The dark-haired bishounen is Sakon Tachibana, a puppeteer, and the other is Ukon, his favorite puppet and best friend. Sakon is the (only) grandson of Saemon Tachibana, a national treasure of Japan famous for his manipulation of Bunraku puppets. Ukon is a child doll puppet made in the early Meiji era by the famous female dollmaker Unosuke. Together they run into murders and solve them.
Mystery is the whole point of this show. Who killed who and why is the question asked every episode.
As a huge fan of mysteries, I recommend this show to anyone who likes shows that have you thinking while being on the edge of your seat waiting for the murderer to strike again. You really get pulled into the stories, you get a feeling of pressure and of being uneasy as if you really were in the story. You want the killer to be caught and for everything to work out. Something very interesting about the show is the mixture of villains. Some times
the murderer is a completely evil person, but often times you feel sympathy towards them, you wish that they could have found another way. It gives you a strange feeling of realism.
A 10 on story from me.
The art is nothing special. I would maybe compare it to Rurouni Kenshin, or something else of that general time. The colors of clothes, people, and objects are usually very bright, but the backgrounds are generally dark. Giving it a unique look which works well for the type of show.
A 7 on art.
The sound effects are good, if only because they are put to better use in this show then in most others. The music is nothing unusual. It serves it's purpose, it sets the mood. But there s nothing spectacular about it. I will say I very much like the intro song, but other then that, nothing out of the common way.
An 8 on sound/music.
The characters, other then the core two, change every episode.
There are a couple who appear in more then one to several cases, but mostly, it's a new cast each case. I liked most of the characters, but few of them were particularly interesting. It had, at least in my opinion, very likable leads, which is a plus. Sakon and Ukon are both very fun in their own ways, and Kaoruko is always fun to have around.
A 9 on character.
I loved this show to death. It has become an all time favorite.
As a great lover of who-done-it's, I fell in love hard and fast.
The show and its characters were all very western in the way they worked. The plots were fun, and while confusing were not overly so.
As I said before, I highly recommend this to anyone who loves mystery.
a 10 on enjoyment.
Overall: Very good. A fun ride that doesn't leave you bored or lost.
Story: One has to be clear about this, a lot of the arcs run into the cliques of the murder mystery genera. Also, there are some that have very big simularities to cases in other Anime/Manga, but this is not do to complete coping, but due to the cliques that run through them.
That being said, what makes this story is the mystery solving pair, a boy and his puppet, and how they interact with the characters. As it progresses, one gets to not only get a really good mystery to try to solve, but a better understanding of who Ukon and Sakon are.
work is very detailed. For those wondering why Ukon looks so much like the Rurouni, it is because the two artists worked together when starting out. I can actually find quite a few simularities in their work due to this, yet their art has their own flavor to it.
Sound: The opening theme is so haunting, perhaps even gothic, as in the sence of a literary term. It is the same with the ending music. It is something that sticks in ones head and one gets out.
Character: Is Ukon possesed, or does Sakon have a major split personality disorder? That is a good question as the story progresses, one has to wonder that, as Sakon is rather attached to the puppet and is really only know being able to make friends with people, something he couldn't do when he was younger. Sakon is also very smart too, which sets him apart.
Enjoment: It is one of my favorites, I fell in love with the characters and loved the fact they were so unique.
Overall: I highly recomend this Anime to any one who is into this kind of stuff. It is worth at least watching once, to form ones own opinion of it.
Ayatsuri Sakon is anime about a young boy puppet master who is skilled at using puppets and soliving cases involving murder.
The story of Ayatsuri Sakon is About A Young shy boy named Sakon and his puppet Ukon getting involved in some weird cases involing murder and it is up to them to solve these cases. The story is really kool becasue its not episodic but instead they are like 3 or 4 episode arcs which is really different than im use to. Its like watching a mini movie every arc.
The art and animiation were great it had that old school anime feel. Characters
were animated well and so were the areas and places.
I didn't pay to much attention to the sound but the opening and ending were decent and music in the episodes had that mystery and murder feel to it.
I really think the only chacters get developed are Sakon and Ukon. there are different characters in every arc and some recurring charcters like Sakon's aunt and cameraman friend. Sakon is a shy and smart character and he uses his puppet to help him say stuff that he wouldn't say.
I really enjoyed this series from start to finish. It was really enjoyable how people interacted with Sakon and his Puppet Ukon. It had me wondering if the puppet was a dual personality or just a way to express himself.
If you like mystery anime and want to try something a little different this is a good anime to pick up. This anime has some unique cases and a differnt approach to solving them. you should give it a try.
An old favorite from late 1990s, this is a solid murder-solving ventriloquist show and a particularly memorable representation of its genre.
The show comprised of eight murder cases, presented in separate story arcs that last for 3-4 episodes each. It's very similar structural-wise with Kindaichi Shounen, which also shared a number of familiar whoddunit tropes between them; seemingly impossible scene of crime, multiple victims, tragic and elaborate backstory, etc. While none of the ideas or solutions for the murder themselves is particularly mind-blowing, it’s still plenty engrossing for the most part. The show also subscribes to the fair play rule and very generous with
clues for audience who wanted to play along…
…a tad too generous, perhaps. The murderers tend to be really easy to figure out, as the show really like to shove visual lead-on and backstory information in your face that makes it painfully obvious, especially in later cases. Heck, a certain case/arc practically spoiled itself through its title alone! While I certainly prefer a predictable but fair mystery over ones that pulled off unfair solutions out of thin air, this could still be a problem—especially when we’ve figured out the murderer way ahead of the curve and had to wait impatiently while the characters are still busy freaking out. Luckily, Ayatsuri Sakon also has plenty of supporting elements that helped mitigate this.
For one, Sakon is a great detective character. Paired up with his ventriloquist puppet/channeling medium/bratty alter ego Ukon, these two provided the most unique Holmes-Watson dynamic I’ve ever seen. Watching Sakon develops and interacts with various recurring characters is very intriguing, as the show gradually reveals more of his personality and background between cases, especially during the second half of the series. Bunraku (the art of Japanese puppetry performance) itself is a prominent theme throughout the story, with a lot of screen time intertwined with Sakon’s development and depicting the culture surrounding it, which lend a distinct flavor and personality beyond your typical “genius boy solves murder” basic set-up.
Speaking of flavor, the show is very effective atmospherically, exuding an air of chilling mysticism in-between development of suspense, poignant character moments, and amusing banter between its main characters. While the animation is probably on par with what you expect from its time, the character models (drawn by the renowned Takeshi Obata) also meshed pretty well with the overall themes. What I really love, however, is the music: the soundtrack is terrific, with an array of background tunes that always solidified the mood, as well as OP + ED combination that not only very fitting, but also featured great vocals and ranked among my all-time favorites.
A thoroughly niche show, Ayatsuri Sakon probably appealed the most to those who are already card-carrying member of murder mystery fan club. But, if you’re interested in Japanese puppetry culture or just like good character drama/tragedy in general, it’s also good enough reason to give this an extended look.