Status: Finished Airing
Aired: Not available
L represents licensing company
Score: 8.781 (scored by 36 users)
1 This score is not weighted
adventure drama fantasy supernatural
SynopsisPrepare yourself for another 9001 action-packed episodes oozing with epicness!
Characters & Voice Actors
"Mushishi" is an episodic anime that has only one main character~ Ginko. Ginko's purpose is to travel from town to town, researching a phenomenon called "mushi" and their effects on humanity. He also helps the different villages deal with any mushi "problems" they may encounter.
This is the SINGLE MOST beautiful and original story I have ever seen, both inside and outside the anime community. The concept of "mushi"~ an entity that is neither human, plant, or animal, that affects the daily lives of humans is intelligent and thought-provoking. How Ginko deals with these phenomenon, whether he is just researching or "treating" them is even more compelling. Mushishi's stories have great life lessons hidden within them, and they are brought to life beautifully.
Beautiful. Gorgeous. Breath-taking. What else is there to say? The scenery art for this series is some of the best I have ever seen. My only complaints about the artwork in this series, is the character art (other than Ginko's). The different characters who appear episode after episode seem to be drawn identically, but just with new clothes and a name tacked on to differentiate them from the last episode. However, this is easily over-looked because of the characters themselves (which will be discussed later.)
Well, I'm afraid my review will fall short here. I'm afraid sound is not usually something I really pay attention to, typically. I will say, however, that the OP song is one of my favorites (if not my favorite) among all anime I have seen. Yes, it may be my age saying this, but it is reminiscent of the old 70's folk music that I love so much. It really is a beautiful song. I'm giving the sound a 10, though, based on this song, and the music I did notice through the series, which was quite appropriate for the scenes.
Aaaaaahhhh... the BEST part of the series. Ginko... Ginko... well, he's just awesome. Sometimes he may come across as one of your old "monotone" teachers/professors, but you get the feeling that he truly LOVES what he does, and the interest he has in researching the mushi is undeniable. The way he sees mushi as neither "evil or good" ... they "just exist, like we do" is a testament to his character. Another great thing about this series is the episodic characters. Other than Ginko (and a doctor that shows up in 3 episodes), all characters are only present for 1 episode. But as someone states in the forums, you come to care MORE about some of these 1 episode characters than you do for some recurring characters in other 26+ epi series.
Well, if it isn't obvious by now, I enjoyed/am enjoying this series immensely. I was not sure if I could enjoy an episodic anime with new characters introduced each episode, but I was pleasantly surprised. This series has become quite endearing to me, and has taken it's spot as my #1 favorite series of all time. All of the different aspects of this series, good as they are, individually, combine to make one hell of an awesome and original series.
The verdict... (as if it wasn't obvious)... 10/10. This is definitely a series worth watching, and definitely one of THE MOST UNDERRATED anime series out there. Please enjoy it, soon... and let's all spread the Mushishi <3. :3 read more
In spirit, at least, each episode of Mushishi strongly reminds me of one thing: A cave painting. A depiction of man and the outside world, brief and primal but perfectly expressive, radiating mysticism, perhaps possessed of more meaning than it initially appears to have.
From minute one, Mushishi's representation of a vast world grabs the eye and doesn't let go. Lush forests with dew dripping from every leaf; barren winter mountains peppered with stubborn snow-covered trees; an innocuous pond with lilies on the surface of the still water. The series roams from setting to setting, and all are presented with a lifelike attention to detail. The color palette is richly varied, reaching from the brilliant emerald of vegetation to the deep turquoise of the sea to the dusky red of a far-off sunset. Lighting is used to strong effect, whether it's beams of sun streaming through layers of foliage and mist or a candle's flame struggling to brighten a dark old house.
And within those habitats, the mushi themselves, creatively rendered as a strange mix of the familiar and the utterly alien—like shapeless blobs propelled by twitching motions, like phosphorescent insects scuttling along the earth, like great legless serpents twisting skyward. Some take the shape of a natural phenomenon, and the sight of a living rainbow exploding from the earth, or a long-restrained cloud breaking free, expanding and floating away, is bound to impress. The animation on the whole is excellent, but the mushi in particular seem to move with a vivid otherworldly fluidity. At least part of Mushishi is about making sense of the mysterious, bringing reason to something that seems unreasonable, and the designs of the mushi add some believability to this; it's quite easy to see how they could be thought of as ghosts, beasts, or legends, able to inspire both wonder and fear. The tranquility of the environments is consistently impressive in a low-key way, but the spectacle of the mushi can be eerie, majestic, and everything in between.
