Kidou Senshi Gundam: Tekketsu no Orphans

Over three hundred years have passed since the Calamity War, the great conflict between Earth and its outer space colonies. Now Earth is ruled over by four economic blocs, and the military organization Gjallarhorn is responsible for keeping the peace. Mars, on the other hand, depends heavily on Earth's economy.

Horrified by the appalling living conditions that Mars' inhabitants have to bear, Kudelia Aina Bernstein, a young aristocrat from the Chryse Autonomous Region, gets involved in the Red Planet's independence movement. She hires the services of a local company, Chryse Guard Security (CGS), to escort her on the journey to Earth to negotiate economic conditions with the earthly bloc that controls the region. The Third Army Division—consisting of Mikazuki Augus, Orga Itsuka, and many other child soldiers—are chosen to protect her.

When Gjallarhorn attacks the CGS facilities to assassinate the young revolutionary threatening their interests, Orga and his comrades must not let the attackers accomplish their goal—in fact, Gjallarhorn's actions might turn out to be the unintentional catalyst that leads the children to be the forgers of their own destiny.

[Written by MAL Rewrite]

Augus, Mikazuki Main

Kawanishi, Kengo Japanese

Itsuka, Orga Main

Hosoya, Yoshimasa Japanese

Bernstein, Kudelia Aina Main

Terasaki, Yuka Japanese

Fareed, McGillis Supporting

Sakurai, Takahiro Japanese

Mixta, Atra Supporting

Kanemoto, Hisako Japanese

Frankland, Lafter Supporting

Hikasa, Youko Japanese

Altland, Akihiro Supporting

Takumi, Yasuaki Japanese

Bauduin, Gaelio Supporting

Matsukaze, Masaya Japanese

Shino, Norba Supporting

Murata, Taishi Japanese

Griffon, Biscuit Supporting

Hanae, Natsuki Japanese

Maeda, Toshihiro Producer

Nagai, Tatsuyuki Director, Episode Director, Storyboard

Aketagawa, Jin Sound Director

Yamato, Naomichi Episode Director

Reviews

Mar 27, 2016

Stark700

Recommended

The Gundam franchise is a massive universe. As another installment, there can be a lot of optimism for Iron-Blooded Orphans. I have to admit, getting into this show at first made me nervous. Some of the recent Gundam related series such as Gundam AGE and Gundam: G no Reconguista received very mixed reception. Furthermore, Iron-Blooded Orphans is spearheaded by Mari Okada, a director who is well-known for adding in melodrama into the story. But for this show, I can safely say that it’s definitely something worth investing time into whether you’re a fan of Gundam or not.

For timeline purposes, the show takes place after the ... Calamity War, a war between Earth and Outer colonies. Actually, make that 300+ years. A major conflict involves Mars and its city Chryse. The people there seek independence from the government and make their own lives into something better. A young Martian woman named Kudelia Aina Bernstein hopes to secure independence. Her role in the story becomes more complicated as she gets involved with a group known as the Tekkadan, whom is entrusted to protect her life. So begins this story that leads politics, warfare, and a world of internal conflicts. As the show’s catch phrase, this is “the sustenance of life is on the battlefield."

In context, the show is a war story but also deals with a variety of real life issues. From poverty to child soldiers and imperialism, the show really offers a lot of insightful concepts. There’s even themes of experimentation as certain characters are fit with the Alaya-Vijnana System (Whiskers) to enhance their fighting abilities. Still, the show constructs a story that expands beyond just fighting a war for independence but also takes a look at the interpersonal conflicts of people in its universe. At the heart of it, we have members of the Tekkadan. Led by Orga Itsuka, the show capitalizes on their role to protect Aina. Their ace pilot, Mikazuki Augus (also known as Mika) pilots the mysterious mobile suit known as Barbartos. Throughout the show, we see his piloting and combat skills including his role to fight off Gjallarhorn, an Earth Military organization set up to capture Aina. Tekkadan also consists of other members including Biscuit Griffin (a strategist), Eugene Stark (former leader of the third army’s division), Norba Shino, Akihiro Atland, Atra Mixta, among others. What’s interesting about this group is that although they all come from different backgrounds, they are all united with similar purposes and treats each other like family. The family theme extends to not just the group but also Aina as she gets to know more of its core members. With such a colorful cast of characters, the show really can be appreciated for its characterization.

