English: The Legend of the Legendary Heroes
Synonyms: DenYuDen, DenYuuDen, Densetsu no Yusha no Densetsu, LOLH
Jul 2, 2010 to Dec 17, 2010
24 min. per ep.
R - 17+ (violence & profanity)
L represents licensing company
7.891 (scored by 51,404 users)
indicates a weighted score. Please note that 'Not yet aired' titles are excluded.
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
SynopsisRyner Lute is a lazy student of the Roland Empire Royal Magician's Academy. One day, the Roland Empire goes to war against their neighboring country Estabul, and Ryner loses his classmates in the war. After the war, Ryner sets out on a journey to search the relics of a "Legendary Hero" at King Sion Astal's command and finds out that a deadly curse is spreading throughout the continent.
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Opening Theme#1: "LAMENT: Yagate Yorokobi wo (LAMENT~やがて喜びを~)" by Aira Yuki (eps 1-12)
#2: "Last Inferno" by Ceui (eps 13-24)
Ending Theme#1: "Truth Of My Destiny" by Ceui (eps 1-12)
#2: "Hikari no Filament (光のフィルメント)" by Ayahi Takagaki (eps 13-24)
Quick note before I begin: All parts will be graded and then added up to make up a final score out of ten. I will grade out of sound, animation, story, characters, and personal enjoyment. I'm sorry if all this seems vague, but I have not watched this anime for about two years. Also there is no selection to rate the story here, but I will add it in here anyway.
Better way to read the review: https://sloaneranime.wordpress.com/2015/12/01/review-the-legend-of-legendary-heroes
I'll start with sound. I am a fan of both of the openings, although I think the second one is my favorite of the two. Both endings are also very elegant and calming, and the first is my favorite. The sound track is more or less typical of kingdom animes such as these, but at the same time that is not a bad thing. The various, sometimes very gory sound affects are just okay, not amazing. The voice acting is good. I think I watched the series in dub, and the voices fit well. I watched some clips of the sub and that also seems to be well done.
Next up is the animation. When considering how to grade this, you have to take into account both the art style and the age of the anime. Since TLLH is an older anime and was made in a era of transition (between digital background/effects and draw), the background is pretty bad most of the time. I’m not going to say it is better than it is… The art style is pretty typical, but fits the content and style of the anime quite well. The effects for Ryner’s special ability do not disappoint.
The depiction of death is dealt will in a way that is pretty brutal, but certainly not as brutal as it could be. I find it to be somewhat artistic, although some may consider it a form of censorship. The normal fight scenes are decent. I like how a lot of it is drawn (including horses might I add!) The animation overall doesn’t take away from the anime, but actually makes the anime better. Despite it’s age, the animation is solid.
The storyline of TLLH is not the most clear, but still magnates to keep it together. The premise itself is not very unique, but the progression throughout the series is what helps to differentiate the anime from others. Also the synopsis given on MAL gives the series absolutely no justice. Despite this, the story itself is well developed, especially by the characters. The paths that the main characters follow make sense, and the flashbacks flow smoothly with the main story line. On the other hand, some of the side characters seem to be poorly worked into the anime (they would seemingly appear out of no where). Overall, the story is not very memorable (obviously), but the series makes up this in other areas.
