Prima Doll

Black Cat Cafe is located in the fifth ward of the Imperial Capital. Having lost their purpose after the war ended a few years prior, advanced mechanical dolls known as Automata have been restored and now work at the cafe wearing elegant kimonos. While they adjust to the peaceful world, events of the past continue to haunt the Automata, preventing them from letting go of the responsibility they once held.

Among the Automata working at Black Cat Cafe is the recently restored Haizakura, who has lost her memories during a reset. Her identity and role in this unfamiliar world are a mystery to her, but one thing is certain—she loves to sing. With never-ending curiosity and beautiful songs to guide them, Haizakura and the Automata search for their new purpose together, supporting each other no matter how rigorous that endeavor might be.

[Written by MAL Rewrite]

Haizakura Main

Waki, Azumi Japanese

Houkiboshi Main

Nakashima, Yuki Japanese

Karasuba Main

Kusunoki, Tomori Japanese

Retzel Main

Kitou, Akari Japanese

Gekka Main

Tomita, Miyu Japanese

Chiyo Supporting

Kuno, Misaki Japanese

Haikagura Supporting

Kurosawa, Tomoyo Japanese

Touma, Nagi Supporting

Murase, Ayumu Japanese

Yuugiri Supporting

Komatsu, Mikako Japanese

Ouka Supporting

Nakahara, Mai Japanese

Aoi, Hiroyuki Producer

Matsui, Yuuko Producer

Okano, Touya Producer, Script, Series Composition

Suzuki, Toshihiro Producer

Reviews

Sep 24, 2022

VentusBrawler

Recommended

At first glance at Prima Doll, one might see the 6.92 average rating and the cursed words “multimedia project” in the synopsis and instantly cross this show off of their potential Plan to Watch list. However, the fact that you are here means that despite of all that, you decided to also scroll down to the review section to get an idea of how the show was received. If this is you, then you’ve come to the right place. This review is here to give a spoiler free synopsis of what to expect from Prima Doll and explain how the average score and some of ... the unfavorable reviews don’t do the show justice. Let’s begin.

If I had to describe Prima Doll in one phrase, it’d probably be “moe Violet Evergarden”. If you haven’t watched Violet Evergarden, then definitely go watch that first, because while I do like Prima Doll a lot, Violet Evergarden sits comfortably in my top 5 anime. Both Prima Doll and Violet Evergarden have extremely similar settings of a post-war steampunk European continent and similar character dilemmas of people losing their purpose with the end of the war or being unable to adjust to the abrupt advent of peace. Just like Violet Evergarden, Prima Doll will also sucker punch you right in the feels throughout the entire show. Both shows are very good at creating these episodic scenarios that draw you into the character narratives and get you to empathize with their situation. Even the term “doll” is used prolifically in both shows, furthering the theme of these mannequins that were used as tools of war learning how to live their own lives.

I think it is quite obvious how the description of “moe” plays into the show, with the color schemed moe blob cute anime girls and all. Moe has always been a big point of contention in the anime community, but for the love of Madokami it’s 2022 already. Love it or hate it, moe will have a perpetual influence on anime and just because you don’t like moe doesn’t mean all moe anime are automatically trash. As a resident of the moe trash can myself, I appreciated the moe parts of the show. The slice of life elements served as both a good foil for the emotional high points of the show as well as furthering the overarching theme of learning to live a life without strife. If you are also a cultured moe enjoyer who likes shows such as K-On, GochiUsa, Yuru Yuri, Blend S, Hinako Note, and Comic Girls among many others, then this aspect of Prima Doll should be an easy sell for you. As for comparing Prima Doll to a recent show, it really had a lot of similarities to RPG Real Estate from last season while also outperforming that show in almost every aspect. I feel the tone shift from slice of life to emotional was far less jarring in Prima Doll than RPG Real Estate, and Prima Doll’s character interactions were also more genuine and heartfelt as a whole. RPG Real Estate suffered from having a very weak connection between the overarching theme and what was usually occurring on screen; Prima Doll more deliberately built up its overarching theme throughout the show, making the narrative feel more natural because it was paced better.

