- Last Online2 hours ago
- GenderMale
- BirthdayFeb 9, 1994
- LocationLittle Red Dot
- JoinedJul 31, 2017
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Nov 14, 2018
4 of 4 episodes seen
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4
people found this review helpful
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| Overall |
6 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
| Enjoyment |
0 |
If there is anything to go by with this short-form series, I would say that it's bland with some good artwork and of course the good music that's known with the HoneyWorks brand.
The story in a nutshell is the life and work of flourishing voice actors. Pretty interesting concept for a short, but I'd wondered for an original series, it would have been nice to see this fleshed as a normal 12-episode series, given that the characters, aside from main MCs Minato and Chikako's journey of trials and tribulations, along with their own personal fears that make the whole voice acting job feel pressured and
looked upon by society standards. Both MCs interactions in getting over their fears, such as taking that 1st step into voice acting are decent. Nothing groundbreaking but passable.
Signal.MD's artwork and animation still shines, albeit decently. This is not their "MMO Junkie" level of expertise, so take everything you see with a grain of salt. And of course, the music. What's music like when you add in the well-known HoneyWorks label? Good and well-rounded music, that's their forte, though I wish that they would stick to female groups instead of male groups (as evidently pointed out by the ED being better than the OP IMO). Sexism? Oh hell no.
In the end, this is just meh and pretty much a bare-bones (if you ask me). Nothing exciting fills you up than having to know how voice acting is done in Japan, I guess. Not a recommendation, unless it's for the HoneyWorks music, and purely alone.
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Nov 5, 2018
6 of 24 episodes seen
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57
people found this review helpful
Preliminary
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| Overall |
9 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
| Enjoyment |
0 |
6 episodes in, and I can firmly say that Tensei Slime (or TenSura for short) is the isekai series to end all isekai series that has since premiered this year, and with Tate no Yuusha on the horizon to come next season, we're all set for (FINALLY) THE good isekai series to come out with full force.
This is a prelim and I'll just keep it short, because this is just too good. A slime, saving the entire isekai genre? I can live with that!
Story and characters:
Pretty much how EVERY isekai series start with the MC, some XX year-old Don't-care-what's-his-name got his life lost in the
real world, and then transported (or how I like to call it isekai-ed) into the fantasy world, but the character himself (or ITself) is really damn unique, taking in the form of a slime, which we hadn't seen for majority of isekai stories out there which are trying their "failing" best to be outlandish. And when do we see evidence trying to be broken right on the first try "RIP to MC's computer*???
On the one hand, for what has been presented, Rimuru the slime reincarated itself is really quite the character I never expected at one point but it really works wonders, being able to do all things that slimes usually do. And if you thought that Rimuru is OP, don't, because troubles will come in the next 3/4 of the show. And for those concerning the adaptation, it has been clarified from MAL that it's the manga, NOT the LN (which is based on the manga itself also). The characters, startting with Tsundere dragon Veldora to the goblin (Goblin Slayer, you're NOT welcome here T.T), werewolf and dwarf tribes were all quite interesting and this was all that I'd expected and more. Interactions don't feel as forced, but still has its comedic moments with the Great Sage-Rimuru analysis and such.
Art and animation:
A new refurbished logo for a flourishing studio. I can honestly believe that even with some worrying staff behind TenSura (such as director Yasuhito Kikuchi for his work on the Infinite Stratos series and such), this is studio 8-bit's Magnum Opus that is second to the awesome adaptation of the Grisala VN series. The artwork is simply great and captivating and the animation is top-notch too. Simply just one of the great components that flourish the qualities of the manga-translated adaptation to its best.
Music:
I'm just gonna take it straight: Where in the world will you get SO MUCH reveal just by looking at the OP and ED? It's like we're only just started, and immediately everyone notices it so much that the hype train just went up by a few notches! Besides that, people were expressing a bit over concerns that both the songs for the OP and ED are good, but if swapped around. I really thought that the OP was great for starters on the series itself, and TRUE's ED was leaps better, but really worked well as the ED. Regardless, this was a top-notch OST.
Verdict:
If you're reading my review and haven't watched this amazing isekai series, then what the hell are you doing? Go binge-watch the XX amount of episodes you have left out! Truly a great start to beat the Monday blues.