I think the characters are easily the strongest part of the anime. The main characters are incredibly well developed through a combination of flashbacks and influential events. First I will talk about Ryner, the holder of a legendary power called the Alpha Stigma. Ryner is a somewhat atypical main protagonist. He is seemingly unmotivated, yet possesses a great deal of skill for the magical arts. Ryner is unique because he fears his power more than any other character in the series. I think Ryner is one of the stronger leads in anime, as he carries the series very nicely and maintains his unique character. Ryner's past with Sion and journey with Ferris are the main focus of the anime. Sion is a (more or less) childhood friend of Ryner's. The two of them make a pack, agreeing that Ryner would do all that he can to help Sion take the thrown and dominate the country. Sion is a very calm and collected character. He is also very loyal to Ryner's, and saves his life on a number of occasions. Sion also helps bring Ryner and Ferris together. Ferris is somewhat blunt, but also pretty sweet deep down. Ferris is a sword wielding badass with a passion for dango and a unique past. The low-key romance between Ryner and Ferris helps TLLH to have light and humorous moments amongst the action and death filled moments.The side characters are also pretty enjoyable, and don't steal the show by any means. I like the red haired right hand man to Sion, Claugh. I also like the pink haired guy with the big sword, Riphal. Raven (Miran) is also a very interesting character, as he is caught in between his loyalty to Sion and Ryner. The antagonists of the series are forgettable, but serve their role just fine overall.
My personal enjoyment of the series is one that is greatly influenced by nostalgia, as TLLH was one of the first anime I have ever watched. I really liked the contrast between the military, magic, and adventure sides of the anime. I only wished that the ending was finished off a bit better.
OVERALL SCORE: 7.4
Overall, I would recommend the series to fan of action, supernatural, fantasy, and military.
I would consider this a must-watch for fans of Kingdom animes. Another great Kingdom anime is Arslan Senki. read more
These days we often misuse words in ways that sometimes don't make sense. Take "epic" for example, and think about all of the occasions where the term has been applied as a colloquialism that simply means "I enjoyed it" , "it was very good", or some other sentiment along those lines. It's actually surprising how many people don't know the meaning or usage of the word, but rather than comment on the failure of education systems, let's have a look at how "epic" applies to an anime like Densetsu no Yuusha no Densetsu (or The Legend of the Legendary Heroes, whatever floats your boat).
The original eleven volume light novel series by Kagami Takaya was published in Dragon Magazine from February 2002 until October 2006 and has spawned a sequel (The Legend of the Great Heroes of Legend), and two spin offs (The Legend of the Legendary Heroes Anyway, and The Legend of the Black Fallen Hero), as well as being adapted as a drama CD, a PSP game, a manga, and the recent anime rendition.
Now aside from mild curiosity at the obvious addiction to using the words "legend" and "hero" in some manner, one has to wonder if the anime adaptation can really live up to the popularity of the franchise.
The story begins with an attack by the Nelphan army on the person of Ryner Lute, a layabout who is on a mission for his trusted friend, boss, and cause of all of his problems, King Sion Astal of Roland. Accompanying him on his journey is the warrior and perpetual dango addict Ferris Eris, a woman who may be a genius with a sword, but is pretty clueless with almost everything else (except dango). The pair have been tasked with finding and acquiring the legendary artifacts known as the Relics of Heroes, which lie hidden in various places across the continent of Menoris.
As with any fantasy tale there's an element of derivation inherent in the plot which results in several very familiar scenarios being played out over the course of the series. This in itself isn't a bad thing though, as these staples are often used to drive home a particular point, or as support for the main storyline.
And this anime really does need the support.
The main issues with Denstsu no Yuusha no Densetsu (DenYuuDen), are the lack of coherency with the story and the constantly changing pace of the plot. Viewers may often find themselves wondering how a particular situation came about, and while there are efforts to tie up certain loose ends, these are nothing more than papering over the cracks. The narrative suffers from a distinct lack of timely explanations, and events can lead the audience on a merry dance as they struggle to keep up with the storyline. This is exacerbated by the constant mood swings that occur from one episode to the next, and the addition of seemingly random comedy scenes give the viewer the sense that even the show itself has no idea what's going to happen next.
The heart of the problem is simply that ZEXCS, like many other studios, have made a screenplay that is nothing more than a "cut and paste" rendition of the original source material. While there are some anime that get away with summarily stringing together disparate events, it would have been better for everyone if they at least made the effort to stick to the story. Better yet, ZEXCS could have followed the example set by Satelight when they made Guin Saga, and only adapted a portion of the story to ensure there would be a continuous flow to the plot.