The final part of the review will be dedicated to easing any remaining concerns about watching Prima Doll while concurrently refuting claims made against the show by some haters. The topic to address first is definitely the “multimedia project” aspect of the show. While I do understand why everyone hates multimedia projects because multimedia projects typically entail watching the anime, playing the mobile game that is most definitely going to be a gacha, buying merch, following the official twitter posts, and watching the official youtube channel to get the full “authentic” experience on the series. It’s essentially all one giant cash grab and a huge time sink that serves as an excuse for the anime being not very well produced because there’s also supposed to be the mobile game’s story, the character profile cards included with the albums you buy, and the bits of lore dropped from the official youtube channel that’s also supposed to supplement it. That generic umbrella of multimedia project is genuinely awful and I hate it too, but Prima Doll doesn’t fit under that. I was not shilled a mobile game when I finished the last episode in tears. All I saw was “Fin” and then the voice role credits started rolling as usual. There is an official youtube channel for prima doll, but outside of some 5 second clips of the VAs saying some cute stuff using a 3D avatar of their character, I didn’t dabble in it at all. There definitely are songs and albums available for purchase, but those are just for the fans that want to listen to more Chat-noir songs. You don’t tangibly lose out on any type of experience from not interacting with the other forms of Prima Doll media; I personally found that simply watching the anime by itself is a fulfilling standalone experience, so it makes no sense to hate on Prima Doll just for being a multimedia project. There isn’t some character that got their character development shafted on purpose because that’ll be covered in the upcoming mobile game, and the ending wasn’t some to be continued that’ll be picked up with the mobile game but only after you follow the twitter lore they drop over the course of 24 months. Prima Doll isn’t some incomplete halfass show that was only made to sell the mobile game, like Takt Op Destiny.

There are quite a lot of people saying that the ending of Prima Doll was rushed, but I can’t see what they’re talking about. Most people compared it to the likes of The Day I Became a God, which is also produced by Key and Visual Arts. While I haven’t watched that show, I can definitely point to another show done by Key which is Charlotte. Charlotte is infamous for absolute trash pacing for everything after episode 7, squeezing what a 12-episode season would barely be able to cover into the final episode. Prima Doll definitely did not have a Charlotte ending. I won’t get too much into it because having this be a spoiler free review is more important to me than refuting their claims in detail, but I thought Prima Doll’s ending was appropriately rewarding and moving for the amount of narrative buildup that was done with the storytelling.

The final thing I want to talk about with Prima Doll is the VAs. As a big Love Live fan, the first thing I noticed going into this show was Kusunoki Tomori (Setsuna Yuuki) as Karasuba and Kitou Akari (Kanata Konoe) as Retzel. If you’re a Genshin Impact player that plays with Japanese voiceover, then you’ll probably notice that Murase Ayumu doing Nagi in the show also does Venti, Kuno Misaki doing Chiyo in the show also does Klee, and Kitou Akari does Barbara. The VAs in Prima Doll are especially important due to the song segments of the show, as well as each main character singing the ED solo during their respective episode. All the VAs put in stellar work making the OP, ED, and all the insert songs all sound amazing while also bringing life to their characters. Playing Haizakura, Waki Azumi has had a plethora of experience singing theme songs for Blend S as Maika, Slime 300 as Flatorte, Noukin as Mile, Kuma Kuma Kuma Bear as Fina, Senko-san as Senko, Ms. Vampire who lives nextdoor as Elly, and much more. Tomita Miyu’s noteable roles other than playing as Gekka include Iino from Kaguya-sama, Riko from Made in Abyss, Gabriel from Gabriel DropOut, and Kuina from Hinako Note among others. As Kitou Akari has had experience working together with Kusunoki Tomori for Nijigasaki concerts as well as Murase Ayumu and Kuno Misaki for Genshin, Waki Azumi and Tomita Miyu have also had very close roles together as a matter of fact, with Tomita Miyu being Fina’s younger sister Shuri in Kuma Kuma Kuma Bear as well as fellow vampires with Elly as Sophie in Ms. Vampire who lives nextdoor. Playing Houkiboushi, Nakashima Yuki definitely has had the fewest roles amongst all the other main members of the voice cast, but her roles as Lisa Imai in BanG Dream’s Roselia is a very engaging and demanding role that she has excelled in, not to mention has had lots of experience singing for. I want to specifically mention Kitou Akari again because I especially love her role as Chiyoda Momo in Machikado Mazoku. Kitou Akari-san is ridiculously talented for being able to pull off aloof and nonchalant characters like Chiyoda Momo as well as more breezy and witty characters like Retzel and Nijigasaki’s Kanata. Okay, rant over. Moral of the story: Prima Doll has an all-star lineup of voice talent. So when I hear haters say stuff about the voices being annoyingly squeaky, or the production forcing the voice talents to strain their voices to match the character, all I can do is scoff at their ignorance, and everyone else should brush off those baseless ramblings as well. It’s definitely one thing to have opinions of voice talents, but it’s another thing entirely to attack them for the roles they act out. I’ve seen some rude and undignified comments about Kuno Misaki’s role as Chiyo and I’m not going to stand for it. Her Chiyo voice is not some one-off fluke that was forced on the production side; she uses practically the same tone and pitch for Beni-enma in FGO and Klee in Genshin. The roles that Kuno Misaki chooses to play and the voices she uses to get into character are her WORK and her TALENT. People that want to attack that based on their own shit taste need to shut the fuck up.