A good part of the story involves the journey Aina and Tekkadan takes in order to reach their goals. Part of it feels like a cat-and-mouse story while other parts are calmer with even has a feel of slice of life. In addition, the show also introduces others factions, some who later become valuable ally of Tekkadan while others are against them. Now I have to admit though, the story itself may feel like it has some pacing problems. A few of the episodes are non-combat related and some lacks development with the overall presentation of the story. However, it also emphasizes on the characters because they really are something special. The director and producers are aiming high for with this TV show so everything constructed has a purpose. The main characters has an iron will with their goals so a few of the episodes examines at their personal lives. Throughout their on-screen roles and background storytelling, we learn more about them especially Mika. He is an orphan with poor social skills but learns throughout the show with help from Aina. There’s a change about his character through his acquaintance with her as he becomes more casual and more interested in his own future. Their relationship even has a taste of romance in it as time goes on and this doesn’t seem like a surprise. Aina’s a kind woman who cares about others’ well-being above her own. She is also a good role model for the children through her ways of teaching them how to write, in particular Mika. This opens up his interest to forging his own future someday. Similarly, Mika’s relationship with Orga is strong. Their friendship has already been established during their childhood and it’s evident that the two would risk their lives to protect each other and their goals. Now I don’t expect everyone to like Aina’s role in the story. Despite her aristocratic status and selfless nature, she is still a bit naïve at times. And furthermore, her insecurity to provide help during crucial moments of fighting can be a bit irritating. Because of the nature of the show, expect other characters to relive moments from the past that resurfaces in the present storyline. A prime example is Akihiro as he deals with a blast from the past. On the other hand, there are also lighthearted relationships such as Mika and Atra. Some may see her involvement with him to almost be part of a love triangle. However, don’t expect this show to be a love story. It’s still an iron-blooded war tale. In retrospect, the show really has an iron blood with its story and characters.

When looking at the themes of the show, it’s easy to notice how much it has relations with the past, present, and future. The poverty of the past influences people to try and find a better future for themselves. The present has an emphasis on neo-colonism as we see advanced civilizations expand through funding and technology. For the future, Aina’s ambition to seek independence is a hopeful vision for her people. This is a bit contrast with Gjallarhorn. In essence, they are a military organization who seeks peace but pursuits them with violence means. Some of its core members such as McGillis Fareed, Gaelio Bauduin, Ein Dalton, and among others has their own ideologies. But one thing they seem to all share is strengthening their nation’s own relations and wealth. On the other hand, there’s also Teiwaz, a business conglomerate. Their relationship with Tekkadan also a similarity about family as their representative member forges a pact with Orga. The amount of relationships in this show is really special and something to take by heart. Whether you agree with their goals or ambitions, it’s important to understand why they fight. And this show is pretty damn good at making its point about that.


Produced by Sunrise, the show’s visual quality is a unique piece of work. Michinori Chiba is in charge of the character designs but visually looks a bit different compared to some of Gundam’s previous predecessors. I guess it feels like a fusion of Gundam 00 and Gundam AGE as the characters looks both childish and mature the same time. This is especially true with characters like Mika and Biscuit. Orga on the other hand has the look of a mature commander. Aina has more of the look of an aristocrat but can also look like a simple lady when she needs to be. Character visuals aren’t the only thing interesting about the artwork though. The universe of the show has colonies that shows wealth with its rich technology and weapons of war As such, it brings legitimacy to their statuses. From the mysterious Barbados to Teiwaz’s Saisei, everything looks crisp and establishes the studio’s effort to craft them as technological innovations. This is further enhanced by the solid action with a great amount of effort during fight scenes. Be amazed. This is a show that can be will leave strong memories even with its action.

At first, I wasn’t much of a fan of the music or soundtrack. But after watching a good amount of the show, it’s definitely something to take in by heart. Masaru Yokoyama clearly invested a good amount of effort into producing the music for various scenarios in the show. From melancholic moments to intense combat oriented moments waged in space, it has everything that a mecha fan can wish for. The OP song “Raise Your Flag” is also a way that symbolizes the fight for independence especially with its catchy tone and choreography. And finally, voice mannerism is impressive. Characters such as Orga shows their commanding presence while Mika is known for his cold personality.

Iron-Blooded Orphans is definitely a show to invest time in. Whether you’re a veteran or a causal viewer, the experience after watching this show will be memorable for its story, characters, themes, world-building, and powerful action. Characters’ actions all have purpose and the show offers a balanced way to showcase their motivations. I don’t expect everyone to like all the characters as some may find them less likeable than others. Still, this show is not to be underestimated and is a triumphant one at that. Watch it with an open mind and you’ll see why.

