in general, I'll make this the one step I'll forgive. But what comes is the rest. One problem only, cliches. Each episode was filled to the brim with cliches, be it a situation, a backstory (not Tada’s), the characters, and unfortunately, the romance.

A cliched romance isn't exactly something I'll throw over to the Lions for, but when it's not even trying to add a dash of originality things start to get messy. I mostly went “Oh so in the next episode preview this is going to happen? Then this cliche will be followed” and it killed my enjoyment in the anime as compared to the first episode. And this isn't a hot springs episode thing, sudden bumps, blushes at the same words, a situation being ruined by the characters’ actions, are all examples of cliches that the show followed (forgive me for being vague, as of the time of writing I've been watching a lot of anime this season so my memory is slightly hazy). “Why is this guy focusing so much on the cliches?” you might be asking. To me, cliches were the one biggest problem the show had, if this was fixed, I doubt the show would disappoint me, but then again, improving cliches is very much easier said than done. And fixing them is important because to keep a Slice of Life fun, especially a romance, you need fresh ideas, Tada had none of that.

Tada-kun’s characters weren't the most unique of ones but I'll have to give credit, they were cheerful but their personalities were once again riddled by the C word (pretty sure you're as tired of reading it as I am writing it, but then again, this was the biggest problem of the show anyway). Although fans were gleefully picking out the ships right from the first episode going “Alec x Ijuuin” and the like it kinda felt a bit boring. I mean, not trying to act nitpicky but a little bit of a surprise is always welcome in a romance isn't it? “No” according to this anime. Although not having a surprise isn't 100% bad per se but yet again, Tada-kun didn't try to make it work. At best this can remind me that the show felt lazy. Doga Kobo tried to make something fun but a little different but didn't want to make the effort for it and got itself trapped within its own plans. Apart from the cat, every single romance in the show was horribly implemented. Tada X Teresa has got to be one of the most irritating romances I've ever seen because both of them acted so stupidly and their shyness for normal things like talking to each other (especially when they first met) has got to be a pathetic way to go about the “falling in love” step of romances. I mean, I despise the “love at first sight” view and Tada didn't help make it better at all. Pin-head and Representative-san’s romance as well wasn't explored and was left shallow. But then again it in itself was shallow from the start. Him not knowing that his childhood friend is the idol he idolises so much? Could you be any more cliche? Before you answer that, Tada already did. Yamashita Dog and Tada’s sister as well were just a one blush game as well. Coming back to Tada, his “romance” with Teresa was random, pretty much non-existent except for the last 3 episodes maybe if you don't count stupid “Oh I saw you look at me and I don't know what to say” crap as “love”... I'm not saying shy romances are bad, but Tada and Teresa made them look pathetic with their random shyness. Sometimes they're super shy and the other second they're pretty much flirting?

People went memeing around saying that the cats had the best romance but funnily enough that turned out to be very much true, until *that* happened. On the other hand the other romances felt average and not out of the box. At many times I found myself predicting what the next situation could be for the characters and when and how the blushes would happen. Perhaps the one romance I could like was of Ijuuin and our secretary Tsundere, Alec (since it is of a cliche I could say I don't have a problem with). The rest meanwhile, were… average like I said. It seemed as if the writers wanted to do something different, they wanted to try to make the show enjoyable in episode one, but the sad contrast in the later episode showed that they were the teenager who after getting bad grades thinks “I'm going to work hard from tomorrow onwards” and right the next day get caught in their usual routine, without any thought or apology for not doing what they promised themselves they'd do.

Now, this show isn't filth, far from it, it's not FranXX, but it's average, it's mediocre. Why? It doesn't ruin everything and burn everything to the ground. It is still an anime you could watch in small increments (perhaps once a week to you binge watchers who are going to watch the show after it airs). It's still an anime that can leave most with a normal face, since it's charm is still present, only drastically reduced from what it could have been, perhaps a mere shadow of itself. Is Tada-kun the show I like to call “wasted potential”? Definitely. Although it didn't go it's own way it didn't veer off into the abyss either, therefore putting it in the middle. What wasn't in the middle would be the artstyle, which I've iterated thrice here was cheerful, bright and very much like Doga Kobo. Apart from reminding me about Gekkan Shoujo, it made it's characters look cute and attractive. Be it Hinako, Teresa or Tada-kun himself, everyone looked cute, and that's not to say about the colourful backgrounds and eye-catching scenery either, those were fabulous and my favourite part about the anime. But then again, cute characters and a great artstyle don't make for a good romance.

Now something that was almost decent was the voice acting. Although it felt bad in terms of the female voice actors the male actors made up for it. I can forgive the female voice acting only on the grounds that Alec and Teresa’s voice actors aren't as experienced in the field as the males were (but I must admit, Teresa’s high pitched voice was VERY IRRITATING) and to be honest, apart from these two, on the male side I found Ijuuin a bit irritating with his voice, I was absolutely shocked to discover that Miyano Mamoru voiced him as a result. But in the end it boils down to how much you enjoyed the show. I for one don't hate the show (NANI), it's just that I felt let down because again, I wanted the show to continue the direction it had in episode one, if it did, it would be an 8 today or maybe even a 9. But not everything goes your way.

