Junketsu no Maria

Maria is a powerful young witch living with her two familiars in medieval France during the Hundred Years' War against England. As the war rages on and the innocent get caught in its destruction, Maria becomes fed up with the situation and begins using her magic to try and prevent further conflict in hopes of maintaining peace. However, her constant intervention soon attracts the attention of the heavens, and the archangel Michael is sent to keep her from meddling in human affairs. The divine being confronts Maria, and he forbids her from using her powers, issuing a decree that her magic will be taken if she loses her virginity. Though she is now labeled a heretic, Maria adamantly refuses to heed Michael's warning and continues to disrupt the war between the two nations. But as the Church begins plotting to take away the witch's power and put a stop to Maria's interference once and for all, her peacemaking may soon come to an end.

[Written by MAL Rewrite]

Maria Main

Kanemoto, Hisako Japanese

Ezekiel Main

Hanazawa, Kana Japanese

Joseph Main

Ono, Kensho Japanese

Michael Supporting

Inoue, Kikuko Japanese

Viv Supporting

Noto, Mamiko Japanese

Artemis Supporting

Hikasa, Youko Japanese

Bernard Supporting

Sakurai, Takahiro Japanese

Edwina Supporting

Uchiyama, Yumi Japanese

Priapos Supporting

Komatsu, Mikako Japanese

Garfa Supporting

Ono, Yuuki Japanese

Cook, Justin Producer

Kisara, Youhei Producer

Shimizu, Norie Producer

Nishimura, Tomoyasu Producer

Reviews

Mar 30, 2015

Lancehot

Recommended

TL;DR: An enjoyable fantasy adventure that suffers from an increasingly bad clash between theme & tone as it tries to go from bawdy comedy, to a more serious drama, to a Disney happy ending in the space of twelve episodes. Worth watching, none the less.

Maria the Virgin Witch is an interesting little show. A ecchi, bawdy sex comedy set in France during the 100 Years War that explores issues of war, morality, theology, gender politics, societal values & other quite heavy topics, all through the prism of a teenage girl who wears a swimsuit crossed with a blacksmith apron. That it tries to do so ... is laudable. That it manages to do so well is more debatable. (review contains spoilers, I'm afraid)

Medieval France, probably the early - mid 15th century, is a land riven by war. The English & French ravage the land as they fight battle after battle in the hope of conquering or defending the land. Or at least they would, if it wasn't for the intervention of one little witch who doesn't take to kindly to people killing each other in her neck of the woods. Said witch is Maria, who unlike her kindred witches doesn't care to simply sit in the shadows & try to manipulate things from behind the scenes, but prefers to just rush in atop her broom (or pitchfork, as she rather charmingly rides instead) & deal with the problem by summing a giant snake to chase the combatants away.

It's not all done of a whim, of course. Beyond merely not liking war, Maria has a personal reason for her interventions. There's the little girl Anne, who lives in a nearby village that reveres Maria for her witch medicines & whose father periodically get's called up to fight. There's also Joseph, squire to the local count Guillaume, who Maria takes a liking to after he comes to her asking her favour in the upcoming battle. Armed with the stubborn certainty that they know how the world is & how to make it right that only a teenager possesses, Maria flies off all powers blazing whenever she feels the need arises, & it soon gets her the attention of forces both temporal & spiritual that don't appreciate her hands on interference in things.

Maria the Teenage Witch starts out strongly. While starting seemingly with all the high minded naivety that young adult literature is often full of. She's a teenager who doesn't care how adults do things & thinks she knows how the world is, but put her in a room with a boy & suddenly it's all blushes & awkward gasps mixed with a childish curiosity about the birds & the bees. The chasteness & naivety of girls is often placed on a pedestal in anime & other media, but Maria doesn't go for that, at least at first.