One has to wonder what moment of "genius" would persuade director Kawasaki Itsuro and series composer Yoshimura Kiyoko to make such a disjointed narrative.
On the plus side the lack of care with the storyline isn't really reflected in the look of the show, and DenYuuDen has some nice, imaginative scenes that really show what ZEXCS are capable of if they put their backs into it. The series features some decent animation, but the design principle impinges on this to a degree, partly because of the bishounen aspect of the show, but mainly because of the costumes. While the various outfits and garments are creative in their own way, there are several scenes where things like cloaks would clearly be a hindrance to any actual combat. In addition to this the characters tend to be on the impassive side when it comes to facial expressions, although this becomes less of an issue as the series progresses.
DenYuuDen also features some very nice lighting and visual effects that add an extra layer of atmosphere to particular events, giving them an elegant, decadent, or dramatic feel that requires little in the way of added audio. Unfortunately this is offset by a lack of attention with small, specific details which seem like they were pencilled in as afterthoughts (Ryner's two year old beard is one example of this). While it's sometimes easy to overlook these relatively minor flaws, every now and then they become impossible to ignore, and viewers may be left wondering why the studio didn't notice these discrepancies before releasing certain episodes.
The series features two opening themes, LAMENT Yagate Yorokobi Wo by Yuuki Aira (episodes 1 to 12), and Last Inferno by Ceui (episodes 13 to 24). The first OP is a rather bland affair that is generally well timed and edited, but ultimately fails to inspire. The second track is an altogether different beast that has far better choreography, and possesses a more serious and dramatic air than before. As for the ending themes, Truth Of My Destiny by Ceui and Hikari no Filament by Takagaki Ayahi, neither is anything other than a reasonable pop ballad coupled with pointless visuals that have no bearing on the story proper.
What is interesting is the manner in which the background music is utilised. The tracks are often subtle additions that never really come to the fore unless the situation warrants more drama or tension, and because of this there are very few clashes with the dialogue. In addition to this the effects are given precedence over the music during a number of action sequences, and given that this series is a relatively disjointed affair, the quality of the audio choreography is more than a little surprising.
One of the problem areas for DenYuuDen is the dialogue, in particular the tendency towards oratory and the sudden changes between banter and seriousness that are extensions of the inherent issues with the storyline, so it's to the credit of the actors and actresses that they deliver some decent performances. Fukuyama Jun (Ryner Lute), Ono Daisuke (Sion Astal), Takagaki Ayahi (Ferris Eris), and the rest of the cast are able to inject a degree of personality into their characters, but this is limited by some truly cumbersome scripting.
Unfortunately this, together with the compression of the story, has a knock on effect where the characters are concerned.
Like so many other fantasy anime out there, DenYuuDen follows the tried and tested method of event driven development, but like many other shows it also falls into the trap of poor characterisation. From the beginning of the first episode the viewer is expected to not only identify with Ryner, Ferris and Sion without knowing anything about them, they are also supposed to wait for any explanations because of the disjointed nature of the story. Add to that the fact that much of the growth is dependent on specific events that are scattered throughout the narrative, and the lack of personality comes to the fore.
That said, while there is little to maintain the viewer's interest in the characters at the start of the show, things do take a turn for the better at the midway stage so that by the end of the series they are no longer cardboard cutouts. The events that drive the development also become a little more complex as the story develops, which is nice to see as the tendency in fantasy anime is to add more detail to the story while keeping these "signposts" simple.
Now it may seem like I'm being unfair to DenYuuDen by picking up on so many of its flaws, but there is a reason for this. While there is a lot that could have been done to improve the series as a whole, it's actually a rather enjoyable romp too. The byplay between Ryner, Eris and Sion can be odd because of the poor scripting, but there is humour in there, enough to make the viewer smile at least. In addition to that, there is a concerted effort to improve the story in the second half of the show, with darker themes emerging and more focus on consequences. The action sequences are decent enough, but every so often there is a flash of brilliance, and the characters can sometimes show a surprising depth that really should have been there for most of the series.