Professor Nagi Tooma fixes up the dolls and runs the Black Cat Café because he believes in the potential of the dolls to move the hearts of others by preserving the peace, rather than fighting the war. Prima Doll was an extremely enjoyable show for me that definitely moved my heart. While part of that might be because I reside in the moe trash can, the show also undeniably has an engaging narrative even without the moe. I think that if you can at least tolerate the moe and are looking for a heartwarming and character-driven emotional rollercoaster, then Prima Doll should be the next thing you watch. Thanks for reading.

Reviewer’s Rating: 9

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Sep 24, 2022

KANLen09

Mixed Feelings

"Metal statues which resemble living human girls. They understand the mind and have an inner voice."

This is the tagline for Prima Doll, one of the more recent mixed-media projects to come out of the legendary VN studio that is Key/Visual Arts that has little to no Jun Maeda involvement with it, most certainly after the disastrous Kamisama ni Natta Hi that just broke the good streak like wildfire. But, even with or without Jun Maeda, Key itself as a name has already been driven to the ground and never been the same since the somewhat tumultuous premise of an outer-world space with Rewrite, and that's ... where Prima Doll comes in with one particular common novelty that I'll get into later in the review.

But first, let's not get too deep yet, and understand what Prima Doll is all about. It's basically mechanical dolls (known as Automata) that was created to be in aid to fight against a war, and that war has long since passed and gone for good (with remnants awaiting their time of resurgence). Beneath those cracks, however, is an army of Automata restored and repurposed for this somewhat out-of-place cafe called the Kurotantei a.k.a The Black Cat Café and relegated to wearing kimonos and serving duties just like your typical cafe, supposedly helping these Automata to let go of their past and embrace the new life they're called to do. Have some fun, sing, and serve people, that's the goal of the Black Cat Cafe with its owner Nagi Touma, who's an engineer whom knows his (or rather her) ways of restoring broken Automata and giving them a new sense of purpose, one reset and reprogram at a time.

And the Black Cat Cafe display no short of its CGDCT moments, which I'd argue that it while it doesn't proclaim itself as one, it helps to bring people into a post-war congruity back into the new normal. It's a see-saw case of "seeing is believing" that the overall impression can sweeten or sour the show's antics in the long run. And this aspect is where it makes AND breaks the experience of Prima Doll, as shown by the various Automata that got restored through Nagi's delicate engineering craftsmanship: the pink-haired Haizakura with an overwhelmingly positive spirit to sing her heart out; the black-haired Karasuba which has the potentials of a combat doll and a loyalty-based one at that; the white-haired Retzel who's more of a casual smug than anything; the blonde-haired Gekka whom is akin to a kid being transferred to foster families to only know of their real existence as not they are whom she thinks; and finally the blue-haired Houkiboshi, the "mother" caretaker status of the mechanical dolls. Together with Nagi and its helper the orange-haired kid Chiyo, their new livelihood days at The Black Cat Cafe shaping their new memories, certainly everything has it going for them in the new peacekeeping regime.