There's always that one show that clearly shows the idea the writers had in mind in the beginning but lazy writing can turn the best of starts into an average okay-ish show AT BEST, and it's sad to say but, Tada-kun stays as an example of that. I do hope that we see some improvement in Doga Kobo’s next show, but as of now, I doubt a sequel to this show could carve out something better like Nozaki-kun, although I'd love to be proven wrong. Amaze me Doga Kobo.

Story: 4
Animation: 7
Sound: 5.5
Character: 4
Enjoyment: 5

Overall: 5.1

Reviewer’s Rating: 5

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Dec 22, 2022

RebelPanda

Not Recommended

Informative

Tada Never Falls in Love is like a colorful bouquet of plastic flowers. From a distance, you might mistake it for the real thing. But upon closer inspection, you'll find it's merely a lifeless imitation. Factory produced from the most generic mold, identical to its fellow flowers rolling off the conveyor belt alongside it.

Undeniably crafted with talent, Tadakoi offers refined background art and detailed character animation in place of quality writing. While the show had the potential to be good with its solid audiovisuals, they are entirely wasted on generic characters and a poorly written story.

The story follows the titular Mitsuyoshi Tada, an uncharismatic photographer ... whose tough past has prevented him from ever knowing love. Through a chance encounter, he meets an enthusiastic foreigner, Teresa. She acts overly excited, running around trying to hop fences and expressing crazy interest in a Samurai TV series, which seems to have given her some wrong impressions about Japan. All of it is played to comedic effect. It's fun and lighthearted despite being unrealistic, with her voice actress's upbeat performance selling her personality well.

Then, through another chance encounter, she ends up being stuck in the rain protecting a stray cat and splashed from all directions by water like the universe is punishing her for being nice. But to her rescue comes the lethargic Tada with an umbrella and an invitation to go to his family-owned cafe. The cafe is lushly ornamented and has warm lighting to contrast the gray rainstorm, a cozy atmosphere. Teresa compares what she believes is Tada's heroism to the samurai she idolizes in her favorite show, and that's how she falls in love. She meets his family, has a meal, changes into dry clothes, thanks Tada, then heads home to the house she just moved into… which happens to be right next door.

Tada and Teresa's relationship feels contrived and hard to believe from the moment they first meet. An unbelievable amount of plot conveniences bring them together. It feels less like their relationship develops organically and more like a writer forces them together. The show attempts to play off the cliched intro as a joke, but it's still lazy writing no matter how much you laugh about it. Aside from these contrivances, the leads don't have much chemistry with one another for most of the show.

Often times it feels as though Tada's writing bends backward to Fall in Love; his character and relationship with Teresa never feel believable enough to be the foundation for the series. He's unrealistically oblivious to Teresa's pining over him until the plot decides it's the right time for them to finally acknowledge their feelings. Obliviousness for the sake of stalling the story is lazy writing and does not make good characters. It's contrived to create a compelling resolution, making Tada difficult to look at as anything but a plot device for most of the show. No analysis of his personality wouldn't lead to frustration. Occasionally the show lampshades his emotional unawareness with the fact that his parents were killed in a car crash when he was younger, but we never see him from a personal enough perspective to understand why he became closed off or to what degree it affects him in the present. Why does it feel like these days, more and more anime mistake emotionally-damaged characters for brain-damaged ones?

In one of the show's best and funniest episodes, narrated by Tada's cat Nyanko Big (a far more interesting character), the two protagonists share a sensitive moment that seemed like something out of a much better series. However, this is Tada-kun we're dealing with, so there's practically no introspection; when Teresa catches Nyanko Big from a tree and falls back onto Tada, only for him to catch her, it's a perfectly timed moment of silence between the two, yet it has almost no impact. While that moment showcases Teresa's understated burgeoning love for Tada, it never feels like a mutual romance. When they make eye contact in a seemingly mutually tender moment, there is no sign anything is on Tada's mind. He's totally vacant. There's never a hint that he might be in love outside of these moments where he might blush a little and only return to ordinary moments later, unphased. Any potential for development is squashed. There is no satisfying growth for him. When the ending inevitably has to wrap up the story in a 'satisfying' way, his character arc takes a jarringly rapid change to compensate for the missing development. Leaving both him and the finale feeling underserved and artificial.