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Oct 31, 2018
4 of 12 episodes seen
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6
people found this review helpful
Preliminary
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| Overall |
8 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
| Enjoyment |
0 |
Right now, I'm just gonna say this off the bat: For what this series is, it is dedication to moe in the least expected of characters possible, and despite the score, I love this to bits.
Remember Beelzebub the series you watched back in the mid 2000s? Well, this is anything BUT that, and just from the title alone you would mistake for another entry in the Beelzebub series. Instead we get treated to a cast of characters that at best resemble more than just a moe series: characters that embody the naïve hidden love feelings that are mostly one-sided, but hopefully there will be more
than just the fantasy comedy feel to it. (Where's the "Romance" tag, MAL???)
Beelzebub herself as a demon status, she seems at the top of the world, but in fact she loves everything that is fluffy, and her new assistant Myurin is one of the characters I at first quite didn't like due to his subversive nature, but eventually his character grew on me that he tries to make everything as smooth sailing for Beelzebub, while growing his feelings for her every single moment. For now the other cast of characters haven't had their moments to shine yet, but let's see at the end of the path.
Art and animation is beautiful, reminiscent of how Liden Films were ONLY good at making Hanebado!'s animation stand out, and so far it's very simplistic but it gets the job done. Sound-wise, it's good too, nothing stands out yet again, but it portrays the series as it is to a T.
This season had so many hitters, but this series was fallen off to the wayside as the shovelware pile of Fall 2018. And I sincerely plead you, don't push this series aside, go watch it and be fluffed.
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Oct 27, 2018
4 of ? episodes seen
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3
people found this review helpful
Preliminary
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| Overall |
5 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
| Enjoyment |
0 |
The idol business in China is really huge, taking onto The Voice (China ver.), and such shows such as Star of China. And it's no wonder this series was sprung out of the popular manhwa to showcase just how massive this has been in Mainland China.
Again, my Chinese origins speak for themselves, but I don't quite exactly enjoyed the live-action ones as much as the Westernized counterparts such as American Idol and the massive popularity of The Voice. Look, I get it that such music based series definitely has everyone gunning for the people they love, thanks to the global popularity that started out with
X-Factor.
With that being said, the above mentioned is how I'll see Kitsune no Koe, or Voice of Fox. A 10 minute series (which I swear to God that I wished could have been at least a middle length 15 min episode plus OP and ED of course) that honestly wasn't anything groundbreaking, yet for all intensive things, just fails to live up its name.
Such music based shows have been seen and heard for years now, but a ghost singer? I have seen movies about it before, and if you have no clue about what it means, it's just taking the place of the beauty in terms of singing. And that's the role of Hu Li, going by his alias name Night Fox who has created songs of his own, and with his ailing bedridden Mom, signs a contract under the company that handles such idol business, and introduces us to the song-less Kong Que, good for looks, but cannot sing. With the help of Kong Que, Hu Li is able to make his songs known, but with competitions come enemies, and this is where I'll leave an open ending.
Yumeta Company's 2nd track record (after Akkun to Kanojo) is leagues same and on par with that they managed to do for said show, but the art and animation really doesn't impress. Music is good though, I just wished the SAME song wouldn't be playing for the next 2 months or so. The standout song, but problem is that it gets old really fast
For now, the TL;DR is this: Underwhelming, boring and just trying to predict the storyline on what is going to happen in the future.
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Oct 25, 2018
4 of 12 episodes seen
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6
people found this review helpful
Preliminary
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| Overall |
4 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
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0 |
| Enjoyment |
0 |
I think I'm officially done with all that samurai nonsense. Throw in the Steins;Gate time leap mechanic, and what you have is just a show that is better than last season's boring and baseless Senjuushi, but by no means it impresses.
Rather than sourcing the original content which was an otome game (which would have fared much worse), the producers opt to go for an action-adventure base story that has the usual group of samurai that have existed since ancient times, and with the flip of a button on the device that controls time, it warps the main duo (Takasugi and Katsura) into an alternate future
Japan that is very Edo-like, with resemblance to the overall characters crossing through time nonexistent to thwart yet another evil source (the Shogunate) once again to make things right. Again, not sure where the producers want to take this mechanic forward but I'll just spur on.
