Deadman Wonderland

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Alternative Titles

English: Deadman Wonderland

Synonyms: DEADMAN WONDERLAND

Japanese: デッドマン・ワンダーランド

Information

Type: TV

Episodes: 12

Status: Finished Airing

Aired: Apr 17, 2011 to Jul 3, 2011

Premiered: Spring 2011

Broadcast: Unknown

Producers: Kadokawa Shoten, Kadokawa Pictures Japan, KlockWorx, AMG MUSIC

Licensors: Funimation

Studios: Manglobe

Source: Manga

Genres: Action, Sci-Fi, Horror, Shounen

Duration: 24 min. per ep.

Rating: R - 17+ (violence & profanity)

Statistics

Score: 7.39¹ (scored by 386,033 users)

¹ indicates a weighted score. Please note that 'Not yet aired' titles are excluded.

Ranked: #2080²

² based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.

Popularity: #55

Members: 661,418

Favorites: 5,232

7.39

Ranked #2080Popularity #55Members 661,418

Spring 2011TVManglobe

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Episodes: /12

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PV July 2011 version

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Synopsis

It looked like it would be a normal day for Ganta Igarashi and his classmates—they were preparing to go on a class field trip to a certain prison amusement park called Deadman Wonderland, where the convicts perform dangerous acts for the onlookers' amusement. However, Ganta's life is quickly turned upside down when his whole class gets massacred by a mysterious man in red. Framed for the incident and sentenced to death, Ganta is sent to the very jail he was supposed to visit.

But Ganta's nightmare is only just beginning.

The young protagonist is thrown into a world of sadistic inmates and enigmatic powers, to live in constant fear of the lethal collar placed around his neck that is slowed only by winning in the prison's deathly games. Ganta must bet his life to survive in a ruthless place where it isn't always easy to tell friend from foe, all while trying to find the mysterious "Red Man" and clear his name, in Deadman Wonderland.

[Written by MAL Rewrite]

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Background

Deadman Wonderland adapts the first 5 volumes of Kazuma Kondou's and Jinsei Kataoka's manga series of the same name. Some characters from the manga were not featured in the anime, notably the then minor character Azami Midou and the gay crossdressing character Masaru Sukegawa.

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Related Anime

Adaptation:	Deadman Wonderland
Side story:	Deadman Wonderland: Akai Knife Tsukai

More characters
Characters & Voice Actors

Shiro

Main

Hanazawa, Kana
Japanese

Igarashi, Ganta

Main

Park, Romi
Japanese

Senji, Kiyomasa

Supporting

Katou, Masayuki
Japanese

Sakigami, Toto

Supporting

Sawashiro, Miyuki
Japanese

Takami, Minatsuki

Supporting

Nomizu, Iori
Japanese

Azuma, Genkaku

Supporting

Morikawa, Toshiyuki
Japanese

Kengamine, Nagi

Supporting

Ono, Daisuke
Japanese

Makina Flügel, Kiwako

Supporting

Honda, Takako
Japanese

Takami, You

Supporting

Kaji, Yuki
Japanese

Koshio, Karako

Supporting

Itou, Kumiko
Japanese

More staff
Staff

Kouchiyama, Takashi

Producer

Kobayashi, Shinichirou

Producer

Hatsumi, Kouichi

Director

Iwanami, Yoshikazu

Sound Director

Edit Opening Theme

"One Reason" by DWB feat.fade

Edit Ending Theme

"SHINY SHINY" by NIRGILIS

More reviewsReviews

Aug 6, 2011

12 of 12 episodes seen

Overall Rating: 6

Archaeon (All reviews)

653 people found this review helpful

Strange things can happen to a person when they're in prison so the general rules of thumb are to keep a low profile, stay out of the way of other people, and avoid dropping the soap in the shower. For the inmates of Japan's only privately owned prison (which for some reason is run as a theme park and is built on Ground Zero of the Great Tokyo Earthquake), the ablutive antics of their fellow "guests" are the least of their worries, especially when the warden takes the term "punishment game" to a whole new level. The stage is set. The "Running Man" style collars read more

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Dec 24, 2011

12 of 12 episodes seen

Overall Rating: 3

5camp (All reviews)

283 people found this review helpful

There was a trend back in the Good Old Days of anime (as in you only thought they were Good because you weren't Old enough to know any better) of hyper violent OVAs. Deadman Wonderland feels like a tread back to those days. It has the over-exaggerated violence, the ridiculous amounts of blood, the awkwardly crowbarred in sexiness and, most noticeably of all, it’s utterly shit.

