I think this episode was a perfect encapsulation of what pacing like this can do. This arc was full of heart and soul through the writing, Law and Corazon, Kyros and Rebecca, Riku and Kyros, the tragedy of Dressrosa, the toys and Tontatta we met and Franky’s connection with them, Luffy and Rebecca, Violet and her suffering over these years and her efforts to help. I can’t name it all, but this was an arc that had a lot going for it, the fights were some of the peaks for Usopp and Zoro and Luffy in many people’s eyes through the feats they achieved, and if we don’t count Franky because his was a slobberknocker, we can still all agree it’s probably one of his best scenes ever. We had Usopp’s triumphant and hilarious development into the legendary hero Usoland. We had one of my favorite first parts of an arc, the hilarity and chaos of everyone splitting up together, Sanji and Viola, Zoro and Wicca, Kin’emon looking for Kanjuro, Luffy and Franky’s investigation and then later Franky teaming up with soldier-san, not to forget one of my favorite narratives: Green bit. Green bit was thrilling, it was hilarious with Caesar and Usopp, and the standoff of Law, Doflamingo and Fujitora was at least conceptually one of the coolest moments in One Piece for me.
However, I can ramble on about all of these highs, about the chaos and humour and heart and striking moments, some scenes which would be some of my favorites in the series, but like this episode reminded us of them, they also lost their power. Bellamy and Doflamingo and Pica are all great examples of moments that should have been exhilarating but were drawn out over the course of many episodes each to the point of boredom. That’s not even regarding the writing issues I have with Doflamingo. Early on with the colosseum it was one of my least favorite sequences, I’d get frustrated when we went back to it. And whereas the first part ending with Law’s shooting, and the 2nd part with the Palace attack and Sugar knock team as Franky held off the executives and navy were things I had minimal issues with, the final sequence with the birdcage was hard to stomach. I think this arc would have gone far better if we decided to move around the events and finish it off inside the palace when everyone faced Doffy. The pacing and amount of things going on this arc, especially near the end here with the focus on all the contestants and whatever, made it so only the most capable of watchers could remember and care about everything going on. And I watched this daily, not even weekly!
In this way, I think Dressrosa was overly ambitious and Toei didn’t do a great job with it either, adding together to make an arc which had the potential to be one of the best while having some of my favorite moments, but it ended up also having my least favorite moments in the series and a large portion I felt somewhat indifferent to. That’s my final thoughts on Dressrosa, I can’t help but feel neutral to it. I may even want to say slightly negative but I know for a fact that is only because of this ending leaving a bad taste in my mouth.
To compare it to the last two arcs, Fishman Island wasn’t amazing and there were episodes which were a bore since the characters weren’t super engaging, the villains were lacking, but I still had fun with it. It was a sandbox to explore our cast, explore some of our favorite characters and their background; the Sun Pirates and the fishmen, making for an arc which while yes, not amazing, still influenced the way I see the entire world of One Piece. It’s had ramifications that made the series reach new heights in my opinion. Fisher Tiger’s backstory is like my second favorite after Luffy’s and it’s because of how relevant it is.
Punk Hazard on the other hand has become an arc I sincerely love. The chaos and fun of placing so many different parties on one insane island full of insane things and letting them go wild was great by itself. Yet, unlike Dressrosa, the pacing didn’t hurt the wonderful moments. Humour was great but that’s generally a constant so it doesn’t say much. Rather, the character building with Law being characterized as striking and frightening and building a silent camaraderie with Smoker, or likewise the exploration of Kin’emon and his bond with Sanji stand out greatly. The fight with Vergo is one of my favorites in the series, Monet’s is definitely one to write home about. Despite the kids at times being too much, it gave Chopper a leading role alongside Nami with caring for the kids, Usopp showed his courage taking over the control room and converting his enemies to allies, Smoker and Tashigi got their first major role since Alabasta which added to both of their characters. All of which came together for a shockingly heartfelt ending with the death scenes and the phone calls, the party and Momonosuke’s reunion with his dad, and the heartstopping moment when Doflamingo left to reach the island and got fend off by Kuzan. I could go on, there are many different moments I love but that’d be redundant, the point is like above, whereas Dressrosa may have done more than this, the compact nature of so many memorable and good moments makes it stand out.
With that, I can at least say, while I understand the argument for a drop in quality in the manga and in the anime during this period, I do still find something interesting to take out of each of these arcs, even if Dressrosa is oddly enough my least favorite due to these issues.
|