Houkago no Pleiades (TV)

The sky is the limit in Houkago no Pleiades. With telescope in hand, Subaru is set to go to the observation room of her school in order to get a view of that night's meteor shower. What she least expects is that behind the observatory door was not the starry skies, but a lavish garden, complete with a resplendent fountain and a mysterious young boy with long red hair.

But the garden soon disappeared, as if Subaru was only imagining things. All that remains of that brilliant sight is an odd, bouncing blob creature that leads her to another magical door, occupied by other girls in magical witch-like costumes. Revelations start hitting Subaru one after the other: one of the girls in the room is her childhood friend Aoi, the little blob is actually an alien of a species called the Pleiadians trying to return home, and Subaru has been selected by him to become the newest member of their group!

Now Subaru's dreams of the stars have come true in the wildest way, as she and her friends attempt to gather pieces of the Pleiadian spacecraft engine to return the being to his home. But they're not the only ones after the engine parts, and they have no idea why!

Subaru Main

Takamori, Natsumi Japanese

Aoi Main

Ohashi, Ayuru Japanese

Nanako Main

Fujita, Saki Japanese

Hikaru Main

Makino, Yui Japanese

Itsuki Main

Tateno, Kanako Japanese

Minato Supporting

Kuwashima, Houko Japanese

Subaru's Father Supporting

Katou, Masayuki Japanese

Subaru's Mother Supporting

Satou, Rina Japanese

Rin Supporting

Ozawa, Ari Japanese

Elnath Supporting

Horie, Yui Japanese

Fukuda, Jun Producer

Yamazaki, Fumiki Producer

Hara, Hirokazu Producer

Okada, Akihiko Producer

Reviews

Jun 28, 2015

McRib

Recommended

Fuji Heavy Industries is a well known Japanese conglomerate company in which they produce everything from planes down to their most notable product, automobiles. Their Subaru brand has created quirky vehicles for more than 60 years and has seen record breaking success in the last decade. Thanks to catchy advertising that caters to former yuppies with growing families and a portfolio of safe and reliable vehicles such as the Forester, Outback, and Impreza they have broken internal sales records for more than half a decade. With such success, experiments are soon to follow. Houkago no Pleiades is the perfect example of this. It was a ... magical girl show funded by Subaru and produced by the animation studio Gainax during the Spring 2015 anime season. There was a previous set of ONAs which aired online back in 2011 when this project first came to fruition as nothing more than an advertisement. Regardless, this was an unusual partnership considering the fact that Gainax has been largely irrelevant this decade and that Subaru funding a magical girl anime seems a bit out of place. However, the results are rather interesting considering the subject matter and the story that it portrays. What is the most striking thing about this show is that it was not a shameless advertisement like many would expect, it featured a cohesive story with likable characters and an overall goal and purpose. Something that is relatively rare in terms of directly sponsored anime.

In regards to the story, Houkago no Pleiades follows a rather typical magical girl theme with a rather unique backdrop. The plot revolves around a group of girls in an after school club who are trying to help an alien from the Pleiades star cluster go home. For those of you who are unaware, Subaru is the Japanese name for the Pleiades star cluster and is the logo for Subaru automobiles which obviously makes the alien's home a fitting choice. With this, the main cast travels through both space in time on their magical “drive shafts” which feature the typical throb and rumble of a boxer engine, the trademark engine type used by Subaru. The story itself makes you really question what is reality and brings in many hard science ideas such as theoretical physics, time travel, and multiple universes. If this story was not planned out years prior, one could argue that it was heavily influenced by Christopher Nolan's “Interstellar” which featured many of the same ideas. So “Bravo Gainax” for creating such an interesting story to back up your Subaru sponsored advertisement.

