Overlord II

Ainz Ooal Gown, the undead sorcerer formerly known as Momonga, has accepted his place in this new world. Though it bears similarities to his beloved virtual reality game Yggdrasil, it still holds many mysteries which he intends to uncover, by utilizing his power as ruler of the Great Tomb of Nazarick. However, ever since the disastrous brainwashing of one of his subordinates, Ainz has become wary of the impending dangers of the Slane Theocracy, as well as the possible existence of other former Yggdrasil players. Meanwhile, Albedo, Demiurge and the rest of Ainz's loyal guardians set out to prepare for the next step in their campaign: Nazarick's first war…

Overlord II picks up immediately after its prequel, continuing the story of Ainz Ooal Gown, his eclectic army of human-hating guardians, and the many hapless humans affected by the Overlord's arrival.

[Written by MAL Rewrite]

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Background

Overlord adapts novels 4 to 6 of Kugane Maruyama's light novel series of the same name.

Episode Videos

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Related Anime

Adaptation:	Overlord
Prequel:	Overlord
Other:	Overlord: Ple Ple Pleiades 2
Sequel:	Overlord III

More characters

Characters & Voice Actors

Momonga

Main

Hino, Satoshi
Japanese

Albedo

Main

Hara, Yumi
Japanese

Bloodfallen, Shalltear

Supporting

Uesaka, Sumire
Japanese

Gamma, Narberal

Supporting

Numakura, Manami
Japanese

Sebas Tian

Supporting

Chiba, Shigeru
Japanese

Demiurge

Supporting

Katou, Masayuki
Japanese

Zeta, Entoma Vasilissa

Supporting

Shindou, Kei
Japanese

Beta, Lupusregina

Supporting

Komatsu, Mikako
Japanese

Evileye

Supporting

Hanamori, Yumiri
Japanese

CZ2128 Delta

Supporting

Seto, Asami
Japanese

More staff

Staff

Itou, Naoyuki

Director, Episode Director, Storyboard, Key Animation

Gou, Fumiyuki

Sound Director

Terasawa, Kazuaki

Episode Director, Storyboard

Sugawara, Yukie

Script, Series Composition

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Opening Theme

"GO CRY GO" by OxT

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Ending Theme

"HYDRA" by MYTH＆ROID

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Reviews

Apr 3, 2018

13 of 13 episodes seen

Overall Rating: 2

RebelPanda (All reviews)

461 people found this review helpful

I have never understood why Overlord receives so much praise.

It is practically a generic isekai light novel adaptation, but with older characters, giving it the illusion of maturity. Overlord is not mature, it's not remotely well written, its visuals don't even look good. The character designs look cool, and all but that isn't enough to carry a boatload of mediocrity. Both this season and the first were at best disposable entertainment, like any other isekai light novel adaptation. What's the appeal of it? Is it that Momonga is a ridiculously overpowered self-insert protagonist and his legion of ladies all want him?

Momonga is a typical isekai protagonist. An overpowered character doesn't become good just by not being a teenage boy. Skeleton or kid, there is no difference. Skeletons are cool and all. I like them as much as the next guy, but he's not a very interesting character beyond his intimidating design. He is entirely devoid of substance, only existing to continue the story. Even his character art fails at conveying the intimidation. The light novel's designs look amazing—but this adaptation's art lacks detail. His skeleton face remains unanimated in conversations; his voice is undeniably booming, the actor puts on a fantastic show, but there's no impact.

Momonga being a villain changes almost nothing. Everyone still loves him anyway, and he acts like the generic 'nice guy' harem protagonist. He's always speaking in his friendly guy voice in his head to remind us, he's not actually a real villain. It's lovely how nice of a guy he is really–wait, stop right there... If the villain protagonist isn't even a villain, then this show is literally just the same as anything else… Like the meek voice hiding behind the intimidating demonic skeleton exterior, Overlord masquerades as something far better and more original than it actually is. The philosophy of: "How can I self-insert if my main character isn't a good guy?" breaks any potential this show had to become something original.