And that's the rub. It really, really could have been so much better than it is. There is so much that ZEXCS could have easily done to improve DenYuuDen, and even something as relatively simple as deciding to adapt only a portion of the light novel series would have made a profound difference.
One thing that should be touched on is the mistaken assumption that Densetsu no Yuusha no Densetsu is somehow an homage to Legend Of The Galactic Heroes due to the similarity in the naming conventions. The problem is that far too many people who have heard of, or watched, the latter anime have automatically decided that DenYuuDen should be just as good when, aside from the name and the fact that heroes, politics and war are involved, the two bear very few similarities. It's a bit like saying apples and apricots should taste the same just because they're both fruits that grow on trees and their names start with "ap".
Anyway, leaving that aside, the one thing that really stands out about this anime is that it's effectively an unfinished product, especially as the light novels are still publishing. The disjointed storyline and initially lacklustre characters make this a much more difficult show to invest in, and this is a shame as there are several key plot elements that are interesting enough to warrant much more attention.
That said, ZEXCS' attempt at adapting the novels has some good points, and while there is enjoyment to be had, it's a far cry from being an epic. read more
I often think that as long as I know what to expect from a show, it couldn’t disappoint me. First impressions from the title alone gave a sense it was trying too hard to be epic, but that didn’t matter since I expected “Legend of the Legendary Heroes” to be a fun, clichéd romp. But instead of creating a brainless fantasy flick for dumb people like myself, the show adopts a taste for complexities with writing that leaves a bad taste.
The story opens with two of the three main characters, the wizard Ryner and the knight Ferris, as they journey across the continent of Menoris in search of powerful Hero Relics to aid our third main character, the High King of Roland, Sion. The lazy Ryner and steadfast Ferris aren’t anything beyond that in the first episode, with the only noticeable interplay between them being a scene where Ferris calls Ryner a pervert. Unfortunately, this scene is a running gag throughout the show that turns the Ryner and Ferris duo from simple to cringeworthy.
Much of the show follows Ryner and Ferris’ adventures, meaning much of that time focuses on their relationship, which is Ferris calling Ryner a pervert for no reason; Ryner doesn’t so much as see a pantyshot from Ferris, so it’s not even clichéd in the way it should be, but outright unbelievable. Their relationship is 70% one running joke and 30% serious moments with no real progress between them, because they’re only sentimental when the show calls for it. Their relationship goes in a circle, or maybe it’s a see-saw; I don’t care, but neither do the writers.
In one of the show’s scenes, Ryner is going out of control for plot reasons while Ferris is trying to snap him out of it. After she manages to get through to him, Ryner breaks down and starts crying in her arms as the rain suddenly pours. This scene of clichés doesn’t work since there’s a lack of tells on their progress. Ferris blushes maybe once before this while Ryner shows no interest in her at all. And even if this scene did work, they go back into being a weightless comedy duo until the story demands their sentiments again. And this happens more than once.
But Ryner and Ferris’ relationship is harmless compared to the threads in the rest of the show. Ryner’s lack of personality outside his laziness can be made up for with his background, but the show’s storytelling often jumps back and forth from present day to flashback without any tell it’s done so, making it hard to follow. Even then, most of what little backstory he has is in the later parts of the show. It’s hard to take his tragic past seriously when the show often glosses over it for attempted comedy.
Ferris is an even bigger joke than Ryner. When she’s not wrongly calling him a pervert for whatever reason, she’s going on about dango flavors without much else to her character. Somehow, she has even less background than Ryner, and it doesn’t help that this background is little more than skin service that isn’t even charming, but a forced attempt at being dark and edgy. But, it wouldn’t be a forced attempt at being dark and edgy if Ferris was a character worth caring for, if she had real progress and most of her time didn’t focus on failed comedy.