The art for Houkago no Pleiades is incredibly well done and thought out. There are incredible backdrops in the space scenes and the main and supporting cast has colorful and well designed outfits. The drive shafts which the characters fly on are also well designed since they feature grills from the previous generation Subaru vehicles that were sold back when the original designs were created back in 2010 – 2011. There are also some interesting cameos of new Subaru vehicles which pop up throughout the show which will entertain a car enthusiast who watches this show. The color palate is also well done and fits great with the theme of the show. For a magical girl show, everything should be vibrant which Gainax certainly delivers upon. The CG when used is also mostly okay, but CG itself has gotten significantly better over the years and it has become not as jarring when you see it mixed with 2D animation which Gainax does an acceptable job with. That being said, there are no glaring issues with the art overall.

As for the sound, it was unique to say the least. In terms of human characters, their voice acting was perfectly adequate. The voice actresses for the main cast are relatively unknown in the industry so it was refreshing in a sense to hear new voices while many of the supporting cast were easily recognizable veterans. Going into the cast itself, they were all well written and played their respective parts just fine. The show did go in a different direction than many fans may have wanted in the last episode, but they can put their goggles on for another show. Regardless, the characters were nothing truly outstanding and will most likely be largely forgotten as time goes on unlike some characters in magical girl anime. What did steal the show though were the sounds of the drive shafts which featured sounds from various Subaru engines. If you had a discerning ear you could pick out the rumble and burble of the unequal length headers of an EJ257 along with the smooth mechanical sounding FA20DIT. Both of which are engines that are used currently in the STI and WRX respectively. Once again, if you are an auto enthusiast you will certainly find it entertaining to hear the burble of a turbocharged flat four engine in your cute magical girl show.

When it comes down to my overall enjoyment, I must say that I am completely pleased with this show. It was one of the shows that I was looking forward to the most in 2015 due to the fact that I am a long time Subaru enthusiast and a flat brimmed hat and Ray Ban sunglasses wearing boy racer who drives a WRX. This show checked off all of the boxes for what entertains me, if you want to bring up pandering to a certain audience I would certainly be their ideal person. However, outside of car enthusiasts I really fail to see many of the aspects in this show really meaning much. If their goal was to paint the Subaru brand in a comfy and cozy light among otaku who watch late night anime, they certainly hit their mark. However, that may not be the best place to market things which leads us to the elephant in the room, the studio. This is most likely Gainax's swan song, it has been reported that they have not been working on any other new projects. For a studio that brought us such iconic anime like Neon Genesis Evangelion and Gurren Lagann it is depressing to see them go out like this. I hope that the relative success of Houkago no Pleiades may bring some life into their studio after they lost the majority of their talent to both studio Khara and TRIGGER. That being said , it is difficult to truly recommend this show to many people, mainly newer anime viewers. It goes between several different genres and brings up many ideas that are difficult to combine together. The story itself is cohesive, but it still feels quite odd considering the magical girl backdrop. It feels more like a hard sci-fi show that should be a bit more serious and feature characters other than a group of girls in an after-school club. In the end, it comes off as being an enjoyable, but still flawed show with some questionable choices with the story. If you are a fan magical girl shows, science fiction, and cars – this is the show for you, it will certainly not disappoint in that regard.

Reviewer’s Rating: 7

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Jan 11, 2016

Firechick12012

Mixed Feelings

When the four episode ONA of this came out in 2010, I thought it was cute and had potential to be a great TV series. The ONA itself wasn't bad, but it could have been better. My wish for a TV series was granted. Unfortunately...my expectations were too high, and the show is a mess, not just in its storytelling, but in the execution as well. Which is a darn shame, because there is potential for a genuinely good show in there. In a way, the show IS good. But there's just so many problems it has that hold it back from being truly great. ... I don't want to hate this, and I still don't. As much as there are things that I liked, I can't deny that it has major problems that seriously need to be addressed.