It's funny how Overlord shamelessly admits that its female characters are coded to love Momonga, but that doesn't make it better writing. A story's world should ebb and flow without the audience needing to be there. Here it feels like a pandering fest; the characters bend over backward to praise Mr. Skeletor, he wins nearly every fight, and there is no substance.

This new season of Overlord isn't all harem bullshit; it tries a few new things… and fails at all of them. For some reason, whenever the story follows any character other than Momonga, it becomes insufferably dull. We got classic stories to be loved for ages, like the tribe of lizard idiots who inevitably get taken over by Momonga, the compelling backstory for Momonga's butler (aka Plank of Wood), some random knight guy, and a princess with a dark secret! Remember how Overlord's first season had somewhat slow pacing at times? This is 10 times worse! Entire episodes are dedicated to characters that we don't have a reason to care about. We're forced to watch them fighting in their stupid battles and their boring melodrama, and all of it barely connected to the characters introduced in the first season. In the end, the stories come together, but does the moderately entertaining end justify the tiresome means? Not at all.

It's rare for anime to put me to sleep, but Overlord's first three (lizard-focused) episodes truly tested my fortitude. The only plausible reason for the story breaking off from Ainz to follow the lizard people is to keep his harem junk from becoming too repetitive. The thing is, Overlord will be redundant no matter what crap they shove down our throats during the filler episodes. Isekai anime are so oversaturated that only making more of the same isn't enough these days. I've seen so many of these isekai power fantasies—perhaps Overlord was more original when the light novel first began publication, but today it's trite, overdone, a waste of time.

At least the few episodes Momonga gets are slightly more entertaining than the filler ones. He and the people around him have eye-catching character designs, wacky personalities, and enjoyably overdone voice acting. There's almost no substance to any of them, but at least they're fun to watch in small doses. The thing is, this new season is barely about the actually exciting characters. The only one in Momonga's legion who gets a backstory is his butler (the blandest of them all). He has an even intimidating personality but none of the charisma necessary to hold up entire episodes independently. There was a small amount of development seen for a few members of the enormous cast, but it's for the boring ones that no one is watching the show for. An occasional twist in a character's personality following a surprising betrayal may offer some fleeting intrigue, but you will quickly realize that all those twists exist. To momentarily add a fresh coat of paint to a cast of rotting cardboard cutouts.

Momga's episodes were at least better than those about random bland side characters, especially during the last three episodes of this season. We see all-out violence using nonsensical magic to create exciting gorefests and lots of angry expressions. It's still never what I'd call good, but it's passable entertainment. Momonga's storylines do tend to get repetitive quickly. An issue arises among his legion or in the world; he is literally the most powerful being in the universe and kills shit, then gives us a comment on it in his 'nice guy' voice, rinse and repeat. The only reprieve from the mind-numbing formula is the final few episodes, full of gory action, plot twists, and even betrayals that actually had me surprised. Although I struggled to care about the turns the plot took or the characters who took radical changes, it provided a fresh perspective on the tired story, even if for a moment. Sadly, the action-packed moments weren't much better than what we've seen before from Overlord, plagued with issues caused by a rushed production.

The action scenes are lackluster at best. Madhouse is airing three anime just this season alone, so it would be unreasonable to expect flawless quality, but this is just flat out the same mediocre visuals as the first season. Action scenes rely on zoom in on still shots, unanimated motion tweens, and jarring CGI. Environments are dreadfully ugly to look at; dull colors, low res repeated textures, a lack of detail, and defining traits. It all feels so lifeless and flat. It's the kind of show I would have forgotten entirely if I wasn't reviewing it.

The soundtrack is equally mediocre, totally forgettable. The bog-standard sort of booming orchestral music fades into the background. The opening was ok; a generic rock song. The ending track "Hydra" was wonderfully wispy with haunting vocals. It was the best part of the show, the only reason why I was hesitant to drop it all season.

