Noblesse

The "Noblesse" Cadis Etrama di Raizel, also known as "Rai," is enrolled in Ye Ran High School by his servant Frankenstein to stay hidden from the sights of the Union, a mysterious organization out for Rai's blood. Rai commences his life as a student, making himself familiar with his classmates and the daily activities of humans. However, his new life is far from peaceful, and Rai is soon forced to save his new friends from the hands of the Union that had abducted them.

Meanwhile, M-21—a Union agent gone rogue during Rai's rescue operation—joins the Ye Ran High School security staff after a proposition by the school's director, who happens to be none other than Frankenstein himself. On the surface, M-21 is a prim and proper employee, but in truth he is shackled by his former ties to the Union and the inevitable consequences of betraying the organization.

To further complicate matters, Nobles Regis K. Landegre and Seira J. Loyard enroll in the same school to investigate the Noblesse. While the Union conducts a manhunt for M-21 to extract clues regarding their missing agents, Rai is forced to keep his identity hidden while protecting all that he holds dear.

[Written by MAL Rewrite]

Cadis Etrama Di Raizel Main

Shingaki, Tarusuke Japanese

Frankenstein Main

Hirakawa, Daisuke Japanese

M-21 Supporting

Oonishi, Kousuke Japanese

Loyard, Seira J. Supporting

Kayano, Ai Japanese

Tao Supporting

Nakazawa, Masatomo Japanese

Han, Shin-Woo Supporting

Iwasaki, Ryouta Japanese

Kertia, Rajak Supporting

Kumagai, Kentarou Japanese

Takeo Supporting

Ootsuka, Takeo Japanese

Erga Kenesis Di Raskreia Supporting

Taketatsu, Ayana Japanese

Landegre, Regis K. Supporting

Wakayama, Akihisa Japanese

Kurosu, Nobuhiko Producer

Kawahara, Junichirou Producer

Yoshizawa, Yumiko Producer

Sugi, Takuma Assistant Producer

Reviews

Dec 30, 2020

Marinate1016

Recommended

Noblesse was a pretty fun and enjoyable watch. Nothing spectacular, but nothing awful either.

Like most things in life, Noblesse has some pros and cons. I’ll start with the bad. Noblesse, the anime, is probably the walking definition of mediocre. The series sets up a lot of cool and interesting mysteries and plot points, but the execution feels lacklustre and leaves much to be desired. The first 4-5 episodes were really good and then I felt it was downhill from there. The final third of the show had some cool fights and nice moments between the characters, but that’s about it.

Now that I’ve got the ... bad out of the way, Noblesse does have some good things going for it. For one, it’s by far the best adapted webtoon anime of the year. GoH and ToG suffered from tremendous pacing issues, but Noblesse did a really good job of bringing the manhwa to life. The comedy is decent, the fights are really well animated and the world is interesting. I do appreciate the fact that the story is very character driven and not just another battle shonen style set up like GoH and ToG. Dialogue and the relationship between characters are huge here.

My gripe with the story mainly comes from the second half of the show. There’s a key moment with one of the main characters that marks a turning point in the anime, and it seems like once this character faded, so did my interest. The “Lord” arc that takes up the final 4-5 episodes had potential to be really good, but the “antagonist’s” motivations were so weak and shallow to me that it was hard to take it seriously. The final episode was handled pretty well which probably saved its score for me, though.

Despite it’s flaws, I did enjoy Noblesse quite a bit and think it had a lot of potential. I do recognise the fact we only saw a few chapters out of a massive work. The whole concept of vampire nobles, mysticism and human genetic engineering is cool. I just wish the story had been a bit better down the stretch. Noblesse gets 7 cups of tea out of 10.

Reviewer’s Rating: 7

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Jan 1, 2021

Snapshot426

Mixed Feelings

Here we are now with the third and final part of Crunchyroll’s trilogy of Manhwa/Webtoon adaptations, Noblesse. The final pillar to put Webtoon adaptations on the map. While there is no doubt they've certainly captured people’s attention, their quality unfortunately cannot match their popularity and have been disappointments from a narrative standpoint. So I was hoping that Noblesse was able to end this trilogy on a high note but unfortunately, it ended with a silent thud to the ground.

