Dragon Ball

Gokuu Son is a young boy who lives in the woods all alone—that is, until a girl named Bulma runs into him in her search for a set of magical objects called the "Dragon Balls." Since the artifacts are said to grant one wish to whoever collects all seven, Bulma hopes to gather them and wish for a perfect boyfriend. Gokuu happens to be in possession of a dragon ball, but unfortunately for Bulma, he refuses to part ways with it, so she makes him a deal: he can tag along on her journey if he lets her borrow the dragon ball's power. With that, the two set off on the journey of a lifetime.

They don't go on the journey alone. On the way, they meet the old Muten-Roshi and wannabe disciple Kuririn, with whom Gokuu trains to become a stronger martial artist for the upcoming World Martial Arts Tournament. However, it's not all fun and games; the ability to make any wish come true is a powerful one, and there are others who would do much worse than just wishing for a boyfriend. To stop those who would try to abuse the legendary power, they train to become stronger fighters, using their newfound strength to help the people around them along the way.

[Written by MAL Rewrite]

Son, Gokuu Main

Nozawa, Masako Japanese

Bulma Main

Tsuru, Hiromi Japanese

Muten-Roushi Main

Yanami, Jouji Japanese

Kuririn Main

Tanaka, Mayumi Japanese

Yamcha Main

Furuya, Toru Japanese

Piccolo Supporting

Tsuru, Hiromi Japanese

Tenshinhan Supporting

Suzuoki, Hirotaka Japanese

Norimaki, Arale Supporting

Koyama, Mami Japanese

Mr. Popo Supporting

Nishio, Toku Japanese

Lunch Supporting

Koyama, Mami Japanese

Cook, Justin Producer, ADR Director

Watson, Barry Producer, Script

Shimizu, Kenji Producer

Nishio, Daisuke Director, Episode Director, Storyboard

Reviews

May 10, 2008

L-sama

Recommended

Ah, Dragonball. The beginning of one of the longest and arguably most popular anime franchise on both sides of the pacific. Unfortunately, this anime seems to be shunned by a few based on its affiliation with its sequels. That's a shame, really.

One huge reason why this anime holds its own is that the entire franchise is in its infancy. There are no Super Saiya-jin stages to worry about, and the fights aren’t stretched out to their barely tolerable limits. The various quests that the young Z-Senshi embark on are just that: quests. There are no interstellar enemies to fight (early on), and the majority of ... the time spent is on the team simply trying to find the dragonballs. The comedic element in Dragonball shines just as brightly and flows smoothly with the story. The characters have such a genuinely portrayed chemisty between each other. Dragonball never seems to take itself too seriously, allowing the viewer to sit back and enjoy the ride.

For a twenty-year-old series, Dragonball looks the part. Time has taken its toll, as the art and animation haven’t aged very well, though by 1980's standards, it's pretty good. On the other hand, the fights are better planned out, particularly during the Tenkaichi Budokai. Instead of the “beat-down-to-the-brink-of-death-only-to-tap-in-to-a-hidden-power-and-win-at-the-last-second” routine, combatants actually have flaws and human weaknesses, including Goku. Some are actually enjoyable with comedic moments placed within them. As the series begins its final arc, however, we begin to sees shades of the future for this franchise. Fights begin to grow longer and longer and the comedy slowly begins to wane.

Like I said earlier, it’s a real shame that this series gets such a bad reputation because of its successors. Sure, it eventually parts into its lackluster sequels, but as the saying goes, ‘Don’t judge a book by its cover.’ Dragonball is a fun series that should be worth anyone’s time, be you a newcomer or a seasoned veteran.

Reviewer’s Rating: 8

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Mar 2, 2021

ThatAnimeSnobRE

Mixed Feelings

Well-written

#1: Emperor Pilaf Saga

Just like it happened with so many other people of my generation, I instantly fell in love with Dragonball. And I am talking about the original series, not Z which was what most watched in America and didn’t know there was more before it. By then, the plot had become the stereotype everybody was copying, instead of something completely different from everything else that was airing at that moment. Unless for some reason you were lucky enough to get another action adventure comedy series, with plot continuity, where everybody was a selfish idiot, instead of picture perfect boyscouts and one-dimensional bad guys. ... It’s funny to think how Dragonball, which came to be the monolith of fighting shonen formulas, began as a deconstruction of the typical hero’s journey and a satire of Chinese epics.

