One day, a sorceress princess was stuffed into a barrel and banished.
One day, a single girl was suddenly murdered, and the culprit still runs free.
And one day, a battle spanning time and space over magic and revenge began!
Sanity and madness, sense and intelligence, self-confidence and convictions.
The tragic tale of this irrational world starts now.
The Kusaribe family is a family of sorcerers under the protection of the "Tree of Origins". Their princess, Hakaze Kusaribe, was the greatest sorceress of their family. But Samon Kusaribe, a member of their family seeking to resurrect the "Tree of World's End", a tree that opposes the "Tree of Origins" and controls the power of destruction, stuffs her into a barrel, and banishes her to a deserted island. From the deserted island, she sends a message out to sea, which is picked up by Mahiro Fuwa, a young boy who's sworn vengeance upon the criminal who killed his little sister, Aika. Mahiro agrees to help Hakaze under the condition that she find Aika's killer with her magic. But once Mahiro's best friend and Aika's lover, Yoshino Takigawa is rescued from danger, he too gets dragged into this tale of revenge.
This my first time ever writing a review here on MAL. I felt the need to write one because this show is by far the most underrated show of the season. The story is original, the characters are great, and the artwork is beautiful. There is quite a bit of action in Zetsuen no Tempest but it's the dialogue that will keep you on the edge of your seat, especially in the later episodes. It's what happens when there is no real "bad guy" and both sides are desperately fighting for what they truly and honestly believe is right. These shows are always so much more intense and so much better than your typical "I'm doing this because I'm evil and you're here to stop me because you're good." shows. I highly recommend this show to everyone.read more
“What’s past is prologue.” - The Tempest - William Shakespeare
Nothing could say more about Blast of Tempest than Shakespeare’s The Tempest which is heavily referenced throughout the series. Blast of Tempest is a story about overcoming entrapment in the past, both figuratively and literally.
One thing that can be said about Blast of Tempest is that it follows a logical premise that manages to feel legitimately inspired despite its fair share of twists. Even though the story involves magic, the series defines a strong logical framework that both empowers and entraps its characters.
Above all, our character’s personal history is a major factor in the series. It drives Mahiro on a vengeful path to determine who killed his sister and weighs down Yoshino to the point of near-detachment. It is only when these characters are able to accept fate and focus that they are able to allow a tragic event to become the means to a better end (saving the world). Moreover, past as a general influence is extremely well-realized. Events in the past, including Hakaze’s imprisonment, Aika’s death, and even further back to the formation of the Tree of Exodus as a means to end the Tree of Genesis’s purpose in resetting humanity are central to the plot.
Furthermore, the notion of order and chaos is thematically prevalent in the series. Even though the Tree of Genesis represents order, it is only with the chaos represented by the Tree of Exodus that humanity can thrive and even exist. Despite the resurgence of crime and inequality after the dissolution of the Tree of Genesis, it is easy to understand the necessity in the action and why the order imposed by the Tree of Genesis would eventually deem all of humanity unrighteous.
The only major flaw to Blast of Tempest‘s story is that it tends to use its characters as if they are actors in a play (perhaps intentionally). Each character plays his part, often without question. This is extremely noticeable in Aika’s casual acceptance of her fate despite what clearly would have been a difficult decision – but this may actually speak more to her character than to the show’s tendency to have its actors fill a role.
Character development is very important in Blast of Tempest - and all of its main characters, Hakaze, Yoshino, Mahiro and Aika, are a strong basis to the show’s central themes despite their differing personas. What enforces their strength is their intelligence – even in Mahiro’s case – the characters carefully and cleverly plan their actions.
Hakaze is a strong female lead that is open and direct, while sometimes being too upfront and occasionally becoming distracted by desire. What defines Hakaze the most is that, despite her attunement to the Tree of Genesis, she is far from unquestioning. Her actions are often fueled by her desire to seek her own path, even with opposition or without knowing the consequences. It makes her into a character nearly embracing chaos despite the order surrounding her – which accentuates her foil in Aika.
Aika, though appearing frail, is strong to a fault. Her character embraces the ideology of Exodus far too unconditionally which is but testament to her acceptance with being an actress in a play. She often quotes Hamlet and The Tempest because she feels that her only goals have already been previously scripted and she must play to those ideals.
Mahiro, on the other hand, represents another extreme of chaos with his absolute path of vengeance. His early ambitions are simply to avenge the death of Aika, but this actually drives him to greatness because of her involvement in much more crucial matters. When he is freed from this path, his goal has actually become to enact a plan to save the world. Mahiro is a renegade without being overly reckless and ambitious to a point where he is not clouded.
Yoshino, for a large majority of the show, is very detached. Aika’s death had an opposing effect on him in that he nearly lost desire to function after her passing. Even though he is tied down by her loss, he thinks clearly and keeps Mahiro in check when he is pushing himself too far. It’s important to note that Yoshino is the last character to resolve his past as a lesson in history, because he is too entrapped by it. Hakaze’s confessions to him cause him to break because he is not ready to continue his life until all others’ problems have been resolved.