Sound is part of atmosphere, and in the same way that cold urban horrors might use reverberations in dark alleys or the foreboding thrumming of electronics, Mushishi might use a chorus of insects or the roar of drifting snow to surround us, allowing the setting to speak its piece. The music is minimal but startlingly effective, in many cases fitting easily alongside and even seeming to mimic the voices of the earth. Slow piano notes overlap with rhythmic footsteps, a woodwind's sad screams resemble those of a forlorn bird. So, too, can the score sound almost unearthly, with an ominous progression of bells and chimes sometimes underscoring a haunting ending or signaling the arrival of the mushi. The result is an immersive ambiance where visuals and sound alone can convey dark, brooding tension or innocent curiosity with equal ease. It isn't just pretty, it's totally engrossing, exuding pure atmospheric mastery in almost every scene.
Through this vast world walks Ginko, revenant of revenants, our looking glass. Perceptive of the nature of human and mushi alike, he uses words as careful and deliberate as his journeying stride to become the voice of reason and, with an air of serene confidence, impart his knowledge to others. To become a witness to needless death, a bearer of bad news, or a participant in deception is sometimes part of his job description. As an admirer of life and truth, he cares for none of these tasks, but he'll defy his own nature and undertake them with solemn dedication if he feels that it's necessary. He is wise, but not infallibly so. Nor is he a complete stoic; outbursts of childlike wonder at incredible sights, sarcastic retorts to smart-mouthed travelers, and emotion-laden shouts of panic and warning to his fellow humans all show him as a little more than just the nonchalant white-haired sage. His development, in the traditional sense, is sparse, but he is afforded a poignant backstory that makes him and his thought process a little less of an enigma.
Of course, Mushishi gently pushes a picture of a sprawling and intricate world where all beings affect each other in ways both seen and unseen, their actions rippling outward in ever-widening circles, and in that sense, Ginko as a character is no different than any other living thing in the show, simultaneously of little and great consequence. He may be our guide, cursed and blessed to ceaselessly wander, but the world doesn't turn for him. Rather, it's in what he represents that we might find significance: The quest for knowledge, the insatiable desire to understand even while knowing that the sheer body of things in existence prevents total understanding. The need to capture the meaning of what surrounds us, spread our wisdom responsibly, and use it to form calculated reactions to the world instead of rash judgments. He truly is that silver fish swimming endlessly through dark water, opalescent barbels probing fathomless black crevices, illuminating them, if only for a brief moment. Much of Mushishi's strength lies in the ability to provoke thought without direct questions, to let an image serve as subtext, and Ginko himself represents an impressively seamless merging of humanity and idea.
Mushishi is episodic, not bound by an overarching plot. It is a series of self-contained stories which vary in theme, but are always skillfully crafted. Most episodes consist of human drama, based on relatable and familiar emotions, infused with an element of the natural world. The episodic format delivers powerful and gripping tales in an extremely brief timetable, a feat which I have no problem appreciating. The scenarios are original, and the writing is rich with little subtleties and metaphors, but each episode can be understood and appreciated as successful story even if you've no desire to peer into them deeply. View Mushishi as a progression of intelligent parables full of interesting ideas, or as a bunch of moving and affecting tales; much to its credit, it is both.
Part of what makes Mushishi work is its steadfast refusal to portray anything in terms as simple as “good” or “evil.” Stories where barbaric man stupidly abuses mother nature, or where nature is a hate-filled monster that comes from the hills to eat scared little man, are a dime a dozen, and while they might pass as entertainment, they often fail to say anything worth saying because they handle man and earth as if they're combatants in a holy war. Mushishi is not so black and white, and it has an idea that scales much better. The mushi are not red-toothed animals seeking to kill in droves. The humans are not greedy savages bent on scorching the earth. Both are just beings, trying to survive in the same place and at the same time. That they will cross paths, have conflicting interests, use each other, and hurt each other is inevitable; such is survival. Each episode is one meeting of mushi and human, one miniscule butting of heads in a massive world, with the implication being that this is simply what happens, everywhere. Instead of vilifying humans or portraying nature as a vengeful power, Mushishi whispers: This is just the way things are. It does give us a small shove by implying that, as the ones with the ability to reason and understand, the responsibility for mitigating the damage that humans inflict (and the damage that humans receive) falls on the humans, but it never degenerates into the preachy heavy-handedness or gross oversimplifications that plague many works with similar themes.