Maria's mental & physical virginity are played against a world where they quickly seem naive & narrow minded. Her interventions in the battles are followed by combatants not simply cheering for her saving them, but cursing her for getting in the way, either of a decisive victory or simply of getting paid (no battle, no battle pay). Unlike Maria, the other witches & her succubus familiar Artemis are no strangers to the world of sex & they mercilessly tease her for her ignorance of such pleasures; which Maria is both grossed out & intregied by. The Christian church that Maria soon comes into conflict with is likewise not depicted monolithically. Clergy call for the persecution of Maria as a heretic yet engage in heretical practices themselves. Brother Bernard, the shows overall antagonist, is a man both well versed in scripture but also more than happy to be flexible with his theology if it gets results.

At first, all this is interspersed with a lot of bawdy humour. An early tryst involves Maria trying to use her familiar Artemis to seduce some English clergymen, only to discover that their homosexuality makes her unable to do so. This should be a simple case of summoning a male familiar, which Maria promptly does. Unfortunately for her & newly summoned Priapus, she doesn't know what a naked man looks like, resulting in Priapus being formed without a rather integral appendage for an incubus. Many a dick joke ensues. Sabrina the Virgin Witch does a pretty good job of keeping the humour blue without resorting to offensive stereotyping or the usual anime standards of boob grabs & bath scenes. In fact the shows sex humour is about as "mature" as any anime I've seen, if such humour can be considered mature.

The show also has an interesting spiritual cosmology. From the outset & throughout, Maria's world is one where all religions & supernatural beings can exist so long as humans have reason to believe in them. God sits above the clouds, watching the world from a distance & unconnected to the human church that proselytes in His name. He's the number one deity in town, but only by virtue of having the most believers. Valkyries watch over the battles, awaiting the souls of dead warriors. Maria is occasionally visited by a nebulous form that calls itself Cernunnos, the remains of an old deity now all but forgotten by humans.

In some ways it resembles the cosmology of Terry Prachetts Discworld, where supernatural beings can come in & out of existence if enough people believe in their power (though sadly there is no Eater of Socks). In this world, Maria stands out not so much for being a supernatural being, but for being one that still chooses to actively involve herself in the day to day life of humans, whereas most others have for various reasons retreated into the shadows, so to speak.

However, as the story progresses the themes & tone presented in the first part of the series start to clash with the way things develop. After having enough of her multiple refusals to listen to heaven's commands, the archangel Michael descends to strike down Maria & restore balance to the "natural law" of the world. Swayed by the last moment intervention of Anne & Joseph, who attacks Michael to defend Maria, Michael instead places a curse on Maria: that she will be able to keep her witch's powers, but only so long as she's still a virgin.

For much of the show this curse isn't much of an issue. Maria continues to act like nothing's happened (coz ain't no fool gonna tell her what's right & wrong), heaven continues to be pissed off at her & the show continues to explore its themes in the same enjoyable way. This apparent disconnect, however, between the tone of the show as a bawdy comedy where Maria's virginity (& by extension her naivity) are the butt of jokes & her virginity now being the only thing that lets her keep her witch's powers becomes more of an issue as the show draws to a conclusion.

The problems really start with Maria the Vacuum Switch when it starts to transition from a bawdy comedy to a more serious drama. Maria's worldview shifts from a thing of mockery to increasingly being held up as an ideal way of thinking as the show progresses. There's nothing wrong with wanting a world without wars or where you can be who you are (a witch, for example) & live life free of harassment from others telling you what to think & do. Indeed, those are admirable aspirations. However, Maria's means of attaining her goals often feel like they conflict with those goals themselves.

Take not wanting wars or people to die in them. The cause is noble & indeed Maria is not the only person pursuing it. The problem is that her actions, intervening in battles often long after the killing has started but before a decisive victory can be attained, have the opposite effect. Yes, count Guillierne's repeated exaltation that the next battle will be the decisive victory to win the war can be seen as mocking that type of thinking that so often proves foolish & costly (how many battles in World War One were meant to be the one to end the war, for example?). But the only reason none of the battles can be that decisive one is because Maria, in the name of ending war, keeps interfering. It doesn't help that the actual 1453 Battle of Castillon is considered to have been exactly the decisive victory to end the war (or at least the fighting part of it) that the show seems to be dismissing the idea of.

