OK so bear in mind that this will be a very subjective review. I watched Wolf Children because I really liked Summer Wars and The Girl Who Leapt Through Time, and because everyone said it was amazing and a tear-jerker. However by the time I finished watching it, I was just angry at it. Here's why:
This movie certainly ranks 10/10 for most frustrating movie I've ever watched. Not even ridiculously beautiful backgrounds and high quality art direction can save a film with slow, barely-there plot and irritating characters. I couldn't empathise with any of them because they consistently made dumb decisions
for no reason (especially the mother) making me yell at the screen "why would you even do that?" which is what you really *don't* want your audience experience to be.
Let me list every significant moment that made me want to pull my hair out: 1) woman in college gets pregnant after literally having sex with a wolf (calling him a wolf because he didn't even have the decency to change into a human for at least the duration of the act - call me a prude but I find bestiality really off-putting in a movie that is supposed to be about a cute family going about their lives), 2) woman casually accepts throwing away her entire life to raise a kid with her werewolf boyfriend (about whom we get the absolute minimum amount of backstory or any kind of characterisation beyond "he looks cool" and "he's a werewolf with a difficult childhood"), 3) woman gives birth at home without a midwife or anybody to help in case something goes wrong, 4) woman gets pregnant YET AGAIN, 5) gives birth at home AGAIN, 6) werewolf dad leaves the house and inexplicably dies, 7) mother takes her unvaccinated children and moves to the middle of nowhere.
Pause. I understand that I pretty much just summarised the first quarter of the movie, but this is exactly why I found Wolf Children to be so exhausting. And yes, a lot of these criticisms are because of my personal beliefs, but hey I never said this review was going to be objective.
Before I continue let me mention the only character I liked in this movie; old man Nirasaki, the family's cranky neighbour that teaches the mother the basics of farming, because he sees how irritatingly useless she is. Over 10 minutes of this film are used to show us how hard-working she is. In general, Wolf Children manages to stretch a plot that could have been shown in 30 minutes into 2 hours by filling it with repetitive, redundant scenes that do not advance the plot. The only time this isn't done is in the quite brilliant lateral shot that shows the children growing up (shortening 4 years into a few seconds without using any cuts or dialogue). And this is one of the most frustrating things about this movie: it's beautiful. Artfully crafted, brilliantly animated. Which is the reason why I think so many people were fooled by it. Sure it has its nice moments, but their effect is diluted by the blandness of the rest of the film. Don't get me wrong, I can appreciate slow paced, slice-of-life films, but Wolf Children's pacing was all wrong. It started with an interesting premise and then did nothing with it.
But let me come back to the frustrating moments near the end of the movie (because I honestly can't remember much that happened during the middle of the film - it was so nothingy):
During a storm, the mother chases after her werewolf son who goes into the forest (which he has been doing regularly, for months) instead of picking up her daughter who is stranded at school. She calls after him over and over again, almost gets attacked by a bear, falls down a cliff, and just when you think that something significant will actually happen in this movie, it turns out she's just fine after her son picks her up and just dumps her outside the forest. Her psychopath of a son is 10 at that point. And I am 110, having aged prematurely waiting for this damn movie to end.
Ookami Kodomo no Ame to Yuki translates to "Wolf Children Ame and Yuki". What the film's title promises is accurate, but this is secondary to what the film is actually about. This is a movie entirely about the enduring and triumphant nature of maternal love.
Teenage Hana is a hardworking girl putting herself through college. During a class, her eyes fall on a man who enthusiastically and diligently takes notes, but he has no textbooks and he disappears before roll is taken. Intrigued, she searches him out and learns that he sits through classes but doesn't attend the school. From what we see, he works
with a moving company, delivering goods to houses. He comes to university and bums through classes to learn. Hana works at a laundromat to make ends meet, and meets him when her day is over. We never learn of this man's name, but he becomes Hana's world, and she, his. Then their worlds are joined then broadened with the births of their children.
To call this film a movie about "werewolves" is doing it a mighty injustice. To call it a spirited, charming and heart-rending look about family is more accurate. And while it is always about the "ookami no kodomo", it is carried by Hana's life. Hana does what she can to keep her children safe and alive. She removes them from the urbanised world and carries them deep into a rural village where they are free to develop and understand the other half of them.
The film can be divided into three clear arcs. The first finds Hana in love, developing a relationship. The second follows Hana's struggles to raise her young children who have special needs. The final one sees her settled while her children attempt to find their own places in the world. A recurring theme throughout each arc is that there is a reason to always keep smiling.
Ookami Kodomo is a film of change and self-discovery. Yuki begins the film feral and wild, easily embracing her lupine half while Ame, tearful and timid, is afraid of what it means to be part-wolf. As the years pass, Hana's resolve remains unwavering, but her children grow apart from her as children naturally do. With this growth, they also change. The film changes focus from Hana as the children grow older, giving us their insight and feelings about who they are. Yuki's desire to belong allows her to channel charisma into socialising with peers. Ame's introversion makes him steely and independent. Yuki wants to embrace her humanity while Ame wants to explore the animal. Ame and Yuki yearn for something more, just as their mother knows they would but is afraid to acknowledge.
The story carefully and gently handles the fantasy so that it never overwhelms the film. There are no transformation hijinks or forced comedy or drama. The film treats the wolf children naturally. They seamlessly transform into their wolf-forms and out again. Some of the greatest scenes animated in the movie are these transformations as they move in and out of their dual identities.
The animation for the most part is fluid, with beautiful art painting a lovely countryside and the wilderness. Sometimes the film suffers from poorly chosen CGI effects, repeated animation and disproportionate character models, but this does not take away from the movie's overall beauty. Hana and the children's country home is clearly inspired by the 1988 classic My Neighbour Totoro, even down to Yuki's exuberant exploration of the broken down shed and the wild grass growing everywhere. Adding to the atmosphere of the film is a well-thought out score which knows precisely what type of music fits a mood. Sometimes, especially in the beginning and ending of the film, it can be a little heavy-handed with its emotional outbursts, but largely, it works and it makes itself invaluable to the film's impact. The voice-acting for the movie is one of its strongest aspects. Having child actors to play Yuki and Ame's characters in their toddler stages was a wise choice, as their earnest delivery of their lines makes the characters more genuine and loveable.
Ookami Kodomo's characters are the major reason that any viewer will become easily involved. Hana is one of the most inspirational characters ever to be given life through animation. Her love for her family is apparent. If anything, I'm pretty sure some of this film's audience is going to feel a pang of affection for their own mothers. She dutifully cares for them in ways that are admirable and it is her unbreakable spirit and positive disposition that makes her noteworthy. She is a strong woman and an even stronger mother. The mysterious man who she loves doesn't have the chance to be developed but it is this shroud around him that works to his character's benefit. We care for him through Hana's affections; in one particularly jarring scene, we understand what he means to her and this breaks our heart more than he himself ever would.
Yuki and Ame carry the film in places their mother cannot. While her hopes and fears for them are palpable, it is their experience of hope and of fear that makes these feelings more acute. Yuki's voice takes us through the entire film with its steady narration, and her character grows from precocious and brave child to a young girl who unfortunately knows what it means to be afraid. Ame's behaviour becomes a bit frustrating in the end of the film, but to understand him in the context of an animal, it makes perfect sense. He is a wolf.
The rest of the cast is made up of extremely likeable characters, including the old man who looks after Hana when she moves to the village and Souhei, a boy who crosses paths with Yuki. Even non-speaking, non-human characters like the caged wolf whose pain Ame senses and the wild fox whose freedom Ame respects are indispensable.
While the film's imperfections are honestly very few, they add up enough to have it stop just short of being a masterpiece. With some tighter editing of the story, cleaner and consistent art and animation, more precise handling of the characters, and a more memorable soundtrack, it easily would have been a masterwork of anime. As it is, it is still essential viewing for anyone interested in a movie that looks at growing up and raising a family. It is a mature, insightful and often painful reflection of how deeply we feel about those we love and inevitably have to let go of.
Stories that span a long time (i.e. more than 5 years) have the opportunity to express a change in the characters and in the world around them. It's something that makes great films great. Forrest Gump is a great example of this use. Wolf Children is not. What this film does is give us short anecdotes of Hana as she experiences what it's like to not only be a single mother but a single mother raising werewolf children. You'd think this means the film would have many interesting events that take place; you'd be wrong.
From the get go, the film feels like one long and
arduous flashback. The narration makes this clear, but the pacing implies that it's not going to change anytime soon. That said, the pacing is this weird mix of flashback and actual narrative (an empty narrative full of fluff and good feelings with little dimension.) It goes on for the longest time, and we experience it for about an hour and a half. It's only then that we reach an interesting arc of character as the children are now old enough to think and be people.
I understand that the majority of the film is spent on how Hana cares for her children, but a lot of this is mini story arcs that have a problem that's solved in less than 10 minutes. This sort of narrative reaches a point where the second I see an issue arise, I instantly know it will be solved within a moments notice. With no surprises, I waited for a conflict that set itself apart from the previous ones, and that's where we reach the last 30-40 minutes.