Some concepts that are similar to Senjuushi are the all-male cast with different markings on their own (notice the light "bands" on their hair), that makes it easier to distinguish who's who, along with their quirky personalities as all these people try to fight over their "worthy" cause.
Studio Deen's art and animation isn't exactly the greatest, but they're passable I guess. Guess for a show that's so lowly rated, it comes off as no surprise that many compromises have been made, but it's by no means bad.
Music is so-so really. Nothing memorable I guess, but props to Eri Sasaki for another song here, so yea.
Not a recommendation though. Just an average to mediocre production all around.
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Oct 22, 2018
4 of 13 episodes seen
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2
people found this review helpful
Preliminary
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| Overall |
7 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
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0 |
As if we didn't need a Season 2 of this degrading parody of the mecha genre...
And thus I'm glad that we got it anyways, wasn't expecting this but it's there to boot. Apparently Japan (and straight off from people at Gonzo) thought that this was quite a success, and so this was sprung out of surprise.
We carry on through the adventures of Subaru Ichinose, in the far far away galaxy of the Space Age 0157, and his countless shenanigans of pilot mecha and glorious food that he's still so stubbornly attached to. Oh, and his brother Isuzu finally comes in his own team to take
Subaru away and mature him to be the next mindless enemy! Great! Until their Dad comes in and steals the limelight of ads and such, so wacky, yet the feelings carry over from Season 1.
Nothing much to say other than a new OP and a new ED, though it's a recycle from Season 1.
And...I'm just gonna say this. If you like and/or love Season 1, this should be a no-brainer to go watch and beat the crap out for amusement pointers.
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Oct 14, 2018
12 of 12 episodes seen
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1
people found this review helpful
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| Overall |
6 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
| Enjoyment |
0 |
Now let's go over everything again.
Aside from the littest OP made by the one and only MIYAVI, in all frankness, nothing in this show really stands out as good nor bad, just in the middle range, hanging over its balance of execution and remembrance.
Imagine the times of old where something feels out of place, and in this case, it's a lending shop where people can just rent stuff for their usage. However, there is another thing that CAN be rented out, and that is Tsukumogami, or 100-year-old spirits that can come alive and can be turned into objects of uses like decorations or impressions. And
that is owned by a brother-sister duo of Seiji and Oko, whom their famous rental shop Izumo-ya has already drawn attention due to the fact that the rental shop is quite unusual in olden times, and the philosophy behind it is that through these Tsukumogami, stories of mysteries are heard and solved like Sherlock Holmes with 5 Watsons (which are the recurring rented Tsukumogami from Izumo-ya that both Seiji and Oko can hear their conversations which provide leads from time to time).
...or how I understand and have come like to phrase it: "Wait until something happens.", because really, aside from the source adaptation which are like multiple chapters of storytelling from the novel, which in a good way, does not make a lot of taxing on your brains, it's sometimes boring just having to REALLY wait for something to happen, and that is the mediocre part of the overall show. Even with the Comedy tag, it really isn't showcased well, well maybe some pointers.
The numerous characters here are special on their own part, from the 5 Tsukumogami that somehow makes for a very friendship-like feeling while being in the recourse of the mystery, that in turn aids the bro-sis duo of Seiji and Oko to find out the many mysteries and resolve with their customers. At least that gave everyone a role to play with.
From the studio that brought you Orange and the new iterations of Lupin III, Telecom Animation Flim's production values are what keep me invested into the series, even if it's sheer boredom at its finest. Beautiful art mixed in with decent animation makes this one of the most shows that can be passed off as P.A. Works or KyoAni quality (if not the inferior version).
The music however is a different story. Knowing the ever rock-solid MIYAVI with his great composition of songs, it totally felt like the main reason to watch this show is just for his OP composition, which is great in all regards. The ED is fine as well, the calm to the closure. Never thought I would say this, but the repetitive BGM actually sets up the mood and tells us that something's coming and "it's time to focus!".
In all essence, this is largely an OK show with nothing that really stands about above the rest (and oh that OP alone though). I guess my only recommendation is that if you want the airs of mystery with the sense of laid-back in all of its fullness, give this one a try...?
