"Mushi": the most basic forms of life in the world. They exist without any goals or purposes aside from simply "being." They are beyond the shackles of the words "good" and "evil." Mushi can exist in countless forms and are capable of mimicking things from the natural world such as plants, diseases, and even phenomena like rainbows.
This is, however, just a vague definition of these entities that inhabit the vibrant world of Mushishi, as to even call them a form of life would be an oversimplification. Detailed information on Mushi is scarce because the majority of humans are unaware of their existence.
So what are Mushi and why do they exist? This is the question that a "Mushi-shi," Ginko, ponders constantly. Mushi-shi are those who research Mushi in hopes of understanding their place in the world's hierarchy of life.
Ginko chases rumors of occurrences that could be tied to Mushi, all for the sake of finding an answer.
It could, after all, lead to the meaning of life itself.
"Mushishi" is an episodic anime that has only one main character~ Ginko. Ginko's purpose is to travel from town to town, researching a phenomenon called "mushi" and their effects on humanity. He also helps the different villages deal with any mushi "problems" they may encounter.
This is the SINGLE MOST beautiful and original story I have ever seen, both inside and outside the anime community. The concept of "mushi"~ an entity that is neither human, plant, or animal, that affects the daily lives of humans is intelligent and thought-provoking. How Ginko deals with these phenomenon, whether he is just researching or "treating" them is even more compelling. Mushishi's stories have great life lessons hidden within them, and they are brought to life beautifully.
Beautiful. Gorgeous. Breath-taking. What else is there to say? The scenery art for this series is some of the best I have ever seen. My only complaints about the artwork in this series, is the character art (other than Ginko's). The different characters who appear episode after episode seem to be drawn identically, but just with new clothes and a name tacked on to differentiate them from the last episode. However, this is easily over-looked because of the characters themselves (which will be discussed later.)
Well, I'm afraid my review will fall short here. I'm afraid sound is not usually something I really pay attention to, typically. I will say, however, that the OP song is one of my favorites (if not my favorite) among all anime I have seen. Yes, it may be my age saying this, but it is reminiscent of the old 70's folk music that I love so much. It really is a beautiful song. I'm giving the sound a 10, though, based on this song, and the music I did notice through the series, which was quite appropriate for the scenes.
Aaaaaahhhh... the BEST part of the series. Ginko... Ginko... well, he's just awesome. Sometimes he may come across as one of your old "monotone" teachers/professors, but you get the feeling that he truly LOVES what he does, and the interest he has in researching the mushi is undeniable. The way he sees mushi as neither "evil or good" ... they "just exist, like we do" is a testament to his character. Another great thing about this series is the episodic characters. Other than Ginko (and a doctor that shows up in 3 episodes), all characters are only present for 1 episode. But as someone states in the forums, you come to care MORE about some of these 1 episode characters than you do for some recurring characters in other 26+ epi series.
Well, if it isn't obvious by now, I enjoyed/am enjoying this series immensely. I was not sure if I could enjoy an episodic anime with new characters introduced each episode, but I was pleasantly surprised. This series has become quite endearing to me, and has taken it's spot as my #1 favorite series of all time. All of the different aspects of this series, good as they are, individually, combine to make one hell of an awesome and original series.
The verdict... (as if it wasn't obvious)... 10/10. This is definitely a series worth watching, and definitely one of THE MOST UNDERRATED anime series out there. Please enjoy it, soon... and let's all spread the Mushishi <3. :3read more
A friend chose to watch this Anime with me because it was so highly-reviewed and we knew nothing about it. We watched the whole thing to try and understand why some people call this a masterpiece. Mushishi's episodes can be watched in any order because there's no continuity between episodes so it's like a collection of short-stories.
Mushishi generally has bland, uninteresting characters and very little action... so maybe it's got good plot? No, not really. Some episodes might be interesting plot-wise but the execution is so bad that it's hard to tell. The poor pacing, poor storytelling, and characters that don't seem to care enough to show some emotions make it hard to tell how good or bad the plot actually is. Most of the stories are not very coherent and they like to give you weird unknowns that may or may not get answered by the end of the episode. It doesn't really contain any life-lessons or morals because the problems that the characters experience are caused by creatures knows as "Mushi". Which these "Mushi" often cause weird problems that either basically never happen in real-life or wouldn't be fixable in real-life. The main character, Ginko is the only character that is in more than one episode. He's a boring, mostly expressionless guy that deals with the "Mushi" problems and studies them. Even though you see him for 26 episodes there's barely anything else to say about him.