This is when I felt more engaged. It's what I'd argue to be the real complicating incident. Yuki, Hana's daughter, ends up getting angry at a classmate and scratches his ear, nearly deafening him. Due to the previous conditioning I'd experienced (problem, then solution moments later) I was expecting this to be resolved very swiftly, so I was glad to notice that it became a primary event into her 'becoming of age.' ((This is not a spoiler because, in a way, it's the best 'complicating incident' this story has to offer))
Hana's son, Ame, goes through a 'becoming of age' conflict as well, and while I'm glad that the film is beginning to pick up, it's two different character arcs being jammed into the last third that could have been emphasized throughout the film. It too was a conflict I was expecting to find solved moments later, but at this point, I knew better.
Audio and Soundtrack:
Audio is fine. Nothing spectacular.
Soundtrack becomes boring and there was 1 song in particular that could have been titled "brain-rend." That said, it's this sort of soundtrack that disappoints me the most. Not because it's classical and primarily piano, but because every song sounds similar and is devoid of character theme. Not only that, the songs feel as though they were an after-thought. The films pacing paired with the music do not meld together.
The soundtrack in itself is one of two things:
1- The film was animated prior to the OST
2 - The songs were written prior to the storyboarding.
If they were in perfect sync during production, then they failed horribly to put them together convincingly.
It's beautiful, and that's the problem. Beauty erodes over time, and when the film shows countless landscapes that are hand-drawn with extreme care, it becomes stale. Outside of the setting, the characters move flawlessly and it feels fresh. That said, there are a few repeat scenes. This may be used for comedic effect, but to me, I've always considered this very lazy in animation. Other than that (and it's only in 3 or so scenes) there really aren't any complaints here. The animation here is top notch, and I really enjoyed it, despite the backgrounds growing unbelievably stale later on.
I have the same complaints with this film as I did with Haibane Renmei. Slow pacing with swift resolutions throughout, and an interesting ending arc that should have been elongated over the duration of it's long running time. Interestingly enough, both of these animated projects are relatively highly rated and both I've found to be a strenuous venture.
I wonder if I'm the error...
Just for reference:
A 4/10, in my book, is a rating I reserve for works that are just below the sufficient mark. They've shown that they can properly do some things but fail so much in others that all it would have taken is some more work to fix the kinks. It's also a grade I reserve for works that I feel didn't jell with me personally, but others have gravitated towards. It's an acceptance that I think it's bad, but it's not 3- bad. I don't feel like I should need to explain this, but someone spammed me a long and arduous message about how I didn't love my mother. Please don't send me a message about how I don't love my mother. If you do I'll show it to my friends and we'll make fun of you. We always need a good laugh.
If you want to discuss points of this work in a civil manner, feel free to send me a PM. While I didn't enjoy this work, I love talking about stories, no matter what kind.
((If you liked this review, friend me for new reviews on other works, both manga and anime!))
I saw this film yesterday and, having enjoyed it immensely, was pleased to read that it has won the award for Best Animated Feature Film at the 45th annual Sitges International Fantastic Film Festival (a Spanish film festival). This perhaps comes as little surprise given that it is the work of Mamoru Hosoda, acclaimed director of "The Girl Who Leapt Through Time" and "Summer Wars" (both of which also won the same award at previous Sitges festivals). I dare say that Mamoru has exceeded himself with this film, taking observations and musings from his own life - the film supposedly being based on thoughts he
had when, at one point in his life, he was 'surrounded by all these women who suddenly became pregnant' - and translating them into a beautiful tale of young parenthood, unusual childhood, and the powerful changes self-discovery incurs on adolescent life.
The story is both simple and elegant, with a well constructed plot that follows the above mentioned periods of a young family in a emotionally dynamic and charming manner, evoking joy and humour in equal measure, and just the right amount of melancholy and distress. This is helped by the endearing, often cute - in a fashion non-stereotypical of modern anime trends, and thus refreshing - and naturalistic characters (again, no ridiculous anime archetypes to be seen here really, and the one 'expy' in the film is a rather respectful and very amusing pastiche of Clint Eastwood). Indeed, despite the fact that the eponymous kids are indeed wolf-children, their stories are those of many a young person - the desires to fit in with society and conversely to take ones own path through life are explored in a counterbalanced fashion between the two siblings, which adds great depth to their intertwining tales. Even if we are too young to have experienced the hardships and joys of parenthood, or fortunate enough not to have experienced the loss of a spouse or parent at a young age, most of us will still likely relate in some way to the young lives of Ame and Yuki.
The elegance of the plot and tone of the story are complemented perfectly by the exquisite animation, which was in fact created in 3D and then augmented with 2D (apparently the opposite of the anime film norm). The effect is that the simple, familiar art style one might associate with a Ghibli production or Mamoru's other works is given that extra bit of depth, that touch more of aesthetic richness, and so when a scene that makes full use of the visuals comes along, one is treated to breath-taking feats of visual artistry, thus augmenting the whole experience as a whole. Underpinning all this is an equally impressive soundtrack, as well as superb sound design - I felt that the subtle crescendo of the rain in the first sequence in which Hana searches for a missing loved one was almost harrowing in its evocation of her growing despair. As a composer myself, I was pleasantly surprised to hear the effective use of interesting metres and rich textures throughout the movie, and thought the music did a great job emphasising and revealing the emotive nature of the film.
I saw the film in Edinburgh as part the Scotland Loves Anime festival, but because it had already aired in London last week, it was ineligible for that particular festival's award. If it had been, there is no doubt in my mind that it would have taken that home as well, for as a film (read: piece of visual art, as opposed to Otaku fan service) it was invariably better than all the others on offer. Indeed, it is without doubt one of the best animated films I have ever seen, on par with if not better than many of Ghibli's best efforts. I thus implore anyone who has read this and not seen it to go watch it at the first available and convenient opportunity. I'd be greatly surprised, and even perhaps worried, if it fails to warm you heart to at least half the degree that it did mine.
You know sometimes being the fans that we are of all sorts of media, you think to yourself, there's no way "this" could be better than "that", well this is one of those times you'd be wrong. I'll just start literally by saying "Ookami Kodomo no Ame to Yuki" is amazing 10/10 and must be watched by all.
Now for the rest of my spoiler free review,
The story of Ookami Kodomo no Ame to Yuki can be described as very heart-warming and extremely cute, however with that being said, there are moments where the darker side of the story can be heart wrenching, if you're
a fan of any of Studio Ghibli's works you'll be able to relate to the story/themes/emotions immediately. Honestly, if someone were to make you watch this movie without any prior knowledge of it, you'd probably come away thinking it was made by Ghibli, however the director Mamoru Hosada has done enough to make this his own masterpiece and that's especially good as Mamoru Hosada could be one anime director who could rival the international reputation of his former employers; Studio Ghibli. With prior works such as "The Girl Who Leaped Through Time" and "Summer Wars" this should come as no surprise to you that what you were delivered is nothing short of stellar.
The art of Ookami Kodomo no Ame to Yuki is excellent, I mean there were literally moments where I was blown away by just how detailed and gorgeous everything looked, the animation for the most part has a hand-drawn feel to it, however the use of 3D animation was present too although isn't used for spectacular effects, but in day-to-day scenes instead, such as water ripples created by raindrops, or how wind blows.
With the art there comes the amazing sound/voice overs... From the sounds of little critters out in the wild, to the thunderous rumbles in the skies, each will leave you fully immersed in the world presented to you. Most of you have probably seen "Hotaru no haka" aka Gave of the Fireflies, if you have seen it, you'll remember that Setsuko's voice actress (Ayano Shiraishi) delivered an incredibly realistic (which is almost a rarity these days) young girls portrayal, well this is true for the Wolf Children too, both Ame and Yuki were just awesome to hear, Yuki in particular - I just loved that little gruffness in her voice. It was about a third of the way through the movie where I literally said out loud, "these voice actor's are incredible" even the supporting cast were excellent!
This goes hand in hand with the characters, from young to old the development of the characters were incredibly well done. Hana (the wolf children's mother) manages to raise the children and deal with their gift, habits, situations and to teach them the morals they need to fit in with the rest of the world. Albeit she herself has a thing to learn about her tough situation, whether that be from textbooks, passing neighbours or seasoned veterans.
Its very enjoyable to watch and with the running time at around 2 hours I was secretly hoping there would be more coming, so needless to say the pacing was great and didn't bore what so ever, and now it's about that time in the review where you hope you've said enough to convince others to give the subject matter a shot, hoping you haven't missed anything... I really cannot find any faults and therefore would have to rate Ookami Kodomo no Ame to Yuki with a perfect 10/10. Seriously though, nothing but praise. If Mamoru Hosoda isn't in your list of favourites, now's the time!
The story starts with a rather plain looking college girl and her romantic adventures with this dashingly attractive young man. It turns out that he’s a wolf-man, but the lady doesn’t care because golly, he really is quite a catch. Besides, wolves are cool, so it could be worse. He could be an uncool animal like a sea-cucumber man. They have kids together but raising them in the big city is a bit of a pain, especially since they keep turning into wolves when they get annoyed. So they move to the countryside and start a new life there. It is one half about the
trials and wonders of raising children and providing them with the environment in which they can thrive, and one half about gosh darn isn’t the countryside and nature wonderful. Its closest comparison would be Totoro, what with the family with two kids moving to the countryside away from the smelly city.