Indeed a lot of the subjects Maria raises are not nearly as simple as it ends up wanting to portray them as, or their ultimate conclusion raises as many problematic questions as it answers. One of the more controversial elements of Maria comes when Bernard gets wind of Maria's virginity curse. Despite the plan he concocts going against pretty much every idea of Christianity, he uses this knowledge to conspire with count Gillierne & the mercenary Galfa to rape Maria. After all, Michael's curse never specified how she was to lose her virginity.

This is obviously a very hard subject to handle in a way that isn't grossly offensive & crass, & to Maria the Sturgeon Fish's credit it manages to do so. The problem comes more in how after the act, or rather Galfa's failure to fully go through with it, Maria's loss of power is portrayed. After Galfa's attack, she still loses her power, implying that even without actually being "raped" Maria still has, or feels she has been sullied to the point of losing at least the appearance of her virginity, & hence she loses the appearance of being a witch.

Even this isn't a problem in itself. Plot-wise It allows for her & Bernard to finally come face to face & also for her to reflect on what she values in life that would make it worth fighting for. Thematically, the idea that merely the appearance of her having lost her virginity being enough to cause her to lose her powers is an interesting reflection on the nature of virginity itself & how it's viewed in society. After all, when people talk about things being "virginal" they often mean a lot more than simply it not having had penetrative vaginal sex.

It's only when the show changes gears & goes for an almost Disney fairytale finale that the problem with all this, in my mind at least, rears it's head. You see, Maria doesn't get her powers back because she comes to some self-realisation that Galfa's attack didn't actually take her powers or her virginity. She gets them back because Joseph asks her to marry her. Yes, all is well in the world & balance is restored because the boy she liked still liked her, her supernatural abilities returned because a guy still thinks she's cute. I understand why the show goes for the happy ending it does, but it's execution does not mesh well with the themes the show explores up to that point.

Bernard as the antagonist is a further example. His almost Machiavellian approach to theology is rightly decried by the show as hypocritical & wrong. His exploitation of his position in the church to pursue temporal, family agendas is made to look all the worse when it is shown how much of an influence he has on the mind of his underling, Gilbert, who sees Bernard as a well read & enlightened theologian. That Bernard would misuse such an individuals faith in him is shown as part of his bad character & why he is the shows antagonist, & rightly so.

However, when it comes to confronting Bernard with this, the show stumbles on at least two key occasions. First is the occasion Bernard & Maria finally face off against each other. Bernard wants to understand the mindset of a woman who seems to eager to intervene in worldly affairs despite the obvious negative consequences she suffers when doing so. When she challenges his beliefs, he has a moment of almost existential crisis trying to rationalize his faith in the face of her world view. The writer had clearly done their homework, since he lists off a number of theological treatise in the process of this. Unfortunately, the actual dialogue between them is laughably clumsy, boiling down to Maria putting on a pouty teenager face & saying "whatever, man. You're just a sheep, man. God being everything is the same as being nothing, man. I've got this book by Nietchzhe you should read, man." The Diet of Worms this most certainly was not.

The second occurs again when the show is trying to have it's Disney ending & Bernard is finally punished for his misdeeds. The problem is not that he is, but when & how he is. Gilbert confronts Bernard about his apparent hypocritical stance on Maria, only for Bernard to reveal that thanks to his exchange with her, he is working on a new thesis that argues man no longer needs the divine grace of God to either be holy or to worship Him. In effect, he's arguing for a rather humanistic interpretation of religion, one where God is still at the top but not one where humans cannot understand anything about the world except by God's grace.