Four girls are recruited by a mysterious, jelly shaped alien to become magical girls and retrieve candy-shaped engine fragments so he can fix his crashed ship and return home. But the girls have to deal with their own problems as well, such as family problems, friendship issues, and their own conflicting desires. It doesn't help that there's a mysterious magical boy with red hair who wants the engine fragments for himself, for reasons he doesn't want the girls to know. But Subaru, the obligatory pink haired main character, becomes friends with a boy who happens to look and sound a lot like him, but she can only see him in some magic garden that only she has access to. Their fates are all intertwined, and the search for engine fragments turns out to be just one of their missions.

I wish I was lying, but I'm not. Usually in magical girl anime, the fairy mascot recruits girls from the same area or even the same school so they can become magical girls. Here? They don't explain it in layman's terms, as the president, the jelly-like alien, speaks entirely in squeaks and star-related technobabble that non-science and non-astronomy buffs absolutely cannot understand. I had to go to TVTropes just to get clarification on how he recruited them: as it turns out, the girls were all yanked from different timelines into the present day, all from different universes. One: how does that even BEGIN to make sense? How does the president have that kind of power? They never explain it! Two: Why not just do it the easy way by recruiting all the girls in the current timeline? Yanking them out from different timelines just makes everything far more complicated than it should, and it makes for utterly pointless drama (evident in episode seven with Aoi and Subaru).

While the anime does make a valiant effort to give the characters personalities and backstories, in the end they're all still rather one-dimensional. They're not bad, but they don't change throughout the series, even though change is a very important theme in the anime. Any backstories they do have are still relatively forced and melodramatic, they still don't develop, and Subaru and Aoi in particular got into some kind of fight before the events of the series and the way the show tries to explain it makes it come off as extremely cryptic. Not only that, neither of them even did anything to even warrant still being at odds at each other despite the show telling us that they have, and what problems they do have aren't even remotely substantial. It just comes off as being a non-problem at worst, and the show really could have been so much better had they either cut this out or improved upon it. Heck, I could try doing it better! The only characters worth caring about are Nanako and the main villain, both of their backstories being good and believable, even if it's a bit contrived in the latter's case. The main villain of the series is great and isn't out to take over the world, nor does he want to steal fragments just to be evil. Just watch the show and you'll see. Also...apparently in Hikaru's focus episode, the girls end up going to the moon, yet for SOME unexplained reason, they suddenly go on and on about nothing but food! Not only did that feel completely forced in and out of place, but it completely detracted from the show's intentions and the fact that it was Hikaru's focus episode, so to have the girls suddenly gush about food while they're in the middle of an important mission just makes me think the creators were trying too hard to make them into ditzy food loving girls for no reason.

To the show's credit, there are things it does right. The animation is very good, especially in regards to space and the stars, and although there were some CGI renditions of the girls in early episodes, Gainax realized how stupid they looked and chucked them near the end. The soundtrack is very good as well, with a decent combination of piano pieces and orchestral melodies that really fit the atmosphere of the show. The voice acting is relatively decent, even if Subaru, Hikaru, and the president can come off as shrill sometimes. Also...apparently this anime was made in order to promote Subaru cars. But you wouldn't know that by watching the show, because unlike other marketing properties such as Pokemon, Pretty Cure, etc. there aren't any Subaru cars in the show, nor does it let any form of marketing interfere with the story. In fact, the creators focus solely on the story and the characters rather than just making a show to sell cars, which is the best way to go when making a form of media to sell products. That way, the show doesn't come off as a cheap, 30-minute commercial to sell cars. An anime called One Off tried to do the same, but it was just terrible in its execution and everything else, so Pleiades fares better here. It also helps that unlike most magical girl shows, the transforming items are pretty unique, their weapons are great, the girls actually have to work together in order to collect the fragments, the villain isn't a cliche take-over-the-world kinda guy, there's no cheesy catchphrases, no ridiculous hair or anything like that, and it isn't so sugary sweet that it makes you want to vomit. It knows what it wants and even though it slacks off a bit at times, it doesn't lose sight of its goal.

While it's not a perfect show, and it does have flaws that hold it back from being truly good, it's still a nice little magical girl anime that deserves a viewing.