Sit back, relax and sparkle in the sunshine to wow all of the girls as I present to you the anime review for Noblesse. Let’s begin.


Story: 3/10

Living ... in isolation from humanity exists a group of powerful beings known as Nobles who exist to act as guardians for humanity. However, there is a one particular Noble who acts as the protector of said Nobles. The title for this task is called, Noblesse. This Noble is named Raizel, who has awakened from his 820-year slumber. With the help of his servant, Frankenstein, he enrols at a high school to keep himself hidden and learn more about the human world. However, when a secret organisation housing modified humans called Union and the Nobles start learning about his awakening, Raizel must use his immense powers to protect himself and those around him.

Now I had the problem when starting out of not watching the Noblesse ONA titled, “Noblesse: Awakening,” beforehand. Which would have been handy after watching episode one. But anyways, onto the rest of the story, which is honestly really boring and rather incosistent. I say this because the show doesn’t seem to decide whether or not it wants to be a high school centric series or a supernatural action series. And yet both are really boring to watch because it feels like there is just no stakes nor proper growth as well as being very slow to begin with. There is no sense of tension nor drama as people after Raizel close in. There is some drama, don’t get me wrong, but it just isn’t impactful in a way to get my attention. This is mainly due to the characters not being all that engaging with meh personalities and a little bit of Raizel and Frankenstein being a little bit overpowered to make the situation less tense. Things just kind of happen with lacklustre build up to it to make the antagonists of this series a little more menacing and come across as threats that only Raizel and Frankenstein can deal with. Instead, the narrative makes them look like pushovers.

But my biggest gripe is how the narrative can make the characters both important and unimportant at the same time. For example, Raizel is obviously the central character who the whole situation with Noblesse is based around. Yet he always feels like a background character and only takes centre stage when the situation needs it. He never feels like the significant character the show hypes him up to be so when he does take centre stage, it doesn’t invoke a, “Oh you’re f**ked now,” moment that this show clearly wants to portray it as. Same goes for other characters like Raizel’s school friends like Shin-Woo Han or Ik-Han Woo who act as the central figureheads for Raizel learning more about humainity.


Characters: 3/10

What can you say about Raizel? Like seriously, what can you say about him? The guy has no personality to speak of and doesn’t really talk much. He doesn’t invoke a sense of emotion and mainly sits in the background letting the other characters talk. I wouldn’t necessarily mind that if HE WAS NOT THE CENTRAL MAIN CHARACTER. Considering that the majority of things happen are because of his awakening, you would think that he would take a more front row seat. But he doesn’t and he doesn’t really change while living in human society so there is no sense of picking up some human habits. Well, besides his one quirk for loving Ramen. Whereas another character like the Noble, Regis, shows some kind of growth living with humans. But not Raizel, so it was really hard to get invested into a guy who doesn’t show a lick of emotion.

Now, one of my main criticisms with this show is the cast’s chemistry with one another because they don’t really have chemistry with one another. It does come across as forced most of the time as their personalities don’t bounce off one another to create some nice character moments. They’re kind of just cardboard cutouts at times talking to each other while trying to convey some emotion. The one exception I would say though is the relationship between Regis and former member of Union, M-21. They at least have chemistry with one another due to their distaste for one another slowly turning into one of trust throughout the show. It’s probably one of the good points from this show and helped make Regis and M-21 more enjoyable characters to watch compared to the rest of the cast.

The rest of the cast don’t share this factor with one another. Raizel’s human friends, Shin and Han, don’t gel with Raizel or the rest of the cast and act as more comic relief characters. They do get character moments of their own but they just fall by the wayside and their significance drops in the second half where they could have been pretty useful adding that innocent human element in there. Frankenstein, Raizel’s personal assistant, is alright I guess and does have an intriguing backstory about how he and Raizel first met. But that’s just it, he’s alright. Seira, another Noble, is kind of like Raizel as she has a lack of personality but with a bit more flare to it and is more upfront about things. Now, to reiterate, the characters themselves (besides Raizel) are okay but they just don’t have a sense of chemistry with one another.