Time has changed a few little aspects though. The OVA market of old has turned into the late night 12 episode anime series of today. This means it has more space to tell a coherent and fulfilling story, a capability which Deadman Wonderland approaches by totally ignoring it. 12 episodes are enough to tell a neat story with a beginning, middle and end. It gets the beginning right, tossing our protagonist into a scenario in which society have become so totally ignorant of the prison sector, so that even when hell is being created right in front of their eyes, they think it’s an elaborate piece of CGI.

However, upon reaching the 'middle' segment, Deadman Wonderland tosses that whole story aside and becomes about super powers. Instead of developing the characters introduced in the beginning, it decides to quadruple the size of the cast, each and every single one having a hastily constructed backstory introduced right in the middle of a fight to the death that ends up having either little or no relevance to the actual battle happening in the present day. Neither does Deadman Wonderland get the 'end' part right either. This is partly due to the fact this is an ongoing manga, but plenty of other adaptations of ongoing manga have managed to construct some sort of conclusion in their respective stories. Usually this is in the form of the main character growing and learning something (see Arakawa, Spice and Wolf or Genshiken), which Deadman Wonderland tries to do, but royally cocks up because the main character has fuck all personality.

Yes, this is something else that comes with modernity. Instead of the macho men that spout 'witty' quips like they're in an American first person shooter game (that is, when they ever talk at all), Deadman Wonderland sports a bland spineless teenage boy as its main character. To be fair to Ganta, he does actually do something other than make reaction noises while other characters monologue exposition at him, as is the trend in certain other modern day anime. He reacts to situations by either whining, crying or sobbing. It really isn't much of a personality, as any bland male would react to the cartoonish level of hell that exists in that prison in a similar fashion, and he really has nothing beyond that. There is chance for him to grow into a hero, and Deadman Wonderland tried to do that. Other characters would spout lines as to how much he's grown a spine and standing up for himself, but I failed to see that myself. He started off as a crybaby who could shoot off magical blood bullets when he felt threatened. By the end, he was a crybaby who shot off magical blood bullets when he felt threatened, except this time he could shoot off his magical blood bullets even faster than before. That's not character development! That's like saying a character has developed because he is now slightly better at picking his nose.

Another thing the late night 12 episode anime has changed from the hyper violent OVAs of old is, now that they're on TV, they need to be censored. I can't really criticise Deadman Wonderland for this though, which is a shame because it's a really easy target. The gun that shot black balls of censorship through people’s chests was one of the most unintentionally hilarious things I've seen all year. But if you were to watch the dvd release, the censorship would (presumably) be removed. It would be like criticising it for the screen being upside down because you watched it while standing on your head. It's not the anime's fault you watched it that way. But the fact that it needed the level of censorship it has tells us how much blood and gore there is. Often the gore has no point other than to show how sadistic the anime is. It's really just repulsive and juvenile, like a child who tries to show everyone what a big man he is by killing the class rabbit.

Deadman Wonderland is like a modern day MD Geist. It's aggressively stupid and only appeals to those teenagers and manchildren who think sheer bloody mindedness is what is required to make something cool. People might defend this by saying a hyper violent anime is preferable to the insipid harem moe nonsense of the modern era, which is a load of cowpat. They are both as brainless as each other, just appealing to different sorts of immature mindsets. If you gave me a choice between Deadman Wonderland or, say, Fortune Arterial, I'd instead choose repeatedly slamming my fingers in a car door.

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Jul 9, 2011

12 of 12 episodes seen

Overall Rating: 8

Meh_93 (All reviews)

246 people found this review helpful

I'm writing this review because a lot of the current reviews are complaining about the story being to short and some characters not getting enough screen time. Obviously, not everything is going to be resolved at the end of the anime because the manga has 45 chapters and the anime is only 12 episodes. That being said, I think the anime did a pretty good job in adapting the manga and you should read the manga after (or before) watching the anime.