Reviewer’s Rating: 8

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Sep 27, 2020

cameronrb24

Mixed Feelings

Quick Thought:
It's a fairly enjoyable action anime.

Story:
The story is mainly about Tekkadan and their escort mission. There's some political subplots as well, but they weren't developed enough to be interesting. It's a pretty simple story overall, which is fine considering the action is the main draw. Pacing is steady from start to finish, not much filler slowing it down. There are other minor issues though, one being it's liberal use of death flags which made an already basic story more predictable. Romance was an awkward point as well, but these moments are minimal thankfully. The ending was fine; it concluded the main plot well ... enough.

Art:
I think the art was decent overall. Character designs were a bit inconsistent; there's a weird mix of realistic looking characters and more stylized characters. It did at least make the characters easy to recognize. Most of the ships and gundams looked fine. There was one scenet I can recall where the framerate dropped pretty heavily, but the CGI was serviceable otherwise.

Sound:
The voice acting itself was good, but I thought a few voices didn't fit their characters very well. It made some characters like Atra seem way younger than they actually were. I don't remember much background music, but the music that was there fit well enough.

Characters:
There are a ton of characters in this show, and as a result, they generally feel one-dimensional. Not much in the way of development either; I think Kudelia saw reasonable growth but the rest of the main cast remained the same for the whole season.

Reviewer’s Rating: 6

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Apr 28, 2021

uWuDesuWooWoo

Not Recommended

I have seen Gundam Seed, Gundam Seed Destiny and 00 S1 and S2, all twice.

I just finished season 1 of Iron Blooded Orphans and I can safely say that if this didn't have the Gundam branding on it, it wouldn't have a season 2, and would likely be rated somewhere on MAL within the 5-6 range.

This is a terrible mecha show, and it's quite clear how this was an original anime with no manga, light novel, game or even previous anime to base this off - it never would have been published. To say that the story is, uhhhh, confusing, is putting it mildly.

SPOILERS AHEAD

I ... won't be using the characters' names unless I can remember them. This is my first review on MAL, and I'm writing this because, well, this show sucks. Star Driver is better, and hoo boy, that show ain't great. This makes Code Geass look like FMAB - that's how low the bar for writing is.

Dialogue - I honestly had a hard time telling whether main character's lines were poorly translated or just written strangely, but you find out that he's a mid level functioning autist with almost certainly missing brain tissue/it's not connected in the same way. However, the show doesn't tell you this until episode 20, where main character says to leader guy "Who do we kill? How many do we kill?", when leader guy should've been getting laid by the blonde short haired advisor lady at the time, but was instead sulking.

In typical Gundam fashion, whenever there's a flashback or an old man talking or a new character being introduced, you get about 2-5 minutes of clumsy exposition, except unlike in Gundam Seed or 00, you just get told about "corruption" or "influence" or "politics", which I will call "white people bullshit" from here on out.

Characters -

Forgettable at best, nobody gets laid, apparently the creator hates women so you spend most of the time watching women get beat up/killed in battle, preparing food, fretting over things, hating other women, used as prostitutes, or wearing tank tops. Also you’re going to see kids get beat to the point where blood comes out of their mouths. A lot. Happens to malnourished main character crushing girl (who gets written into literally being in the kitchen) during a pointless filler sideplot, main leader guy, main character guy, every slave kid, etc.

I like quiet tomboys, and so when short white haired girl gets killed in episode 25 by bullshit big bad mech literally 1 shot bonking her mech on the head (when everyone else gets at least 4 hits+a stab wound), apparently someone else on the writers room must've revolted because it turns out she only fake died, and she was resting on a pillow later that episode and gets flirted with offscreen during episode 24ish..

I literally do not know the names of any of the Earth related people, and it didn't matter. I didn't realize there was Gjjalarhonk Mars and Gagdererureirhonkhonk Earth until episode 4, because nobody tells you anything about there being a political difference, the uniforms are just different but EVERYONE'S uniforms are different, so clearly the character designers had _no_ idea what people should look like for the first 5 episodes.