Anything separating Overlord from the hordes of low effort isekai adaptations we see every season is only superficial; neither the audiovisual nor writing are above average. The main character being a 'villain' is just a cheap facade, the setting is lifeless, and even the cool designs are diminished by lackluster visuals.
Overlord is overrated. It's just more of the same boring isekai drivel.

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Apr 3, 2018

13 of 13 episodes seen

Overall Rating: 4

Eanki (All reviews)

212 people found this review helpful

The greatest allure and strength of the Overlord narrative has always been Ainz’s delicate dance between the ordinary dime-a-dozen salary man of Earth and his Overlord status in this other world. His utterly devoted fanatical underlings treat him like that of a god who can do no wrong. He can’t afford to make mistakes because his servants cannot imagine him making one. To make one is to not be a god. And he intends to keep that image because anything else might disrupt the equilibrium of Nazarick and, more importantly, jeopardize his safety and base of operations. In the strange world he finds himself in, read more

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Apr 7, 2018

13 of 13 episodes seen

Overall Rating: 9

Huyan (All reviews)

154 people found this review helpful

Overlord 2, written by Kugane Maruyama, Illustrated by So-bin.

My Review About Overlord Season 2 (Winter 2018) (Sorry for my bad english :( )
It contains some spoiler, Read with your own risk ^_^ .

- Story 8/10 - :
Overlord Season 2, comes with 13 Episode, Animated by Studio Madhouse.
First Episode you can say it as Introduction about Overlord Season 2, Flashback about what is happening in Previous season, and preparation for the next Arc.

Overlord Season 2, contain a "World Building Arc", where the side characters spawn more than the Main Characters and explain what happening with this Side Characters and their Story (it's kinda like every human read more

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Apr 3, 2018

13 of 13 episodes seen

Overall Rating: 5

Stark700 (All reviews)

120 people found this review helpful

Sequels based on light novels aren’t too common but for a series like Overlord, it felt like it was inevitable. The meme of “Madhouse not making sequels” got flushed down the toilet when Overlord II became a reality. As someone who has read part of the novel and seen the first season, I’m sad to say that Overlord II didn’t manage to step up the plate. What could have been a chance for the series to improve itself and set new bar instead is met with a step back. If you’re expecting the second season to be a glorious showstopper, then I’m afraid I got bad news.

I’ll say right off the bat that Overlord II pretty much screams “watch the first season!” In fact, I suggest checking out some of the more prominent episodes from the first season is necessary if you want to get a better experience. This show isn’t here to feed you with exposition anymore. The first season has done that already and viewers should expect a developing storyline with established characters. Or that seems to be the case at first. However, the first few episodes not only reintroduces previous characters but also introduces new ones. An important race known as the “Lizardmen” get their spotlight as we are introduced to their society. We learn about their culture, characteristics, military, economy, and motivations. To me, the Lizardmen possesses many human traits and emotions that aren’t too different compared to our own. Characters such as Zenburu Gugu, Green Claw Tribe Chieftain Shasryru and his brother Zaryusu displays their fierce personalities that makes them example of being capable leaders. Then, there are characters like the priestess Crusch Lulu who represents a more fragile and feminine side of the Lizardmen tribes. The point of the show seems to be trying to get viewers into accepting them and worth investing into. However, it didn’t do an adequate job as a good amount of these Lizardmen characters aren’t well developed. It’s a series that attempts characterization at non-human characters but ends up not accomplishing the job. It also doesn’t help that the story is incredibly predictable for their inevitable fates when facing off against powerful enemies.

This only consist the first half of the show that adapts volume 4 from the light novel series. These first six episodes tries to get fans back into the mood but honestly, I felt like expectations were betrayed. As a curious person, I was hoping the remaining episodes would improve but oh boy, I was wrong.