I won’t get into many details regarding the plot, which was all over the place and still full of creativity, and I will focus on its strongest element. Although you can easily separate the cast into good guys and bad guys, most of them were selfish and had their own agenda. They were moving as a group, but they had no unity. This was making it so fun to watch, as you never knew when would someone betray his allies and steal the Dragonballs. Furthermore, they were so different from one another, and had a negative trait to offset their positive one. This was creating a small and very balanced cast with fantastic chemistry during their interactions. And even the Dragonballs were seen as a way to fix their negative side, so they were in effect a form of catharsis, instead of a cheap way to come back to life all the time. You don’t get that as the number of characters increase and their features become less and less distinctive.
- Goku: Strong but dumb
- Bulma: Smart but vain
- Oolong: Cunning but naïve
- Yamcha: Ambitious but afraid of women
- Roshi: Super strong but slave to lust
- Pilaf: Has a huge armory but no leadership skills

Also, a big part of the appeal was how everyone was sexually frustrated, which was adding a lot to the comedy and the chemistry. It may not seem like much today, and can even be considered creepy, since it involves underage girls getting constantly naked and groped, but back when it was airing it was very bold and kinky, without striking as politically incorrect by excusing it as gag comedy. And the best part is that it never became a lame ecchi show, where they dig each other but always chicken out at the last moment. They were proactive about it, and by the end of the arc they got what they wanted.
- Bulma: Got a boyfriend
- Yamcha: Not afraid of women anymore
- Oolong: Got the underwear of a hot babe
- Chichi: Got a husband (eventually)

Just like it happens with every arc, Toriyama did not develop every concept, which was part of what caused inconsistencies and plot holes down the line. For example, a thing that was abandoned fast was Goku’s ability to communicate with animals. It was fun seeing him understand simple-minded creatures like himself. It was adding to his feral side, as opposed to the civilized humanity, which was relying on technology. Another dropped idea was the transformation school Oolong mentioned, and we never got to see. As much as I am glad there are no schools in the show, having the ability to change your shape would offer an aspect of strategy and deception to the battles. You could say Naruto picked up that idea, and even there you see how creative the battles were at first for being based on deception rather than huge energy beams, and how it lost its magic when it became all about chosen ones and sharingans. Just like a certain other show, which after a point on, it became all about saiyans and prophesies. It’s almost as if they repeat the same mistakes.

A last thing I want to point out was how short and compact the first arc was. It’s only 13 episodes long (12 if you remove the pinball filler) and the pacing was fast, with constant developments. It wasn’t letting you get bored, unlike later arcs which were dragging everything to last as much as possible. Thus, as a whole, it was a fantastic arc, and it even ended in a way that excuses a continuation, since it had already introduced Muten Roshi and his wish to train Goku. It’s easily a 9/10, with the only negative thing being the pinball filler.

#2: First World Tournament

Unless you were living in Latin America, this was the first time you would see an animated tournament arc. This is what would popularize it as a concept in the decades to come, to the point people were hyping the completely generic school festival of My Hero Academia. The one in Dragonball was still a fresh concept, thus it didn’t need to resort to the gimmicks of later arcs, such as getting interrupted before completion, once the outcome becomes predictable, or to be used as a cheap excuse to introduce new characters who will be important down the line. The new opponents in the first Dragonball tournament were pretty much fodders, so you were watching just to see how far the established heroes would go.

As always, the plot and rules during fighting are all over the place, but unlike the first arc, over here it is a much bigger issue. You don’t have rules to follow when you travel in the wilderness. Messy tactics and random events makes sense there. It is not the same when you are in a tournament and you get disqualified if you break the rules. Toriyama tried to stabilize a bit the complete chaos of his previous arc, but didn’t follow his own rules, as many contestants were using tools or left the arena before the end of the match and were not disqualified. It felt more of an oversight than a gag.

A downgrade is how we had less selfish agendas and distinctive personalities, compared to The Emperor Pilaf Saga. Bulma and Oolong became spectators, Yamcha begun his carrier as the guy who always gets defeated first, Chichi and Pilaf were absent. What was left was Goku fighting everyone who gets in his way, and Roshi who wanted to motivate his students.