The antagonists are, like a said earlier, pretty much pushovers and aren’t really interesting to get me to hate them. The Union members that hunt down Raizel are a bit comical honestly and come across as a wacky Batman villains, but with none of the charm. The Nobles are more black and white but there “conflict” when it comes to their opinion on Raizel comes across really hollow because there personalities come across as really boring and don’t come across as threatening like they should be.


Animation: 7/10

The animation is the usual Production I.G. affair. Which means it does look very polished. Their is definitely a clean look to the show which does help with some of the character designs like Raizel. But that polished look does make the action rock solid, the background art look nice and I’m a particular fan of animation effects used to demonstrate the power of some characters like Frankenstein. Again, it does have that polished look to make the animation not a concern and one of the more positive points about the show. The character designs though are a bit on the generic side and it is very clear with their designs what kind of personality they have. It may help differentiate each other but it does make them look uninspired. On a side note, does Shin remind you that he looks like a red headed version of Ichigo from Bleach?


Sound: 8/10

Looking back at the ost for this review, I was surprised at how varied it was. The ost uses a variety of instruments for both it’s atmospheric, downtime and action scenes. It doesn’t use them at the same time but uses them for it’s own separate piece to make it stand out from the others and it kind of works. It doesn’t blend into one another but rather makes them stand out in their own way. My favourite ones is whenever they use an electric guitar to make the action more ferocious.

In terms of the opening, I’ve been slowly warming up to it as the show went on and has become one of my favourites this season. "BREAKING DAWN" by Jae Joong is a very visually solid and sounding opening that does take a bit to get into the groove of it but when it clicks is when I think it becomes an enjoyable opening. It is mainly carried by Jae Joong’s singing as the visuals themselves are nothing to write home about but the song and vocal performance just make it feel better to watch and they do match with the pace of the song. So overall, good opening that does take a bit to get into.

The ending, "Etoile" by OH MY GIRL, is alright. It uses real life props panning to the right with a gothic feel to it. It’s is pretty cool and it has a variety of props. So it is a unique opening that I did watch not every episode but every now and then.

Conclusion

Noblesse is a show that is fundamentally okay and does have a couple of positive things to it but ultimately, I was just really bored watching it. The narrative and the characters just didn’t do enough to get me invested into the narrative. My main issue is Raizel himself. I honestly think that he would have worked better as a character who was with alongside the main protagonist (while still being a main character) rather than being the main protagonist himself, because he just doesn’t work as that main protagonist and brings the whole show down honestly. It’s not that I don’t hate Noblesse as there is nothing really to hate. It’s just a meh show with some good production values and does not excel at anything really; which to be the third part of the Manhwa adaption trilogy, is not something I really wanted to say by the end.


My Personal Enjoyment: 2/10


Overall score: 4.6/10 Recommendation: Don’t Bother

To wrap this review up, I just want to say how I feel about this Crunchyroll, Webtoon experiment.

This whole experiment has been one of the more defining aspects of anime 2020. But the question is, has it been a success? Well from viewing standpoint, it definitely has caught people’s attention and it has been some of the most widely viewed anime this year. But from a critical standpoint, these shows have not lived up to the hype. Now I like Tower of God, but as time goes on and we still haven’t had the announcement of season 2 yet, the more sour I’m on this series because the narrative is clearly unfinished and is left on an unsatisfying note. It needs a season 2 BADLY. The God of High School is still MAPPA’s best work from an animation standpoint but the rushed story and dry characters left The God of High School as this year’s most disappointing anime. Noblesse is a very meh series with good production values but a very weak MC that brings down the whole narrative.

It has become what I feared it would be and what half of anime are these days. Glorified advertisement for the source material. Unless we do get sequels, this is what they are ultimately going to be regarded as, especially Tower of God. Like is said, calling this a success or failure depends on how you are looking at this experiment. Attention wise, yes. Critically wise, no. I certainly don’t think this has been a successful venture because I mainly watch anime and if I think the anime aren’t particularly good, then getting barely 1 out of 3 right isn’t what I call a success. Tower of God was the attention grabber, The God of High School was the crowd displeaser and Noblesse was the silent thud on the ground that nobody cared about.