The mother in Wolf Children is really quite an extraordinary character in how determined and admirable her attitude towards life is. The trials she goes through in order to raise her children the best she can is the main focus of the movie. The kids do lead a fairly happy-go-lucky life under her, ditching off school to wander around the forest, but it comes under the main theme of providing an environment in which your children can pursue any goal they wish. It all has a very strong focus on family values, and it comes across as all being rather hopeful and inspiring. In fact, maybe a bit too much…
Here is where I reveal that I am a horrible human being, because I found the aggressively maudlin tone overbearing. Particularly the opening 15-20 minutes of the movie with the relationship between the mother and the wolf dude. It laid on the sap way too thick. It reminds of those movies that are made entirely to win Oscars, with their overly sentimental tone. The way these movies try to draw emotion become almost robotic in their predictable nature. Wolf Children doesn’t have a single twist that isn’t even remotely surprising. That obviously doesn’t preclude it from being good, but it is a nice way of demonstrating how much it plays to this same factory-churned heart-tugging attempts.
There are parts to this movie I do genuinely like. The interaction between the two kids when they’re still young is charming as hell, particularly in how they formed opposite personalities in the way siblings do. The older child runs around and lot and is very charismatic, while the younger brother is quiet and withdrawn. It’s rather like myself and my younger sister, where videos of us would be her sitting around reading books patiently while I run around in the background screaming about Sonic the Hedgehog. Wolf Children perfectly captured that boundless energy and curiosity that children have.
But the other parts that I might otherwise have liked are fed through this maudlin machine and flip around to be too sentimental. The struggle the mother has to go through to get a garden working is really overdone, or more specifically the part where it says how wonderful the people of the countryside are. Not a message I’m opposed to by any means, but it comes off as way too overblown emotionally. The final part in the movie with what the younger brother eventually decides suffers from the same problem. I won’t spoil, but this is a really huge part of the movie that marks a massive emotional decision on his part and his mother’s, which they still somehow manage to overstate. I would like the movie to let me experience these emotions myself, not to have it smashing me over the head with a saucepan yelling “ISN’T THIS TRAGIC? LOOK AT HOW EMOTIONAL THIS IS! CRY DAMNIT!”
I wouldn’t say it’s a bad movie. There was never a stage when I wanted to leave the cinema and visit a trendy coffee shop instead. But the way the movie smashed repeatedly about how emotional everything was paradoxically left me feeling even more indifferent towards the film.
A girl meets a guy, falls in love, finds out that he's a werewolf, but doesn't mind (loving him and having his kids). Sounds familiar? Thankfully, the focus of this story is not the relationship between the couple, but between the mother and her children. Although this makes for an interesting approach to the overused concept of the relationship between humans and their wolf relatives, it falls short in producing a convincing account of their fight to overcome the odds that such a family would be up against.
Just like how the movie can be summarized in two parts, it will also be reviewed in two
Partially narrated by Yuki, it starts off with a brief story of how the couple met, married, had kids and the loss of the father. Then as the story progresses, the mother endures and overcomes a variety of problems in order for her children to live a life free from the burden of their alternate identity. The children themselves eventually grew older, and they too began to face issues that they had to resolve on their own. The problems they encountered were typical and expected of such a family; things like trying to suppress their animal instincts, hide themselves from the prying eyes of others, and financial woes. So there’s nothing unexpected here. The problem however does not lie with its predictability, but rather the ease of how those problems were resolved. In almost every situation, they were conveniently assisted through the introduction of additional characters rather than getting by through their own effort or changing themselves. In other words, I felt that the story did not adequately convey the hardships of single-parenthood and difficulties of a single parent family to me. Also, I was puzzled by how they managed to prevent their identities from being exposed despite several situations. (IMO, it'd have been more interesting if they were exposed.)
I’m no single mother, but I know enough to understand that raising kids alone is a monumental undertaking that requires both mental and physical fortitude. Thus the simplicity of how she prevailed despite her predicaments seemed almost disrespectful towards those who have experienced it, and misguiding towards those who have not.
Yet, the first part was a heartwarming portrayal of the strength of a mother and the kindness of their neighbors. The gradual buildup of emotions, from the loss of the father, the struggles of the mother, culminating in the successful integration of the family in the countryside really got to me. Simply put, it's just like one of those heartwarming stories you see on the internet where you can say:" Faith in humanity restored". For the first part, I give a score of 9/10.
The second part's focus was on the siblings. Interestingly or not, their problems were either of the mythical; resulting in situations which I found hard to identify with (Ame), or of the usual; teenage angst and rebelliousness (Yuki). I am especially confused by the actions taken by Ame; the change in his attitude and behavior in the later part of the story was sudden and ill-explained. Identity and reconciliation was evidently the main theme in this part of the story - how Ame and Yuki each found their own answers to how they should be living their lives and how the family accepted each others' decisions.
Although it was at times conventional (Yuki) and awkward (Ame), I admit the part where Yuki was persuaded back to school was kinda cute, while Ame's lone journey in self-discovery was mysterious and cool. I also can't help but think that another message to the conclusion of the story was - to each his/her own. As long as you are happy and not doing something bad, go live your life and don't let anybody (apparently including your mum) stop you. For the second part, I give a score of 7/10.
Just like its predecessors Toki wo Kakeru Shoujo and Summer Wars, the animation was crisp and detailed; nothing less could be expected from Hosoda and Madhouse Studios. Voice-acting was faultless. The music by Takagi was surprisingly well done for someone new to anime music scene (at the time of writing). Also, I really liked how certain sequences were well-timed to be completely silent, which contributed to the emphasis of the scene as well as the appreciation of the music that followed after.
To be fair, I knew from the beginning that this movie would not deal heavily on the issues of single-parenthood. After all, it is a story that is accessible and understandable to audiences of all ages, and that in itself is a huge merit. If you love Pixar movies like Toy Story, you will definitely love this.
Outstanding, but lacked the depth to be truly exceptional. Overall a great movie for the family.
Just a fair heads up to whoever may be reading this, this IS my very first review so bear with me.
I have always been fascinated with parenting, though it’s a topic that is rarely portrayed in anime. It’s an experience that on end can bring a person to complete ruin to giving someone a very reason to exist on the other. It’s ironic how being a parent is one of the greatest challenges and hardships that a person can experience but yet nearly everyone is one or will be one. One of the main reasons for this is that no one can tell you exactly
how to handle parenting specifically. There’s no step by step process to follow, raising no one child is ever the same, and experience is the only true way to approach/handle it.
Though the film has fantasy elements, do not let this dissuade you by any means. I myself am no expert on fantasy but I had some concerns that the characters would be unreal and not relatable to the viewer. Any preconceptions and doubts I had were disproved very early in the story.
Straight from the beginning we are shown the main character Hana, a normal college student dealing with the day to day tribulations, part-time, studying, etc. Then one day she starts taking notice to a certain someone in the classroom. Very soon she begins to instinctively fall in love with Ookami, our other main character, who she will soon find out is not entirely human. He is a werewolf, and the two children they have end up being the same.
Unfortunately for Hana, Ookami is no longer around and now she must learn how to raise her werewolf children alone. Later on the three move out into the country to effectively raise them without much unwanted human intervention. As they grow older, the two children, Yuki the elder daughter, and Ame, her little brother, begin going their separate ways in life. There is much conflict in the process but eventually Hana comes to accept whatever Ame and Yuki wish to do with their lives from there on.
The story with its interesting and unusual mix of genres is executed outstandingly. The fantasy and slice of life elements are mixed in a way that one genre doesn’t feel overpowered over the other, it’s very well balanced. Simply one genre alone could not have achieved the greatness that this masterpiece has.
I honestly had no intentions coming into this film that I would experience anything ground breaking with the visuals, but I received exactly that. The primary reason for this is that the animations are originally designed in 3D and then 2D effects are added onto it. The movement animations because of this innovative effects style are vibrant and surreal. The movement doesn’t simply resemble multiple frames moving in fast motion like in most anime. All the background scenery is breathtaking to look at, whether it be urban streets or lush forestry. The characters animations themselves are realistic and thoroughly balanced. The characters are clearly not favored toward any particular viewer type.
Despite all the other astounding accomplishments this awesome film has to offer, the characters are definitely where this movie shines the most, it’s almost blinding. If Ookami Kodomo were only to be told from one single perspective this movie wouldn’t have been half as good as it was. If it hadn’t been executed this way then the end result would be unbalanced with more time focused on only certain characters over others. Due to the multiple perspectives the story felt more wholly and comprehensible in the end as well.
You can tell the voice actors put their effort in to their performance, each character didn’t sound out of place or more expressive over the others. You could outright tell that the cast was chosen with extensive and attentive care, considering they’re all predominantly new and unknown voice actors. All the characters had equal screen time as well, in part due to narration by some characters early on for supplementary albeit vital info.
The sound is very well balanced and nothing sounds out of place. What else can I say, it’s what you can expect form an excellent movie.
This is the finest and most groundbreaking anime film or in fact any piece of anime I have ever seen. This list of admirable innovative aspects and features found throughout Ookami Kodomo are abundant. Others that aren’t are still executed excellently and by no means in any cliché style. This is a masterpiece that other future or forthcoming anime series/films should surely aspire to become.