Reviewer’s Rating: 6

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Sep 6, 2015

BanjoTheBear

Not Recommended

(This has been adapted from my blog/reddit thread. Spoilers ahead!)

As a kid in elementary school, I remember a special event that only happened about once a year. Our class would line up, head down the halls, and into the gymnasium where the “star globe” would be set up in all its glory. The star globe was a big, inflatable, silver dome that, once filled with air, could be crawled into (it was rather big). My fellow classmates and I, upon going inside, could see only darkness. That is, until the rotating fixture in the middle was turned on. Then, we were able to see, much ... to our wonderment, lights and constellations filling the ceiling, rotating slowly about us. At the time, I took for granted the knowledge and beauty that such a contraption provided – I saw this merely as an opportunity to escape our everyday work. Today, I have come to appreciate “the final frontier” and the phenomenon it holds, believing that our existence among the infinite mass of stars is incredibly special. Houkago no Pleiades will definitely make you wish upon the stars for something: for it to end as quickly as possible.

STORY

Houkago no Pleiades stars (pun intended) Subaru, a young girl who is fascinated by the field of astronomy. One night, she witnesses a brightly shining star, causing her, Aoi, Nanako, Itsuki, and Hikaru to gain magical powers. The purpose: to aid a little alien in collecting his engine fragments, so he and his people can travel once more.

The title of an anime is more important than people might realize. Many shows simply describe exactly what will be found beyond the words, while others manage to be a clever twist that symbolizes a specific aspect. Regardless of its design, the title for a show becomes the “face” of the anime, used to distinguish it from its brethren and to allow people to understand what it will offer. So, in this instance, what does “Wish Upon the Pleiades” describe about the show and its overall goals? The key part is knowing what a “Pleiades” is or, more correctly, what the Pleiades is.

The Pleiades is a set of stars that is distinct for two reasons: its brightness and its namesake. The former has allowed it to be viewed by people all over the world, creating various interpretations and connotations depending on the environment in which it is viewed from. In this sense, it is an entity that connects people together despite the cultural differences that exist. Houkago no Pleiades attempts to explore this idea, but it does so in as minimal a way as possible. The anime introduces the concept of interconnected destinies, the “threads of fate” that cross, weave, and bend in separate and in unison patterns, but at the end only, not throughout the experience. It comes in the form of a single scene and exchange of dialogue, as a literal last-minute attempt to unify the events held prior to it. It is lazy because the show is trying to give its narrative meaning where there had been none previously. Now, the anime did have some setup in the form of the group of magical girls. They were from different walks of life, raised in different families, and had different wisdom placed on them, but the anime never expounds on the connections between the group, instead focusing on the individual. This is evident by the show’s tendency to have entire episodes dedicated to a single character.

Even if the final, weak push for a coherent theme is accepted, it is astonishingly and immediately undone. The show concludes by essentially resetting everything to the beginning, as if what transpired actually never had. That means that the theme of connections is lost because they ultimately never existed in the first place. The show tries to say that the ways in which the girls’ journey has affected them will remain after their lives are put back to normal, but it is clear that this is not the case. They are completely different people who know nothing of each other or the time they spent together, destroying any semblance of theme it might have maintained.

Besides the brightness, the Pleiades cluster is also known for its mythological origins. Deriving from Greek legend, Pleione gave birth to seven daughters, known as the seven divine sisters. Considering the cosmic relation of the show and the use of magical (divine) girls as the protagonists, this seems quite relevant to the show’s intentions. Yet, once again, there is a problem: there are not seven sisters (“sister” in this context means “strong bonding”) but five. To be fair, the anime might have extended the logic to include Pleiadaian (the alien) and Minato (the antagonist) into the total. However this does not work, not because one is from another universe and the other is genetically male, but because the anime spends so much effort on reenacting the same set of events. Instead of giving ample time to understand Pleiadaian and Minato, the show constantly has the girls: undergo trouble, chase after a piece of the fragment, and then fight a pointless battle against the villain. Such repetition causes Pleiadian and Minato to feel not like “one of the gang” but instead as outliers – which, coincidentally, continues to go against the theme of connecting with others since these two are effectively ignored. In truth, Minato eventually receives attention, but repetition gives way to convolution when his position is finally given an explanation. The show injects a new idea about latent potentials in people, but like the threads of fate such a motif comes out of nowhere and is not used to benefit or drive the narrative forward. It is simply a glaring flaw that hurts the anime altogether.