The final main character, Sion, is also a big joke. His character arc is about learning to make tough choices that come with being High King, but his personality doesn’t show it at all. He’s equally serious and easygoing until the end of the show, which makes it easy to wonder whether story events are affecting him at all. Most of his background involves characters that have one or two lines of dialog, which isn’t enough for it to be taken seriously like it’s supposed to. He’s also incomprehensible, saying he doesn’t want to rule like a tyrant one moment, then leaves his assassin servant to take extreme measures so he can reach his goals the next moment.
Sorry, I tried jumping over one cliché and fell onto another. When the story isn’t being lazy with its characters’ progress or background, it tries TOO hard and ends up being a war and politics philosophy discussion without compelling characters to distract from the fact. These heavy themes require a delicate touch, but unfortunately most of the villains—villains, not antagonists—are wealthy, evil people that take away from any social depth the show tries to have.
Not that what depth the show does have is worth much anyway. There’s a lot more going on in the story, but most of it amounts to nothing or is rushed. One of the characters shows a thirst for vengeance without any build-up leading to that moment. The character he wants revenge on wants revenge on another character. And that final character is dealt with so quickly it disrespects the passion and empathy the first two characters (try to) invoke. If that sounds like a short plot description, then don’t worry, because the show doesn’t give these multiple story threads more than a few episodes.
But even with a lot of episodes, one of the characters still proves ineffectual.
When this character is introduced, she wants to reunite with Ryner because he was her friend during her rough childhood. It makes sense. What doesn’t make sense is how bubbly she is for most of the show, badly clashing with her background. What’s worse is that this isn’t the set-up to a gag character, because she’s supposed to be taken seriously. But her serious moments don’t work, because she lacks the roundedness needed to make her bubbly and serious side believable as the same character.
The only decent characters are more like two pairings that are unfortunately not around for long. One of the characters in the first pairing appears at the early and later parts of the show. She meets someone she doesn’t like at first, but in their next scene they’re enjoying a cup of tea, and in the scene following she’s a blushing maiden. The other pairing is a classic warrior and princess story that believably flows from adoration to sweetness; in the first scene they’re smitten at first rescue, in the next scene they’re trying to hide their feelings from their friends to no effect, and then they’re enjoying a moonlight walk.
Ignoring the small amount of screentime these four characters have, they’re believable because there’s real progress to their relationships. Sure, it’s cheesy, but it’s at least an attempt at a pairing compared to Ryner and Ferris’ see-saw relationship. It’s not as layered as the other parts of the story, but being more layered doesn’t mean better, but a greater chance to be worse. When there’s more plot to juggle, it only falls down much worse when the juggle isn’t kept up, and the juggle falls the moment it starts.
This is part of why Legend of the Legendary Heroes’ writing leaves a bad taste, and what I mean when I say the story adopts a taste for complexities. It tries to execute too many threads at the same time and doesn’t give enough time for each thread to be properly weaved. At the same time, the three main characters take up most of the story’s screentime but have almost nothing to show for it. It’s this odd combination of incoherent density and weightless quantity that makes this show such a failure from a storytelling standpoint.
This leaves only the presentation to save the show, but the visual part of that falls short. Save for Sion, his assassin servant, and the four pairing characters—the last four lack screentime—most of the character designs are multi-colored to the point where it’s hard to tell them apart. For a world with swords and magic, many of the fight scenes are underwhelming for being nothing but beam spam or poor choreography that makes one question if the combatants are only as strong as the plot demands.
The best part of the presentation is the music, but music isn’t the aesthetic focus of an action fantasy show. Still, it’s loud when it needs to be, and has a surprising amount of grace during quieter scenes when it uses the art of silence to put focus on the dialog. Unfortunately, the music is held back by its odd habit of using random rock music during some scenes. This modern flare clashes with the medieval, fantasy feel of the show. I suppose it’s trying to be cool, and in a better show it’d be shameless fun, but here it comes across as trying too hard.