Ookami Kodomo no Ame to Yuki, or Wolf Children, as it is called in English, is a two hour animated film directed by Hosoda Mamoru of Studio Chizu. Hosoda formerly worked at Toei Animation and Madhouse before establishing his own studio.
Ookami Kodomo tells the tale of Hana, a young university student who meets and falls in love with an unnamed man. This man does not attend her university, but he does come for lectures in order to study. He takes on odd jobs to have just enough money to survive. At first, he seems just like any other young man pressed for time and money.
But he has one big secret, which he only tells to Hana: he is actually a werewolf. Hana loves him despite this, and together, they have two children, named after the weather they were born in. (Yuki – snow, and Ame – rain).
The movie goes on to show the plights Hana must persevere through, as a mother of two young children who are both wolf and human. There are many moments that range from both sad to humorous (such as when Hana debates whether to take her sick child to the vet or the children's hospital). Overall, the goal of the film is to be both a coming of age story (for Ame and Yuki), as well as a showcase of how hard Hana works to provide for her two young children – a tribute to mothers themselves. She gives up nearly everything for her young, and if Ame and Yuki were not werewolves, I would say the story is completely realistic. The relatively few fantasy components do not do much to diminish the poignancy of the movie, though.
It clearly goes out of its way to show the pains of growing up. Ame and Yuki change as they become older, sometimes in completely unexpected ways. And yet, somehow, this does not seem unnatural. It is only a clear, stark contrast once one takes the time to compare and contrast the children when they were barely in preschool, to their selves as young middle school students. The two children have their own personalities and their own desires, and they always feel like actual kids instead of cardboard cut-outs of archetypes. Hana, their mother, also makes her own journey to be a better person as a whole, although it is more skills that she lacks (and obtains during the movie’s runtime) than personality traits that she seeks. Her persona matures, however, as everyone does when they grow older.
The film is quite lighthearted, overall. There are no psychological ringers to grind your brain through, nor are there cold-hearted villains waiting to kidnap Ame and Yuki. It is simply a story about finding love, growing up, having a family, and raising children. It’s nothing complex, and it isn’t depressing as some people say it is. It is life, just with some supernatural elements added to it. It’s a nice, poignant film that is pleasant to watch after having gone through a difficult day or marathoning a particularly bleak anime.
The animation is fluid and crisp. Character designs are fairly simple and the overall style is quite reminiscent of Studio Ghibli in its plainness. While the animation is nice, there are times where it seems the animators chose to add the characters to actual, real life images, and there are some scenes where this is especially prominent and noticeable. The colour palettes are nice and vibrant. Not too much to critique here, really.
Personally, I did not find the soundtrack to be very memorable or engaging. Case in point: I had to look up the music on Youtube to be certain I remembered it properly. A lot of it is slow ambience music played gently in the background. You’ll hear a lot of chanting voices in some tracks. All in all, the music was not to my taste and I won’t be hunting down the original soundtrack any time soon. The songs were mostly fitting to the scenes they were used in, although some could have benefited from background music and instead are given none. The ending theme, Okaa-san no Uta (Mother's Song) by Ann Sally, however, was very poignant and emotional, clearly inspired by lullabies mothers sing to their children. I even found myself growing a bit teary-eyed when I actually listened to the lyrics. It's difficult not to think of your own mother or mother-figure and think of what she has done for you and sacrificed for you while listening to this song.
There are some potentially interesting sub-plots or ideas that are brought to attention but never followed or pursued. Some of these could have brought depth to the movie itself. For instance, the old gentleman helping Hana with improving her farming skills could have been a wolf, and in fact it was implied in a few choice scenes. This was never expanded upon, and the intriguing plotline falls flat on its face, ignored.
Like all young children, and like all siblings, for that matter, Ame and Yuki end up butting heads. The movie’s climax is brought upon by the separation of Ame and Yuki, both in a physical as well as a mental sense. It culminates in…a rather nonsensical and devoid of logic chase scene that went on for far too long and was quite obviously merely a ploy to increase the film's runtime. I would consider the possibility that I could be a heartless witch, but this clearly isn’t the case considering I cry easily and have been brought to tears by several anime and manga in the past.
Wolf Children only made me cry once, toward the first half of the movie, and it was largely brought on by the orchestra playing in the background of the particular scene and Hana’s expression. In contrast, I found myself quite bored and more exasperated than anything by Hana pursuing one of her children while the other was left stranded at school during a storm. I did not have the urge to cry; I yelled at my television screen and angrily demanded the reason for her actions. Perhaps I could attribute my lack of empathy to the fact that I am not a mother – but, you see, I watched this film with my OWN mother, and she was the first to point out that the scene was silly and irritating. We could also just a couple of heartless witches, though. That’s always an option.
This was really my only problem with the movie, and had this scene not existed, I would have gladly handed Wolf Children a score of eight out of ten and let it run with it. As it is, the movie can only get a seven from me, as the scene really managed to dampen my opinion of the film as a whole. I still recommend it, however; it is a good movie in its own right, and certainly poignant and moving in its own way. That chase scene, though. It was completely unnecessary.
This is my first review on this website, and I thought I'd create an account just to review this movie. Ookami Kodomo no Ame to Yuki, or Wolf Children has been recommended to me endlessly, as it was regarded (by them) to be Miyazaki material, if not better.
I have high expectations when it comes to watching Anime movies. Since they do not rely on a series to back up the characters and plot, it's very difficult to create a masterpiece that combines all those elements. Wolf Children exceeded my expectations, though I still can't describe how it compares with Miyazaki movies, I will just
provide a review of this movie alone. No comparisons.
Character development had been seemingly shown to be most important aspect to this movie, as time-lapses are a great indication of how attached the viewer should be to the characters and how big of a role they have to the overall plot. I really liked how much time the movie spent in a certain period of time, especially during Ame's and Yuki's childhood. It really goes to show what kind of children they were, and how their actions reflect their personality.
Reversal of roles! Without spoiling the movie, I will say this aspect of the movie was exceedingly enjoyable to watch. Though it happens in a majority of animes and movies in general, the way Wolf Children was able to indulge in it seemed completely necessary, and just added to the great story writing of this movie.
The artwork and animation is indifferent, but it doesn't bother me one bit. Usually I would like characters to be drawn with more detail to show just how different they are from one another, but the way characters in Wolf Children had been drawn shows just how minuscule detail can be to still be able to provide so much emotion and character to the characters.
But what leaves it short from receiving a perfect score for me is the ending. There could've been a multitude of ways to end this movie, and I feel like they have chosen one of the weakest. It could've had so much more potential to provide the maximum feels one could possibly acquire. Ame was mysterious and quiet, but I think it was far too stretched. Any response at all, anything that could've been displayed to illicit his feelings would've provided me with some comfort. I know some may say that his silent behavior is what his character is supposed to embrace, but it wouldn't hurt to show at least some resemblance of his father within him.
Another part was the elder wolf and man. They could've developed differently, in a way that would contribute to the storyline much more. A closer friendship should've formed between Hana and the old man. The elder wolf literally played no role to the movie, as he only served as a random animal (a good a role as the wild bear had). So much more could've been done with him, but the writers decided not to.
- Amazing Story, that may leave you in tears
- Wonderful music
- Dialogue/Characters are unmatched
- Great way of displaying the bigger picture
- Shows essences of environmental problems as well as social issues
- Perfect for all ages
- A few unnecessary scenes
- Weak ending
It does live up to its ranking on this list, and I do agree that it is a must watch. Most viewers have fallen completely in love with every aspect of this movie. Everyone is going to have a different opinion though, as taste derives from other animes you've watched as well as what you look for, especially, in an anime movie. Anyway, happy feels!
This is going to be my first review, so feedback is appreciated.
Have you ever thought about how hard it is for a single mother to raise two children who are only a little more than a year apart? Well, I can tell you right now that’s it’s not as hard as raising two children who are only a year apart and part wolf!
Let me start off by saying that this is one of the best animated films that I’ve had the pleasure of watching. I couldn’t help but have a smile on my face for almost the entire film. If you’ve watched any of Mamoru
Hosoda’s previous works (The Girl Who Leapt through Time, and Summer Wars) you can see that Mamoru has grown as a director, and learned some things from both of those movies that he put into Wolf Children. In The Girl Who Leapt through Time, Mamoru learned how to write believable characters. From Summer Wars, he learned how to focus on a large cast and make sure that they all were characterized in a well done manner, as well as showing a pretty accurate representation of a family. In Wolf Children, he puts all of those together to give us a small, well characterized family that is very, very believable.
Story – 10
Wolf Children starts us of by showing us the key main character, Hana, and how she fell in love with a wolf man she met during college. We then see her children being born, and how she raised them from birth, until Yuki and Ame are 11 and 10 respectively.
We see Hana trying to figure out how to deal with the fact that her children are part wolf. How can she keep it a secret? How should she raise wolf children? What should she do when they’re sick? She can’t take them to a doctor, because she’s scared that one of them may turn into a wolf during the diagnosis or even during regular checkups. It’s such an emotionally charged film that you can’t help but feel joy and sorrow at the same time Hana does. Not many films do that for me, and none have done it in such a way that Wolf Children did.