Reviewer’s Rating: 5

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Dec 30, 2020

An1meDweeb

Not Recommended

MILD SPOILERS AHEAD

WebToon Anime only ever made sense in hindsight. Back when "Tower of God" was airing I expressed my excitement for what could have been a landmark turning point for both the WebToon and anime markets. I stand by everything I said, and there are undoubtedly good results achieved with this venture. A quick search on Google Trends would reveal that interest in WebToons and Manhwa skyrocketed with the release of ToG. If the goal was to create commercially successful products that brought WebToons mainstream prevalence, the production committees at Crunchyroll certainly succeeded. But despite the corporate success, it's difficult to view this partnership ... without some degree of cynicism; the flagship adaptations themselves have left a weak first impression. At best, they were middling half-measures that somewhat managed to hint at greater things to come; at worst, they did disgraceful disservice to the source material being promoted. And that brings us to where we are today. ToG was a flawed, but promising, adaptation that oozed with potential. But "God of High School" was all style with no substance, and today's case study, "Noblesse," possesses neither. At the very least the sheer lunacy of GoHS was capable at provoking a vitriolic response from me. But soulless unambition confines this husk of a show to an arguably worse fate - indifference. Here's how. This review contains mild spoilers, but skip ahead to my Tl;Dr if you're short on time.

Noblesse is built around a powerful entity living amongst men. After an 820-year slumber, the mysterious Raizel awakens, à la Rip Van Winkle. He is a member of the Nobles, a secluded race charged with protecting mankind from afar. Finding himself far from home, Raizel decides to live a peaceful life in modern-day South Korea. The show is split into two arcs, both of which are concerned with factions alerted to his "Awakening." His incredible abilities are rarely put on display, instead serving as the impetus for power struggles and internal politics. These conflicts and Raizel's new way of life are what the show utilises to explore certain ideas. But before we take that deep dive, there is something that needs to be addressed. For those of you who don't know, Noblesse the Anime does not share the same chronological beginning as the original webcomic. A 2016 prequel, titled "Noblesse: Awakening," is the canonical start of our story, and the anime decided to continue where that OVA left off. Personally I didn't see a need to catch that prequel, given that the anime was never advertised as a follow-up. Way I see it, the existence of the source material or other adaptations doesn't absolve this individual instalment of meeting fundamental story objectives. My beliefs aside, I'm not one to tell you whether the OVA is necessary viewing or not, but I believe there is merit in making observations off the anime alone. And the show does attempt to make the best out of its 13 episodes, isolating a specific time period in order to deliver a narrative and thematic context one could understand as an entry point into the franchise. It's all just not very good.

The anime's message carries noble intentions, but lacks meaning. Noblesse emphasizes the importance of setting aside our differences. All of us may come from various backgrounds, or possess unique traits. But no single member of mankind holds greater value than any other individual, nor is anyone entitled to unjustly take that value from someone else for personal gain. You and I are different, but you and I are the same, and should be treated as such. Throughout the series, there's this healthy lifestyle being promoted, showing how wonderful it is to live in peace and harmony with those around us. This is contrasted with the true enemy of Noblesse: systemically-corrupt organizations which represent dehumanization at its ugliest extreme. Be it greedy, soulless monsters or authority figures driven to irrationality, the antagonists of Noblesse abuse their powers at the expense of others. It's up to our boy Raizel and his crew to stand up for the little guy and maintain the balance. It's a solid message, and one that is certainly welcome in our politically-charged landscape. Let's not draw lines in the sand or discriminate, but go the distance to understand and love others instead. Let's join forces against systemic oppression, let's band together against the evils threatening to break us. The Noblesse OP sums up this idea through an emotionally-stirring refrain: "So why does everybody hurt each other?" These sweet sentiments sound an awful lot like propaganda, but there's no need to worry about things getting too preachy. Because while being thematically framed as propaganda, Noblesse undermines its own points by not saying much of anything at all.