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Oct 2, 2018
12 of 12 episodes seen
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5
people found this review helpful
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| Overall |
6 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
| Enjoyment |
0 |
Japanese-Chinese collaborations are nothing new, especially in the anime world, where we got to know the popular ones from China that are raking in the money from the oh-so-popular Tencent Animation & Comics, the largest Chinese regulator for comics and animation from China. Apparently Chinese people love Japanese manga (which comes as no surprise), and being a Chinese myself I can see why. But when it comes to the anime medium, sure there are classics that are well received like Quan Zhi Gao Shou (The King's Avatar) or Huyao Xiao Hongniang (Fox Spirit Matchmaker, which was recently dubbed in Jap last year), but with the
good comes the bad series such as Evil or Live, and Aguu: Tensai Ningyou, falls under the "so bad it's good" category.
Aguu: Tensai Ningyou tells the simple premise of power: What are your dreams and ambitions to be like the friends who are more talented than you, only to find out that talent that they had, was all but a farce? And that sets up the story of two friends gone bad: Ai and Machi, both trained in ballet school, with both of them envying each other for fame and talents...that is until the existence of Aguu: human-lookalike embedded Devil spirits, dolls that can be consumed to give its user the ability to perform their life's ideals. And of course, one thing led to another that in a trance, something bad happened and caused both Ai and Machi to be separated, and forcefully altering their life's fate as well.
And without going into spoilers, an evil force is brewing over with the Tailors (masters of Aguu), with the defect boss wanting to alter the course of the world with Aguu, and it's up to the Saviours who have been fending off the evil-warts for generations, and with Ai, time has come again for them to do the same. The story starts out slow, but it definitely has some kind of linear progression which is nice. Character models are OK at best, it's the exact replicate from the Chinese-based web manga source so I'm fine with that.
The art and animation are truly worth of Studio Deen's low-budget quality, and it shows a hella lot here. The background art is like some kids' simple drawings while the animation is truly lackluster, just like the not-so-passive action scenes which is not a turn off, but is watchable (I guess). So, don't expect flashy scenes and great artwork, you're not gonna find it here. And that is the case similar to the music, which is not a whole lot too. The same tunes just kept repeating on and on to compensate for the same lackluster and boring visuals, and that goes for the OST as well which is decent to say the least. The OP at least displayed some decency with the tunes, and it's sounds quite weird, but somehow fits the overall aesthetics of the show. The ED is simple, but the clearest favourite of them all, showcasing the fallen relationship of both Ai and Machi and if there was one tune I would takeaway from this series is the ED, without question.
Overall, I wouldn't recommend this show, mainly due to the pro-Chinese demographics that are meant to showcase how well the manga source was (and still is) against the anime adaptation, but this isn't bad by any means. But it is still a shovelware show in the Summer season of shovelwares, and if you really find this intriguing, give this a try.
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Sep 30, 2018
13 of 13 episodes seen
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10
people found this review helpful
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| Overall |
7 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
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0 |
No words could better describe this series than a progressive trainwreck of its characters, amidst the overall setting, and we literally just got so trolled over the fact that we don't ever know what this anime wants to be anymore. And that was the result of Hanebado!, a pretty intense yet mind-boggling series that has everyone calling foul over many issues that have since happened.
Let's get the bad things out of the way, then we can end this on a good note. (Spoilers be warned)
First off, it is the adaptation from the manga that immediately develops its own material while taking snippets from it. Immediately,
with how Episode 1 focuses on the introduction of Ayano Hanesaki, a normal looking high school girl with a hatred from playing badminton, and that was displayed magnificently. However, it is from there that the anime adaptation slowly leashes away from the light-hearted manga adaptation, and drops the ball, heavy and hard, on the original drama that we've come to see throughout all this time.
And that brings me to my next (and BIG) pointer: the biased character development.
3 months of production runtime was more than enough to showcase every character's development of how they had persevered throughout timeless trials and tribulations, but somehow, series composer Taku Kishimoto (Joker Game, Erased, Haikyuu!!) had chosen the route that with the light-hearted manga source material, it wasn't good enough, so the heavy character drama was what we got instead, for good and for bad.
Take our MC Ayano Hanesaki for example. She is the stereotypical character of a lunatic, that is not apparent at first, but throughout the series, we definitely can see why she has to act like a sovereign BS of a character that's crapping over everyone else, and that's due to her upbringing. WHICH immediately questions the single-handedly bashed neglected side of a perfection: her own mom Uchika. Every parent wants the best for their own children, but Uchika's actions paving the way for Ayano's devilish side is really pushing the extreme limits of a stereotypical adult teaching his/her own children of what to do and how to follow in their footsteps.