The show sets up a dull and uninteresting tone which is reflected through the mostly dull colour-palette. Some of the environment-backgrounds are detailed but they often hold those shots for more than they're worth. The character-art is fairly simplistic and there are many characters who look indentical to other characters from other episodes. Mushishi has a random inconsistent design-choice where characters just don't have eyes and/or mouthes. Usually it's when characters are further away... but not always. Almost all the characters have a bizzare lack of emotion. They're also presented in uninteresting ways. The animation is the opposite of exaggeration as in movements are almost always sluggish as if they're stalling for time. It is so obnoxious and unnatural how slow the characters move.
The ambience/music is okay, but it gets repetitive for how often they use the same tracks. Some of the best songs are only used in credits and will make you wonder why they didn't use them in the actual episode. The intro is a bunch of stills with an alright theme playing and then on some episodes, they proceed to have the title display for 17 whole seconds.
In conclusion, if you want a Anime that has good characters with depth or well-written story or good-use of action... don't watch Mushishi because it doesn't have any of those. I give this a 3(Very Bad) out of 10. I don't recommend you waste your time watching this overrated Anime.read more
“Don’t let yourself be blinded by fear or anger.
Everything is only as it is.”
Mushishi is essentially a series of stories styled after East Asian legends and folktales. In lieu of gods, spirits, and demons, the paranormal phenomena are attributed to more primitive yet no less enigmatic creatures called “mushi”. Dealing with their kind is the expertise of “mushishi”; professionals whose role may be thought of as an amalgam of healer, exorcist, biologist, X-Files investigator, and Jedi master (well, sort of). Ginko happens to be one of these mushishi and he wanders from town to town, looking for interesting cases and lending a helping hand to those adversely affected by these mushi.
As formulaic as its premise may sound, no two incidents are alike and every episode features not only different mushi but a different setting and cast as well (with Ginko as constant exception). Because of these, the series is able to experiment with various concepts and human relationships and none of the stories ever end in a predictable manner. As such, there is little room for stagnation as each tale manages to be unique and refreshing.
The title is often mentioned in the same breath as Kino no Tabi though Mushishi’s oriental setting and animistic influences give it a more distinct flavor and theme. Whereas Kino limits herself to exploring “what if” scenarios by visiting different countries, Ginko takes it a step further by providing possible solutions and emphasizing the importance of living in harmony with nature, with fellow men, and most importantly, with the self.
While not exactly an anti-hero, Ginko’s personality is an unusual mix of benevolence tempered with common sense; a combination of “grace to accept with serenity the things that cannot be changed, courage to change the things that should be changed, and the wisdom to distinguish one from the other.” Saving lives is part of his job but he also knows when there’s reason still to hope and when it’s time to move on. He may break his own code at times for the well-being of the majority and he’s not above fooling the gullible either just to get by. His expertise stems not only from his knowledge about mushi but also from his understanding of human nature.
Similarly, none of these supporting characters are shoved into stereotypes which plague most anime and manga. No catgirls, lecherous geezers, or single-minded youngsters (Believe it!); just regular folks in unusual circumstances due to encounters with mushi. Consequently, it doesn’t require much effort to empathize with these characters even if most only appear in their respective episodes.
Not only is the theme “everything is only as it is” evident in the content but it also permeates the manner in which the stories are presented. Mushishi doesn’t try to impress; it simply delivers. While other shows of this era tend go overboard with the fancy CG animation, Mushishi’s visuals remain spare yet aesthetically pleasing. Rather than filling up the screen with explosions and fanservice shots at every possible moment, vivid scenes of natural beauty such as raindrops falling from the heavens, cherry blossoms drifting in the wind, and sunlight penetrating the dense foliage are shown instead. Of course, the viewers are occasionally treated to fantastic scenes showing the surreal characteristics of the mushi but these are shown only when called for in the stories and nothing is done in excess. Even the character designs are relatively plain but perhaps these also contribute to the story in their own way since the audience is less likely to judge the characters based on their appearances.