From new faces, there was Kuririn as the new rival, as well as the best character of the arc. Despite sharing the same goal as everyone else in the tournament, he was the only one shown to have an inferiority complex and the only one adjusting to the tactics of every opponent he faced. Compared to him, Goku was a complete blockhead and Roshi was just there as a mentor instead of an opponent. Meaning, he was the typical underdog of sports and fighting shonen, in the role of the deuteragonist instead the protagonist. Funny how many call One Punch Man a deconstruction for doing the same with Genos, while Dragonball is the monolith despite doing the same 3 decades ago. Not many copy cats to be noticed yet, I guess.

From the best new character we move to the worst new character. Lunch was there just for pervy humor and some fairly one-note gag jokes. Toriyama had no idea what to do with her and eventually made her disappear. Many say he forgot about her, but the truth is he wanted to reuse her transformation and would feel weird if she was still around. What, don’t tell me her turning from a naïve black-haired person, to a blond battle maniac doesn’t remind you of something.

In terms of catharsis we got some, but it’s fairly one-note compared to The Emperor Pilaf Saga. There was only the message of Roshi, telling his students to keep training because there were stronger people out there. Not a bad excuse for Goku to go find the Dragonballs in the next arc as part of his training, but also not much for Kuririn or anyone else to do something about it.

The pacing was slower in this arc and not many things happened per episode. There wasn’t much action or adventure to the most part, as it was either a very long training session, or a static arena. Although the training episodes were vital for showing the fruits of their labor, they were also empty of things to care about. It was way better than instantly getting power ups or skipping training altogether, but something plot-relevant should have been happening in the meantime for making these episodes rewatchable. Thus, as a whole, it was still a fairly good arc, but not as good as the first one, so I give it a 7/10.

#3: Red Ribbon Saga

The Red Ribbon Saga was devoid of character chemistry, making it very boring to the most part. Despite trying to copy the plot of The Emperor Pilaf Saga by having Goku looking for the Dragonballs again, there were no companions with him to make his journey fun. He was meeting new allies for a few episodes, but as soon as he was leaving that place, he would be alone and they would never be seen again. Watching Goku steamrolling his enemies was fun for awhile, but it also felt hollow with no allies to add something more to his fights. Toriyama probably wanted to show how after his training Goku was now capable to fend for himself, but that came at the expense of less tension and no multiple agendas.

The Red Ribbon villains were all generic megalomaniacs, with nothing to offset it. Despite having a huge army at their disposal, they were far less interesting that a comic relief like Pilaf. He had his lack of leadership to offset the ridiculously varied weaponry he was using, whereas General Red had only a one-note joke about being short and wanting the balls to become tall. There was nothing to build from it, and he was disposed of quickly. In fact, all the bad generals were disposed of quickly and were never seen again, just like it happened with the new allies. Despite having plot continuity, this arc felt like a series of standalone missions, since nothing was added or resolved at the end of each one, besides Goku getting a ball and the bad guys losing redshirts. I didn’t care about Muscle Tower, the sunken pirate treasure, or the cross over with Doctor Slump.

In my mind all these episodes before the introduction of Tao, should have merged with the training ones from the previous arc. Imagine how cooler it would be for Goku to be fighting these guys not for gathering the Dragonballs, but as part of his training, while also delivering milk or doing construction work. By the time he was ready to go to the tournament, he would have gained enough battle experience to excuse his place in the finals.

Anyways, back to the canon plot, the only thing Toriyama could think of for saving this snorefest was introducing a fighter stronger than Goku. This begins the transition to the formula we came to know in Z. No more selfish and flawed teams of characters, trying to help out each other while also having personal agendas. From here on it’s constantly introducing stronger and stronger opponents for Goku to beat after he trains and gets a power up. Plus, the Dragonballs turned into an excuse to bring dead allies back to life, than offering some sort of psychological catharsis, as it was the case in the beginning. The show became way more repetitive and straightforward because of this shift.

But if I limit my scope in this arc alone, I gotta admit, Goku kicking the crap out of Tao and then storming the enemy base was one of the coolest battles I have seen in my life, even if it came very late in the arc, it was one-sided, and had no strategy whatsoever.

As a whole, it was a dull arc, with a bombastic finale, so I give it a 5/10.