Another hindrance followed with competitor Kaoruko Serigaya, wanting to compete dirty with the high consequence of getting Ayano sick and limiting her potential of losing the junior finals, adding onto that with Uchika's "seeking for perfection" causes her to abandon Ayano and find her next line of protégé (which resulted in another stranger, Connie Christensen). All that pent-up frustration is solely there to give the thought that Connie lives up to Uchika's name and Ayano being the back-burner is seriously excruciating enough. With that set in mind, Ayano has to work her way up again and regain her own neglected mom's very high expectations, to prove to her that no matter her growing-up years of staying away from badminton (and brought back by Elena), she still has the in-game going for her and hopefully her mom will recognize her again.
The other characters had lesser screen-time to focus on their weaknesses and problems to eventually get better at their craft. One such side character, Nagisa Aragaki, falls into that pit. She lost to Ayano at the junior finals, and swore that she will never take anyone lightly, which explains her initial amounts of frustration for perfection from others that limits her potential. Only once did she start to understand that with strength comes confidence in playing better, then she is able to enjoy playing badminton (and that's for Episodes 1-3), and that sets the basis for future matches to try and outwit Ayano's prowess and play badminton her way. In the midst of focusing in both Ayano and Nagisa's efforts, the other members (mostly Riko who has been playing alongside Nagisa) of the Badminton club too have each of their shortcomings, but they do work hard (off-screen, that is) to also prove why they play badminton in the first place.
Honestly, with so much that the anime has shown us, it almost felt like the character drama was very overbearing to the point where people started to drop this series, and honestly it's a very big flaw on the series overall. The (minimalistic) redeeming part is the small snippets that it actually adapts from the manga, but then again, the overarching mainstay of the drama still will force people to turn away with conviction.
The best thing going for the series is the art and animation. As I've mentioned before in my prelim review, the art is good, but the animation's way leaps and bounds better. The production staff at Liden Films really took extreme care to showcase the realism of the characters from the non-grotesque body motions to the 3DCG stop-gap motions of the badminton rackets and shuttlecock responses, so much so that it stands out from the get-go. And throughout both art and animation didn't let me down as it's mainly used for the badminton matches, which makes me wonder that if this aspect is meant to eclipse the over-the-top character drama that we had seen the ugliest of it. Which side wins, it's up to you to decide.
On the music side, it helps that Kazuhiro Wakabayashi has maintained his flare when it comes to brilliant OSTs and his work here doesn't let us down as always. This is YURiKA's third OP (accounting for Little Witch Academia and Houseki no Kuni) and as nice as it sounds, it is nothing short of methodical and fantastic and was an OP that I couldn't afford to just skip and let loose. Alongside Yuiko Oohara whom has the same music repertoire with YURiKA (performing the same series songs, plus Karakai Jouzu no Takagi-san's sweet OP), it was an excellent song through and through and really spoke life into the host of characters. Overall, another great strike for the win.
Hanebado! as a series, it's very controversial as much as its realism depict and reflect the happenings of such sports in real life. The reasoning for not being able to follow in the parents' footsteps, to one that eventually makes and breaks oneself is brutal AF (but definitely not the way to go), and I thought that it did justify the case studies of such family-based situations, and for what it does, it did a heck of a job (but not everyone's gonna take it well). So unless you care for such forced unnecessary drama, you can throw this series out of the bag. I never thought I would say this, but if drama is your forte like so many cringeworthy drama-based shows act like the way it should be, then this is your sauce. If you ain't any match for drama, then why are you watching this?
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Sep 29, 2018
13 of 13 episodes seen
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25
people found this review helpful
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| Overall |
10 |
| Story |
0 |
| Animation |
0 |
| Sound |
0 |
| Character |
0 |
| Enjoyment |
0 |
This series was one of the most unique ones that most have been anticipating since the start of the year, and when it arrived in the lackluster Summer season, aside from the certainty that does not disappoint, it is entertaining to the mildest degree, while having a lot of *pokes* at the function of the most important system: us human beings.