It's that theme which allows Mushishi to navigate the spectrum of human emotion. Conflict in its world does not arise from moral failings or piggish greed, only from a lack of understanding, and understanding is a sword with many edges. Ask the child who learns of death, or the old man who learns of life. Sometimes the knowledge you gain is liberating, sometimes it's disheartening, sometimes it's terrifying. Mushishi can be all of those words and more, but even when it strays to one extreme, it never loses its humanity, its worldliness, or its feeling of being completely natural. Just as it can depict the warm orange rays of the sun and the cold white howl of the snow, it can depict innocent wonder and violent loss, and with equal sincerity. It has balance, and then some.
As a caveat, I will say that this is the kind of series that practically begs me to use the phrase “not for everyone.” It's dialogue-heavy, more about the thought leading up to action than the action itself; it keeps the big guns of its visual spectacle on a tight leash, letting them explode only after a suitable buildup to assure the maximum payoff; it doesn't have the conventional storytelling satisfaction of explicitly coming full circle, instead simply tapering off and fading quietly, as episodic series sometimes do. A few episodes will likely be enough to inform you of whether or not it's to your tastes, and I've no doubt that many have labeled (and will continue to label) it as simply “boring.” I understand the origin of this opinion, but I just can't share it, because Mushishi is strangely beautiful and intensely fascinating on several levels. Imbibe it a little at a time like a fine liquor, or dive deeply into it and become drunk on its atmosphere, intrigue, and insights. In my experience, neither disappoints. read more
These are both episodic anime that center around someone who travels from town to town and they usually wind up helping someone through a difficult situation at each stop. While Kino's purpose is only to travel and to see different countries, Ginko's is to find and research "Mushi." Both stories have beautiful animation and offer up "life lessons." Although these lessons may be a little easier to see in Kino's Journey, they're there in Mushishi, as well. Enjoy ^_^
One story per episode, with each episode not having much action in but still has something special about them.
Both of these shows focus on a traveler and the people they meet along the way. In Kino's case, she's simply a traveler with no set destination. For Ginko in Mushishi, he goes around to many different places and helps those who have been effected by 'mushi', which is also his job.
They also both share the same thinking-based mature atmosphere as well, sometimes even delving deep into the way the mind works and peoples own effects on the things around them.
These two rather slow, yet extremely interesting, shows are very alike and if you liked one of them you should definitely check out the other.
Both animes are very philosophical. Both tell the stories of two travelers, what pushed them to travel and what happens during their journey.
With each episode being an incident from their journey.
both are very philosophical and, for the most part, bloodless. . .two highly entertaining series that are great to watch when you want to wind down for the day. . .
Both tell the life of a traveller who don't stay for very long on the same place.
Mushishi tends to the supernatural genre while Kino no tabi is just a fantasy genre. The main thing they have in common is that both have really deep stories and don't tend to the comedic spot.
I see so many similarities, I don't know where to begin. Both Ginko and Kino are force to give up there past lives due to something happening in their early childhood, and thus travel around the world. While Kino learns about the cultures of different places in her travels, Ginko's journey is more of one to help others affected by the mushi. Either way, both have episodal storylines. Though frankly I found myself enjoying Kino's journey more, there's no way one wouldn't enjoy both in the same way.
Bothe animes have a separate story for each episode. Both are very deep, and focus on making the audience think. Both are quite good.
Story per episode, not much action, both about forced journey which was started because of some accident, similar beautiful animations, both almost bloodless. If you love one of them you'll love another one for sure.
Both series are episodic, and tied together by the travels of their protagonists. Still, they both hold together very well and have solid pacing. The two anime also frequently have a mythological or philosophical vibe to their stories. The main difference is that Kino has a more surreal kind of setting, while Mushishi's is more traditionally Japanese.
Episodic, sometimes philosophical about life
They both have a similar story telling method where tales of the unusual come into everyday life. Must see if you're a fan of either series!