#4: Second World Tournament

What followed the most satisfying Red Ribbon battle, were more boring missions with little to no consequence behind them. First they had this mini tournament for finding the last ball, which was only about resurrecting a guy we didn’t care about, and who will play no part later on. The only true payoff was Goku meeting his dead grandpa, but even that didn’t matter once it was over, since he also plays no part in later arcs. After that, Goku goes on another trip around the world soloing nobodies and we get another bunch of standalone missions with no consequence.

Then the second world tournament begins and you clearly see how little to no engagement there is compared to the first one. It was no longer much of a gag comedy, Goku had already proven to be stronger than Roshi at this point, Kuririn being insecure was hollow once you know he is stronger than anyone else past the known heroes, and Roshi was there for the heck of it. They tried to make it seem like he was afraid of killing Goku but it was disregarded soon afterwards.

The new main opponent was Tien, a badly handled character who was introduced in this arc without Toriyama doing something with him or his friend, Chiaozu, in later arcs. He had plans to make him an alien and Lunch his girlfriend but after the declining popularity of the series, he scrapped his initial plan and never bothered to even give him a backdrop. That is why as cool as the final showdown between Goku and Tien was, you were given no reason to care about who wins. They couldn’t kill each other, and there was nothing at stake as opposed to the Red Ribbon arc.

Heck, the only reason Tien was there was so he could avenge Tao, a guy he didn’t even care about. At least he got some catharsis by rejecting his master’s command, but even that came before the finale, rendering the outcome pointless. Even the finale was not as good as the one in the previous tournament, since it didn’t feel like they were stronger than Roshi. There was nothing remotely close to an Oozaru transformation or a blowing up the moon situation. So, why this arc was even made besides having a fighting tournament for the sake of hyping the shonentards?

In my mind, this is where Tao should have been introduced, as a merciless killer who along with his students was paid by the Red Ribbon army to kill the Turtle team. The tournament would play out in the exact same way, with Goku versus Tao and the attack on the base taking place after the tournament. It could even end with Red Ribbon releasing Piccolo in their desperation or something. It would have given far more meaning to the tournament, and even an opening for the next arc. Without any of that, it was an almost skippable arc and I give it a 4/10.

#5: King Piccolo Saga

The arc starts with a bang and remains sky high in tension from beginning to end. Not only the new villains can kill even the strongest fighters with a few hits, they also have a personal connection to the heroes. Goku makes it his personal vendetta when they kill his friend, while Roshi was still around when Piccolo attacked in the past and remember the horror. The death count was ridiculously high, seemingly killing half of the cast, and the battles were brutal as hell for their time.

Still, it had become “Goku does everything” at this point, which was quite disappointing, since the secondary characters were completely incapable to achieve something significant, or even add something extra to the dynamics of each other. Goku was the one taking everyone out and saving the day, by predictably getting a power up first. The plot was basically the exact same as the one with when he fought Tao, only with many more deaths of characters we know and care about. By the way, the latest power up was one of the lowest points in the series, since it was lazily thrown in and was never mentioned again. No training was involved, all Goku had to do is drink a potion. Bah!

Still, the final showdown with Piccolo was an amazing fight, and had enough collateral damage to make you believe they were far more powerful than anyone else that came before. If the series had ended here, it would have been the most amazing finale of any shonen, period. But it didn’t. A great arc nonetheless, with the downsides being the lack of meaningful secondary character interactions and the very lazy power up. I give it an 8/10.

#6: Third World Tournament

Oh great, another tournament, even more hollow than the second one. If the first was about Goku and Kuririn testing their skill, and the second about Tien avenging Tao, the third had nothing. None of the secondary characters had something to do or prove.
-Roshi didn’t bother participating, since he accepted being surpassed by the new generation.
-Yamcha, and Chiaozu were jokes at this point, complete jobbers to be thrown away without a second thought.
-Chichi was a jobber as well, and also evidence of Toriyama not knowing how to write dynamic female characters. As soon as she was beaten by Goku, she became a submissive housewife and never fought again in her life. And by the way, she didn’t even need to fight Goku to have evidence of his superior strength. Just being a spectator would be enough. Being forced to fight was just chauvinistic bullshit.
-Tao was also a jobber, and on top of that a discount Tien and Piccolo Jr. since he too was there just for revenge. We are totally not rehashing ideas. By the way, he was still alive for no apparent reason, and became a cyborg without ever explaining how. Great writing there, Toriyama. Furthermore, the only thing he did was making Tien look cool for awhile. The once proud mightiest assassin devolved into a throwaway plot device.
-Tien had nothing to prove anymore, and on top of that he already knew he had no chance against Goku. Defeating Tao was his best moment, but even that was hollow since he had already denied his past when he disobeyed his master. There was nothing for him in this battle.
-Kuririn wasn’t even afraid this time to the point of stupidity. He gets defeated by a guy he never saw before and doesn’t even wonder who the hell besides his allies is powerful enough to best him.