In stunning fashion, one does not even have to go beyond Houkago no Pleiades’ title to realize just how broken the show truly is.

ANIMATION

By far the show’s strongest facet is the art and animation that it boasts. Since the show regularly takes place in the near and the far reaches of space, it is able to provide an array of backgrounds and anomalies that captivate. Beautiful explosions of color and dazzling arrangements of lights allow the audience to view the solar system, galaxy, and universe as if it were right in front of us. The same cannot be said for the character designs. Outside of each girl having a signature color – Subaru is pink, Aoi is blue, etc. – Nanako has the only notable design, with her lavender hair that covers half of her face to match the mysterious and cool demeanor she normally gives off.

Actual animation is somewhere slightly above average. The show actually demonstrates a lot of movement due to the girls’ magical capabilities. Flying through the sky, the solar system, and the outer reaches of the galaxy, they dip, dive, and drive on their “brooms” to accomplish their goal for that day. Even when they are not defying the laws of physics, they manage to have facial, hair, and body reactions that keep the animation feeling fluid.

CHARACTERS

As was briefly mentioned, Houkago no Pleiades has about seven notable characters that it works with. However, it makes a fatal error regularly when it does not do much with any them when they do receive some exploration.

This tactic of inspection without impact is most often employed with the main cast, specifically Aoi, Nanako, Itsuki, and Hikaru. The season has each of these girls receiving an episode dedicated to expanding her person. Her background is revealed, her troubles she faced are shown, and her current contrast with her past self – in the present with the other girls – is highlighted to demonstrate the development she has undergone. For example, Itsuki fell from a tree as a child, which caused her brother to get hurt emotionally. Therefore, she began being as selfless as possible, even if that meant going with the flow and foregoing what she wanted to do, because she wished to prevent others from receiving harm from her actions ever again. As a result, the audience witnesses as she gets “bold” (the anime’s words), she takes charge of the situation, and she ultimately discovers that it is okay to be a little selfish from time to time since friends and family will always be there regardless of what happens. Another example is Nanako, who had always been modeled as the odd-one-out, but it becomes more apparent when her past is revealed. As a child, her family split apart, resigning her to loneliness and a feeling of longing. Her loneliness is why she decided to take the three-month trip over everyone; she was already accustomed to being alone, thereby coming to the conclusion that she was best for the job. But that time, with nothing around her but the infinite blackness of space, allowed her to realize the friendships she had made, and that loneliness had left her light years ago. Aoi and Hikaru have the same process applied to them as well, giving what would appear to be a nice set of characters.

However, while the characters get extreme focus, the problem is that it happens in one fell swoop. That is, after the girls, like Itsuki and Nanako, are looked at, they are subsequently never used again. Their “time to shine” has passed, and so has the anime’s attention for them. The other implication: they are given no attention before their one-time focus. The result ends up being long stretches of irrelevancy, with a single, highly relevant moment for the girls mixed somewhere throughout. Their characteristics are there and are used when appropriate, but the events before and after their special backgrounds are explained have almost zero impact, leaving much of the cast with a sense of uselessness during the entirety of the season.

As for Subaru and Minato, their development is arguably even worse. Subaru acts as the supporter. She is not serious, strange, funny, or motherly like the other girls; she is the plain main lead. Her purpose, then, is to unite the group into one conglomerate, because even during the direst of moments, she remains her same, bubbly self. Unfortunately, her supportiveness keeps her on the sidelines right up to the end of the season, where she declares her drive to make Minato happy, which is more of the same. In essence, she comes off as wasted as the other characters because she is never seriously investigated.