But as is Prima Doll's existence to justify its tagline, the "metal statues which resemble living human girls" and "understand the mind and have an inner voice", this is where its plot that's written by the serial novel authors Kai and Toya Akano really comes into play. The metal statues obviously signify the mechanical dolls a.k.a Automata which have a semblance to ordinary living human beings, girls for that matter which are raised under the environment that is unfamiliar to them that takes Nagi's toll to reset them, nothing is ever perfect, and some like Haizakura has memories of the war lingering in the back of their minds, though she tries her very best to put the past behind her, which is a good thing. This is where the understanding and inner voice rhetoric comes from and is basically their character development in the entire anime. And for better or worse, it looks and sounds like fuzzy balls trying to create the impression of a post-war situation where peace has finally come to drag its paces, until someone has to instigate the war again in their disbelief. Nevertheless, its justification of the CGDCT moments create both a good distraction and a newfound sense of purpose for these mechanical dolls, barring their manufacture within a class/generation of Automata that are designed like a rank-and-file system to take command and control of when things go south.

For that to match, I think that the character cast did their roles very well, and that's the performance of veteran Seiyuus to invoke both moments of sheer happiness to downright despair. The common novelty that I presurfaced in the beginning of the review is thanks to director Tensho, who last directed the 2016-2017 anime adaptation of one of Key's now-dated VN Rewrite, that at the time, was produced with 8bit. Now that he has his own studio in the form of Bibury Animation Studios, Tensho is able to truly make this show his very own, adding his stereotypical flare into the show. But as just it is with last season's Black Rock Shooter: Down Fall that garnered more negativity than positivity, and if you look close enough at the decisions made between both shows, I'd argue that both are one and done the exact same, where feelings and emotions completely overshadow the plot, and most certainly one of Key's mainstay tropes of "hitting hard and crying onion tears" where it matters the most. Otherwise, the production is fairly consistent for the most part, and while the OP is a nice melodrama of a song, the various EDs however, I get that notion that while they are nice character songs for the most part (composed by Jun Maeda himself), it felt lacking.

And I think that where the Achilles' Heel lies for Prima Doll is that it's trying way too hard to be a Key/Visual Arts title that sticks to its tried-and-true guns of methodological storytelling that has worked for years. That, with Tensho's directing (that honestly has gone from bad to worse), it makes you feel that the show desperately NEEDS to garner attention, and then forgetting to lay the rest of the foundation with that one permeating ability to buy into the hearts of the audience through the overflowing of emotions. It certainly worked before, but times have changed, and that formula does not work now. Getting sideswiped as a mixed-media project and with a director that seemingly know what's he's doing, it's a shame that it could've been better, but trying hard is never enough in this day and age. Simply put, Prima Doll has a hook, but it constantly misses the target and its objective so much that the evoking meaning of happiness turns into straight-up stupefying boredom.

Love it or hate it, make your choice. Prima Doll has Key's stereotypical emotions no doubt, but everything else was lackluster.

Reviewer’s Rating: 4

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Sep 5, 2022

Firechick12012

Not Recommended

Preliminary (9/12 eps)

I normally don't try to review an anime before it ends, as I prefer to watch it all the way through before sorting out my thoughts on it. But dear lord, Prima Doll as a show annoyed me so much that I honestly just can't hold my feelings on it back any longer. Prima Doll is a new multimedia franchise created by the company Visual Arts/Key, who many will know as the people who created beloved visual novels such as Air, Kanon, Clannad, and Little Busters. They're still making games to this day, and I remember watching the anime adaptations for Air, Kanon, and Clannad ... when they came out, and loving them, though if I were to watch them now, it's likely my feelings on them will change. But lately Key has wanted to expand their horizons, and I can understand wanting to try something new...though multimedia franchises usually don't fare well in this oversaturated market. Yet even by those standards, Prima Doll just absolutely screams shameless corporate artifice that's only there to sell products, and literally nothing else.