Blast of Tempest is breathtaking visually and its usage of classical pieces in its soundtrack is excellently done. By now, this is what we expect from BONES, so it isn’t too unbelievable that this show lives up to BONES’s capability to generate quality in its production value. Particularly of note are the show’s excellent action scenes that accentuate brilliant animation along with well-utilized classical music.
While Blast of Tempest occasionally falls short of absolute excellence in its willingness to allow its characters to fill roles, it presents a story of past entanglements that is very well-realized and non-contradictory with a cast that synergizes their differing viewpoints. read more
Zetsuen no Tempest is an action/supernatural/shonen anime by studio Bones, known for its previous works Eureka Seven, Fullmetal Alchemist, Star Driver, etc. Tempest starts out as a very promising shonen anime with interesting characters and an elaborate setup in a world full of turmoil. Preferring to skip the dramatic buildup, Tempest throws you right into the action and chaos right from the very first episode. Its steady pacing keeps the viewers on the edge of their seat and eager for more of the story. It’s too bad that Tempest doesn’t keep this up for the whole series. Halfway through, the show takes a serious dip in quality in just about every area, aside from maybe animation and sound.
And it’s a shame because Zetsuen no Tempest had so much potential, but it falls flat on its face instead. But let’s talk about the good of this show first. The art and animation are top notch. Studio Bones pulled no punches when it came to the gorgeous animation and character designs. The battles are fast, fluid, and intense, going hand in hand with the spectacular and vivid wheel of colors that enhance the magical effects. The character designs are stylish and unique, with no two characters looking too much alike. Another small little detail that was well done was the character’s clothing. Each character’s various clothing looks like something straight out of a teen fashion magazine; very funky and stylish. Small artistic details are also added in the character’s hair and accessories. If I were rating this anime solely based on its art and animation, it would easily score a nine at the very least. Unfortunately, I did not, and I won’t.
Now on to the not-so-good of Zetsuen no Tempest, which is basically everything else. Perhaps the weakest aspect of the show is its story. The story starts out with Hakaze Kusaribe, the princess of a clan of mages, contacting Fuwa Mahiro to help her extinguish an uprising instigated by her followers. Left stranded on an island by said followers, they can only communicate through magic. Hakaze promises to help Mahiro find his sister’s killer in exchange for his help. Mahiro’s friend, Takigawa Yoshino comes along for the ride, and together the three aim to prevent the Kusaribe clan from awakening the tree of Exodus, which would subsequently bring destruction to the entire world.
The entire story pays homage to Shakespeare’s works, namely The Tempest and Hamlet. For some reason, the story feels it needs to remind you of this quite frequently, as it seems every few minutes someone is throwing out a Shakespeare quote. There’s no subtlety in its delivery, and the quotes have little meaning to the plot or the characters. It seems they simply threw in several quotes in order to make the script seemed more grand and classy. Instead, it ended up making the entire anime sound incredibly pretentious. It could be argued that the two differing plays were being quoted to signal that this anime could either have a happy or tragic ending, leaving the viewer to wonder in anticipation. But not only is that grasping at straws, it gives the writers more credit than they probably deserve.
Now to be fair, the first half of the series was pretty good. It was standing on shaky ground but it was still quite good. It may have been standard shonen anime fare “save the world with magical powers, stop the bad guys” but it had an interesting enough twist to keep it afloat. The characters were interesting; they had clear cut motivations that at least made some sense. The plot moved about at a comfortable pace with just enough action and character development shimmied into each episode. The rules of the universe made sense. All that was completely ruined by its mess of a second half.
The plot begins to contradict the rules it established in its first half. It makes no effort to even make sense of Hakaze’s ability to time travel for a second and third time. It presents a ridiculous plot twist that makes even less sense and gives a sort of barbaric edge to Aika’s character that the other characters don’t even bat an eye at. And worst of all, romance is shoehorned in for the sake of throwing in some aspects of a corny school love comedy. Hakaze even alludes to this in a hilarious 4th wall breaking internal monologue.
Perhaps one of the most disappointing aspects of the show is the degradation of its characters. Yes that’s right, the very characters that made the show go backwards as it drags on. Perhaps the character that does it the most is Hakaze Kusaribe. She is initially presented as a strong heroine, with an arrogant edge that is backed up by her standing as the most powerful mage in the clan. She is cunning and unflinching, yet kind and caring when she needs to be. But of course that is all negated when she falls in love.
Yes, LOVE! She becomes clumsy, indecisive, and silly at the first hints of love. Her initial goal was to prevent the destruction of the world and take control of her clan once again. But when she falls in love, she leaves the fate of her clan in the hands of the guy who betrayed her and sent her to an island to die. All so she could travel freely with her love interest. Later, she wants to save the world simply for her love. To say anything else about her silly love driven mindset would mean spoilers, so to be vague, pay attention to what she says when she travels across time a second time. It is so unbelievably silly, bordering on completely idiotic. She goes from a strong heroine to someone whose sole reason for existing and acting is for her love.