Visuals – 10
This is an amazingly animated movie. From the characters to the backgrounds, everything is beautiful. There’s a lot of CG around, mostly noticeable is the fact that a lot of the background characters are CG. Unlike a lot of CG in anime, I didn’t feel like it took me out of the immersion. It was tastefully done, for the most part, and not terribly noticeable in some scenes.
The backgrounds, though, are absolutely gorgeous. The mountains, the snow, the streams, the skies, everything, looked fantastic. As I was watching the movie, sometimes I wished I could just pause it so I could take in all the backgrounds had to offer (alas, I could not, due to first watching this movie in a theatre).
Characters - 10
Here’s where the movie really shines. The movie has a decently sized cast with the main three characters; Hana, Yuki, and Ame, getting the most attention. Hana is a single mother of three, and we see from her perspective what it’s like to be a single mother. I liked this, since most of the time you see how they grow up from the child’s perspective.
Hana is, in a word, human. She tries hard, works hard, wants the best for her children and doesn’t succeed all the time. That’s natural. It’s hard to care for two children (let alone wolf children) and be able to study while working a job. It is fantastic how well Mamoru was able to show us her hardships, and how she always continued no matter how tough it was.
Now let us talk about the children, Ame and Yuki. We get to see them from the moment they’re first born, and we continue to watch them grow until Ame is 10, and Yuki is 11. Over the course of these years, we see them (much like real children) start out one way, and change slowly over a realistic amount of time.
We see how Yuki, as a small child, would always turn into a wolf and go run around the house whenever she wanted, but learned slowly, as a child would, when it wasn’t acceptable to do that since she had to keep the fact that she’s a wolf a secret.
Ame is a small, reserved child and he dislikes being a wolf, since in all the picture books he reads the wolf is the bad guy and he just wants to live peacefully. He goes through some great character development over the course of the story, and Mamoru definitely knew what he was doing with the main cast in this film.
Overall, this gets a 10 from me. I can find next to no flaws with it, and it was masterfully done. I hope that Mamoru’s next work will be able to surpass this film, but I find it hard to believe.
To all the people who voted Helpful and Not Helpful, feedback is appreciated :)
In fact, growing up is like an experience, a natural time when we embraces the days we go through. It is from these times where we learn about the world, make connections, and make the most of our lives. It begins with the very first breath we take in and out. The prospect of growing up therefore is like climbing a ladder. The higher you reach, the harder it becomes. But of course, that doesn't stop some people from reaching the top and enjoying their life with people they care about.
That's especially the case for Hana.
Ookami Kodomo no Ame
to Yuki (also known as The Wolf Children Ame and Yuki) is an anime film presentation directed by Mamoru Hosoda. He is known for his work in other famous movies such as The Girl Who Leapt Through Time and Summer Wars. The film is also co-produced with Madhouse along with Studio Chizu. Taking place in modern Japan brings forth this movie that presents naturalism along with the prospect of raising a family in its purest form.
The movie takes place in modern Japan similar to our present times. In a lighthearted atmosphere, we meet Hana in the very first scenes as she sees a young man. It becomes a 'love at first sight' instance the moment she laid her eyes on him. From there on, the two develops a relationship. However, not all is at it seems because the man has a secret. He is in fact not human. However, this does not break their strong bond together. After some happy moments and days of their lives, a tragedy breaks Hana and her husband apart forever through an unprecedented event. Devastated but promising to raise their children together in the 'fairy-tale' love they once shared, Hana vows to raise the children properly and give them a future.
From this standpoint, I found the movie to have quite a sense of realism to it even with the fantasy themes. In fact, the prospect of growing up and raising a family by a young single woman is difficult in today's world. Not just by the struggling economy but the fact that you're all alone with little experience yourself in the real world makes it that much more difficult. In this movie, an unique aspect adds to the mix with the fact that Hana's children are not human. They are wolves. By beast of nature, they are considered a threat to society. Any chance that their secret is exposed could put Hana's life with them in major jeopardy.
The movie plays on a role that details on how important it is to protect one's keen and growing up together as a family. In fact, I find many of the sequences similar to those of nature. By nature, animals must protect their children and teach them how to survive. In this movie, Hana teaches her kids many new aspects of nature and the world while learning about it herself. As a matter of fact, Hana's role as a single mother often shows her vulnerability in the beginning as seen when she is warned by neighbors, becoming the talk of the town behind her back, and getting tough lessons from an old man. Despite this though, she continues to keep her promise with the wolf man in the beginning of the film and that is:
To raise the children not as wolves but as Ame and Yuki
Speaking of which, the characters of Ame and Yuki are presented in various ways throughout the film. At first, they start out as children and beast by nature. They are curious about the world as many times, they try out new things by themselves with mixed results. One particular moment involving Ame almost costs his life but that event only makes him stronger as an individual. On the other hand, Yuki too grow up as the movie progresses. Although starting off as a popular girl, her interactions with a particular character almost sets her off to isolationism from the others. But yet with more interactions with people, she is able to open herself up more and becoming a stronger person.
The movie also has a theme of nature and survival. After all, we can't forget that Ame and Yuki are not like you and me. They have instincts and follows the law of nature. In the latter half of the movie, Ame is able to invoke that instinct when he embraces more of his animistic self. In ways, it's growing up like an animal/person and learning more skills to survive. After all, those kids can't rely on Hana forever right?
The series also explores social issues and identity as our main characters tries to figure out their place in the world. Whether at school or in the wild, Ame and Yuki often shows both human and animistic behavior. In particular, Ame and Yuki contrasts in their views of themselves. Yuki sees herself as a human who wants a normal life. On the other hand, Ame embraces his wild side and sees himself an animal, a wolf. The two balances out between animal and human behavior as seen in the later half of the movie.
Although well presented, I found the movie did have a few problems. One in particular is a lack of exploration in the Wolfman. His origins and backgrounds are unexplored territory and how he came to be is surrounded by mystery. I mean, why is he the only surviving descendant of his species? Additionally, while the romance between Hana and Wolfman was set off well, I found that their relationship to be rather blend, even so later on in the movie. Finally, I thought the film was somewhat predictable with the nature of the way it was presented. Along with that, the seemingly lack of exploration of the children's adult selves and what their future was in stored for them was a turn off.
In terms of visuals, I found the movie to have a natural way of presenting itself. It is lighthearted and presents its colors well in particular the snowy day when Yuki was born that symbolizes a fresh start, or the first breath of life. When the snow melts, it becomes water, evaporates and returns to the atmosphere in a sort of evolution theme. Some of the other visuals are cute especially during the scenes involving the children in their younger lives. The way they behave are like human and animal the same time with their lack of knowledge of the real world. The forest, countryside, the dawn/sunsets, and rural city also sets off that civilization pattern which becomes a symbol of realism and evolution in growing up.
The soundtrack of the series is well performed in my opinion. At many times, the rhythm matches the overall tone of the story especially with Hana in taking care of her children. The majority of the movie has that feeling of motion which seems makes its soundtrack more distinguishing as the children grows up. Takagi Masakatsu performed his task well with the music score. Beautiful, simplistic, and natural are just a few words that come to my mind when my ears hears the vibrations.
In the end, this movie was a delight for me and one that I enjoyed. At many variances, it tells the story between the wolf and how it's been ostracized. But really, are wolves really that devious? Are they really a threat to society? The way I look at it, it's nature itself that when left untamed becomes a threat. Thankfully, we have parents for a guide and helping us climb that ladder to success.
Wolf children, a story about a single mother Hana who is tasked with the mission of raising her children Ame and Yuki on her own after her boyfriend had died. But these are not ordinary children as there farther was part wolf and so are the kids.
Now i doubt there is anyone who is an avid anime watcher that would turn down a heartwarming Mamoru Hosoda film. Its a good way to take a break from 24/26 episode series.
The story is about Hana's difficulties after the daeth of ookami she struggles with dealing with kids that can transform from human to wolf
form at a momnets notice. This leads to neighbors turning on Hana and constant glares from strangers.
This prompts Hana to move away to the countryside in order to give Yuki and Ame the freedom they deserve. Super-mom Hana then rebuilds a broken down house suitable for the kids and works on growing food for them to eat.
The story is very sad and very heartwarming as i shows how hard Hana works in order to give her kids a good life.
First off is Hana. I have to litterally aplaud this woman for her resolve, her determination and her sheer will power to reach her goal. A lot of people would have probably abandoned their kids when the going got tough, but Hana stuck it out and made their lives a success with the help of others along the way.
Next is Yuki she is a bubbly and energetic young girl who often causes trouble for Hana. Since she is so hyperactive she would often shout and turn into a wolf when things didnt go her way. When starting school she would have trouble fitting in since her wolf personality would hinder progress with other girls. Yuki would show off skulls in comparrison to her friends showing jewllery. This lead to Yuki prefering to be human over wolf amid the fear she has of people finding out she is part wolf and being a social reject.
Finally we have Ame. Ame is a shy and inocnet young child who often stays by his mothers side. One snow filled day Ame frollocks in the snow showing signs that he is out of his shell and is displaying excitement and enthusiasm he hasn't shown before. Ame realises that he is a wolf and has accepted his wolf heritage.
The characters are very well developed we see them go through their years together the difficult times and the fun times they had together. We also see a conflict with the siblings as they disagree with each others choices.