No sooner has he come to this realization, then the archangel Michael turns up in the flesh to once again throw Bernard's world view into chaos, causing him to attack Michael & be turned to ash. As if that wasn't enough, the last thing we see Gilbert doing is burning Bernards texts. For a show that seemed to be taking quite a humanistic & relativistic view of religion at the start, it seems odd that it would end in a way that reinforces orthodox church doctrine (Gilbert is very much in the burn all the witches camp throughout), not least because in this period in history the Catholic church was happily burning & killing Cathars, Waldesians, Hussites & other heretics for daring to utter similar heretical ideas. Again, it feels like the show discards a lot of the more difficult subjects it tried to wrestle with for the sake of it's happy ending, & it doesn't sit well for me that it did so.

Beyond the story, though, there's still plenty to like about Maria the Prison Snitch. The relationships & interactions between the many characters are enjoyable to watch & for a show with quite a decently sized ensemble cast, it does a good job of fleshing out the characters enough that we care about them, or at least care to dislike them.

The art, particularly the character designs of the witches & their familiers, is all of a decent standard & never noticeably went off model or deteriorated in quality. One might find the ecchi minded wardrobe, paticularly of Maria & Artemis, to feel like it becomes more out of place as the show gets more serious, but it's not much of an issue.

Likewise the animation, while this isn't the most high octane of shows, remained up to task throughout. The magic powers all look suitably impressive & things such as monsters being summoned out of cauldrons are well put together. The battles between the French & English themselves are not the most exciting affairs, but when an individual character needs to be shown in danger or the like, the show is up to the task.

Finally the music is again perfectly fine for the show. None of it really stands out, except perhaps for how the end credit song reminded me a bit of Spice & Wolf (not entirely sure why). But by the same token none of the music in the show felt out of place or wrong for any scene in which its used.

Maria the Fremen Witch, then, is a show that is both laudable for what it tries to do but not above criticism for where it fails to do so. The first half or so is a very enjoyable bawdy comedy that still manages to raise & discuss some interesting subjects whose exploration is well suited to the medieval fantasy the show takes place in. However, I feel the show suffers for trying to take things in a more serious direction in the second half, only to then try & try up everything with a happy ending that, while one certainly feels Maria deserves it, feels tonally inconsistent with what came before. None the less, Maria the Virgin Witch is ultimately an enjoyable series that at least tries to be more than just another ecchi comedy, & for that alone it is worthy of note.

Reviewer’s Rating: 7

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Mar 28, 2015

Lord_Rutsah

Mixed Feelings

One of the things I hate most is when media decides to give a happy ending to complete tragedies. Honestly I find it disappointing and almost treacherous to the good writing that led to it.

Maria is a pacifist witch, who lives in medieval times, when countless wars are done in the name of the (green) god. Using her magic and her succubus servant, she keeps interrupting skirmishes, battles, campaigns, and pretty much pisses off EVERYONE, including angels who want to see souls heading to Valhalla. In the end Archangel Michael beats her and puts a curse on her, so that when she loses her virginity ... she will also lose her magic. That may have a miscalculation on his part though, since despite Maria dressing as a complete slut, she is having real trouble with the guys (you figure that one out).

The plot gets further complicated with betrayals, assassination attempts, the conflicted moral issues of both Maria and the guy she likes, who has to serve a corrupt war-thirsty feud lord, and is friends with a mercenary. Sooner or later, because of Maria's unexplained passion for pacifism, everyone ends up getting hurt or traumatized. That may sound hardcore and all, but there are two big problems: 1)Everytime we're about to see some enjoyable looting, butchery and mayhem, Maria ends up interrupting it with her plot powers, pissing off the viewer as well, and making her completely unlikeable despite the show trying to present her as a tragic heroine. Honestly if I had so much power the last thing I would do is be a pacifist. 2)I won't spoil it, but the series just had to have a happy ending. That is already an insult to the many hardships the characters went through, but considering Maria, after being terribly tortured and betrayed doesn't have a single psychological trauma left, it's simply retarded. It reminds me of the crap I had to through after the first 12 minutes of Kotoura-san. Come on story writers! You can't have them being that much tortured and then pulling off a "and they lived happily ever after"! It does not compute!