Long ago, there was a terrible war that ravaged the world, where autonomous mechanical robots made to resemble human beings, called automata, were used as weapons. Now, the war has thankfully ended, and automata are no longer used for wanton destruction. One establishment, the Black Cat Cafe, employs automata, with the cafe's owner, Nagi Touma, being determined to give them the best life possible. The story is told from the point of view of one automata, Haizakura, who's as sweet as can be but has no memories of the war and is terribly clumsy. But she settles into life at the cafe nicely, making all manner of new friends and searching for her place in an unfamiliar, peaceful world, alongside those closest to her. Just reading the premise, the concept of mechanical dolls being used for violence in an alternate universe steampunk war but searching for a new purpose is very interesting and there's a lot one can do with it. I can definitely get behind using that idea as a backdrop for a more character driven story about what happens when these humanoid robots have to find another function once the fighting is over. I'm sure there are probably stories out there that have done just that.

I would have loved for Prima Doll to do the same, and it seemed like it would...if it weren't so determined to be as saccharine, treacly, and aggressively moe as possible, so drenched in a thick layer of early 2000's syrupy sweet moe artifice that I'm pretty sure anyone who has diabetes would die just from looking at the character designs and hearing their ear-gratingly squeaky voices. None of the characters' have much in the way of depth and characterization to them other than "cute anime girl" or the one personality trait they have, and the show's attempts at giving them any kind of development just come off as shallow because even then, they still resort to insipid, tired cliches to force the audience to sympathize with them rather than, y'know, fleshing them out beyond their most basic character traits. Haizakura in particular is the biggest offender, which is really bad since she's the main character. She is so cloying and irritatingly cutesy, with the show trying so hard to make you like her and see her as sooooo pwecious with her overly pink design, inability to carry out even the most basic tasks, and gurgling "Myuuu!" every time she screws up like an idiot. And no, her being a robot only marginally excuses this, but the story doesn't bother to even do that much with her. The characters are so devoid of any depth to them that it's practically impossible to care about them. Seriously, it says a lot that a Pokemon short film managed to give its characters more depth, personality, and nuance in 13 minutes than this show could ever hope to do in 12 episodes.

Oh, and I feel really bad for the voice actresses being made to overact and push their voices to almost unsustainable levels here. Because we can't have cute anime girls without making them sound like five-year-olds, right? And dear lord, Chiyo's voice actress in particular plays her with the most ear-splittingly chirpy chipmunk squeak that I'm pretty sure would break your ear drums. As someone with auditory sensory processing issues due to being autistic, Chiyo's voice really grated on my ears, and I can't imagine it being a pleasant experience for others either. I heard somebody else criticizing Misaki Kuno in another show she was in, and at fitst, I thought they were exaggerating with how bad her voice was, but...after hearing it here, I totally understand now. It's not the worst forced voice I've heard (Looking at you, Hikaru from Star Twinkle Pretty Cure), but it's up there. Misaki Kuno is much better taken in small doses, and...this is not one of her better performances by a long shot. I will say Prima Doll does have one thing going for it in this regard: I'm glad they didn't have Ayumu Murase pitch his voice so high that he sounds like a broken Elmo toy. Thank God. But considering this show in general, that's not saying much.

The piss-poor writing even extends to the overall story as well. Prima Doll's biggest problem is that it's convinced it's great at tragedy and pathos when anyone with half a brain can see its attempts at doing so for the half-assed, empty, shallow tragedy porn that it is. It's trying way too hard to make the audience want to sympathize with its characters, begging you to shed tears, like it's trying to beat you with a hammer and shouting at you "FEEL SAAAAAAD!!" Especially in episode 1, where the main conflict is a little girl reuniting with her beloved caretaker automata, only for it to be revealed that the robot in question is losing her memories, similar to a grandmother going through dementia and possibly dying. What's the show's solution to this problem? Instead of explaining to the child that their caretaker is suffering from a mental disease—or in this case malfunctioning—and working to manage the situation as best they can, the show decides to flat out lie to the child by saying the robot is going on a trip, and then lock her away in the basement, which is basically the equivalent of telling a kid that their grandmother is going on a trip, puttng her in a medically induced coma, and locking her in a hospital room forever. This is pretty shitty if you use your brain cells, but the show makes it seem like the right thing to do, complete with cheesy music and overwrought monologues from Haizakura, utterly convinced its pulling every heartstring on the planet, and as a result, any emotional beats the episode tries to hit fall completely flat on their face. Because of the terrible execution, the show's moral comes off more like "keep the dying or mentally enfeebled away and hide hard truths from children." Blegh. Bite me.

