Really awesome arc. This is my second time watching the series, now with a friend, and I really appreciate the quirky, fun storytelling of Mononoke. I wanted to say a few points to note for anyone curious. If the monk's story is a little hard to follow, the way I looked at it was that he never really romantically looked at his sister until she confessed her feelings for him and offered to give herself up into the treeboat (yeah, I'm not going to pretend to know the Japanese phrasing).
If the above is true, then why did the monk offer himself up for the treeboat? I think rather than offering himself up, he was instead probably selected by tradition and forced into being the sacrifice, so he was lucky his sister offered a way out of the situation. This also explains why he doesn't offer to die with her in the tree boat, since he never really wanted to be with her or die for the people in the first place.
Did he ever have feelings for her originally? In my view, it's possible to a familial extent but maybe not so much romantically. I believe him when he says they were quite close because they were of similar age, but one reason to point out why he may not be so attracted to her were some hints dropped in the show that he was gay. I mean, with him and his little fuccboi apprentice having a fun party one of the nights, I'd say there's maybe something going on there.
It was only after his sister's confession did he start trying to force himself into believing that he loved her originally, and that he carried on with that wrong thought so long up to the present. He grew fatter and uglier as the mononoke grew inside him over the years. It's hard to say if I think he truly regretted his behavior over the years, but because of the way the mononoke slaying sword seems to work, I'd have to assume so. The form is the eye and his monster half; the truth was realizing that he was lying to himself about his feelings; and the regret I suppose was deciding to correct his feelings. Maybe his decision to correct his feelings/thoughts was enough to count as regret, I'm not sure. Maybe he's actually developed feelings for his sister after thinking about her for so many years.
That's enough about the monk. I think what's also fascinating is the rest of the cast. Really, I think as a whole, outside of (possibly) medicine seller, all the other characters were in some ways caricature representations of the monk. Not sure if caricature is the right word, but I saw them as representing different aspects of the monk. The best scene to really show this was the fish banjo scene, where it/the thing exposed each person's greatest fears.
Indeed, the end result that the fish would do to each character didn't really matter. The more important part of this exchange was highlighting the different sins of the monk. Greed, as the merchant ship owner. The belief that he would be not be caught, as with the samurai. Gluttony, as with the minstrel. The fear of never finding love, as with Kayo. Maybe even the Medicine Seller could be shoe-horned in as well, perhaps fear that the end is naught, or some deep end shit like that; I didn't really understand the seller's vision.
I originally thought the early sections were slow and somewhat boring, but with an ending like this to show and tie things together, I've 180'd and now have a huge appreciation for this arc and of course the series in general. The brothel birthing pregnancy stuff was damn great just before.
Oh, and of last note, some of you guys mentioned the last scene with the samurai crying and getting triggered over losing his sword. I think this was just a fun, small snippet added in to parody the monk's dilemma. The samurai probably had the lowest impact and screen time out of all the characters due to his persona and the fact that his forte, sword fighting, did nothing against the other-worldly. It was nice to see him have this small end clip, albeit in my view a parody section, in some way or fashion.
I think that's about it. Hopefully this raised some good points with my interpretation. |