Ranked #1412

Mobile Suit Gundam 00 The Movie: A Wakening of the Trailblazer

First original Gundam theatrical feature in almost two decades. The directorial talent behind Fullmetal Alchemist. The musical scoring of Kenji Kawai. The inclusion of aliens for the first time in the franchise's thirty year history. The namesake of a cultural phenomenon. To the cynical mind, Awakening of the Trailblazer could have almost instantly been dismissed as a failure due to the surrounding hype, the general attitude of indifference many fans have adopted thanks to Sunrise's shaky track record, and just the general air of disapproval by the die-hard Universal Century fans arguing that Gundam has just 'lost' its way.

And maybe some of it is true, maybe Gundam has 'lost' its way, maybe it doesn't focus extensively on the hardships of war anymore, maybe the whole 'kill-em-all' nonsense stopped with Victory Gundam, and as an innocent new Gundam fan asks: "What's so great about Zeta Gundam anyways? I like Gundam 00 better.", the reactionary legion of Tomino cock-suckers instantly start screeching like little girls, and immediately start ranting about how Gundam has 'lost' its luster, passed its peak, ruined, and why Gundam today "sucks balls because it's not what Tomino wanted." But never do they ever commit the blasphemous act of thinking that, perhaps, this self-pleasuring canonization of old-school Gundam has outdone some of its magic? And just maybe the whole idea of 'kill-em-all' and the idea of the traditional trope-ridden Gundam has gotten quaint? After viewing this movie, I can safely say that if Gundam 'losing' its way means actually progressing the franchise onto new boundaries, then I hope Gundam continues to 'lose' its way.

Which actually brings up an interesting quirk about Gundam 00. For a series that has drawn a huge number of parallels to Gundam Wing, and even Zeta Gundam thanks to the introduction of A-Laws (a la the Titans) in the second season, it's fascinating to see the movie component of the series turn out so fresh, and so originally its own piece of work; it's especially puzzling considering this movie almost has a doomsday quality to it, and where the focus and foundation of the series seems to borrow more from the likes of Evangelion than any Gundam show, it's almost as if Mizushima grew tired of Gundam and just decided to make a science-fiction flick however he wanted it to be.

Story:

The real interesting bit about the story is that it completely disregards any Gundam conventions, especially the almost collective defining theme for the franchise: human vs human conflict, and its effects on both soldiers and civilians. Instead you have, for the first time ever, a human vs alien conflict; granted the aliens are conceptual, and nothing really humanoid, which is a wise choice considering a franchise so deeply rooted in traditions would have felt cheated if the aliens were anything like those found in Macross. Likewise, this movie has no masked villain, and maybe the biggest slap to the face, is the ending, which averts the big showdown between protagonist vs villain found in almost every main Gundam series and seems to be more rooted among the lines of something you would find in Evangelion, though certainly more optimistic. The whole story gets very psychological and metaphysical towards the end

Concepts aside, the story itself is a bit inconsistent. The story can be easily separated into two parts: the calm and happenings before the storm, and the storm. Though as a whole, the story is wobbly because it feels like two different people directed different parts of the story. The first half of the story is character centric and surprisingly dark, in that it almost possesses an apocalyptic air to it all, and the general sense of confusion, and fear is especially well portrayed in the events, ultimately creating an atmosphere of chaos while under the supervision of a useless government that has become radically pacifist. This half of the story is really uncharacteristically edgy and dark, and it's interesting because Gundam shows aren't like this at all, it is radical, and it is refreshing from the staple Gundam formula.

The second half is where this movie treads back into standard Gundam territory, there is a huge fight that literally lasts for at least 1/3 of the movie and towards the end of it all, things get Evangelion-esque psychological (a la metaphysical visions and pseudo-philosophical babbling), and the prominent (admittedly cheeky) theme that peace can only be achieved when all living things can understand each other, rears its head to solve the problem and by the end, things get a bit ... flowery (literally). It is ideological, but at the core of this radical movie, it is still a Gundam.

The problem with the story is that it is a bit of a roller coaster ride in keeping a consistent atmosphere, it's all over the place in keeping the same tone. Likewise, Mizushima tries too hard to provide us differing 'perspectives' on this story with the segments including Marina, Saji, and Billy essentially doing ... nothing. Though I think that's something that should be blamed on the Anno Domini series in general and not exclusively criticism just for this movie. This story sometimes has a hard time of knowing where it's going, and the convoluted writing seems like it's almost teasing fans.

Also, this story happens to have the most unnecessarily misleading subplot ever.

Art and Animation:

Production values are, as expected from a Gundam feature film, pretty high. The animation quality during the battle scenes are incredibly fluid, though inconsistent animation is prevalent in non-fight scenes, and the mixture of CGI and 2D animation is awkward at best.

The character design is pretty consistent, some characters have had redesigns to show growth, though not too apparent. The innovator/clones concept may be looked by some as storytelling, but by others as taking a shortcut in character design (e.g. Mina and Nena similarities). Likewise, mobile suit designs are mainly rehashed or just colored with a different color palette, and the new Gundams look the same with the exception of Tieria's Raphael Gundam.

The aliens (the ELS), are a mixed bag in terms of design, they're just parasitic fragments of metal, which doesn't make for the most visually appealing villain of the series. But it works because, Gundam as a series, has always had a very visual enemy to fight against (e.g. enemy mobile suits, mobile armor etc.), and having something as abstract as the ELS to fight against is both refreshing and innovative for a franchise so stubbornly rooted in its old ways.