This shallow mean-spiritedness doesn't stop there, either. In episode 2, when Gekka tells Haizakura about her experiences in the war and how it affected her, Haizakura, in her infinite wisdom, just...tells Gekka to get over it. Like, what? She goes into a cutesy wootsy monologue about how Gekka can shape her life how she wants to after the war now that she's no longer fighting, and the show wants us to agree with her, but the way the show depicts Haizakura in that scene makes her come off as incredibly insensitive in how she just flat-out dismisses Gekka's very traumatizing war experiences, treating them like a switch she can just turn off and on. That's like telling a Holocaust survivor who lost their family and developed PTSD and health issues to just forget everything and move on, not taking into account how they're probably going to need therapy, counseling, and medical help for the rest of their life. The story itself has barely any stakes or tension, and you can predict every single story beat coming from a mile away. Oh, and do I even need to mention the utter trainwreck that's episode 6? Way to shoehorn in barely disguised nudity involving underage-looking girls and shoving them in skimpy outfits, producers!!

Honestly, the show's only real redeeming qualities are the animation and parts of the soundtrack. Bibury Animation has made several anime such as The Quintessential Quintuplets, Grisaia Phantom Trigger, Azur Lane, and Black Rock Shooter Dawn Fall. Their work here is...alright. The backgrounds are nicely detailed without being overbearing, and I do like the show's aesthetic of steampunk with kimonos. I want to like the character designs, but the main robot girls look more like overly designed plastic toys than anything else, and the show makes it clear it's mainly there to look pretty and sell products. The animation is at the very least competent and does its job. I admit, this is the first show I've seen that Bibury produced, so I can't comment on how it is compared to their other work. The background music is fine, but not very memorable, and many of the songs are well sung. Well, any song that's not Haizakura's unbearable squeaking, that is. Not gonna lie, Houkiboshi has the best song in the whole ensemble, with Karasuba's coming a close second.

At this point, you're probably wondering "Wait, Julia. If you hate this show so much, why are you rating it higher than stuff like Lapis Re:Lights or Japan Sinks?" For the former, several reasons. One: Prima Doll doesn't have 24 main characters to follow, so it's not as cluttered as Lapis Re:Lights is, for what little that's worth. Two: as uninteresting as Prima Doll's story is, it at least has the wherewithal to adhere to its own rules and make sure its lore is consistent instead of going out of its way to contradict them for its own convenience. Three: There's no creepy siscon girl who gets off on stealing her younger sisters' panties. Petty reasons? Probably. I don't know. In the case of Japan Sinks, it promised a realistic character drama with a disaster backdrop but massively jumped the shark, was littered with pointless subplots, its characters were inconsistent and deplorable, and its animation was terrible. Plus, as one-note as the characters are, Karasuba was my favorite out of them, even though she's supposed to be seen as the Negative Nancy who's constantly exasperated by Haizakura's uselessness, though I actually sympathized with Karasuba, because her concerns about Haizakura were absolutely valid. So yeah, most of my ratings are based on my own feelings, thoughts, and personal preference. But yeah, the few positives Prima Doll has absolutely cannot make up for the huge flaws holding it back.

I really wanted to like this show, I really did. I never go into something wanting to hate it. But dear lord, Prima Doll was an absolute chore for me to go through. In the end, the show's just not for me. Is it somebody's cup of tea? Sure. If you like it, more power to you. Depending on how the final three episodes play out, I may or may not change the rating or add more details to my review. Who knows? There's probably a ton of stuff out there involving sentient robots that tackle this premise way better. Prima Doll is not one of them, and for anyone who can't handle over the top saccharine moeness, you'd best steer clear. Prima Doll is the very essence of cloying capitalism; cold, souless, and calculated, cynically produced by a production committee for the purpose of corporate satisfaction and nothing else.

Reviewer’s Rating: 5

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