The only ones who mattered were Goku and Piccolo Jr. but even they were just there for a rematch. The objective was the exact same one from the previous arc, without something different to make it worth it. Not only that, it took away all the consequences by resurrecting everyone who died and destroyed the serious atmosphere it was going for.

There was no point for this arc to exist. What did it add or change?
-We got an origin story for the Dragonballs, but it was more like dressing.
-We got a backdrop for Kami and Piccolo, which retroactively ruined the tension of the previous arc, since it turns out there was never any actual threat coming from Piccolo. If Kami was really afraid of him, he could have simply killed himself, which would have ended Piccolo as well. He could have killed himself to erase Piccolo Jr. as well, but he didn’t, because piccolo was never much of a problem. Kami didn’t even need to personally go fight in the tournament, or even to train Goku. Mr. Popo was much stronger than all of them put together. He could always move his ass out of that sky palace, teleport anywhere he likes with his flying carpet, and capture Piccolo in a few seconds.
-Goku was taller, and Piccolo looked different, but how did that change their dynamics? I mean, it did change when the Saiyans became a common enemy, but this does not matter in this arc. As a standalone event, it was meaningless and nobody got any catharsis; unless Chichi marrying the guy who was the first to touch her privates somehow counts. Heck, it even ends with Goku letting Piccolo leave so they can fight FOR THE THIRD TIME, while also refusing to be the new guardian deity of Earth. Everything ended the way it began. The filler arc with the wedding was also the worst possible way to end the original series.

Here is what I would have done if I had the means to write the reboot. The previous tournament would be interrupted in the finals by the Piccolo spawns. This would leave Tien with a grudge against Goku, that wouldn’t be resolved until he fought Tao later on. All those who got killed would be minor secondary characters that got shelved by Toriyama (like Crane and Lunch) and do not get resurrected later on. When Goku gets defeated by old Piccolo, he would be taken straight to Kami for training. Piccolo would rule the world for 3 years and then would arrange a tournament for gathering everyone who would want him dead in one place. Goku and the others would train all this time and join there, with the goal being to take out Piccolo. This takes out the stupid potion power up and merges the two fights of Goku versus Piccolo into one. As for Jr., his egg could have come from Piccolo when he got killed, promising a rematch when he grows up. There, this instantly made everything ten times better and doesn’t change the overall plot of later arcs.

But this is just fan fiction, and the canon is a terrible conclusion to the original Dragonball. 3/10

Reviewer’s Rating: 6

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May 31, 2025

_Bubassotto_

Not Recommended

Many expectations and few of them met...