Honestly a big disappointment, also not really a fan of Maria's character design, including both the clothes choice and her face.

Reviewer’s Rating: 5

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Apr 13, 2015

Flawfinder

Not Recommended

I always feel like I’m stepping into gangster territory whenever I bring up my opinions on fictional products about soldiers and anti-war themes. Yeah I know that not even the fans like everything about Full Metal Jacket, but that doesn’t change the feeling that if I ever admitted that it was the film that cemented my hatred for the genre in public, I’ll have more holes put into me than Sergeant Hartman did after he realized that being an asshole can backfire on you massively. Not to mention, what can one possibly say about the products from that genre even if you are a fan? ... It has tanks? It has blood? War is rough? This actor captures the grittiness so well? I mean I like my share of martial arts movies, but trying to say something new amongst every single Jackie Chan film just isn’t worth it.

Anyways, the point is that I can enjoy anti-war stuff if they do something differently other than saying how awful it is – which is a theme I’m very against because not only is that message filled with so much “duh” you can run around with a giant bag of it and be mistaken for a bank robber, it’s completely pointless to say something like that. War ain’t going to change just because of a movie, let alone an anime, you know. And it also doesn’t help that I find soldiers to be some of the most annoying characters in existence what with their irritating jargon and hardcore behavior that comes off like a little kid thinking that cursing makes you more mature. So I wasn’t exactly hyped when I found out the director of Planetes combined with the writer of Moyashimon was bringing out a story set in the Hundred Years’ War and that the main character is basically a lewd version of Nausicaa. But hey, maybe just like Nausicaa, this anime will do enough with the formula that it’ll actually click with me?

Well after finishing the anime, you’ll be pleased to know that Maria the Virgin Witch does some things differently with the anti-war formula. It just doesn’t do enough things differently with the formula, and a bunch of the differences aren’t even for the better – mostly due to the fact that its lead character is pretty much a female version of Vash the Stampede from Trigun. Because, y’know, the original Vash wasn’t stupid enough.

The story is centered on a witch named Maria (of course) who lives in small hut on the outskirts of the Hundred Years’ War – which I’m not really familiar with beyond the fact that it lasted 106 years, so I’m not going to go into the specifics of it and I don’t think it really affects the anime too much anyways. As expected from a female Vash – if Vash used witchcraft rather than guns – she hates violence and whenever battles happen around her area, she jumps on her broom, flies off to the carnage, and sics giant monsters on the armies in order to scare them away without actually killing them. During her exploits, she falls in love with a soldier named Joseph, befriends a small group of villagers who think she’s cool because of what she’s doing, and incites the wrath of a church who wants to see her hanged for her transgressions. Oh, and she also calls upon the judgment of the heavens in the form of Lord Michael and an Ezekiel who obviously has no relation to the original prophet because this anime portrays said figure as a whiny little girl who conforms towards Maria’s way of thinking really easily. It’s like discovering that the scary Oyashiro-sama is actually an annoying moeblob who goes hauu~ all the time.

Whilst it is obviously not stating that war is a good thing, a good chunk of what Maria the Virgin Witch is about are the compromises between the different factions and what they stand to gain or lose from the conflict – and there you have my reason for paying attention to the show. Because it wants to be a modern-day Nausicaa/Princess Mononoke, and I’ll gladly support an anime that flies that same flag as some of my favorite anime films if it can pull it off well. Which would have helped if Maria, y’know, actually had the ability to pull it off well and not sabotage that message by making “Maria-Sue” out to be more of a Jesus-Dalai Lama-Christ than Nausicaa can only dream of being. And it doesn’t exactly help that she turns into a lame blushing school girl whenever someone so much as mentions the idea of sex to her. There’s being naive and then there’s being someone I can’t take seriously.