Episodic series about a perpetually travelling protagonist who moves from one locale to another and becomes involved with its denizens on a regular basis. They both have a fairly laidback pace, and the rather stoic yet softhearted nature of both protagonists begs further comparison. Although Kino focuses more on the travelling and Kino herself while Mushishi brings more attention to the mushi and patients being treated, the similarities are very hard to miss.
Both laid back atmosphere until you get to near end of each episode leaving you to think. Both protagonists are travelers who left their formal selves as their price to where they are currently.
Episodic anime, very cerebral, not much action but very, very entertaining. It's philosophical, poignant, and beautiful. One of the best shows I have ever watched.
Both have a very calming feel to it and short one episode story lines and both involve traveling to different countries, but don't let that deceive you, each episode is filled with an amazing story and is concluded with an unexpected/philosophical twist that is bound to amaze you. Also the main characters are very similar in their passiveness(or sense of indifference) as well as their inability to settle down in one place.
Both are episodic series involving a traveling protagonist that helps out the people that they come across. They both also have a very similar feeling and style to the other.
Episodic nature with a detached main character, that functions more as a narrator or plot device, than a protagonist.
Let me start off by saying that these two are both very excellent series in my opinion. Kino's Journey and Mushi-shi possess a certain quality that draws you into their own world. Kino's Journey gives the feel of being in a slightly dark fairytale, whereas Mushi-shi draws you into what seems like a world of mythology and folklore. I strongly recommend either of these series to anyone who is interested in a story book feel to their anime.
They both have a similar vibe of unsteady peace and they both follow the lives of people who travel far. They both focus on the observation of aspects of life (Kino's journey is more moral and mental while Mushishi is more physical and natural)
They are also both very earie and inspirational. Highly suggested!
The step up of the both animes are similar, each episode (or short arc) is it's own story and one does not need to watch them in any particular order to understand them (though I think that is the better course). The reason this is possible is because both main characters are travelers who do not take on any new companions for the duration of both series. Their histories are a mystery and little bits of both are revealed slowly in certain episodes. In addition I feel both have interesting and unique little stories for each episode that seem to have a deeper meaning and come off quite philosophic, though you don't really need to think this way in order to enjoy them. If you liked the idea, plot, characters, stories, or everything about one of these animes I am fairly sure you will love the other.
Both anime's stories are episodic with each story arc usually contained to just one episode. In each anime the main character travels around to various towns and cities to observe what's going on and usually lending a helping hand to the residents.
Both have a stand alone episode plot structure. Both have protagonists who have very good reasons for traveling. And both acquire memorable experiences wherever they go.
Kino is more apethetic and distant. Ginko helps any and every.
Both are slow-paced and profound series, with own separate story in each episode. The protagonists are also very similiar: they are not good or bad, they are just observers.
These two anime are resembling because of putting more attention to philosophical ideas than to bright actions.
Both shows are about travelers who go ttown to town meeting new people and solving problems or getting a new meaning in life.
The same idea of a non-ending journey, a world and rythm like poetry.
traveler, very unique towns, no antagonist. Mushishi and Kino no Tabi somehow taught me a side of human nature that seemingly indescribable.
They're both episodic anime that center around someone who travels from town to town and they usually wind up helping someone through situations at each stop. Both stories have beautiful animation and offer up "life lessons."
Both animes are slow paced and thought-provoking, episodical in structure and green in look and feel, still, with some drastic shots here and there. Maybe Mushishi is more 'supernatural' whereas Kino no Tabi gets more comical. Both travelling protagonists seem to be fine with solitude, yet accompanied all the time.
Both are about a journey, leading to a path of greater enlightenment. Whether it's understanding the meaning of life or just understanding oneself a little better, both tackle philosophical problems of existence and morality while trying to grasp our own place in the world.
Both anime are about a person who travels the world. Mushishi focuses more on beautiful storytelling, whilst Kino no Tabi is more about philosophical hypothesis.
It is not close but this is the closest i can get.
Both anime series seems to have a lesson behind every episode.
Both are beautifully serene and go along at a soft pace. In each, though the episodes may follow an overarching theme and central characters, they are individual stories rather than part of one continuous plot-line.
In Kino no Tabi we have a calm composed protagonist that travels the world seeing many strange and wonderful things. No matter what her feelings on a matter might be Kino never gets more involved than she has to and refuses to settle down, always traveling.