Likewise, the audio takes the minimalist approach. The soundtrack is comprised of simply melodies which are surprisingly effective in evoking various thoughts and emotions. Ranging from haunting and heart-rending to hopeful and bittersweet, the music often eliminates the need for more words in the most crucial scenes. Also worth noting is the lack of exaggerated voice acting which makes the cast sound more like real people rather than cookie-cutter characters.
In addition to its enchanting audio and visuals, Mushishi also serves drama and thought-provoking content in balanced amounts. Its subtle content and execution never insult the intelligence and present several interesting ideas without drowning the viewers in philosophical jargon or sophistry. All in all, Mushishi truly is one of the finest anime specimen out there.
This review is the final result of a review team composed of members from the "Critics and Connoisseurs" club. The team members were:
In spirit, at least, each episode of Mushishi strongly reminds me of one thing: A cave painting. A depiction of man and the outside world, brief and primal but perfectly expressive, radiating mysticism, perhaps possessed of more meaning than it initially appears to have.
From minute one, Mushishi's representation of a vast world grabs the eye and doesn't let go. Lush forests with dew dripping from every leaf; barren winter mountains peppered with stubborn snow-covered trees; an innocuous pond with lilies on the surface of the still water. The series roams from setting to setting, and all are presented with a lifelike attention to detail. The color palette is richly varied, reaching from the brilliant emerald of vegetation to the deep turquoise of the sea to the dusky red of a far-off sunset. Lighting is used to strong effect, whether it's beams of sun streaming through layers of foliage and mist or a candle's flame struggling to brighten a dark old house.
And within those habitats, the mushi themselves, creatively rendered as a strange mix of the familiar and the utterly alien—like shapeless blobs propelled by twitching motions, like phosphorescent insects scuttling along the earth, like great legless serpents twisting skyward. Some take the shape of a natural phenomenon, and the sight of a living rainbow exploding from the earth, or a long-restrained cloud breaking free, expanding and floating away, is bound to impress. The animation on the whole is excellent, but the mushi in particular seem to move with a vivid otherworldly fluidity. At least part of Mushishi is about making sense of the mysterious, bringing reason to something that seems unreasonable, and the designs of the mushi add some believability to this; it's quite easy to see how they could be thought of as ghosts, beasts, or legends, able to inspire both wonder and fear. The tranquility of the environments is consistently impressive in a low-key way, but the spectacle of the mushi can be eerie, majestic, and everything in between.
Sound is part of atmosphere, and in the same way that cold urban horrors might use reverberations in dark alleys or the foreboding thrumming of electronics, Mushishi might use a chorus of insects or the roar of drifting snow to surround us, allowing the setting to speak its piece. The music is minimal but startlingly effective, in many cases fitting easily alongside and even seeming to mimic the voices of the earth. Slow piano notes overlap with rhythmic footsteps, a woodwind's sad screams resemble those of a forlorn bird. So, too, can the score sound almost unearthly, with an ominous progression of bells and chimes sometimes underscoring a haunting ending or signaling the arrival of the mushi. The result is an immersive ambiance where visuals and sound alone can convey dark, brooding tension or innocent curiosity with equal ease. It isn't just pretty, it's totally engrossing, exuding pure atmospheric mastery in almost every scene.
Through this vast world walks Ginko, revenant of revenants, our looking glass. Perceptive of the nature of human and mushi alike, he uses words as careful and deliberate as his journeying stride to become the voice of reason and, with an air of serene confidence, impart his knowledge to others. To become a witness to needless death, a bearer of bad news, or a participant in deception is sometimes part of his job description. As an admirer of life and truth, he cares for none of these tasks, but he'll defy his own nature and undertake them with solemn dedication if he feels that it's necessary. He is wise, but not infallibly so. Nor is he a complete stoic; outbursts of childlike wonder at incredible sights, sarcastic retorts to smart-mouthed travelers, and emotion-laden shouts of panic and warning to his fellow humans all show him as a little more than just the nonchalant white-haired sage. His development, in the traditional sense, is sparse, but he is afforded a poignant backstory that makes him and his thought process a little less of an enigma.
