The adults are acting like children and the children are acting like adults. Fancy that.
Oh, and I'm still seeing parallels to 20,000 Leagues even at this stage, it's quite fascinating really. Jean's intellectual relationship with the Captain, the multicultural, unspecific nationality of the crew, the unknown number of crew members, the character obsessed with getting back on land (and eating anything not submarine food), and a couple of other things too. Though, because this is a visual medium and not a novel, it's harder to keep things mysterious, especially things relating to the crew and the ship. It's interesting to see how the show attempts to deal with the adaptation. I must admit though, I'm not sure what to make of this love...triangle I guess? Also, now that I think about it, the novel didn't have any women on board, both among the main cast and as background characters, which makes for some new character dynamics.
I'd also like to highlight the talk between Grandis and Nadia. First, when the hell did Grandis have the right to be an interesting character? She didn't want Blue Water because of its mysterious powers, she just wanted jewels in general. Her backstory was a bit matter-of-fact, though this is me speaking over 20 years after this show was created. Despite that, it still gave an insight into Grandis' character and explained the reason why she's even still sticking around beyond just pure infatuation.
Second, and most importantly, I think I'm starting to finally understand where Nadia's coming from. She was an outsider back on land, and despite being on a submarine full of outcasts, she still feels like an outsider among outsiders. In the novel, Professor Aronnax and his companions were detached from the rest of the enigmatic crew, with the only exception being Professor Aronnax's intellectual pursuits with Captain Nemo. Here, the crew of the Nautilus is portrayed as a ragtag group of adventurers. Captain Nemo too feels different, seeming more stern than bitter and reclusive. These changes allow the whole crew to feel more inviting, warm, and open with our protagonists, with the only issues so far being the unchanging meals and whatever's going on between Grandis and Electra.
And this is where Nadia comes in, who likens civilization itself to the negative aspects of humanity. I don't know what her reasoning is yet, but at this point, it's not important. Instead, I'm paying attention to how she behaves and interacts with the other characters, especially since I just realized that in the novel, Captain Nemo also had a distaste toward the senseless killing of animals. Though, this was only for specific species, as opposed to animals as a whole. He had no sympathy for certain predators, and he'd actively slaughter certain types of sea creatures given the opportunity. He also had no issues about killing animals if it was just to eat them. Given the harshness of the seas, survival was more important than morals, especially since land-based moralities meant very little in the middle of the sea. Translated over to Nadia, we instead have a complete hatred of killing animals, which makes sense assuming Nadia was raised with nature to an extent. It's still odd how she dresses without a mindfulness to modesty given both the anime's 1880s context and her own lack of care towards civility, yet she still gets embarrassed and angry when Jean has perverted thoughts about her.
It might be overthinking her appearance, but regarding the amount of skin she shows on a regular basis, as well as the manner which she ripped up her new outfit for comfort, it may reflect some of her unknown backstory. It could have been a relic of her past life, as well as a visual method of expressing her "wild" characteristics. It could have also been due to her life in the circus, causing her to become accustomed to dressing as she does. This contrasts with the technological basis the show runs on, which makes for some interesting arguments against technology and civilization. This also raises counterarguments for her own lifestyle and moralities, especially given how the manner which Nadia preserves her own beliefs with her kneejerk reactions. It could also just be for fan service reasons and her reactions to killing animals could have just been an attempt at environmentalism, as opposed to character development. Though, again, this is just supposition on my part.
In a way, she has her feet placed in two different worlds, but I'm not entirely sure if it works out right through the narrative. Of course, you have moments like Sanson essentially throwing down a dead Bambi right in front of Nadia. It's a clear setup to get Nadia upset, which feels almost forced given the nice direction her conversation with Grandis was going.
Well, I'll take what I can get, and I do get the loneliness Nadia must be feeling. I'm just wonder what the anime is going to do with this. |