Now, I don't care that whether you have studied subjects that are close to this, but I'm fairly certain that no matter our background as people whom have learned about cells in one way or another, Hataraku Saibou, or Cells at Work!, will definitely please
your senses that you are learning about yourself, and the cells that work hard to be able to sustain you in the long run and grow stronger. With that said, everyone, be it otaku or non-otaku, have at least witnessed this anime, and it really broke the conventional walls that this is something that speaks to everyone, as it did magnificently.
The story is as clear-cut as it gets: Everything that you see within a microscope, are your daily drivers, the cells at work where every funcion is as important as the other. Now, I get it, it's a series that's worth the educational take, but thankfully it's not like a heavy plot pointer of info-dumped force-wrecker, and at least just demonstrates just about right and doesn't force it on us, which is a good thing. And as usual, the Black Clover aesthetics come back with the usual body-explaining capped-repeat to make sure that you understand what is going with your own body, and then addresses the episodic issue at hand. Honestly though? This is about as entertaining as it gets for anime to get very personal with its viewers, and it succeeds well in that regard.
The host of characters, oh sorry I mean cells, are the strongest suit of the series. As with portraying the exact minute details of the cells right down to the extreme, I'd say this is a faithful adaptation of the human body. I mean sure, we all know what the Red (Erythrocyte) and White (Neutrophil) blood cells (voiced by the wonderful Kana Hanazawa and Tomoaki Maeno) do and their properties that keep our body safe from harm, but have we ever wondered: "What about the other cells, like the silent killers Macrophage, the disease-preventing killer and helper T cells, the body reconstructing Platelets (ravioli, ravoli, don't lewd loli platelets!), the weak-willed but strong Eosinophil, to name a few?" The monster designs were weird as hell, especially for the viruses like the mucus-grotesque cedar pollen ones that are easy to kill to the major ones that could cause a disease that could cause serious consequences like heat stroke, hemorrhagic shock and food poisoning. Overall, props to character designer Takahiko Yoshida for his pretty work here.
David Production, the same studio behind Jojo's Bizarre Adventure, was a surprise pick for a studio to work on because their work of repertiore really varies from strength to strength, and adding to this, Hataraku Saibou becomes a fan favourite due to their quality of work done here. For example, the "sneeze" segment (that was meant to feel like an explosion) right at Episode 1 was hilarious and insanely funny, and right after that in Episode 2 we're introduced to the children-like loli platelets (which has become a favourite meme and the pivotal point of the "pressing the loli cheek" smiles), not to mention that to put the icing on the cake, the killer T cells in Episode 3 are the perfect reference to Jojo with the bastardized character figure and the single ponytail hair, that was anything but a fine reference. And in order to make our cells feel like they're at "real" work, the action scenes around the white blood cells in all types against the numerous viruses with the bloody scenes and over-the-top action. The reason for the drop in score is because some episodes had a minor drop in quality (but not by much), but it is still a visual treat nonetheless. With careful planning and perfect replication, this is a good series to boot its animation quality.
The music is one where it might get on your nerves, but for what it is, I liked it a hell lot. The OP which is just a collaboration work between the character VAs for Red and White Blood, Killer T and Macrophage really sounded like the mission to keep the human body working, is mundane but the essence is what gives it a home-run strike. There was one episode where the OP was replaced with Killer T and Macrophage VAs, and people are wondering what was that, and that's just the 2nd cour of the song, which still is good to boot. And oh good god the ED, ClariS nails it once again (as is with every song that they made) with the happy visuals and tones. The background scenes were just as adequate to provide much needed movement for the overall setting, and it's A-OK!
If there was that one definite show that will stand the test of time, it will be this one, much lauded for its "breaking the fourth wall" attention that aside from many casual anime watchers, EVEN the workers of true professions (doctors etc.) find that this anime is really a testament to how much knowledge it is given and took all of that into great consideration to keep it as linear as real life as possible. For the Summer 2018 season alone, this one could be many people's AOTS material and for excellent reasons. if you were skeptical of how the anime medium takes cells into consideration, I highly, HIGHLY plea you to watch this anime, it's definitely very responsive, reliant and relatable to all of us as imperfect human beings. Now, if you excuse me, I'm gonna take notes and learn as much as I can to regulate my body for the better!
...Or is it, waiting until the spin-off, Cells at Work! BLACK to be made???
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