At least Teresa's feelings for Tada feel somewhat genuine. The lasting effects of their understated flirtations are seen in Teresa throughout the show. Her feelings develop more and more until she has to face them in a somewhat effective resolution. Sadly, any potentially remarkable scenes focusing on Teresa get entirely snuffed out by Tada's dull idiocy, but they're also somewhat helped by the interesting visual language. Through subtle visual storytelling techniques, we learn that she's pining for him from the start; over the show, we see brief moments of her lost in thought, looking at him with starry eyes. It's not a one-dimensional drama like Tada's; she gets enough scenes describing her life situation for us to know that she is constantly considering the arranged marriage she's in and how it ensures that she could never have a relationship with Tada. Her dilemma is miles more compelling than anything else the series offers emotionally, thanks to the strong directing rather than the writing.

Plenty of care has been put into the visuals. There's no shortage of small but purposeful details added to the settings the cast inhabits; homes lined with photos of memories from previous episodes or ones that refer to their backstories. Is it enough to outweigh the mediocre characterization? No, not by a long shot, but at least it's something to keep you engaged with it and tells you that the director cared about their craft. Where the visuals are more effective is the comedy. With the director of Monthly Girl's Nozaki-kun, it's clear why the comedy here is so strong; jokes are well-timed, and there's so much character animation to telegraph a joke and convey the cast's personalities. Of course, when jokes are derived from bland characters, they almost always fall flat.

Where the majority of my gripes come in is the side cast. This is a rom-com, after all, so there are quite a few. None of them make up for what the protagonists lack. A few even bring the whole show down. Most of them are incredibly generic one-note cardboard cutouts, the ones that do receive development are somehow made even worse with insufferable episodes dedicated to telling us the boring story of characters that I can't imagine anyone would care about. Teresa's friend/servant traveled with her to Japan, Alec. Her whole character is just the tough girl who is overprotective of Teresa because a few shallow reasons told us through a backstory. She often beats up the group's clown, a generic clown kid whose name I literally can't remember. His only purpose was comic relief, and his animation was the most detailed of the group to showcase his comedic personality, but in truth, everything about him felt so cringy, with an overdone voice performance to add even more annoyance.

A few others hang around the group, like Tada's sister and occasionally the prince who is engaged to Teresa. I somewhat appreciated how Teresa's suitor wasn't portrayed as an evil threat like many tropey arranged marriage stories, but instead as a nice guy who respects her wishes. However, his passivity also makes him have no impact on the story. He's surprisingly forgettable for one of the more unusual archetypes, but the show wastes all his on-screen presence, leaving him a bland cipher like the rest of the recurring cast.

Hajime, more commonly known as Pin-senpai, is undoubtedly the worst part of the show by a wide margin. Introduced by him creepily ogling the female cast to ascertain their breast sizes, defusing the saccharine factor this series was going for whenever he appears on-screen. He is never content with fading into the background while on-screen with everyone else. He's constantly yelling, so much yelling with such an irritating voice. He has to scream as loudly as possible whenever he speaks. Having an obnoxious character like Pin is fine for a comedy series of this type, but what he screams about, no, what his whole character is about, is so pointless and weird, sometimes downright creepy. He adores a model, Hina, to an absurd degree because he loves big boobs… You can have a perverted character, that's fine, but he is over-exaggerated to an obnoxious and unbelievable degree. None of his jokes are funny unless it's other characters making fun of him, like how they used Hina merchandise to trick him into losing their photography club game.

Pin's character arc seemed less than an excuse for him to seem less like an annoying walking cliche, and it fell flat. Sadly, the show gives him an entire episode to show he had some compassion. His character had potential, with his childhood friend Hinako (notice the name??), who is very clearly the model from the moment she's introduced right next to the pinup poster. Throughout the show, there are plenty of hints to indicate she's in love with him, despite him not realizing the model he ogles every day is actually his friend. Hinako looks the same as she does in her bikini shoots, except that she wears glasses. It's such a stupid conflict that the show lampshades the lazy writing by having Alec point out that it's obvious. This stupid conflict damages the believability of both Pin and Hinako because other than the cookie-cutter personalities, they have nothing else to prove their unlikable stories aren't all there is to them.

Wow, great themes, Tadakoi. Their episode is the most boring because of how one-dimensional the situation and characters are, but also one of the most distasteful ones. Their relationship arc culminates in Hinako being disappointed at how Pinhead never realized she was the model, but she's happy that he at least likes her idol personality and her boobs. I guess you could say Hinako technically had character development. She discovered her fetish for cucking herself. Amazing. But Pinhead still has no redeeming value even after we're forced to sit through his 'development' episode. Screw that guy.

Barely anything happens in Tadakoi until the final few episodes. That's when it finally decides there must be some kind of progress made before the end. Regardless of the artificial developments made by the end, it's always predictable; from episode one, you can guess how the story will play out. Perhaps with more interesting characters, it could have been watchable despite these flaws, but instead, it's just aggressively bland. No amount of lush sceneries and trained directing could save dull, lazy writing. At least the opening song is pretty good.

Tadakoi is the variety of mediocrity that will pass through the anime community with no impact, then inevitably be forgotten forever. You might get something out of it if you're a fan of the director or new to anime. Otherwise, I suggest you skip this generic fluff.

Reviewer’s Rating: 4

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