The remainder half of the show (roughly 7 episodes) covers the plot from the novel based on the “The Men in the Kingdom” (volumes 5-6). My initial expectations weren’t high as the first of these episodes had odd pacing and didn’t get me interested in characters except for Sebas. The other problem is that he is already a somewhat established character so it easy for viewers to accept him. Characters such as Climb, Brain, Tsuare, and Renner are much harder to accept. It falls into the pit of weak characterization again as they are hardly well developed outside of their personalities. We don’t learn much about their past and their motivations for fighting is hardly interesting. Renner is also a character that’s easy to point fingers at once viewers discover her true personality. The one character that does stand out a bit is Sebas during this arc as he shows a more valiant side of him after understanding Tsuare. Does that make him a breakout star? Not really. While Sebas is definitely a motivating factor to keep up with the arc, he is limited to a generic philosophy of helping a damsel in distress. I also find his role with Solution to be rather blend. The way Solutions suspects Sebas of being a betrayer to Ainz can easily make the audience dislike her. Still, I think the weakest part of this arc involves the antagonists, the Eight Fingers. Their key members are incredibly ill-written with dull motivations and stereotypical personalities. None of them are worthy enough to remember and I honestly wish they didn’t even exist. They didn’t manage to bring out the best out of anyone and in fact, I think they even puts a shame in the limited battle scenes.

I’ve talked a lot about the minor and supporting characters of the show. What about the main characters? Sadly, there’s hardly any development for them. For the case of the floor guardians and battle maids, we only get to see a few of them showcase their abilities. If you’re a fan of Cocytus, Demiurge, Aura, or Entoma, then it might be a soft treat. Don’t expect much from them as their roles are limited. It feels like this second season tries to do too much to give them any sort of meaningful place honestly. Oh and how can I forget the infamous Ainz/Mmonga. It may sound strange for me to mention him this late in the review. Save the best for last right? Actually, Ainz is far from the best character in this series and I would actually label him as one of the worst. As the guild master of Ainz Ooal Gown, he feels a lot more like a background character this season. There’s virtually no development for Ainz and it’s a big slap to anyone who wants to understand more about him. We see him sit in the back like a God monitoring his servants and issuing orders. It’s incredibly stale to see Ainz in such a role. The first season at least established his personality in a way that was thrilling enough but this sequel dropped the ball. Sadly, his biggest fangirl Albedo isn’t any better this season besides glorifying her own fetishes.

Madhouse returns and while I can’t say I’m impressed by the overall quality, it does make a nice attempt at designing the Lizardmen. They look faithful to the light novels and expresses human characteristics that I occasionally find enticing to watch. Violence is also exploited to bring out the dark fantasy elements of its story. However, there are two main drawbacks that I find unappealing for this season. First, it’s the action scenes as some of them are very limited and lazily animated. Second, it’s the world setting. It feels like once you’ve seen it once, you’ve seen them all. Hardly original and uninspiring.

The first season’s OP song was quite a thrill to the ears. This season took a step back and I find it skippable at times. Similarly, most of the human characters’ dialogues consists of weak words choices that I can’t really find worth quoting. On a more positive note, I did like the way the season used its battle OST. While some of those fights did feel short, the soundtrack did make up for a bit of the impact to highlight their intensity. Some of the emotional segments of the sequel (in particular Sebas and Tsuare) also felt real with the melancholic usage of the music.

Ah, Overlord II. It’s a sequel that shouldn’t have been resurrected if this is what the creative team had planned. Adapting those light novels into a 1-cour show felt like a risky plan and they didn’t manage to capitalize. It’s a series that’s exciting to watch as a linear continuity but if you’re interested in a well-developed story and characters, then look elsewhere. Too bad really. The show boasts a talented cast that kicked off with some wild entertainment before spiraling into disappointment with no looking back.

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Overlord II

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Momonga

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Bloodfallen, Shalltear

Gamma, Narberal

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Zeta, Entoma Vasilissa

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Overlord II

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