To everyone else's reviews mentioning character development, I don't know what they're smoking. Examples include, in no particular order:

1) Blonde earth dude that had an arc, and then disappears, comes back looking like the long haired ZAFT guy from Gundam Seed Destiny, and then once he kills some purple dude that turns out to be his half brother (episode 24ish, it's clumsily exposited) because his red eye makeup half sister was killed (that had a crush on him or something - the stair exposition blushing scene around ep 23 is weird).

Note - crazy lady with red eye makeup and wing short hair should've died on the island after Biscuit dies, she doesn't because the writers forgot to have the "Save me, [name]" thing make sense (he's not there on the island because they forgot to put him there).

2) Blonde dude has a purple haired bodyguard(?), half brother(?, I forget) that main character straight up nearly chokes to death (and should've) in the Gundam "chance encounter between enemies" bingo card meme that Gundam Seed, Destiny and 00 all have. And then purple guy has a lackey that gets magically revived into a Gundam WH40k dreadnought thing and becomes the series ending big baddie, and main character essentially forces himself to have a LITERAL stroke to beat.

3) Blonde guy from #1 has a purple haired 9 year old fiance, and her age, along with her appearance as a small 9 year old girl, is brought up MULTIPLE times, complete with about 20 minutes total of screentime for her. There is a scene where she _literally_ says to him "the other women want to dance with you, and they have things that I don't" - she's referring to boobs and ass, and the anime literally shows you the bodies of the women that want to dance with him, in tight dresses. Why was this scene in there? I'm gonna guess the creator has some kind of pedophilia grooming fetish. It's like 5 minutes of "content". It's disgusting.

4) Creators/character designers/somebody clearly noted that having a show full of dudes wasn't ideal, so to pad out the female soldiers, there's a dude with a literal harem of women that he's effectively adopted, if he likes them enough or they find him. Note: all of the women on this guy's ship are stereotypical anime pinup girls. No flat chests, no short girls, no fat girls, no glasses.

I mention the fat part because Biscuit is _clearly_ fat (his brother even calls him “big”), even though the show beats you over the head (like many of the children get visibly and repeatedly beaten in this show) that these orphans don't have enough to eat. Apparently Biscuit’s magical power was large fat cells.

5) First and second episode feature a hamfisted attempt at exposition to explain that the main characters are slaves owned by a corporation. Around episode 3, there's a rebellion that is caused to make the main characters have agency (which conveniently happens as the events of the show happen, and apparently have never happened before), and they end up killing only like 2 of the 20+ guys that beat the shit out of them for years as they get their freedom because otherwise it'd be 25 episodes of seeing children die in mobile suits and getting beaten when they're not dying.

6) An asshole with a literal Hitler mustache is part of the opening slavery group (that runs away and leaves the kids to die in eps 1+2) that lives after the rebellion and becomes blonde guy's "right hand man". No, I'm not making that up. Main character literally has the 20 or so slave masters in a room, with a loaded gun, only kills two of them.

7) Show has a _nasty_ tendency of making characters do 180 degree changes in their personality. Examples include the blonde with the ridiculous ankle length hair (no, she never cuts it, silly viewer, helmets have a hair compartment),

her maid (who I swear was from Gundam 00 as that show's princess' attendant),

the blonde advisor lady grows a conscious about children fighting in wars (after 20+ years of seeing and LITERALLY being around them),

Biscuit after his brother dies (until the writers realized he was the smartest person, and the main characters are so stupid that they couldn't deal with the island ambush around episode 23 without him),

Biscuit's brother finally grows a spine and kills himself after he sees that Gadgerhernia kills people in the street through a smoke screen. When other reviewers are talking about “character development”, they’re either including this or forgetting completely about it.

Pink hair in front of his eyes leader guy gets somewhat developed (he feels loss over Biscuit), nobody else “develops”, they just change abruptly.

8) Show has another nasty tendency - there are at least three examples of people with Stockholm Syndrome/Uncle Tom tropes that hurt the main characters - Biscuit's brother, the slave kids that panic during their freeing and shoot their liberators, and some random guy’s brother that was also a part of that gets smashed by a comically large hammer into an asteroid.

9) Considering the design of the slave boys and their abuser, who has probably the best designed suit in the show, with a Blastoise/underwater Gundam Seed mobile armor like design, the abuser blonde guy has piercings and all of the slave boys are malnourished, although there was NOT a scene where the blonde leader guy is raping the boys, but there are no women on board that ship, and the blonde guy’s boss has a literal pig face straight out of Spirited Away’s buffet scene.