I very much enjoyed this anime movie. It is hard not to like a heartwarming anime film. Its a feel good film with comedy, romance and dramatic elements that all add up to create a well executed film.
Overall Wolf children was very good it had a very simple story idea transformed into a well portayed story of a mothers struggles. People who are looking for something more heavy hitting and action packed may want to look elsewhere, but i doubt there is anyone who could genuinely say that they disliked this film. Wolf children gets a definate recomendation and a score of 8 out of 10.
Wolf Children is a good choice for you if you'd enjoy a mellow movie about a widow raising her two kids. However note that it isn't a particularly exciting or eventful movie, and it mostly focuses on how the mother attempts to raise her children and how these children develop and mature. So it becomes a bad choice if you expect anything beyond the simple lives of these people, even with the supernatural element of werewolf children, it doesn't have narrative hooks and the incentive it tries to give you from the very beginning isn't a particularly strong one to continue watching the movie, since
it banks on a character that will not have any role for the rest of the movie. Also, note that in the review I will be discussing a bunch of things that might seem like a spoiler, but they don't go past any events that the MAL description hasn't given in the premise for the series and are mostly details from the first 20-30 minutes.
I do understand why the movie chose to start the way it did. When you hear of a single mother raising up her children, one of the reasons we emphatize with her is the fact that she is alone, and her grief could emotionally hook the viewer. It is part of why the children end up in the enviroment they do end up in. The problem that the father and mother themselves on their own is that they are very uninteresting and unexpressive people and until he dies, we're pretty much shown the barebones of a romance. The father is a silent character that doesn't really say much. All that is shown about him is that he wants to study despite not being in higher education and that he had a diificult childhood because he is a werewolf. But he doesn't really have a personality and is mostly silent. He barely talks, he barely barks and he barely does anything. So him being presented hardly matters, especially since he's only alive for a short portion of the movie. The mother is similar in personality because she is a really quiet girl, but I can at least appreciate the mother because she constantly has objectives throughout the movie that forces to be active and actively make decisions and figure out how it is best to raise her children. But the mere presentation of the father creates more problems than they are worth.
For instance most of the problems she gets in raising her children are because of the fact that she, not even until she had a second baby with the child, had no discussion about how their werewolf children should be raised, in what enviroments, and so on. The mother is pretty much clueless, to a degree that is not exactly believable, which makes the movie a tad ridiculous. Another thing that makes the movie ridiculous in its beginning portion is the father's death. He died in his wolf form because he drowned while he caught a bird. But this makes little sense, because, he could just leave the bird and try to swim, or transform back, in order to survive. And one thing that makes it especially ridiculous is the time they are shown having sex and that he is in werewolf mode, while having sex with her. Due to hearing about this, from other sources, I went with the mentality that I was gonna treat this movie as a huge pile of furry/otherkin jokes material, with a mother then raising her poor wittle fur babies. Because that would be an impractical way of impregnating someone, as animal dicks aren't compatible with human vaginas. I wouldn't really see any purpose towards being the case for the sex scene, aside appealing to the furry side, other than perhaps showing that she is accepting his form, but I do believe that could be done in a more discreet and better thought out way. Most of my specific problems are due to the first 20-30 minutes of the movie.
Moving on to the overall product, what I appreciate most about the movie is that despite it being a Slice of Life, it actually has constant progression and it feels like it is constantly moving forward, with the characters adapting to their surroundings and having their own problems, despite them being mundane and regular. This is how a series that focuses on the development of people over time in a regular life should feel, rather than spending a good 30 minutes over the fact that planting potatoes is relaxing, in tune with nature, and they enjoy it so much. Displaying something as overwhelmingly positive with the character seeming like they are trying to sell you on their way of life, rather than understanding why they live the life they do, is something that I've noticed in a bunch of the Slice of Lifes I checked. But it isn't a problem here, which is worthy of praise, due to how commonly that happens. One criticism I have to give in a similar vein however, is that there are parts that seem like they barely get any attention or have very little importance to the overall direction of the movie, like the old man that has helped the mother plant the potatoes, with his only purpose on screen to do just that. He was strongly displayed as a grouchy old man that didn't really display his affection for other people, and that made me kinda like him, going out of his way to help someone clearly clueless despite his own awkwardness. And don't get me wrong, the fact that the movie doesn't focus too much on things and doesn't try to tie everything together does give it a sense of realism, because it makes it feel more like the study of someone's life rather than a story designed to hook you narratively, this making it feel more natural. But it also results in a lot of the things presented not really leading anywhere, past them being presented or helpful towards accomplishing one objective, which made me feel at times that the movie was incomplete as a story.
Anyway, past every flaw, the movie presents the story of a single mother that had given birth to children that are half wolf, half human, and her struggles to raise them. The movie progresses until these children reach maturity, showing how they end up embracing how these type of children can end up embracing their human side at maturity, as well as their feral side. Without giving any spoilers about how the events of the movie unravel, the movie is simply about how these children grow up, and how their mother is attempting to raise them. It is a simple story, that shows the life of the children without being overlydramatic or pointlessly complex. The problems they have aren't particularly irregular events, and they revolve against things like financial and health problems, as well as the social aspect of their lives, and how they fit in the world. Despite the world claiming it is fantasy, the lives seen are pretty mundane and regular. I consider that the movie has succeeded in presenting the lives of the people it wanted to portray as realistic and somewhat relatable.
I think it's a good movie as long as you know what you come in for, with it being mostly a down to earth collection of events (aside furry sex and drowned dog) about the growth of some children, with a few fantastical elements to their conception and growth. It was interesting, but not particularly well executed, with some minor logic gaps, flaws and some underpresented characters that didn't particularly take from the overall feel of the movie. But as it is mostly focusing on mundane details, I don't think that Wolf Children is enjoyable for someone seeking something either more complex as a story, which are very rich with events and lots of stakes for the world they're in, or that simply doesn't find enjoyment in watching movies that are about raising a family. But in the situation that you would, Wolf Children can be a decent experience, if you can deal with some of the inconsistencies and don't mind a few ridiculous parts.
This anime is more of a movie, then an anime, considering it was 1 episode and I think an hour and 56 minute (I don't know, I'm trying to remember.). The plot is pretty simple: A collage student falls in love with the wolf man (Because they don't say Werewolf in Japan.). They have two children together; The oldest, Yuki, a girl, and the youngest, Ame, a boy. Unfortunately, the father dies(That's NOT a spoiler.), leaving the 3 alone by themselves. Because of complications within the city, Hanna (The Mother) decides it would be better for them to move outside the
city. The movie is about them learning to adapt to the "country" life, hide their little wolf secret, and the character growth with the two children. The movie is really sweet and I cried... like a baby. I loved the character growth and how they eventually showed them walking down to separate path to find happiness. 10/10
The animations as really clear and beautiful. At some points, it almost looked like a live-action movie. I thought the animation, and the design really suited the movie, it gave it the perfect aura for the show. 10/10
I watched this movie in Japanese first, and it was fantastic. I then watched it in dub, and it was pretty good compared to other dubbed animation (*Cough*Maid-sama*Cough*). The soundtrack was amazing! It was a really nice piano and it was so beautiful. 9/10
I think one of the most important things is always the Character Growth, and this movie was sort of mainly about that. The two kids change A LOT during the movie. The daughter goes from this little brat (But still adorable and sweet), who liked digging up bones and such, to this very elegant and lady-like young woman. The son went from this little adorable sweet and fragile thing to this anti-social almost emo (But still sweet) type of kid. I loved watching them grow up, and I cried when they went their separate ways. It was really adorable. 10/10
After I watched Wolf Children/Ookami Kodomo, it became my favorite movie. I cried at the end, laughed at the funny parts, and smiled at the sweet parts. It was almost like going on a rollercoaster through heaven... sorta. I loved it and recommend it to anyone, you could even watch it with your family if you wanted too, it's family friendly. 10/10
Hey, everybody TheCodeTrigger here and welcome too my first ever anime movie review.
For my first ever anime movie review I will be reviewing the highly acclaimed movie that was directed by a man named Hosoda, Mamoru and aired in Juyl 21st in 2012 Ookami Kodomo no Ame too Yuki or Wolf Children in English.
Now with that out for the way let’s begin.
Enter Hana a 19 year college student whom meets the love of her dreams named
Ookami whom are secretly hiding his identity as being able too transform into a wolf at any-time throughout his life. He’s not a werewolf where he doesn’t tear up other
people and as well eat other animals like rabbits or any other animal. He just has this affrication its something that has been with him ever since the day he was born and he’s the last person in his line too have half human and half wolf species and that stuff kinda happens. Eventually Hana gives birth too two children named Ame and Yuki and as well as they have this similar wolf gene . She has too try raise them and which that comes with problems. They problems are they can transform any-time like for example in a city with lots of people and they just transform in wolfs all of this problems arise that Hana has too move out from her home-town too the countryside too rise her children, learning too be a farmer so they can all survive and also not really knowing the other-side of her kids.
I found the story too we well executed from start too finish because it had a amazing set-up that are easy for the viewer too understand and keep up the of the key events of they story like where Hene has too grow her own crops for the first so they and the children can survive, the problems of Ame school has he always use too be the one too get bullied all the time too the latter half of the movie where the children have grown up they make some shocking decisions that I won’t here because due too spoilers.