Mushishi has the same sort of formula with the composed traveler protagonist. However, Ginko cannot settle down due to extrenuating circumstances, also Ginko travels as an expert on a subject and therefor keeps a proffesional distance from his subjects.
The real reason someone who enjoyed Kino no Tabi would enjoy Mushishi is that you somehow experience these two shows in the same way, they both have that certain something that keeps you locked in. Also the animation is beautiful and the places interesting.
Both have the main character traveling across lands with unique short stories that are highly philosophical.
Both series are episodic and are at their core masterful examinations of culture, philosophy & human spirit. Though they have their noticeable and sometimes profound differences, where Mushi-shi has a far more supernatural sentiment that is a reflection of a cultural spiritual identity, and Kino's Journey has a far more down-to-earth approach enlightening an observation of humanities faults and attributing a very real embodiment of human nature.
Both are execelentes Oran series that make you think about life.
Both has the same plot element about the main character travelling to different places and witnessing a problem.
Mushishi deals with spirit-like creatures whereas Kino's journey deals with people.
Both are also episodic (one episode = one story).
Both of these give off the same feeling,make every episode a new story, and are part of one big adventure. Most likely, you would like one if you like the other.
Both shows have a similar feeling and are existential. They explore human nature and philosophical aspects of life, death, and living in general. Great life lessons can be scooped from both shows.
These episodic shows follow travelers and tell the stories of their encounters. Some of the tales told are remarkably similar as well: the origin of a name, the mountain's fire. The characters embody the mindset of a traveler: do not disrupt the flow.
Mushishi and Kino no Tabi are very similar to each other in many ways. The two series protagonists, at the very least, lead similar lives. Both are travelers. Both are detached, unbiased, and unprejudiced. Both also seem content to observe their world rather than preach to it. More broadly, both series use episodic plots to tell fables that are both thought provoking and emotionally resonant.
Both of the main characters can see spirits. Both series are episodic, they can be watched in almost any order. Both have a lot of drama packed into these short stories.
Deals with the supernatural and very episodic. Has the same calm, bittersweet atmosphere at the end.
Though the two have their differences, both are about a main character who can see something others can't, and strives to help them. Also, both stories have a certain almost laid-back atmosphere to them. Natsume Yuujinchou, however, has more of a plot than Mushishi, as well as supporting characters that stay for more than one episode.
If you liked Mushishi I believe you'll most definitely enjoy Natsume Yuujinchou. :) I could see similarities right off the bat, in how they both deal with spirits or other supernatural creatures. Both main characters have a sense of compassion when interacting with these entities, and often will try to find the least violent method of solution. Also, both series are episodic, yet it's a style that suits them well. The day-to-day solving of problems has a relaxing sort of mood in both series, and I think they complement each other nicely.
natsume yuujinchou is a watered-down cross between xxxholic and mushishi
Both deal with things that can only be seem by few people. Both have the main character helping someone in which only they could provide assistance. Each episode is about a different spirit/mushi.
Spirits are all around us, but only some have the gift to see them. Both series are somewhat episodic, revolving around human interactions with spirits, as well as with each other.
Both are calm, slice-of-life-ish series that deal with the supernatural (youkai/mushi) in one- or two-episode arcs and have protagonists who are quiet and standoffish as a result of their abilities to deal with the supernatural.
They both have a similar theme.
Although not similar in the aspect of Japanese Youkai, Mushishi still has good Japanese environments and the obvious feature of spirits that can only seen by certain people. Not many blatant parallels can be made between the two, though there's a high chance that anyone who likes Natsume Yuujin-Chou will like Mushishi.
If you liked Mushishi, you'll probably like Natsume Yuujinchou too. Each episode is a seperate story, and involves with spirits. The artwork of both of the series are soft colors and a pleasure to watch. Mushishi uses earthtones and Natsume Yuujinchou soft pastels though.
Both wonderfully soothing atmospheric slice-of-life series involving male protagonists with the uncommon ability to see spirits. In the course of these episodic stories, we learn that these spirits are neither good nor evil, that they simply exist - a message both shows seem to reinforce. Mushishi tends to be more dramatic, whereas Natsume Yuujinchou carries more of a comedic touch.
You'll surely notice since first episode how much those two anime are very similar to eachother.
