That was a really strong introductory episode, as it skillfully wove an abundance of characters into the established narrative, while rarely faltering into a lack of compelling focus. As such, the seemingly mundane, but very enjoyable, developments throughout were exceptionally well-paced. The market is superbly atmospheric, riddled with a plethora of subtleties that directly assist in capturing the immense liveliness of the setting, which, in itself, is excellent, since it nicely differentiates itself from the school setting that KyoAni typically adheres to. Of course, the actual narrative is rather straightforward, but there are several complexities and lingering mysteries that allow it to be suitably intriguing.
Though lacking characterization, Tamako is a really likable protagonist, since she possesses a thoroughly endearing personality, illustrated most noticeably by her numerous and relatively affectionate interactions with nearly every character that appeared. Mochizou, though not nearly as interesting as Tamako, is a pretty good character as well, so I’m hoping that, if he’s to be prevalent throughout the remainder of the narrative, he’ll actually be developed in a substantial manner, rather than isolated to some tangential worth, marked by intermittent appearances of an insignificant nature. Of course, the most likely and potentially most satisfying direction to take his character would be a methodical focus on the development of his foreshadowed romantic interest in Tamako.
Dera’s antics were surprisingly hilarious throughout, as I initially expected him to be one of the worst and most insufferable characters. Thankfully though, his involvement only elevated the effectiveness of the comedy. However, I’m not entirely certain that this peculiarity will manage to remain consistently enjoyable, since, though highly effective throughout this episode, it did occasionally linger on the vague precipice of irritation.
The narrative, though satisfyingly established, is rather simplistic and quite indistinct. However, that’s not necessarily a significant flaw here, or, at the very least, it hasn’t yet appeared to be one, since the element that seems to be most essential to the quality of the show is the wonderfully enjoyable and compelling interactions among the excellently differentiated characters. Of course, as the story progresses, I would greatly prefer the narrative to be increasingly suffused with a complex depth, rather than perpetually maintaining it’s cheerfully straightforward origins.
Though it’s very subtly foreshadowed, I’m really hoping that some form of a thinly veiled romantic triangle won’t be filtered into the narrative as the story progresses, since it will likely be detrimental to my enjoyment of the show, as, above all, the prince doesn’t seem to be even marginally integral to the story‘s development, aside from his worth as the eventual romantic interest for what I assume will be one of the characters that has already been introduced. It would be quite disappointing if a romance is included solely in order for the ancillary prince to succeed in establishing a romantic relationship with Tamako, when, by the time he does appear, if at all, Mochizou will have likely been developed in a far more significant fashion. As such, I’m hoping and expecting that the girl Dera is searching for will be one of Tamako’s friends, as the alternative is far too predictable and needlessly conventional.
The subdued direction was consistently fantastic, as it deftly balanced a plethora of characters and their individual introductions, as well as showcasing a particularly nuanced delicacy within the framing of several moments, in which it deftly accentuated an abundance of subtleties within the immensely engaging interactions between characters. It also complemented the distinctly surrealistic nature of the show and, in turn, it’s comedic aspects. As such, the humor, for the most part, really worked in establishing the lighthearted atmosphere that pervaded throughout this episode. Musically, this episode was wonderfully complementary, as each selection seemed perfectly suited for the moment it accompanied. The OP is pretty great, due largely to it’s superbly energetic style. Though the song is quite nice on it’s own, the ED particularly excels with it’s exceedingly naturalistic imagery.
Visually, this episode was spectacular and wonderfully energetic, and, similar to Hyouka, the artistic elements are exceedingly superb, displaying a tendency for striking imagery. The background art, in particular, was exceptionally detailed, depicted most thoroughly by the numerous exterior shots within the market. The vibrant aesthetic really illuminated the details within the many disparate environments. As such, the colorful artistry is one of the most effective aspects of the show, as it thoroughly accentuated the inherent liveliness within the setting. The animation was terrific throughout, as it was skillfully able to illustrate an abundance of complexities within a plethora of exaggerated movements and nearly imperceptible flourishes of emotive expressions. This, of course, has always been one of KyoAni’s strengths, but, even so, this element rarely failed to amaze.
All in all, Tamako Market is one of the most promising shows of the season, as it possesses immense potential, particularly with it’s character interactions and their eventual development. As such, though not exactly saying much given the thoroughly weak competition, this will very likely to be my favorite show of the season, as long as it satisfyingly develops the narrative and characters as the story progresses. For a wholly original premise, KyoAni certainly appears to be meticulously constructing nearly every element of the show, and, so far, this masterful execution is comprehensively impressive. |