English: Ground Control to Psychoelectric Girl
Synonyms: Electromagnetic Wave Woman and Adolescent Man
Status: Finished Airing
Aired: Apr 15, 2011 to Jul 1, 2011
24 min. per episode
PG-13 - Teens 13 or older
L represents licensing company
Score: 7.431 (scored by 46205 users)
1 indicates a weighted score
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SynopsisThe story revolves around a highschool boy named Niwa Makoto. He lives with his aunt's family since his parents are away on business. It is there where he meets his mysterious cousin of the same age Touwa Erio — who happens to tie a futon mattress around her upper body and is a self-proclaimed alien. Her staple food is pizza. Erio had been missing for half a year and was found floating in the sea. She doesn't remember anything about what happened during that period of time, but she began to think that it was the act of an alien and wanders the neighbourhood wrapped in the futon.
Related AnimeAdaptation: Denpa Onna to Seishun Otoko
Sequel: Denpa Onna to Seishun Otoko Special
Characters & Voice Actors
I don’t make it a point to write reviews, but I particularly enjoyed Denpa Onna to Seishun Otoko, and, upon seeing its subpar ratings, felt somewhat obligated to defend it, so, here goes:
Wonderful, wonderful artwork. I’m a stickler for art, having dropped numerous series simply because I couldn’t stand the way they were drawn, and Denpa Onna definitely wins in this category. Shaft has outdone itself – colorful, lively scenery, vibrant, multi-toned characters, and, in general, great color schemes, compositions, and dynamism in each frame. It’s not quite 5 cm/s, but I daresay it’s approaching that level.
I usually neglect this category, as I find it to be a relatively minor component to my viewing experience. However, Denpa Onna does provide some melancholic piano keys and nice ambience music that complement the pacing well. Can’t say I’m a fan of the OP or ED, but, then again, I was never into the high-pitched squeals that permeate much of anime JPop.
As many reviewers iterated before me, eccentricities abound in this motley crew of a cast. Honestly, it’s refreshing to see a show invent new personalities instead of rehashing the standard anime prototypes. (I especially enjoyed how Erio Touwa [E.T.] sat in Makoto’s bicycle basket as he pedaled her into the sky). Development is admittedly slow, but it’s definitely there. This is something I feel many reviewers don’t emphasize enough. Denpa Onna is a show about the gentle adolescence of our halcyon days, and, to that end, I think it’s nice that events and developments aren’t explosive or convoluted. The subtleties and gradual changes are meant to mirror the normalcy of our teenage years and, thus, offer a stark but welcome contrast to the eccentric personalities – that is, while the characters are themselves bizarre, their growth is relatable and meaningful.
Denpa Onna opened with an explosive start. Bracketing the rest of the show, I think the first 3 episodes could operate as a short, standalone OVA series. Really, I was hooked after watching a prologue so rife with meaning and mystery. Erio’s personality is fully emphasized here, and here, too, is where the show probes most philosophically at the deeper themes of life. Makoto’s rejection of Erio’s delusions is a deeper rejection of ontological relativism as a legitimate means to happiness – his actions nuance his convictions well, and we really get a sense of Makoto’s take on what it means to be human.
Sadly, I feel many casual viewers gloss over this last point and take Denpa Onna to be yet another mindless harem. Let me emphasize that it is not. Its insight is subtle, but present, and acutely profound.
So, what about the rest of the show, you ask? Well I can say that the first three episodes are somewhat anomalous when compared to the slow pace and slice-of-life themed events of the last 9 episodes. Critics charge that Denpa Onna lacks plot or hooks to keep viewers interested, and I’m not unsympathetic to this criticism. However, as mentioned above, I think the slow pacing works well with what this show takes itself to be: a chronicle of a boy’s adolescence. I find it far more realistic that schoolgirl crushes don’t blow up into soap operas and baseball games don’t become matters of life and death. Don’t get me wrong; it’s not like the series never scratches below the surface – it really does, but, often, it does so almost imperceptibly. Take episode 8 (Tsiolkovsky’s Prayer), for example. It centers around Meme’s daily routine over a week, but the conclusion of the episode is nothing short of powerful, poignant, and profound, letting us really glimpse the depth beneath her skin. People are unique, change slowly, and offer interesting and poignant stories. This, I think Denpa Onna emphasizes very profoundly.