This are easily one of if not the best-written anime movie I have ever seen. Even with the time jumps that the story has the story are always constant and it doesn't have any plot holes whatsoever.
The ending itself which I won’t spoil here are some of the best anime endings I have ever seen in any form of media. The ending itself are just so heartbreaking that you need too a set of tissue roles when watching the ending of Wolf Children.
Overall the story are a masterpiece and easily one of the best anime movies stories I have ever seen.
All of the characters in Wolf Children are written so beautiful that you will definitely relate too this characters from start too finish
Hene are now the mother of this children by that she has too move out of her hometown too look after this kids and as well as being a farmer at the same time. I found Hene too be very realistic because not only she gave up her home just too keep her children safe from harm but she also has too learn how too be a farmer and at times of the film you actually see her struggle because theyre’s are no one helping her whatsoever and she has too farm correctly so they can survive in the countryside.
Overall she are just wonderful anime mother and easily the best mother of anime in my opinion.
Yuki are the oldest of the two children and surprisingly she are also the voice narrator of this film.
Yuki are a energetic and outgoing girl she’s are one of girls that are not afraid too get her hands dirty because she are seen playing around with mud without any consequence. In her childhood years she was one of those girls that are always seeing for attention tended too throw tantrums when everything didn't go her way. Almost like a Tsundrere ^_^
While her Kindergarten years she are trying she always wanted too become someone she that was not. Similar too a another character from a series that I reviewed already. Yukino Miyazawa (Kare Kano)
Also throughout this film she are seen protecting her brother from anyone’s that are trying too bully him.
She’s personally my favourite in this movie because she are so fun too watch from birth too adulthood and she’s are one hell of a entraining character.
Overall I really liked her.
Ame are the youngest of the two children.
Ame are a really shy and fearful person that during his childhood day’s years he always relays on his parents and as well stick too his parents like some from of super glue. Also during his elementary years he was always the kid that gets bullied and ultimately always got in trouble when are clearly not his fault. In the last parts of the film he just becomes a completely different person where he makes certain decision that affects the family of how they live. I won’t mention it here because that can lead too heavy spoilers.
I personally found him too be great character because the way he changes throughout the film are realistic and heart-warming.
Overall Ame are a great character.
The rest of the characters do a great job of being side characters and they way they interact with each of the main characters are just wonderful.
All on all this character cast are just wonderful.
Am just going too say this right now this are easily the best-looking anime film I have ever seen.
The backgrounds are either very well detailed or just fit the world of Wolf Children really well.
In fact the amount of detail are just stunning too look at both the BLU RAY and surprisingly the DVD versions as well.
The animation are so just so wonderful and appealing too the eye.
Everything from characters too backgrounds are just so well animated that you will feel life while watching the film.
Madhouse really did a great job with animation and art department.
Where do I begin with this OST?
Oh, my god, the OST for Wolf Children are easily the best OST I ever heard from a anime movie period.
All of the tracks were very memorable and they fit very well in the world of wolf’s children.
Now should you watch this film Sub or Dub? Am just going, too be honest, right now I never saw this film subbed and it’s for a very good reason because the dub of this film are easily one of the best if not the best English dubbed film I have ever heard in my life.
All of the dub actors did an amazing job with the roles and they really sound professional here.
Overall this OST are wonderful and the dub are a masterpiece.
I personally enjoyed this film from start too finish because the story was really well told as well as the characters and the character interactions
I really adored the art and animation here because it just so beautiful too look at and the world are so lively.
For the longest time, this movie was in my PTW up too now when some of my friends just told me too watch this film because they say it was a masterpiece and I can defiantly say this right now.
This movie is a masterpiece.
It has a really touching story, beautifully written, wonderful characters, has some of the best art and animation I have ever seen in a anime film, a fantastic OST and it has the best English dub that I ever heard from a anime film period.
It’s a must watch for anyone whom are looking for a parent carer film.
By the time of this review, I will be the buying this film brand new on DVD/Blu-Ray.
Now normally I will give 10/10 too anime that I really adore but a anime like Wolf Children breaks the scale of 1 too 10.
I give Wolf’s Children an 11/10 (My favourite anime film period)
We're constantly amazed at the power of maternal love. A mother lifts a car with inhuman strength to save her baby. A mother throws herself into the train tracks after the carriage goes off the platform. A mother this. A mother that.
The bond that a mother has with her children, it truly does surpass all reason and hold firm on grounds of unconditional love. I say maternal and not parental, because the story is based around the conditions of hardship without a father figure. Unfortunate, but it reflects the harshness of reality, that sometimes families don't always start out complete. But, they can be
It's a strange film to review, one that takes a base level understanding and appreciation of all that the director attempts to portray. Through the passage of time, the events that unfold reveal so much about how the definition of "love" is malleable, interchangeable, and so very flexible. Love changes according to our current needs. But if our needs do not align with our wants, how do we go about living life effectively and honestly? Do we cast aside our needs and focus on our wants, knowing that others may get hurt? Or do we place our needs first, and push our wants to the side? For parents, this is not a question worth debating. Parents will do what is necessary, if it is for the benefit of the children.
While one of the central themes is the concept of wolf-humans, it can be ignored to an extent. This is simply for the fact that while it is indeed what gives Ookami no Kodomo its charm, you are pretty much left with the exact same story if the concept of "Wolf Blood" were to be taken away. Yes, perhaps if the children were not half-wolf, they wouldn't have gotten into so much trouble and made their mother's life difficult.
Or... would they?
Would they really have stayed quiet and docile if they weren't half wolf? In hindsight, the idea of children growing up wild and troublesome is not at all foreign to us. In fact, it is what is EXPECTED during adolescence, for children to cause trouble. To be the source of attention. To keep the focus on them, in case they wander off and do something naively sinister. The addition of this fantasy element can simply be attributed as a great exaggeration of normal, everyday children. That these children were wilder than most, and the mother (who did not have her husband for support) had trouble keeping them in check.
It isn't an original story. The concept of love coming together with the supernatural has been rehashed a great number of times throughout many a story. But, perhaps what makes this film stand out among its peers is the powerful and un-severable connection between love and family. And this is not to minimize the romance between our wolf-man and mother protagonists; however, the central focus was on the aftermath.
"The woman meets the man of fantasy. They grow closer together and, through fate and destiny, are joined in love."
And then... they what, they live happily ever after?
This film is what happens long after the beauty and the beast finally declare their love for one another. Certainly this story is not so grandiose, but the point is that in order to fully grasp elements of this story, one must be willing to accept the realities of child rearing.
Ookami no Kodomo stands out because it doesn't backtrack. It doesn't go back on its word. It doesn't produce an ugly lump of Deus Ex Machina from its pocket and tell the viewers, "All of that was complete nonsense! Everyone is happy! Happiness for everyone!"
Instead, what we as the audience is left with is a honest sense of reality, and a lungful of emotions that choke us for weeks to come.
Children must eventually walk their own path, no matter the opinion of the parent. No matter if they are wolf or human or anything else, an offspring is an individual. And this is one of the most prevalent emotion that we garner from this movie; one we know is there, but just can't accept. We can't accept it because we naturally want the mother and all of her cute children to live happily together. For such a time to last forever. But time waits for no one, and the ending (which I consider one of the more refreshing endings of a movie, because I respected the courage of the mother), delivers the message that a parent must eventually learn to let the children forge their own paths.
Personally, I thought that Hana was one of the most bravest, most real, most purposed and most fullest characters I've ever had the pleasure of seeing, in any movie or film. In such a unique situation, she learned to adapt and to care for her children the best that she could, without guidance and without help. They say that children don't come with a guide book. In Hana's case, she REALLY could have used a guide book. But, she didn't have one. And yet, she made it all work. She accepted her situation and sucked it in for her children, for the ones that she loved most in the entire world. For her husband, who she dreams of meeting again. She did so much for her children and the audience saw all of her hard work, and yet at the end she chooses to say, "But I haven't done anything for you yet."
The OST was simply magnificent. It was appropriate. And honestly, it needs few words to describe how on-point it was in terms of emotion and the progression of mood. Even without watching the movie, simply listening to the music can give the viewer a very good idea of the mood and feel of the movie. I daresay that the music made the movie, to a large degree.
It isn't appropriate for a review to tell someone, "Watch this!" or "Don't watch this!". And I wouldn't want to impose anything onto anyone. But, it is a work that truly deserves at least a chance, at least a glance. And if the words of some stranger on the internet are worth anything, one will not regret finishing it, start to finish. From utter happiness to the suffocation of sadness, and all points of emotion in between, it is certain to be a rollercoaster ride that'll gently stop at the very end.
Probably the best anime I have seen recently. From the director of 'The Girl Who Leapt Through Time' gives us this wonderful fantasy-drama.
This movie is kinda resembling Miyazaki's 'My Neighbour Totoro', only the place it takes place and a bit with the characters. Other than that it is an awesome movie with a totally fresh concept as per my knowledge.
All the three main characters, a mother and her two kids were lovable. Aoi Miyazaki never stops impressing me where she appears here as a mother. Her roles from various movies are always coming with a surprise who peaking high and higher, she really rocks. The
two kids' characters as well very adorable. Like the two sisters in 'My Neighbour Totoro' these two made the movie look great. Actually it was a tale about a mother who raises two wolf children. As a single parent, her hard work and dedication to the kids to grow up having a normal and happy childhood she must sacrifice her life.