Of course, Mushishi gently pushes a picture of a sprawling and intricate world where all beings affect each other in ways both seen and unseen, their actions rippling outward in ever-widening circles, and in that sense, Ginko as a character is no different than any other living thing in the show, simultaneously of little and great consequence. He may be our guide, cursed and blessed to ceaselessly wander, but the world doesn't turn for him. Rather, it's in what he represents that we might find significance: The quest for knowledge, the insatiable desire to understand even while knowing that the sheer body of things in existence prevents total understanding. The need to capture the meaning of what surrounds us, spread our wisdom responsibly, and use it to form calculated reactions to the world instead of rash judgments. He truly is that silver fish swimming endlessly through dark water, opalescent barbels probing fathomless black crevices, illuminating them, if only for a brief moment. Much of Mushishi's strength lies in the ability to provoke thought without direct questions, to let an image serve as subtext, and Ginko himself represents an impressively seamless merging of humanity and idea.
Mushishi is episodic, not bound by an overarching plot. It is a series of self-contained stories which vary in theme, but are always skillfully crafted. Most episodes consist of human drama, based on relatable and familiar emotions, infused with an element of the natural world. The episodic format delivers powerful and gripping tales in an extremely brief timetable, a feat which I have no problem appreciating. The scenarios are original, and the writing is rich with little subtleties and metaphors, but each episode can be understood and appreciated as successful story even if you've no desire to peer into them deeply. View Mushishi as a progression of intelligent parables full of interesting ideas, or as a bunch of moving and affecting tales; much to its credit, it is both.
Part of what makes Mushishi work is its steadfast refusal to portray anything in terms as simple as “good” or “evil.” Stories where barbaric man stupidly abuses mother nature, or where nature is a hate-filled monster that comes from the hills to eat scared little man, are a dime a dozen, and while they might pass as entertainment, they often fail to say anything worth saying because they handle man and earth as if they're combatants in a holy war. Mushishi is not so black and white, and it has an idea that scales much better. The mushi are not red-toothed animals seeking to kill in droves. The humans are not greedy savages bent on scorching the earth. Both are just beings, trying to survive in the same place and at the same time. That they will cross paths, have conflicting interests, use each other, and hurt each other is inevitable; such is survival. Each episode is one meeting of mushi and human, one miniscule butting of heads in a massive world, with the implication being that this is simply what happens, everywhere. Instead of vilifying humans or portraying nature as a vengeful power, Mushishi whispers: This is just the way things are. It does give us a small shove by implying that, as the ones with the ability to reason and understand, the responsibility for mitigating the damage that humans inflict (and the damage that humans receive) falls on the humans, but it never degenerates into the preachy heavy-handedness or gross oversimplifications that plague many works with similar themes.
It's that theme which allows Mushishi to navigate the spectrum of human emotion. Conflict in its world does not arise from moral failings or piggish greed, only from a lack of understanding, and understanding is a sword with many edges. Ask the child who learns of death, or the old man who learns of life. Sometimes the knowledge you gain is liberating, sometimes it's disheartening, sometimes it's terrifying. Mushishi can be all of those words and more, but even when it strays to one extreme, it never loses its humanity, its worldliness, or its feeling of being completely natural. Just as it can depict the warm orange rays of the sun and the cold white howl of the snow, it can depict innocent wonder and violent loss, and with equal sincerity. It has balance, and then some.
As a caveat, I will say that this is the kind of series that practically begs me to use the phrase “not for everyone.” It's dialogue-heavy, more about the thought leading up to action than the action itself; it keeps the big guns of its visual spectacle on a tight leash, letting them explode only after a suitable buildup to assure the maximum payoff; it doesn't have the conventional storytelling satisfaction of explicitly coming full circle, instead simply tapering off and fading quietly, as episodic series sometimes do. A few episodes will likely be enough to inform you of whether or not it's to your tastes, and I've no doubt that many have labeled (and will continue to label) it as simply “boring.” I understand the origin of this opinion, but I just can't share it, because Mushishi is strangely beautiful and intensely fascinating on several levels. Imbibe it a little at a time like a fine liquor, or dive deeply into it and become drunk on its atmosphere, intrigue, and insights. In my experience, neither disappoints.read more
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