Moreover, among these events of every day life are the rare gemstones that move boys closer to manhood, and Denpa Onna doesn’t forget this. Conversations with characters often revolve around mundane occurrences like deep sea fish or basketball games, but are artfully and subtly infused with lessons on the importance of curiosity or the rate of human progress. It’s important, when watching, to pay attention to these moments – as they offer enlightening insight into the human experience.
So, what’s the final verdict on Denpa Onna?
If you’re looking for something explosive, convoluted, and plot-driven, then I advise you to turn away. If, however, you’re looking for something light-hearted yet penetrating, then I urge you to pick this up. By the end of it, Denpa Onna to Seishun Otoko, with its subtle but philosophical messages, really offers you a novel and reflective outlook on that awkward phase between puberty and responsibility. And, after all, that’s how life is: subtle but profound.
I'll be the first to admit that the only reason I watched this anime is Buriki, the original character designer. Ever since watching Boku wa Tomodachi ga Sukunai and the sequel, I've been a huge fan of his.
Denpa Onna to Seishun Otoko unfortunately has quite a few ingredients that I hate. First, the protagonist is the 'hobby psychologist' type, who thinks his viewpoint on others is absolutely correct, and won't back down from his arrogance unless punted in the head with absolute proof. Granted, we are talking about a girl who thinks she's an alien here, but the whole 'I am going to fix you' mentality of this guy is too cringeworthy to bear. Luckily, he gets past that stage fairly early and the rest of the season can be enjoyed in peace. Additionally, it does tie into the conclusion, so I am forced not to deduct any points for it.
As much of a fan I am of Buriki's character designs, I think this is his weakest hour. Apart from Erio Touwa herself, he didn't bring a magic touch to much of the rest of the cast, though his style does pop out in every character. I just feel they weren't characterized much, not only in art but also in writing.
All that aside, the anime does feel like a low budget job. From the opening theme, to the half-season format, Erio Touwa's voice acting, to the skipping-ahead syndrome of minor events and the decapitated "adolescence points" sub-plot/ time-filler that has no relation to the anime at all - there are a lot of incongruities that makes this anime at times look like it was given away as an amateur prize in a chocolate bar; "create your dream anime storyboard".
The season does get a lot better in the final quarter - maybe someone on the staff floor realized that the potential of this anime was greater than the effort they had put in it up to that point. Whatever the reason, it is a bit sad that it got a bit neglected early on, and that it didn't get a second season.
Hopefully, Buriki will stay away from SHAFT from now on. His work on Haganai and Nagi no Asukara were way less of a waste of his mountainous talent.
Summary of my ratings:
Story : 6
Overall: 7 read more
Both of these stories are about people who have problems making what can be concidered a true friendships with each other because of some sort of social stigma that they themselves place, or someone else does. The art style is also very simular.
no friends in both story
art both cute
romance , boku wa have more
both have really similar character design
both are 'bout an alone ppl (Erio in DOStO) and the club members in BokuTomo
both have great bishoujo and character :) and the weird atmosphere.
Both main characters are transfer students that meet and make friends with several females. Also, different writers but same artist for both these series.
Both of them has very sexy and unusual Buriki's design.
similar art & feeling especially concerning characters
harem with cute girls who don't have many friends due to some problems
Done by the same artist and the moe is spreading like a plague
Same character design. Kawaii.
Very similar character designs. Both are comedy/slice of life shows with lovable characters.
Both anime have a number of girls showing interest in one male protagonist. In other words, harem and also a bit ermm...ec...chi.. (a gender which attracts some men) :P
Both male protagonist are oblivious of the feelings that the girls have for them.