When her husband dies, Hana must take care of the kids where she lacks the knowledge of their kind to give support. She finds difficulties in city to raise them so she decides to move to a rural where she can cut the communications with the other humans. Growing her own vegetables in the backyard, facing the different seasons and going through all the ups and down in life she almost achieves her ambition.
It did not look like an anime movie, it looked almost a real one with many cool and colourful frames. The story commenced with a nice love story with a little heartbreak. Then the most enjoyable parts begin with lots of laughs until the approach of the end where it brings lots of emotions before concluding with a powerful howl. It had very nice background score in all the crucial portion of the tale. In other word to say, the movie was just like what I expected and more than that. I felt the movie was short and was not ready to accept the end. You know, it is better being short and sweet than with unnecessary drag in a tale.
This is a movie that everyone will love, especially kids and families. Like I said if you are a die hard 'My Neighbour Totoro' movie fan then you must not miss it. So highly recommended by me.
This is one of my older reviews that I have re-written to hopefully not get removed this time.
Story and characters:
This part of the review contains SPOILERS!!!!!!
The story begins with a Japanese college student named Hana. One day, she spots a cute boy in her class who doesn't attend the college, but sits in on the classes anyway. She immediately falls in love with him and follows him around like a puppy! He finally begins talking to her, but he is fairly laconic, which of course makes him even more desirable. Eventually he decides to confess to her that he is a werewolf
and transforms in front of her. This does not faze her AT ALL. In fact, she has sex with him on the spot while he is in his wolf form! Thankfully, it quickly cuts off-screen because this is a kids movie! The Werewolf dude (who is never named) calmly explains that werewolves can transform whenever they want, but many untrue myths have been spread about them. I have a question for this film. If werewolves can perfectly control their transformations and live peacefully among humans then WHY is this guy supposedly the last werewolf?! How could the humans have hunted them down if they can control when they transform?! This doesn't make any fucking sense and is never even addressed. We the audience are just supposed to swallow this crap!
Back to the story, Hana gives birth to 2 children, but tragedy strikes when the unnamed Papa Wolf is struck and killed by a car while in his wolf form. A fucking WEREWOLF is killed by a car. I respect the right to creativity, but if you want to use werewolves in your story, you should keep at least SOMETHING of the traditional lore. Werewolves in all media have an extremely high healing factor and can only be killed by: injuries made by silver, complete decapitation, or old age. Nothing else will kill a werewolf and this has been the rule since early 1700s Germany! Now that Hana is a single mother, she decides to keep the kids isolated because she fears they will transform in front of people. However, the welfare workers come by to see why the children haven't been vaccinated, so Hana moves to the country where the government isn't able to find her. Just go with it. She buys an old dilapidated house that has been abandoned for decades, but quickly repairs it all by herself...because apparently she is an absolute expert in carpentry. Just go with it. Hana learns farming from an adorably cranky old man and raises her kids in the country. Eventually they wish to attend school and Hana lets them as long as they promise not to transform. Hana's daughter decides to live her life as a human, and her son decides to live a VERY lonely life in the forest as the last surviving wolf in Japan. Hana is totally OK with this decision and ends the movie happily reflecting on her time together with her kids.
Art and animation:
This movie was VERY well animated. I appreciate the fact that it looks cute! Wolf Children also does include a few heartwarming and adorable scenes. Does that make this movie a masterpiece? No. In the 1990s, the big rivalry in kids movies was between Disney and Fox Animation Studio largely dependent on one guy named Don Bluth. Don was absolutely beloved in the 1980s for his masterful trilogy: Secret of NIMH, An American Tale, and Land Before Time. In the 1990s, Bluth abandoned trying to tell good stories and focused entirely on making his movies as cute as possible. These include: Thumbelina, A Troll in Central Park, and The Pebble and the Penguin. In the 1990s, critics lauded the Disney movies for their amazing stories and characters while absolutely SHITTING on everything Don Bluth touched. I don't think he made a movie after 1990 that didn't win multiple Razzie awards.
Wolf Children is EXACTLY like watching a 1990s Don Bluth movie, yet people on MAL act like Tolstoy himself wrote it, and it was drawn by Michelangelo! This movie is fairly cute, but it isn't that good guys! I'm sorry I had to be the one to say this, but a critic SHOULD try give honest opinions, not just bend to popular dogma. If you are older than 8 years old, I really wouldn't bother watching this movie. There are honestly MUCH better movies you could be watching.
"The moment a child is born, the mother is also born. She never existed before. The woman existed, but the mother, never. A mother is something absolutely new." ~ Rajneesh
Can one anticipate the future? The struggles, the joys, the pain? It may be a mystery because we humans have to learn from our past mistakes and try to continuously improve ourselves. Motherhood is one of these things, never regretting, only moving forward, that is the only way. Ookami Kodomo no Ame to Yuki is one of these rare animes who come once a year or more, to remind us why we
became so enchanted by animes in the first place.
*The following review may contain some spoilers*
The movie opens with the introduction of a University student named Hana. The main character's name has in itself a great semnification, her father named her that because she was born on the day the cosmos flowers in their backyard bloomed naturally, without being planted. Her father then thought he will raise his child to have a smile as beautiful as a flower, that won't fade away. This also symbolises the journey of the character, that overcomes difficulties with a positive mind, even when inside, she suffers.One day, at one of the University's classes she notices a young man who seems estranged, otherworldly. She then starts to interact with him,even though reclutant at first, he gradually warms up to her. On one of their walks, she tells him the reason her father named her, adding that at his funeral
she didn't cry, but smiled instead. The young man finds it normal,since he understands that Hana tried her best to be strong.
Thinking he cannot hide it anymore,"Ookami" (the young man) reveals that he is a descendent of a long forgotten clan who were able to transform into wolves. The legend became reality,but suprisingly,Hana accepted Ookami's true nature,showing that her love for him is without limits. After a while,Hana becomes pregnant with a child. The first born Yuki, was a girl who was born on a snow day,hence "yuki" meaning snow. The second born follows shortly, a boy named "Ame", who was born on a rainy day,"ame" meaning rain.
They live happily, until one day, when Ookami doesn't come back home.And so begins Hana's struggles with her not quite normal children, learning the difficulties of not only raising two kids alone as a young,single mother, but also dealing with the strange nature of her half-human,half-wolf children.
The story is quite simple in itself, yet mesmerizing in its message and emotional impact on the viewers.
Story : 9
The art resembles quite a lot Toki wa Kakeru Shoujo's art, since it has the same studios: Madhouse Studios, FUNimation Entertainment etc. and the same talented director, Hosoda Mamoru. The art is beautiful in its fluid,soft animation style. The colors are variated, from the bright scenes of nature to the dim ones on a eerie, rainy day. The characters design is eye-pleasing and more similar to the real people than most animes.The strongest point of the art is the stunning depiction of the movie's various landscape,ranging from the rendering of suburban Tokyo,to Japan's countryside and to the mountain's deep forests. The change of landscapes helps the viewers along Hana's journey.
The soundtrack fits perfectly every scene in this movie, encompassing the atmosphere. The seyiuus do a marvelous work in this anime,especially the two young seiyuus who voice the children Ame and Yuki, showing great promise, with the skills of a professional and natural talent. Some scenes in this anime are heart-breaking, so the music is at times sorrowful,but at the same time soothing and comforting.
The characters may as well be the show's strongest point. This two hour movie had more character development than most 26 episodes animes. The main characters,Hana and her two children, Ame and Yuki undergo a constant methamorphosis. At the beginning, Hana is a young girl who lives by herself,only having to worry about mundane day-to-day problems. All that changes when she meets her soul mate Ookami. She finds a hidden world from ours, where men who transform into wolves do exist. After Ookami disppearence, she finds herself alone, taking care of her supernatural children.Hana breaks free from her chrysalis,gradually maturing into a
responsible,strong woman who faces any difficulties for the sake of her children.
The two children are completely different from each other, Yuki is an energetic, curious, restless, playful girl, bustling with life.Her brother being the total opposite of her, having a weak constitution,and an introverted, withdrawn and fearful personality. When they move to the country side, Ame's reaction is reclusive to the change, fearing the wide, open spaces and the variety of wild animals. Yuki however rejoices at the thought of living so close to the wild life.
In a twist of fate, their roles are being reversed after Ame's accident, and Yuki's going to school, transforming Ame into a more adventurous spirit,as well as a wild life admirer. Noticing her interests are unlike her classmates, and afraid of rejection, Yuki begins to restrain herself, becoming more like them. The depiction of the change in the children is wonderful, their choices in life separate the two siblings in time. Ame embraces his wolf nature, while Yuki chooses the human life style. Both choose to walk different paths from each other, which is heart-breaking but at the same time helps the character's development.
Even supporting characters are interesting and have their own charm, such as Souhei and the grumpy old farmer. It is fascinating to see the staggering growth of the characters during a two hour movie.
Characters : 10
It has been a while since I enjoyed every minute of an anime like this, it has been a wonderful experience, that re-awakened in me the pure joy of watching a story unfold.