This was a fantastic episode; easily the best and most enjoyable since the fourth, since, rather than monotonously focusing on dull characters and a perpetually stalled romance, the episode deftly weaved together a plethora of significant developments for several of the secondary characters. It also greatly examined one of the most enjoyable characters in the show, and, thankfully, it was, for the most part, lacking in the unnecessary abundance of worthless elements that are indicative of a slowly-developing triangle or the several trite secondary characters that have been terribly and needlessly elevated in seeming importance throughout the latter half of the show, lacking any sort of actual relevance that would necessitate such a continuous inclusion into the development of the story. The most effective aspect that contributed to the excellence of this episode was the infusion of an energetic atmosphere that has disappointingly been altogether absent from a majority of the previous episodes.
Surprisingly, my favorite sequence was Natsume’s confession to Mitsuyoshi, since it revealed several layers of depth within both characters, particularly Natsume, and it was executed in a beautifully minimalistic fashion that wonderfully contrasted that which typically constitutes confession from a secondary character. This episode was also more effortlessly comedic than the majority of those that came before, particularly notable in Haru’s oblivious indifference towards Shizuku intentionally manipulating him into a relaxed state. Haru and Natsume’s interactions were particularly hilarious. Also, Yuu's random appearances have been humorous asides that have really worked within the last two episodes.
Though I would have certainly preferred it if Natsume had refrained from confessing to Mitsuyoshi, since the conclusion is nearing and she’ll inevitably be rejected, or so I assume, I quite liked her development throughout this episode, as it provided considerably interesting insight into her fears of a loneliness that constantly attempts to resurface, partially paralleling Haru‘s own characterization and the inability to trust the seemingly tenuous permanency of the few relationships that are most important to each of them; though, of course, these detachments from a perpetually fleeting confidence are portrayed with thoroughly different flourishes of reactive reasoning, as Natsume attempts to conceal her worries, using her friends for motivation, while Haru confronts these desolate thoughts with a reckless and often abrasive naivety. Above all, it seems readily apparent that Sasayan will eventually ease into a relationship with Natsume, since, for quite some time, regardless of his intentionally conflicting and ultimately selfless actions, his feelings for Natsume have been subtly illuminated. Natsume and Sasayan’s divergent emotions and their subdued, but immensely engaging dynamic is highly interesting, so it's rather disappointing that their seemingly fated existence together won't be properly explored prior to the conclusion of the show.
Haru and Shizuku’s relationship was exceptionally well-portrayed throughout this episode, as it had previously been repetitiously isolated from meaningful development since the early portion of the story, largely absent of the substantial growth and the natural interactions that had permeated their initial development. As such, Haru and Shizuku’s interactions were fantastic throughout, effectively lingering on several subtly essential developments, largely devoid of their typically irritating refusal to properly adhere towards an understanding of the individualistic obligations that are necessary for their relationship to move past it's tiresome tendency to consistently revert to earlier circumstances. I loved the post-ED scene, in which Haru and Shizuku are sleeping beside one another, since it depicts another element of their sweetly romantic inclinations and the considerable comfort that they mutually possess around each other.
Though his involvement was considerably lessened, Haru was terrific throughout, as he continues to be the best and most complex character. As such, I really enjoyed his slight growth into a calmer, more understanding acceptance of Shizuku's responsibilities. This is indicative of a necessary development for his excellently flawed characterization, as he willingly accepts Shizuku’s understandable demands, which, up until now, he was very reluctant to ever do so, as his inability to trust even her was partially extinguishing the chance for any modicum of progress within their relationship. I really like that, aside from Haru and Shizuku, to an extent, the majority of the other characters are uniquely perceptive, displayed most thoroughly by Sasayan’s helpful advice to Natsume and Mitsuyoshi’s introspective reflections about Natsume’s flawed ideology that naively desires a peaceful, untroubled existence, which, of course, is a contrast to Natsume’s typically astute observations, but it allows for a broadened and nuanced portrayal of the secondary characters that is a noticeably differentiating element from the majority of other shows that are of a similar nature. Mitsuyoshi, though somewhat underdeveloped, is one of the more intriguing and engaging secondary characters, so his increased prominence in an episode, such as this one, is always enjoyable.
Yamaken's stubborn refusal to give up and his continuous thoughts of selfishly interfering despite the overwhelming presence of Shizuku and Haru's mutually loving relationship only illustrates him as an increasingly pathetic character, and, though I certainly don't expect him to actually restrain his idiocy, I'm impetuously hoping that he'll somehow constrain himself from indulging in the pursuit of a relationship with Shizuku, which would clearly be an altogether impossible proposition. Essentially, it’s rather unfortunate that Yamaken and Oshima are, for the most part, singularly defined within the story as “love rivals” and glorified third wheels, since, without those developmental restrictions and their comparatively one-dimensional characterizations, they would likely be, at the very least, moderately compelling characters. However, as it is, neither are even tangentially consequential to the story, so their brief appearances amount to nothing more than meaningless and uninteresting distractions from the aspects of the story that are legitimately significant.
As such, Yamaken and Oshima’s heightened prevalence within the narrative has been rather detrimental to the show, since their involvement predictably relies on tedious contrivances and unnecessarily conventional developments, illustrating a profoundly noticeable dichotomy between the relatively cliché elements that have increasingly filtered into the story and the consistently refreshing, though not altogether unique, aspects that remarkably composed nearly the entirety of the earlier episodes. Unless their considerably satisfying and inevitable rejections will be included in the conclusion, I’m hoping that neither of the two or their worthless subplots will be prominently featured, since Haru and Shizuku’s relationship and, perhaps, the consequences of Natsume's confession should definitely be the threads of the story that are heavily focused on throughout the final episode.
The direction was particularly excellent throughout, skillfully highlighting a plethora of subtle, but integral, expressions and interactions of an emotional nature through a distinctly visual approach to storytelling that deftly accentuated the complexities that pervaded throughout this episode, signifying a personal touch that was supremely effective. This beneficial nuance was most evident during several sequences, such as Natsume’s initial encounter with Yana and her subsequent conversation with Sasayan, as well as Natsume’s confession.
All in all, even though the narrative, until this episode, had been progressively diminishing in quality, Tonari tenuously remains one of my favorite shows of the season, as it improved immensely with this superb episode, reestablishing a narrative execution that hadn't been impressing as of late. In turn, I’m hoping for an excellent and comprehensively satisfying conclusion, as well as a second season, since it appears that a plethora of relationship and character developments will linger as incomplete entities within the narrative whole. |