I obviously have no problems with pacifism and wanting to avoid war altogether, but I really can’t stand it when it’s portrayed so one-sidedly by fiction in general, let alone these types of stories. And it doesn’t exactly help that whilst she’s not as obnoxious as Vash in terms of personality, Maria lacks the compelling reasons and supporting cast that at least tried to make his adherence to that pacifistic philosophy tragic, even if it ended up failing kinda horribly because his way of thinking ultimately won out in the end. There are only three important characters who oppose her, and they’re portrayed as the villains, so it’s hard to really say they lend much weight to the discussion. Everyone else supports her thoroughly, and even Ezekiel ends up conforming to the Church of Maria after a single episode of getting to know her. The show just gets ridiculously one-sided with what should be a multi-faceted issue that it felt less like I was watching a narrative and more like I was watching author propaganda disguised as shitty fanfiction.

To be fair, the show does try to make Maria face up to her own philosophies. I say “try”, not “do”, because it doesn’t succeed very well. Around the halfway point, without getting to spoiler-y, Maria pulls off a lighter-version of the turning point in Spec Ops: The Line by pulling out the big guns during a major battle in order to save her love, and not only do the heavens punish her for it, but her actions end up making the war worse and causing a bunch of dicks to go after her in the process. But whilst I’m not asking Maria to go the same path as Spec Ops: The Line given how even the most adult of anime wouldn’t dare follow that route since there still has to be enough that’s “fun” to watch, the show doesn’t punish her enough for my taste. She goes through a lot of physical punishment sure, but there’s not much in the way of inner turmoil – even if you compare it to something more kid-friendly like Kiki’s Delivery Service – and it doesn’t help that a lot of her friends still think that what she did was right after all that. Not to mention, the show pulls a Little Mermaid (the Disney film) at the end, which I found insulting in that movie and I find kinda more insulting in this show due to the heavy subject matter of the material along with it f*cking up worse than Trigun did with its final episode.

I’m not going to spoil the details of what actually happened, but after being subjected to its teeth-grinding awfulness, I hunted around for people who liked said ending in the hopes of finding a good justification for why the show went that route, and none of them were able to give me a satisfying answer. The biggest thing people seem to agree on is the fact that Maria’s viewpoint won out in the end with the only thing that changed about her being how she went about it, which might have worked if said change was major and there were some interesting characters to counterbalance her views. Unfortunately, she just traded in one form of happiness for a “different but equal” form of happiness, the people who opposed her lose out in the end, and the reasoning was more stupid than a mime trying to fit in with the Crips. But who cares about ambiguity? Who cares if she ends up solving the final conflict with the same logic that got her in trouble in the first place? Who cares if that ending is the equivalent of celebrating the lowering of your high blood sugar by eating a whole strawberry cheesecake? She’s cute, and that’s good enough for us.

Maria the Virgin Witch is good on an aesthetic level considering it’s Goro Taniguchi working with Production IG, and a lot of effort has been putting into capturing the feel of the time period this show takes place in along with portraying the religious aspects accurately if you ignore the fact that they’ve been “anime-upped” a little (although a certain religious colleague of mine would say otherwise). But even that doesn’t pay off as well as it should. The battles are mostly boring to look at, the animation takes a huge dip during the penultimate episode, and the final climax is just a bunch of talking heads. All in all, Maria not only does not come close to the level of Nausicaa, but it goes so far in the opposite direction that it caused me to get annoyed with it at the end. It’s not unpleasant on the surface, and I guess if you don’t think too hard about the show it’s not a bad watch. Just don’t expect me to be on your side, because as much as I like the dude, I am physically incapable of enjoying the kind of stories that would make Winnie the Pooh happy.

Reviewer’s Rating: 4

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