- Main character: a quiet, good and mature guy (Natsume and Ginko) which has to deal in his own way with spirits/mushi. They both care abouth the spirits and always tried to do everything to help them and not let people thinking that they are to be considered as "evil".
- Atmosphere: colors, art, music, design will let you fully love the litterally pureness of those anime. The atmosphere is very calm and "delicated".
Personally i think that both, Mushishi and Natsume Yuujinchou, are two masterpieces which you can't miss to watch, especially if you already enjoyed one of the two!
Both anime have a calming atmosphere and tells the story of someone with a special ability as they learn to live with the supernatural.
Except for the basic plot: odd things that only some people can see but still can affect many, the main characters are extemely siimilar. They are both easy-going, adorable guys that will try to do whats best depending on the situation rather than some idea that all unknown creatures are evil and needs to be exterminated.
Both series are slow paced, and are focused on youkai, with standalone episodes. Natsume yuujinchou is lighter than Mushishi though.
Beautiful episodic tales surrounding the interaction between spirits and humans with a single mature and introspective male protagonist holding the thread between episodes.
Mushishi focuses more on japanesse folklore tales in a rural fudal setting and its more moral driven, whetheras Nastume Yuujinchou is more quaint and simple, following a school boy and his spirit relationships.
Mushihi's drama is more than Natsume Yuujinchou even though both they relax u a lot :) Both anime's story about a guy who wanna help ghosts ( it's name change anime to anime like Yokai & Mushi ) and humans. So they are similar in many ways :)
Both anime are episodic and supernatural. They have a relaxing atmosphere. Though the protagonists are different, they are both able to see things that normal people can't see, mushi/spirits.
Natsume yuujinchou's story have a similiarity to mushishi.. it all about japanesse mystery story..
Both stories follow the main character, who can see strange things. Both series have the same atmosphere, though Mishishi seems to be a more mature. Both stories are warm, affecting and a little bit bittersweet.
Calm, episodic anime with supernatural aspects.
BOth anime somehow tackles the supernatural side (mushi and yokai) meeting new pwoplw along the way of their journey. Slow in pace but has lessons to give in ife.
These dramas share a slow, easy pace that really allows them to develop a nice atmosphere. Watching these shows leaves me feeling peaceful and calm.
They are both episodic. Nastume Yuujinchou centers around the main character meeting and helping a different spirit each episode. Mushishi is similar, having the main character meet and help someone with a spirit related problem each episode.
The setting is famiiar - both main heroes can see otherwordly creatures, the atmosphere is quite the same too, although theese animes still leave different impressions.
Mushishi and Natsume Yuujinchou both have many similarities. The main characters of shows are the only people that can see spirits. The MC's want to help the people and spirits throughout the series. There isn't much of a plot in both the shows but each episode is very emotional and dramatic.
Both series have an episodic nature and are slow-paced with their stories. The story of both series focuses on dealing with the problems of individual people. In Natsume Yuujinjou this is done through the Book of Friends while in Mushishi it is the mushi that inhabit people. Both series have a large deal of emotions involved and also a large amount of moral questions are raised.
Both series gives off a similar feeling in which the main protagonist is able to see supernatural beings where normal people cannot.
Although lacking a direct story line, both series has very interesting concepts and ideas that tells a different story each episode. The episodes themselves are lighthearted and has a relaxing feeling to them. The way these two series tell their stories in a surreal and unique presentation.
There are spirits involved in both series as we take a glimpse into how they behave around human beings and specifically the main protagonist. Although slow paced, the exploration of the many ideas are quite insightful to watch.
both are relaxing anime in which the main character empathizes with other characters who they meet and try to help them. main character in both anime can see things that not many other people can (mushi/youkai)
As many other people point out, this is as close to Mushishi as you can get. Both deal with Youkai/Ayakashi and are (mostly) episodic in nature, meaning there isn't necessarily a set overall plot, but a series of situations/problems where the entire story of it is contained in one episode, which Mushishi absolutely nailed. Natsume is definitely more heart-warming and emotional than Mushishi, but both will leave your heart tingling.
Both main characters can see things that normal people can't, spirits. Witch a calm and peaceful feel to it, both main characters encounter both good and bad spirits, and helping those in need. Both main characters are pretty quiet, and are the loner type. When they were children, the were thought of a freaks for seeing things no one else could see. After meeting different kinds of spirits their outlook about them and life changes. Both animes are episodic, with both good, sad, and bittersweet endings.