Art -

I dunno who they hired as the art director, but he probably got work at Queen Bee after doing this, because this is probably right up there with Mobile Suit Gundam in terms of animation. When GoGoGargleHurk shoots people through the smoke screen on the colony during the uprising, there look to be at least 70 people in the crowd. After the shooting, maybe 15, and of course, main blonde character survives without a scratch.

Show has no CG. It should’ve had at least Gundam 00’s ship animations, and it certainly doesn’t have Unicorn’s fluidity or polish on the BD release.

Physics -

Unlike Gundam Seed’s explanations of sand particle size and water combat and space, physics goes out the window. Thrusters have the same effect in space as they do in atmosphere, whether it’s Mars’ created air (never explained), or Earths’ normal air. When the people that are _literally_ born in space or on Mars go to Earth, they have no trouble walking on Earth’s higher gravity, and there’s no ill effects like imbalance, muscle distrophy or spinal collapse.

Main character literally uses another mech to do the Gundam dangerous reentry meme, except the other mech is fine.

Ahab generators make about as much sense as Mobile Suit Gundam’s magnitoskiski particles. Apparently they stop LCD screens from working, along with all radio signals, which is explained why big bad mech rampages through downtown Edmonton. No radiation, though. Somehow. Also the mobile armors and Gundams are unaffected and people can literally stand around and watch them fight with no ill effects. Somehow.

The gundam pilots have literally superhuman reaction speeds, but even for the show, and assuming that the show is done in real time, the main character is routinely reacting with maybe like 1-10 frames of delay. When big bad shows up, there’s literally no lag, so main character causes himself to have a seizure and slashes an arm off with a random samurai sword that was left on the island 3 episodes before. No, I’m not kidding. Note that main character was previously using basically a large bat/hammer thing on said island fight from three episodes previously. Where Biscuit dies and main character lets red eye makeup lady get away.

When main character is going against the blonde pierced slavedriver guy and his tough mech, he shoots a cannon straight at him, and then says “that armor is tough”. Note: we’ve seen these cannons shoot through ship hulls and cause explosions, this doesn’t even leave a scratch, and apparently the animators and sound designers didn’t animate it to be a glancing shot or even a ricochet. It’s a 300mm smoothbore gun, BTW, according to the wiki. That’s like a battleship cannon, twice the diameter as the standard 155mm field artillery used today.

Also blonde pierced slavedriver guy spins around with his comically large hammer and uses his thrusters, and somehow does a perfect ice skating spin, despite that _not_ being how physics works in space.

Worldbuilding -

Why does Mars matter? Apparently because you can make money from farming. And exploiting labor. And half-metal. What labor? How many people are on Mars? What farming exports are there? You want answers? Like from episode 6 of Gundam Unicorn? Silly viewer, you can’t read, like most of the characters in this show, so you don’t get answers. Or something like that. But biofuel exists. That’s what the corn’s for. The martian corn. Also, apparently the writers had never heard of seaweed, anaerobic digestion, growing mushrooms or natural gas or wood engines.

Oh, and half-metal? Who knows what that stuff is.

Why don’t they use robots for stuff? Oh, because 300 years after the unexplained and unflashbacked “Calamity War”, robots or surgical implants were evil or something. Oh, and the Gundams work just fine after 300 years. And they have spare parts. A _lot_ of spare parts. And all of the Gundam parts from 300 years ago were interchangeable with each other.

Oh, but they have John Deere combines from 2010. And those don’t count as robots, apparently. Don’t look at me, I didn’t write this crap.

Surgery with putting in a nodule into the brain stem at the base of the neck and then 1-3 modules into the spine around the shoulder blades? Apparently that can be done by some illiterate people. With no knowledge of surgery, and no antiseptic mentioned.. And a needle, even though the spinal implants are like the size of a Bic lighter, each. And they’re implanted under the skin. Somehow.

The show ends with them moving an old man into Edmonton Canada from Anchorage Alaska (kinda wish the Cyclops system fried everyone), so that he can be voted on as prime minister. Apparently voting must be done in person, with all possible leaders in physical attendance in a particular room. To say that the plot point is white people bullshit is putting it mildly. Oh, and there’s a battle of the Volga river kinda thing going on literally 2 miles away, but they don’t cancel the vote. No, they’re in a normal judicial court building, not a bunker, in an active war zone, why do you ask?

3/10, the terrible writing, dialogue and characters reminds me of the later seasons of RWBY.

Reviewer’s Rating: 3

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