And the same can be said for Minato, who for the longest time is shrouded in so much mystery it is a feat that he managed to become even marginally important. His entire existence is designed to make little sense – he has an evil side and a jaded side, depending on if he is seeking an engine fragment or being his regular self, respectively. Similar to Subaru, he acts as her guide, which leads to the same problem she experienced: not enough time given to expound on his character. In other words, for a large chunk of the series, who or what Minato is has no bearing. As the season wraps up, the audience learns of his existential properties, and that his true self is someone he wishes he never was – in a coma, unable to move – with his behavior indicating his passion to fight his fate. But the revelation comes too little, too late, and worse still, the resetting of the narrative effectively puts Minato back into his coma, meaning his character practically regresses when the anime concludes. He is certainly an interesting person, but the anime treats him so carelessly that his message of becoming more than one’s self is figuratively “put to sleep.”

SOUND

The opening theme is filled with guitar, but the singer and the beat do not seem to be on the same page. It is as if the song is trying to be more than what the singer is giving. Both parts work well separately, but they encounter disharmony when unified. The ending theme is composed with each of the girls in mind – considering the various vocalists – as a way to bolster its theme of togetherness. The piece itself is fine, but only the trailing “after school” has any power.

Listening to the rest of the soundtrack, many pieces are whimsical in nature, such as “Hajimari no Melody,” to coincide with the floaty feel of the adventure. Other tracks, like “Engine no Kakera,” adopt weird sound effects whose alien tones fit the space atmosphere nicely. Some, like “Natsukashii Basho” and “Taiji,” demonstrate the OST’s ability to delve into soft and foreboding pieces, respectively. It is an alright collection of songs that fits the show well enough.

Voice acting for Houkago no Pleiades is somewhere around average. No special shout-outs are to be had.

ENJOYMENT

When I think about this series, two main appeals come to mind: magical girls and space. The former does not cut it; the brooms are silly, the comedy is subpar, and the cuteness is minimal. The latter is not as lacking, with its talks on celestial bodies and light speed calculations. It is not super-scientific – hence the magical girls – but there is enough for space buffs to find entertainment in.

Yet there are (coincidentally) two aspects that made it hard for me to even appreciate the information on space: Subaru and the ending. Subaru’s hyper happiness and insufferable inabilities were grating throughout the whole season. I thoroughly disliked her character quite early on when these facets of her personality became known. Combined with her never doing much besides being overly cheerful and her nonexistent development, she will be a character who I will not forget for the wrong reasons. Likewise, the ending is way too nonsensical. Not just in terms of the ideas already discussed, but because it invalidates the entirety of what happened. Everything, from the girls to the story, “starts over,” which left me incredulous. It felt like what I watched did not matter, since the anime appeared to think the same.

Houkago no Pleiades is a massive failure of an anime. It has vibrant art and animation, but the broken narrative, botched characters, and boring music collapse upon itself, generating a black hole of nothingness which prevents not only light but almost anything worthwhile from escaping its clutches. No amount of wishing will change this one’s destiny.

SUMMARY

Story: Terrible, unexplored theme on connectedness, unruly repetition, and unnecessary plot points ruin it all

Animation: Good, captivating art due to space focus, bland character designs besides Nanako, with slightly above average actual animation

Characters: Terrible, irrelevant main cast in Aoi, Nanako, Itsuki, and Hikaru, whereas Subaru and Minato lack the development necessary to consider them purposeful

Sound: Fine, bad OP, okay ED, okay soundtrack, average VA work

Enjoyment: Terrible, the magical girl aspect was weak, and while the space information could have been cool, Subaru’s character and the ridiculous ending are impossible to ignore

Final Score: 2/10

Reviewer’s Rating: 2

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