Which is odd, because looking at how the show’s main characters are handled, it’s like they weren’t trying at all. No respect is given to most of the characters and their stories, it tries to tell too many stories, the stories often lack chronological coherence, the social themes lack any depth with its stereotypical villains, and the presentation is best where it doesn’t matter anyway. This show does a few things right and everything else very egregiously wrong.
But the best thing I can say about this show is what Ryner goes on about from episode 1; take a nap. Sage advice, because taking a tap is preferable to watching Legend of the Legendary Heroes. Sure, you won’t be doing anything, but at least it’s better than getting Alpha Stigma-level angry at the people who made this. read more
The synopsis for this anime really does it no justice, there is much more going on then them just searching for relics. Honestly, the relic searching did not really last all that long. One thing that stood out to me in this anime is it was actually very funny, there should have been a comedy genre added, however, comedy was not the only thing that caught my attention.
The premise of the story could seem a bit cliche, there are quite a few other anime where the main has an incredible power and has to overcome the effects of a past that held many hardships due to this power, but nonetheless this anime was still pretty great. It was enjoyable to see the hardships that Ryner had endured throughout his life and how he was able to overcome them. Also, they put quite a bit of back story on the other characters, such as Sion and Ferris, which was nice to see. That backstory adds a better connection to the characters as they face the conflicts together. Now onto my specific review points.
As I stated above, it does seem at first glance to be a cliche of sorts, but the synopsis is quite under-developed. There is more than just them searching for relics, much of it is based on the power that Ryner has and the hardships that came and are to come from it. Also, the comical parts in this story were quite enjoyable as well, whether it be the constant whining or witty remarks of Ryner about his naps, or Ferris' constant belittling of Ryner with her large imagination of perversion.
The art was not anything spectacular, although it was well done and they did not use many shortcuts. They had a good amount of detail as well. The gore scenes usually had some sort of shade above them not making them easy to see, but it was still good drawn overall.
The sound was ok. Nothing really struck me as really bad, or really good, it matched fine, but it did lack in some respects. The English voice acting was pretty good, the main characters seemed to match well with the voice actors. I have no speculation on the Japanese voice actors, as I have not watched the subbed.
I liked the fact they gave lots of back-ground information on the other main characters and didn't just focus of Ryner. The flash backs and the information on Ryner was very tragic and gave a lot of meaning to the story.
The story was great. I loved the way the characters were portayed, being that Ryner is a lazy guy that has witty remarks, and Ferris having the very funny imagination. The comedy in this anime was very funny, even though there was not a comedy tag. Also, being that Ryner was so powerful, it was cool to see how he progressed with his power, and how he gave it meaning.
I really enjoyed this anime. There were many aspects I did not plan to see, such as the comedy, and the small amount of romance. Many people may see it as cliche and boring, but the synopsis really does it no justice. So give this anime a try, and maybe you too, will find it to be a great watch. read more
Both in "Chrome Shelled Regios" and in "Densetsu no yuusha no densetsu", the hero is a boy, who, in the beginning, is trying to hide his past and exceptional abilities (tenken-user, alpha stigma) playing the dumb, pretending to be unintrested, slow and unskilled. Other similarities seem to be the fantastic setting, the presence of the fantastic itself (the mysterious regious and their spirits and monsters the student-soldiers are fighting against, magic), organizations of selected fighters (tenken-users, orphanage training soldier-magicians) and smaller groups of friends of the hero who are operating together, and finally (there might be more, but I will just leave it at that for now), a strong leader among the student of the academy themselves (Loss, Shion). The latter series has aired only 2 episodes yet, so I cannot really tell, but I suppose that if you like one, you might like (or at least check out) the other. ^^
Same director and both have strong leads who dislike fighting and an unknown past.