Story - (8)

As you know, Deadman Wonderland is about Ganta, a boy who is framed for the murder of his friends and sent read more

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Jul 11, 2014

12 of 12 episodes seen

Overall Rating: 6

Kakikesu (All reviews)

223 people found this review helpful

Hold up your hand if you've heard this story premise before.

Naive, innocent and painfully average teenage boy is thrown into a violent game of life-or-death, having no choice in the matter. He is forced to fight, and discovers he has a mysterious, hidden power. Over the course of the show, he learns to control that power.

You can put your hand down now.

While the story to Deadman Wonderland is, of course, not going to be winning any awards, it still does make an attempt at telling it. The entirety of the plot revolves around the many characters in the infamous Deadman Wonderland prison, a place where you can trust no-one, where death roams around every corner and ironically, where the people are very boring. If I had a dollar for every character in this show with a tacked-on, forced, and extremely underdeveloped back-story, I would have enough cash to supply the pen and paper to write better ones. Even Senji Kiyomasa (The Crow), a character that got an entire OVA post-season, feels underdeveloped. I do not care for any of these people, and most importantly, don't like these people. It's amazing that a series like this with such a long list of characters manages to fail to capture my interest. I recommend that you tune in for the fights and the plot developments, and tune out during the back-story segments.

The first episode starts off like an episode of the 1990's American television show, Goosebumps. A generic high school boy named Ganta is thrown into an absurd, nightmare-esque situation where every person in his class is killed violently in a mass murder by a figure affectionately nicknamed by him as ''The Red Man''. Being the only survivor, the police officers and detectives put their brilliant minds together to come to the conclusion that Ganta killed everyone, based on the evidence of being the only person found alive. Terrific. The only apparent evidence suggesting he did it is a 30 second recording of him laughing off the murders as nothing. This hardly believable work of CGI is the only piece linking him to the murderer, and suddenly, it's off to prison, on a death sentence. Super.

Once there, he learns of the dark secret behind the prison. Morals go out the window as Ganta is forced to participate in childish games to survive. Apparently this is still an episode of Goosebumps. He forms a close friendship with a creepy, pale girl named Rei, uh, I mean Shiro. Stuff happens. People die. Shinji, no... Ganta does a complete 180° in character development, and by the finale of the season, he is back to a snivelling, pathetic mess. We are introduced to characters who get killed off episodes later, with no back-story. At all. The show is an under-cooked mess, and as for the ending, disappointing.

The art was handled by Manglobe, the animators for The World God Only Knows, and Samurai Champloo. The art style is very reminiscent of their work on Ergo Proxy. Nothing to write home about, but it gets the job done. The animation in the opening, especially some of Shiro's segments, is pretty neat. The art is uncomfortably inconsistent, often very lazy during the dialogue and slower scenes, and well done during the action scenes. At least it's not the other way around.

The sound is nothing special. Overused, cliché blood splatters and other shock-value sound effects are rife throughout the season. The opening song is a very cheesy and teenage hard rock number, which ultimately got on my nerves on the mere second viewing. The closing however, is something else. A gorgeous song that invokes some powerful and melancholy emotions about life before Ganta was forced into the prison. The background music throughout the series is fairly forgettable, excepting a bittersweet piano melody that I heard often during the slower scenes. Regardless of that, nothing outstanding.

Overall, if you desire to watch it, watch it. It's an incredibly average story, with many flat, bland characters (excluding Shiro, the only character in the entire season who I was genuinely infatuated with. She is very reminiscent of Lucy from Elfen Lied). Don't take this show seriously. It's zany, heavily-stylised, nonsensical and very gory. It relies on basic shock-value and gross-out moments to capture the audience's attention, but ultimately, comes across as childish and edgy. They are a few moments that made me smile, though. Just know, if you're not planning to watch it, you're not missing out on anything special. If you did enjoy it, hope you like waiting for season two. It's either that or the manga.

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