@Swiggy I had a similar experience. I'm not generally someone to complain about graphical fidelity, but it definitely doesn't help when most characters look the same. There are like 5 people with short haircuts of each hair color that make it hard to differentiate the main cast, let alone the vast and un-named supporting cast. I will eventually get lost and bored and notice Henrietta making a derpy-eyed face again.
Boredom would be my biggest gripe with the season. The entire thing feels like the setup to getting a larger story rolling, but there really is no broader plot or even character arc structure present. Each episode is an emotional vignette that explores a relationship dynamic, establishes character(s), and then does very little with them until much later. It isn't a very rewarding watch compared to something like Texnolyze.
I didn't dislike any characters and will discuss them in pairs. We start with Henrietta and Giuse, the innocent girl in a warzone and the surrogate brother trying to protect her from it. Met with the most gruesome fate in her previous life, becoming a cyborg can only be a step up for her. Giuse lost his little sister, and sees something like a chance at redemption in Henrietta. Her innocence and naivete sparking off his ultimately futile attempts to build a compassionate future set the emotional backdrop for the entire show. This tragic coupling is our frame of reference for each other pairing. Henrietta is quite cute and sweet. Like most non-cyborg characters, Giuse feels useless but has his moments to shine. I assume making the non-cyborg characters feel weak and ineffectual was done intentionally to highlight the hopelessness of their mission. They are essentially powerless to change the events in motion, beyond how the girls feel about them.
Rico and Jean are essentially the opposite. Instead of being killed by her own parents and treated like scum at the end of her life like Henrietta, Rico was a frail bedridden girl whose parents sold her to the government because they couldn't be bothered to care for her anymore. Rico insists that everything is wonderful now that she can move her healthy cyborg body in the absence of her emotionally neglectful and abusive parents. This idea is consistently challenged by Jean off the bat, whose every action is abusive and neglectful to the point of even ignoring her gender. But at the same time, Jean has built Rico into a reliable soldier ready for the harsh cruelty of fate (because she's already treated like a tool every day). There's almost a twisted camaraderie there that Jean dutifully pushes down into the pits of his stomach as soon as it arises. A misery loves company approach, I suppose.
Claes and (War-Vet) challenges this dynamic even more. The veteran initially treats Claes very coldly like any other army recruit. Much akin to a stoic father struggling to connect with his children, they eventually bond in the quiet moments of his later years in cherished privacy. The veteran actually teaches her the most valuable life lessons in her circumstances: those being accepting her fate and learning to enjoy the peaceful tedium of an otherwise painful life. Excessive conditioning destroys her ability to effectively move her body either way. And now much like her hobbled, late-pentagenarian, surrogate grandfather, she limps around as a test subject whilst dispensing nuggets of wisdom to her peers. Perhaps the most interesting thing about her, is that Claes was her original middle name. Kind of a mind-bending choice to make.
The foil to this dynamic is Angelica and Marco. Angelica also received excessive conditioning, partly to improve the brainwashing protocols, but also to counter her perpetual clumsiness. A quiet and studious type like Claes, Angelica also harbors a tendency to project her emotions outward instead of inward. Very emotionally immature and insecure in her weaknesses, she handicaps her strengths. Instead of hobbling her body, the excessive conditioning destroys her mind, mimicking dementia symptoms. This destroys the loving foster-father in Marco, crippling him to the point he can barely interact with Angelica without being eaten by his guilt and misery. And it is very easy to sympathize with his heartbreak, even as he holds onto the children's books he wrote for a dying girl, spending his free time searching shelters for her dog. Both have to come to terms with Angelica's death, which is handled quite beautifully in the ultimate scene.
Excluding the obvious Elsa pair (the true antithesis to love is indifference), we come to the best girl Triela and her handler Hirscher. Hirscher is the typical workaholic dad who failed to notice his teenage daughter grew up, and understands her so little that he still buys her kids toys. They care about each other, but they are seemingly incapable of directly communicating. Triela is the most interesting because she's the most mature and capable, having undergone the procedure later than the other girls. She's also the only one with a uterus, so we can highlight her puberty struggles with period cramps. And she meets her not-real-real-dad that may have (but probably didn't) work for the trafficking ring that initially killed her. Regardless her age brings her the greatest amount of depth as a character, making her more interesting than her peers.
Those relationships are essentially the show itself. They don't really grow or change, so much as we get snapshots into their lives. None of the characters change. There is no overarching narrative. Even when it seems like there might be, the rivalry is extinguished offscreen, an admitted government corruption (CIA-level) scandal is ignored, the political factions obediently simmer down, and the mystery has the most obvious answer-- an answer that seems to haunt noone, least of all the man whose stated goal is to eliminate that department because cyborgs are dangerous and scary...
This show is pretentious, hard-to-follow misery porn for art snobs, yet it can't seem to do any of those pieces particularly well. For what it is, it's still a decent watch. The good bits, the cuteness, the tugs on the heart strings, coupled with the overall atmosphere definitely outweigh the show's negatives. But this doesn't change the fact that this show still fails to accomplish what most slice-of-life series do, while wasting excessive amounts of time discussing classical artists. I can't see myself really rewatching this ever, especially knowing how anticlimactic it will end.
6/10. I'm still a sucker for cute girls and that 90's aesthetic. I did tear up a little at the end, when Angelica finally asked to hear the fairytale one last time. It rides dangerously close to the terrible writing zone, but knows it's characters well enough to coast off of their admittedly limited utility well enough. |