The character design is very similar to DNYND, and both the main character don't really like to show off their powers. Also, in the same way that Alfon Alseif is being manipulated by the President there, Kalian Ross, Reiner Lute from DNYND is also being manipulated by the king, Sion Astal, to find the Hero relics.
Both are very good shows, although the ending of DNYND suggests that the series hasn't ended yet.
First of all Both main characters would rather not use their power, and secondly both animes contain slightly supernatural fighting. Legend has more us of powers though, but either way if you can make it through the first 3 episodes of legends or chrome shelled regios you'll be addicted.
-Both main charecters are very OP (overpowered)
Legend is more sad, while chrome is more of a fun action with a less deep story.
overall both are a good 8-9/10 anime if you can get into them maybe even a 10.
CSR and DenYuuDen are similar due to the fact that both main characters have a dark past and they try to hide it, Both are Action,Comedy and adventure along with strong main characters. If you liked one, try the other.
Both protagonists are very powerful people Ryner Lute(Alpha Stigma bearer) Layfon Alseif(One of the heavenly sword weilders). Both want nothing to do with fighting and want to be left alone. Both have a friend that has high status in CSR (chairman) in DYD (king). Both have a girl that is likes them but won't admit it. Both have good OP songs.
Both are packed with loads of action and cool fighting scenes.
Huge display of power from both protagonists and other characters.
-Both revolve around exceedingly strong male leads who are reluctant to use their abilities for various reasons
-Both shows have the same director, which could explain why the "feel" the same, even though their settings are quite different
Both boy protagonists are very strong. Instead of making use of that power, they decide to live an easy life where you dont need to fight to survive. They both get forced to join the fight platoons where they will be fighting strong beasts/magic users. They are both relaxing/interesting anime, I highly recommend it.
-both have a very strong male protagonist.(who try to hide their claws)
-very much killing involved (monsters & humans)
-both have very fine art and nice Soundtracks.
It has Jun Fukuyama voicing the protagonist, a boy who has a great power in his eyes and that sometimes goes berserk. The plot is about war and revenge between Royalty, the purpose of the one of the protagonists is to build a better world by becoming king, no matter what sacrifices he must do. Also contains Best friends turning into enemies.
Both series are anti heroic fantasies with badass protagonists who are voiced by the same guy.
(This is mostly for people who've watched Code Geass)
There are similarities in plot (with one character seeking revenge against a member of the royal family) and characters (Ferris' dango is C.C.'s pizza). They are a bit different but the political elements common in both series might mean those who like Code Geass might enjoy Densetsu no Yuusha no Densetsu (The Legend of the Legendary Heroes - don't let the title put you off), although it doesn't start out as serious as Code Geass, but once the characters are explored a bit it does so.
The biggest similarity which might mean fans of either series would enjoy the other is that a main character must contemplate the sacrifices he must make in order to change the world, like in Death Note. One thing you should know before you start the series is that it appears the anime has lasted only one season and in that time hasn't covered the whole story in the light novel series it is based on.
It is a very good anime and in some ways alot like Code Geass,the main character of Densetsu has the eyes of an "monster" witch causes trouble on his missions,once he goes out of control it's nearly impossible to stop him.
same VA,eyepowers and plain badassness
Political intrigue, mystical powers, bloodshed, and varying degrees of slap stick comedy on the side.
Even if these animes are not similar in concept they give you the same feeling. In both animes the protagonists have special eyes and both are bored of the kind of life they are living. Both are interesting to watch and have a high re-watch chance for me:3
Both animes followed journeys of protagonists who have same ability and badass fighting scenes those made you exciting very much. Additional,both protagonists are voiced by same seiyuu(Jun Fukuyama) who voiced a plenty of legendary badass male characters.