Now, I'm going to be demonstrating how this series is lacking in the execution of its intended message. The following three points covered here aren't necessary to every story of this nature. Rather, they're here to highlight how the thematic storytelling fails to be convincing. Firstly, let's address Raizel and others of his kind. Noblesse implies countless differences between Nobles and humans, but doesn't give much for the audience to work with. For a show featuring Nobles for a significant chunk of the runtime, we sure know next-to-nothing about them, aside from their incredible powers and boomer mannerisms. Why is their society so secluded from the outside world? Why are they supposedly incompatible with the humans they once protected? How does their society, ideologies and way of life differ from ours? Are there negative repercussions should our worlds collide? I'd like to think there are answers to these fascinating questions, but I just can't find them within this adaptation. The difference matters to the message, showing that anybody can see eye-to-eye and seek common ground. But there is no context, and as a result there's no real conflict between either party, rendering any commentary on this subject meaningless. Granted, it may not be fair to look from this perspective; even though the script seems like it would tackle this topic, neither of the show's two arcs really attempt to address this issue. So let's go ahead and talk about those instead; specifically, how they fail to portray moral ambiguity. Good and Evil are two ends of a spectrum, with the show's cast clumped together on either end. Bad people are capable of doing good things, and they can't simply abandon their flawed nature at the drop of a hat. But very rarely does the show burden itself with positioning our characters in the middle; there is no moral grey area. Noblesse chooses to play these concepts as straight as possible, watering-down the conversation to its most basic principles. For example, take the villains from the Union, some of whom are cold-blooded murderers who ingest pills that turn them into literal monsters, horrifyingly disfigured and dehumanized. There's no doubt in everyone's mind that Raizel would obliterate such cruel killers without a second thought. But the very moment one of the antagonists reveals some sign of humanity, their lives are immediately spared, and they suddenly become capable of doing no wrong. These moral questions are made to be as simple as possible, offering no substance in stating the obvious. What happens if you're on the bad end of the spectrum, and are finding it hard to work towards that harmonious middle ground? Well, Noblesse just throws up its hands in the air and adds nothing else to the subject. Those reformed characters from the Union are magically OK with their new social standings and doing good deeds, because that's how rehabilitation and life works, apparently. The third example I'd like to point out is the show's assessment of what unity means. Raizel and his growing group of besties enjoy a quaint suburban life, but rarely do we see them make connections with normal human folk. Within Raizel's household, peeps from various backgrounds do interact with each other. But there's no real attempt at understanding each other, nor is there an apparent need to. There's no difficulty faced, nor adjustments made, nor compromises agreed upon. Similar to my first point, there is no conflict, and it's hard to care. Everyone's just happy chilling at home and at their workplace, instantly bonding without putting in any effort. Two teenage students who had grown acquainted with Raizel's crew almost served as the human core of the group, only to unceremoniously disappear entirely from the narrative, because Noblesse decided that it was a good time to throw in exposition about random in-world politics. Closest we get to mutual understanding between different groups of people is one line of exposition, which I believe embodies a lot of the issues I have with Noblesse's thematic half-measures. Raizel's butler, Frankenstein, clues one of the main characters in on a brief history of Nobles and humans, back in Episode 2. In describing the relationship between both races, Frankie claimed that humans were weak and solely dependent on the Nobles to survive. Now that Raizel has opened his horizons to see human life up-close, he clearly knows that hypothesis isn't true and realises how his native society's misconceptions are false. But that's just it, there was never any intention to convince the audience otherwise. Of course humans are not helpless, how could they be anything but? Noblesse prides itself in making digestible, weak arguments, expecting a pat on the back and thunderous applause. It hints at a greater conversation, but drains all nuance from it, to the point where most potential meaning is lost. I must apologize if you felt that you didn't really gain anything from this long-ass paragraph, because I know that feeling too. It's the experience I had with this show; Noblesse is ultimately a show about nothing.