Both male protagonist have similar attitude (showing little interest in activities and giving this "how the hell did i get involved in this?" expressions from time to time)
very similar artwork and original character design (the latter being done by the same person!)
These shows have similar art styles and both involve the male protagonist being surrounded by strange girls.
•both have the same character art style,
•both anime male lead comes into a new town/area or returning
•both produce the same amount of ecchi sex, that leads the viewer imagining (things)
the randomness and comedic is more fluent in denpa onna, but there is some that will catch you off guard in boku wa.
•to be frank, they are similar in the comedic, ecchi, art style way.
Very Similar art
Both stories is about a female character that has trouble making friends and the male protagonist helps her out in some way or another.
Erio is like Yozora and Kobato rolled into one. And Maekawa is like Yozora. But what's really similar is the art styles.
-Both have MCs in an environment where they don't exactly fit in, one being an outcast and the other a transfer student.
-Both MCs often act as the tsukkomi to the other characters' antics.
-Both are romcoms.
-Both are completed (so far) animes, Boku wa has two completed seasons while Denpa Onna is close to a second season.
Both of the main characters find themselves dealing with major otaku of some time despite the fact that they want to live a normal high school life. Their lives become filled with crazy antics.
Girl believes she has magical powers. Girl appears in boy's life. Boy tries to convince girl that she doesn't have magical powers.
-Both male protagonists have to take care of a peculiarly eccentric girl
-Both animes are school life that have a balance of comedy/romance/drama
Moe chuunibyou girls and normal MC's with a dash of romcom.
Female protagonists both believe that they have some sort of special 'power' or 'characteristic' while the male protagonists stay skeptical.
Well, these two series here can be described as addictive fun that is wildly entertaining in that bizarre way.
Both series has a strange girl who has strange behavior with a particular fascination on the supernatural. Both series has a strange cast of characters as well that mixes in drama, comedy, and randomness at times.
The male protagonists in the series are probably the only sane characters. They aim for a normal school but finds it difficult after the appearance of the said strange girl.
Both protagonists are aiming for a normal High School life after entering High School, but happen to meet strange school mates.
In both series it's a girl claiming to have supernatural powers or to be an alien who influences the boy's school life.
Both animes have the main character as a boy working towards leading a normal life, a delusional cute girl who believes she has powers beyond humans, a party of other girls to add to the mix, AND EVEN an attractive parent-figure to the cute girl. As the stories develop, it is evident that despite not having the best relationship at the start, they begin to ease up to one another.
While SHAFT focuses more on character speech and development, as well as their own unique animation style, KyoAni focuses more on visually enticing the audience.
Both girls believe they are something they are not and the guys try to convince her that shes wrong
Both of the female protagonists somehow have the same condition wherein they mix-up illusions with reality. Also, both of the mail protagonists had the same aim; to return these females back to reality.
Both female main characters believe in and/ or are obsessed by supernatural things.
Both are about a somewhat normal main character taking care of an autistic girl.
Both have a protagonist girl that believes in supernatural things who believe not to be humans. Both heroes try to make the girls realize they are humans. Both also have "cute" art styles.
-Both have tsukkomi male MCs surrounded by fairly silly characters.
-Both have female MCs with delusions. (Chuu2 syndrome/Aliens).
-Both have romance, though it is not as apparent in Denpa Onna.
-Both are completed light novel series.
The MC meets a strange girl that believes in something that he doesn't believe in. He ends up learning something important by being with her, and there is some romance along the way.
Also, they are both similar in terms of style and comedy.
Opening Theme"Os-Uchuujin (Os-宇宙人)" by Erio wo Kamatte-chan (エリオをかまってちゃん) (Asuka Oogame)
Ending Theme"Ruru (ルル)" by Etsuko Yakushimaru
Which fansubbers do you like the best? Click + to approve of their subs for this show. Click - if you don't think they did such a great job.
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