Maybe it wouldn’t be that bad it we had some substantial buildup to the relationship, coupled with proof of an established and long-lasting bond that could never be broken. That, and if her feelings were actually reciprocated. Then it would be quite romantic and heroic that Hakaze would do anything for her love. But instead, her actions are based on a silly schoolgirl crush (that quite literally springs out of nowhere) and nothing more, making her actions and motivations seem incredibly idiotic.
Fuwa Mahiro and Takigawa Yoshino are perfect foils, making for a very interesting relationship between the two heroes. They get a significant amount of development in the first half of the show through a series of flashbacks, some of which involve Aika. Brash and arrogant Mahiro is the brawn of their duo, while the manipulative and analytical Yoshino is the brains. Their relationship is one of the most interesting ones of the series. How two young men who are so different from each other could end up cooperating so willingly and becoming the best of friends is a real mystery. But their actions in the second half become a bit odd to say the least. Not only that, but they show little emotion when finding out the truth behind Aika’s death, despite the fact that they are the most important people to her. In fact, their lack of emotion is prevalent even in the first half. They are just normal high school boys, not hardened soldiers. Yet their reactions to the destruction of their home certainly don’t give any hints to that.
Then there is Fuwa Aika, one of the most confusing characters. She’s already dead by the beginning of the series, yet still plays an important role in the story. She’s the motivation for Yoshino and Mahiro’s actions and appears in numerous flashbacks. Her character is described in the anime as having a “horrible personality.” That’s not even the half of it. Her development at the tail end of the series hints at a facet of her personality that is far more barbaric, border lining on psychotic. The rest of the side characters are mostly just there for decoration. They are lively personalities to either spice things up or be used as a convenient plot device to move the story along.
Now don’t get me wrong, Zetsuen no Tempest is not wholly unwatchable. There is plenty of enjoyment to be had watching this series, especially during the first half. It’s just too bad that Bones screwed up the story and characters so hard during the second half that it irredeemably sours the entire series. The character’s motivations during the second half make little to no sense. And trying to piece together why the characters are doing what they’re doing gives way to the realization that these characters are acting like total idiots. The plot twist during the second half was also ridiculous, giving the viewer little justification for WHY things had to be this way. Not to mention the implausibility of the situation based purely on the rules set by the anime.
Zetsuen no Tempest is a great watch if you turn off your brain and just enjoy it for what it is: Your “only very slightly above average until the second half of the show” shonen anime. Anybody looking for anything more won’t get much enjoyment out of this anime. read more
How should I say this... This anime was one of the best that I've seen. Whenever I have nothing to watch, I would turn to Zetsuen no Tempest (Blast of the Tempest/ The Civilization Blaster). The ending was perfect, the story line was amazing, but the best of all were the characters.
Let me go into detail...
Story: The story was put together in a great yet questionable way. There were many parts of the anime that could be related to the famous works of Shakespeare. With plot twists that would leave you confused, the story was never boring. The twisted tale of love, hate, revenge and a touch of magic was most definitely satisfying especially how the ending wrapped up the entire story. I sincerely wish that they would make a sequel.
Art: The art was satisfying, it clearly showed details in the magic shields and barriers. They point that stood out the most for me were the eyes. The characters eyes showed their emotions so clearly that they sent shivers down my spine, how they would dull or brighten depending on the emotions being conveyed.
Sound: The music chosen for this anime was.... Fabulous. The violin solos with the varying volumes matched the pace of the show and the suspense in the best fashion. The opening and endings weren't boring and they definitely didn't reveal a lot about the story. The upbeat openings shows the action and the more aggressive emotions in the show whereas the slower themes in the endings portrays the more negative and deeper feelings.
Character: Gosh, all of the characters were so perfect. They each played a huge role in the story but I think I should be more specific. Takigawa Yoshino is my favorite character, he is so mysterious and he definitely is a major character. He is referred as Horatio in some parts of the anime. His tale of not being able to grieve for the one he loves is heart breaking, how he shows great deduction skills and how he seems so innocent is so twisted and yet it fits the story perfectly. Fuwa Mahiro is the rich and feared character. His feelings played a large role, I find his motives very amusing throughout the plot. Yoshino and Mahiro are very... different characters compared to the cliches that show up nowadays. When you expect them to do something, they do the complete opposite. But what scares and surprises me the most is the lack of response from the two of them, no matter what they can always appear calm.
Overall, I ranked this anime a 9/10. Although I would say that it's closer to a 9.5/10. XD
This is my first review, so I hope I did well...read more
If you ask the general public to name anyone associated with anime, they’re almost certain to name a certain director – Miyazaki Hayao. But for anime fans themselves, the director is a crucial component of anime success that’s too often overlooked.