Critiquing Noblesse for what it attempts to do is marginally more interesting than what it actually is. A vast majority of Noblesse comes across as… a school-based SOL. That's right, this story is played straight to be a slice-of-life. This cast of powerful idiots are either commuting to school or playing House at Raizel's. Bursts of serious exposition regarding investigations or politics are often quickly interrupted by long stretches of repetitive comedy sketches. Cutting out all the times Raizel and his bros get called "hot" by every minor girl in the high school cohort would end up halving the season's episode count. Episode 7, the all-time low for the series, sees one of Raizel's fellow Noble getting crushed on by a student, followed by Raizel's chummy friends playing a basketball match. What makes these unfunny skits all the more annoying are the copy/pasted cast of characters. People might find Noblesse's non-personalities entertaining, and I'd be inclined to agree if everyone wasn't a carbon copy of one another. Noblesse's crew of genetically-superior expository devices are the literary equivalent of "Hey Man, Can I Copy Your Homework?" Eccentricity is fun in small doses, but cramming in this cast of stock characters sucks any life or chemistry to be had in the group dynamic. This means that scenes play out exactly the same, because all of the characters in them are exactly the same. The VAs soft-spoken, stoic delivery makes this issue worse, as half the damn characters sound painfully indistinguishable from one another. Every good guy's vocal inflection is equally polite and devoid of all personality. It has been annoying to hear a huge chunk of the cast members talking like they're all auditioning for roles in a fujoshi-bait butler anime. Of course, I mean no offence to those who find pleasure in those sorts of things; if those BL shows are to your fancy, you could do far better than this bland bunch of refugees in a PTSD halfway house. You could also settle for more in the visuals department; Production I.G. phoned in their work with all the brilliant aesthetic of a 2010s Man of Action cartoon. Lighting is fine, but backgrounds and character designs leave much to be desired. The show goes as far as to reskin their characters' supernatural abilities as much as possible, and the same goes for the repetitive backdrops of drab city skylines and stiff forests. The soundtrack is unmemorable, but I quite liked the opening and ending songs. The fact that the ED's K-Pop manages to be the best part of half of these anime episodes is pretty damning of the show's quality.

Tl;Dr:

"The most destructive criticism is indifference." E.W. Howe. I'd like to think I've done my best to find something worth caring about in this show, but it appears that Noblesse seems less interested in its own story than I am. The series' subtext is watered-down to merely stating the obvious, with holes distracting from any positive takeaways. It's a pandering script that fails to pander effectively, and an action show that feels like it barely has any to deliver. Noblesse is at times not a show with supernatural combat, but a stiff, unfunny SOL that's one sexual awakening away from turning into BL. Visuals are unappealing, music is unmemorable. Noblesse makes mistakes in almost every regard, but it's no trainwreck. And that's a damn shame, because at least it's fun to see things go off-the-rails with trashy shows. Instead, all I'm left with after Noblesse, is sheer indifference. 3/10~

***

STRAY RAMBLINGS (SPOILERS):

- Out of the 12 eps we got (let's be honest, Ep 7 was a fkin OVA,) I only had a good time with one, Ep 8. Up till that point we barely had any info about who the Nobles are or where they were from, so the visit to Lukedonia was a refreshing change of scenery. We also had Young Frankenstein, who was the only fun character in the show…
- …Until he wasn't. The episode immediately following saw the novelty of the flashback wear off, and the show's only strong character along with it. YF all but disappeared between episodes, and all we were left with was boring ol' Frankie. I was disconnected from the rest of the episode, because the arc made zero sense! How does the Big Bad Bully of Lukedonia go from declaring his lifelong hatred for Nobles in one episode, to subservient servitude with zero complaints under a member of said Nobles? And what's more confusing is that the Blood Pact thing only happened at the end of Ep 9, which still leaves the question of what happened to YF during this time unanswered. This scene could have been a massive moment for the series, as Raizel and YF set aside their differences with their union. But again, the show just expects us to shut up and accept what's offered.
- So remember how the Union hacker and the schoolboy hacker had this "Aneki" relationship, only for it to disappear with the memory wipe and never addressed again? God, this show was such a waste of time.
- Rael really got his ass confined for 10 years over getting rejected. Fs in chat maybe, Idc.
- Crunchyroll, Sony, Whomever I Need to Talk to: Please give your WebToon adaptations more episodes. Each of them needed more time to tell compelling stories, and all three fell short of that. Well, maybe more eps wouldn't have saved this script, but still.
- BEST GIRL: No one really deserves this award, but I'll offer it to Young Frankenstein for being such a badass chad. Genuinely fun on-screen presence. Plus he's practically shipped with Raizel for life, and he definitely wears the pants in that relationship. YF, FTW.

***

And we're through with this show, good riddance. Really wasn't looking forward to covering this mess. I guess you can call me a WebToon completionist from now on, here's hoping I finally find more nice things to say about the state of these subpar adaptations. If you happen to like my verbose rants, feel free to check out my other reviews for seasons past and present. Have a Happy New Year, peace~

Reviewer’s Rating: 3

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