The art is similar, and the plot involves people with special powers. The main girl uses a magical sword to fight and is always teasing and fighting with the main guy. The main guy had a painful childhood where he was despised and bullied by everyone, and also, he lost his first love. He also has a huge power inside him, and if that power stays out of control, he becomes evil. The symbol of that power is on his eyes.
both of them (main protaginists) are great "magicans" in a sense,
they both have a swordsman girl as a comrade/ally
they both have special eye powers that are rare.
they both have a laid-back attitude but there still super strong
both of them are "alone"
The relationship between the two main characters are almost identical. In both the animes the girl is hotheaded and always seems to be angry at the protagonist but actually likes him. Both protagonists are ridiculously strong and both the girls weild swords.
Both of these have a strong protagonist right from the start of the anime. Both protagonists have a dark/sad history. Both also anime have magic involved. Densetsu no Yuusha no Densetsu has a medieval fantasy setting while Kaze no Stigma has a modern setting.
Kaze no Stigma is very similar to Denetsu in that they both have strong male leads whom use magic and fight side by side with a female main character, they both are at time reluctant to fight and ostracized by the populous for their amazing strength
While based in different timelines (Kaze in modern, Denetsu in ancient) they both have a similar feel to them
Both protagonists have very laid-back personality and are very powerful, also both are outcasts and have very dark/ painful history's. The main girl in both is hot headed and uses a sword. Both have a very similar feel to them and are great to watch.
There are many similiarities between Denyuden and Berserk like both are set in past with monsters and stuff. There are character similarities as well like Sion and Griffith. Both series are not afraid to show blood and are very dark(though Denyuden does have humor in it). On top of that, both series conclude in a similar way.
similar concept. its like "diet" berserk for those who can't handle berserk "raw"
Concepts are really similar,
Many parts of the story remind me of instances in Berserk, other than that its much more light hearted and less violent.
Berserk and Densetsu share many similarities, most notably having an ambitious silver haired main character who want to be king. Both shows deal with betrayal and friendship. Both highly recommended for people who enjoy action shows with a dark theme.
Shockingly feels so similar and yet has it's distinct similarities to give it that new refreshing feel.
From friends becoming enemies, to the main character becoming known as a monster and suffering from hard times. If you liked Berserk then you'll definitely like Densetsu no Yuusha no Densetsu.
+ The main two main male protagonists have almost identical relationships throughout the shows
+ Set in similar medieval worlds dealing with wars, men striving to become king, and some supernatural elements
+ While Berserk definitely has many more, both have dark and gory moments
+ End on two of the biggest cliffhangers in anime history
- Legend of the Legendary Heroes has comedy as well as drama whereas Berserk is just all drama
- The female protagonists are a little different in personality and relationship to the secondary male protagonist
- Berserk is much more mature and graphic especially in sexual content
i think they are the same. magic, heroes, and the main character, Sai Akuto and Ryner, sometimes can be a monster that can destroy world. there are comedy too.
Similary, strong male character + magic.
Just by reading the synopsis, you get the feeling that these two series are very similar. The first thing that popped into my head after reading DenYuuDen's synopsis was Ichiban Ushiro no Daimaou.
The main protagonists struggle against a world that curse their innately evil powers despite their best attempts at being good.
Both have magic, heroes, comedy, and both of the MCs are both have great power.
Densetsu no Yuusha no Densetsu and naruto have some similarities: "betrayal and friendship"
The MC have different traits but they have the same dark past, one of them is always motivated and the another want to sleep all day.
sasuke and sion are the same, both of them are good friend of MC but they have different traits
Both is about war,friends,Comedy and betrayal.Both of the Main character have a monster inside of them , Greatly affected by sadness but still they choose to love people.
both the main character are best friends at first and end up becoming enimies.
both what to kill each other but the cant at the end they hold back
both have very deep friendship bond
both the main characters are very strong
both main character have been abused, insulted ,tried to kill,because they are monster.
both have people hunting for they power to and kill them
The MC has a secret power that is hated by all people, tot he point that people like him are executed and/or banished as monsters. They both have elemental magic system of combat as ell as a little swordplay. There is also a fair bit of betrayal between friends and a lot of plot twists.
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