That was my first thought when I watched this part of Dragon Ball because I expected to see at least one fight that would be memorable in this part, but I ended up disappointed. I didn't see anything worth remembering. I was a little frustrated but I kept watching, thinking that would change that. Unfortunately, there was no change in that regard. For me, who always had a problem with Dragon Ball, watching the anime was a real war against the desire to abandon the work. The only thing that made me want to watch it was the fact ... that by watching this part of Dragon Ball I would have a better understanding of Dragon Ball Z and its other sequels, which are the parts I really want to see. I tried to watch this anime a long time ago but I didn't get past episode 32. At the time, because the work was especially tiring to watch and was long, I ended up giving up on watching it. Maybe at the time it was released it was a wonderful thing to watch, but for those who watch it today (which is my case), it's just something tiring and unpleasant. About the animation, I honestly don't see much of a problem. I don't really like the animation, which is kind of stiff and caricatured in this part. This is due to the fact that it is very old, which ends up making it a bit dated. As for the sagas here, the most interesting ones are the last ones. The first ones are too boring, like for example Pilaf's, which is dragged out and doesn't show any danger, or the Red Ribbon group's, which is definitely the worst of all because it is very boring. There is not a villain in this part that is in the least memorable. These two sagas are good examples of the suffering that it is to watch this part of the work. Overall, I conclude that this first, more classic part of Dragon Ball is the one that has the least of Dragon Ball's essence (I say this with some basis because I watched some episodes of Dragon Ball Z, Dragon Ball GT and Dragon Ball Super). We don't have any great or impactful moments in this part of the work. This is so clear to me that I only hear two things about this part of Dragon Ball in my social circle: I only hear about Kuririn's "death" and Son Gohan's death. Basically, only a few things from Dragon Ball's story are relevant in this part. Otherwise, there's nothing special here. Anyway, for me, this part of Dragon Ball is boring, drawn out and tedious. I definitely won't watch this part of the work again. In my opinion, this part alone doesn't stand up on its own in its battles or in its narrative. The only thing that kept me watching it is that it's the prequel to Dragon Ball Z. If it weren't for this fact, I wouldn't even watch this part. I don't recommend watching this part, if you want something from Dragon Ball watch its sequels which are much more interesting than this part here.

=================================================================================================================Versão em Português=====================================

Muitas expectativas e poucas atendidas...

Esse foi o meu primeiro pensamento ao ver essa parte de Dragon Ball pois esperava ver ao menos alguma luta que fosse marcante dessa parte mas acabei decepcionado, não vi nada que fosse digno de ser mantido na memória, me frustrei um pouco mas continuei a ver pensando que mudaria isso, infelizmente não houve mudança nessa questão. Para mim que sempre tive um pé atras com Dragon Ball assistir o anime foi uma verdadeira guerra contra a vontade de abandonar a obra, única coisa que me fez manter à vontade assisti-la foi pelo fato de que vendo essa parte de Dragon Ball eu teria mais entendimento do Dragon Ball Z e suas demais sequencias que são as partes que realmente quero ver. Tentei assistir esse anime a muito tempo atras mas não passei do episódio 32, na epoca devido a obra ser especialmente cansativa de se ver e ser longa acabei desistindo de vê-la, pode ser que para a epoca do lançamento fosse uma coisa maravilhosa de se ver mas para quem vê hoje em dia (que é o meu caso) é só algo cansativo e desagradável. Sobre a animação eu sinceramente não vejo muito problema, não gosto muito da animação meio travada e bem caricata dessa parte, isso se deve pelo fato dela ser muito antiga acabando deixando-a meio datada. Já sobre as sagas daqui, as sagas mais interessantes são as últimas, as primeiras são chataaaaaaaaas demais, como por exemplo a do Pilaf que é arrastada e não demonstra perigo nenhum ou a do grupo Red Ribbon que é definitivamente a pior de todas pelo fato de ser muito sem graça, não há um vilão dessa parte que seja no mínimo memorável, essas duas sagas são bons exemplos do sofrimento que é ver essa parte da obra. No geral concluo que essa primeira parte mais clássica de Dragon Ball é a que menos tem a essência de Dragon Ball (digo com certa base pois assisti alguns episódios do Dragon Ball Z, Dragon Ball GT e Dragon Ball Super), não temos momentos grandiosos ou impactantes nessa parte da obra, isso para mim se torna tão claro ao ponto de que só ouço em meu ciclo social duas coisas sobre essa parte de Dragon Ball, só ouço falar da “morte” do Kuririn e sobre a morte do Son Gohan, basicamente só algumas coisas da história de Dragon Ball são relevantes nessa parte, de resto não há nada demais aqui. Enfim, de todo modo para mim essa parte de Dragon Ball é chata, arrastada e entediante, definitivamente não assistirei novamente essa parte da obra, ao meu ver essa parte por si só não se sustenta sozinha em suas batalhas e nem em sua narrativa, única coisa que me manteve a vê-la é que ela é a prequel do Dragon Ball Z, se não fosse por esse fato eu nem veria essa parte. Não recomendo a verem essa parte, se querem algo de Dragon Ball vejam as suas sequencias que são muito mais interessantes que essa parte aqui.

Reviewer’s Rating: 6

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