Both was able to features Japanese Folklore so well and interesting
Both have to do with spiritual creatures called "yokai". Both are very beautiful and imaginative anime. Highly recommend watching
Mushishi bears a certain spiritual kinship with Natsume Yuujinshou. I think of it as a more austere, reflective cousin but in truth, Mushishi can't really be compared to anything else. The main character deals with the supernatural, stories are told through an episodic format and lastly the serene and mystical atmosphere are some of the similarities between the two. The experience you get from these series don't come along very often, one of a kind.
Both are series in which ghosts or spirits exist and only certain people can see them. They are both extremely relaxing to watch, the sort of thing you'd watch an episode of before you go to sleep to give yourself a nice dream. Although Mushishi occasionally has unhappy endings and has a more wistful and dreamy atmosphere compared to Natsume Yujinchou's "smiley sunny everyone's friends lets help each other out and be happy" kind of atmosphere in which comedy is occasionally added. In my opinion occasional unhappy endings are a good thing as it adds variety, and I guess it suits the feel of the anime so don't immediately cross Mushishi out. Most of the time each episode has it's own plot line, and one arc rarely continues for more than an episode's length. In this case that also adds to the relaxing effect because you don't have to follow an intricate story line. I personally find the most relaxing animes the ones where you don't have to think. Anyway, both animes are brilliant, personally I prefered Mushishi just because I like the strange lovecraft sort of atmospheres and the protagonist is pretty interesting, unlike your generic anime hero...
main characters of these series are able to see spirits and go around solving problems. the two anime is also episodic which is smoothing and relaxing. japanese folklore
Opening Theme"The Sore Feet Song" by Ally Kerr
Ending Theme#01: "Midori no Za" (緑の座) by Masuda Toshio (ep 1)
#02: "Mabuta no Hikari" (瞼の光) by Masuda Toshio (ep 2)
#03: "Yawarakai Kaku" (柔らかい角) by Masuda Toshio (ep 3)
#04: "Makura Kouji" (枕小路 ) by Masuda Toshio (ep 4)
#05: "Tabi wo Suru Numa" (旅をする沼) by Masuda Toshio (ep 5)
#06: "Tsuyu wo Suu Mure" (露を吸う群れ) by Masuda Toshio (ep 6)more
#07: "Ame ga Kuru Niji ga Tatsu" (雨がくる虹がたつ) by Masuda Toshio (ep 7)
#08: "Unasaka Yori" (海境より) by Masuda Toshio (ep 8)
#09: "Omoi Mi" (重い実) by Masuda Toshio (ep 9)
#10: "Suzuri ni Sumu Shiro" (硯に棲む白) by Masuda Toshio (ep 10)
#11: "Yama Nemuru" (やまねむる) by Masuda Toshio (ep 11)
#12: "Sugame no Sakana" (眇の魚) by Masuda Toshio (ep 12)
#13: "Hitoyobashi" (一夜橋) by Masuda Toshio (ep 13)
#14: "Kago no Naka" (籠のなか) by Masuda Toshio (ep 14)
#15: "Haru to Usobuko" (春と嘯く) by Masuda Toshio (ep 15)
#16: "Akatsuki no Hebi" (暁の蛇) by Masuda Toshio (ep 16)
#17: "Uromayutori" (虚繭取り) by Masuda Toshio (ep 17)
#18: "Yama Daku Koromo" (山抱く衣) by Masuda Toshio (ep 18)
#19: "Tenpen no Ito" (天辺の糸) by Masuda Toshio (ep 19)
#20: "Fude no Umi" (筆の海) by Masuda Toshio (ep 20)
#21: "Wataboshi" (綿胞子) by Masuda Toshio (ep 21)
#22: "Okitsu Miya" (沖つ宮) by Masuda Toshio (ep 22)
#23: "Sabi no Naku Koe" (錆の鳴く聲) by Masuda Toshio (ep 23)
#24: "Kagarinokou" (篝野行) by Masuda Toshio (ep 24)
#25: "Ganpuku Ganka" (眼福眼禍) by Masuda Toshio (ep 25)
#26: "Kusa wo Fumu Oto" (草を踏む音) by Masuda Toshio (ep 26)
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