Sound:

The score for this film is a bit of a disappointment, it uses the same tracks as the ones found in the first season. Though there is an Evangelion-like ominous chant track found towards the end that accommodates the scene effectively, that one effective track is boggled down by a horrible song (courtesy of UVERworld), and some very generic J-pop played during one of the battles in a misguided attempt at creating a "valiant moment", or something among those lines. It should be noted that this film actually doesn't have much background music throughout the majority of its course.

Character:

In many ways, Setsuna's condition is very similar to how Cloud Strife was in Advent Children. Both are lost, contemplative, and trapped in their own psych, but where Cloud fought and inexplicably, and suddenly, found a purpose. Setsuna slowly comes to the realization of his purpose, and why he is what he is. The social disconnection and isolation brought on by becoming an Innovator is a theme portrayed in Setsuna, as a character, much more effectively than the likes of Amuro Ray ever was.

The emergence of Feldt as the traditional main pilot love interest is the standard Gundam trope, though Feldt is slightly more interesting because of her progression as a character throughout the series. The rest of the cast is pretty monotonous, relying on their character progression from the past seasons to establish their character, they aren't progressed mentally in the movie in any way. The lack of explanation for the emergence of Hallelujah, and the complete irrelevance of Descartes Shaman as a character makes the quality of the writing quite questionable.

The main issue with characters for this movie is the size of the Gundam 00 cast, and Mizushima's inexplicable need to reintroduce every one of them (if not in a sloppily rushed way). Further adding to the problem is that these characters were never relevant, nor were they developed in any way, even in the series; so why Mizushima feels the need to include them in the movie is beyond me. Does anyone remember Klaus and Andrei? Me neither.

Enjoyment:

Awakening of the Trailblazer is quite a strange piece of work. On one hand, it's the most refreshing, and exciting Gundam installment in well over a decade, on the other hand, it is sloppy, it is convoluted, and it is embarrassingly idealistic. One moment it's a doomsday thriller, the next moment it's a hallucinogenic acid trip. It is real robot, it is super robot, it is psychological, it is science-fiction. Awakening of the Trailblazer is purely interesting, it's not a spectacular film, but it is very interesting, so for that factor alone, it is worth watching as a film that runs more on ideas than execution.

Overall:

It's important to point out that this movie is not the second coming of Char's Counterattack, nor does it traditionally define Gundam, in fact, it's not even an example of a good film. Rather, this movie is something conceptual, it has the right ideas, and the concepts are fascinating, but the convoluted writing and the inherent flaws of the series prevent this film from reaching its full potential. This movie is a raw engine running on ideas alone, with sometimes directionless execution. Though maybe one day, in retrospect, this will be a Gundam looked back on as a transitional piece into something even better. For a franchise so locked in traditions, Awakening of the Trailblazer is a flawed step into the right direction.
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Like alot of other people who saw and enjoyed the TV Series, I was hyped up for this film. Although I did keep a few lingering doubts in my mind to make sure that the hype didn't ruin the film for me. Obviously being a movie, certain elements have to be condensed in order to function, so the question is: does Awakening of the Trailblazer serve as a fitting conclusion to Gundam 00? Well...Yes and no. Let's go over the main aspects of the story. This is the first entry in the franchise to introduce aliens, which is of course one of the film's biggest selling points. The ELS do make for interesting obstacles, as merely touching them can mean a slow painful death. Combined with the fact that they're literally everywhere on the battlefield adds a feeling of horror and suspense that (let's be honest here) is rarely seen in Gundam. For the most part the film does a good job at building up the ELS as a legit threat. However Gundam's strong point has always been about the characters being more interesting than the mechs they pilot, so sadly we don't get any bouts between main characters since all of humanity has banded together to go up against this alien menace. Not to mention, if you never saw the TV Series, then the presence of aliens in a Gundam-related work can be very jarring, since it's only hinted at in Season 2. However my biggest gripe overall is the way the film handles it's characters. There's virtually little character development. Again, watching the TV Series is essential since it's there that all the characters reach the peak of their development. Feldt is the only one who gets any sort of relevant change and she's not even a main character. Because there's little development, I couldn't help but question the presence of two of the new characters: Mena who looks and sounds like Nena Trinity (something which is never explained) mostly serves as Billy's new love interest and does provide us some info on the ELS, but not much else. And then there's Descartes Shaman. The trailers seemed to hype him up as the potential new rival to Celestial Being, and honestly he was the character I was most looking forward to since I always felt that 00's villains were lacking compared to antagonists of the past. Sadly Descartes is merely a throwaway character. Although I will give props to the film for redeeming Graham Aker. Thank God he dropped that whole Mr. Bushido nonsense. However for a sequel to be good it needs to properly re-establish the returning cast (assuming they do return), and the story needs to stand out without needing to rely on past sources. Don't believe me? Watch Terminator 2. In the end much of my enjoyment for the film's characters and story was mainly due to the fact that I liked the TV series and I wanted to see how it all ended. But if you never saw the series, you won't understand why there are aliens, and you won't understand the relationships of the characters or their motivations.

From a visual standpoint, Trailblazer looks pretty good, but when you go back and watch the TV Series, it doesn't seem like that much of an improvement. Don't get me wrong, the animation is smoother and the art is fairly detailed, but it's not like in Fullmetal Alchemist: Conqueror of Shamballa where the already good visuals that the TV series boasted where upped two times over. Still the visuals don't disappoint, though I am still annoyed by the male characters looking effeminate. The mech designs is one area that will be hit or miss with some people. I do find the designs of the new Gundams fairly unique. They take some of the elements from their Season 1 predecessors (such as the vent-less mouths) while still retaining the bulkier look of their Season 2 predecessors. Though I do admit that the Zabanya (Lockon's new Gundam) does look goofy with those picket fences hanging on it's hips. The ELS on the other hand remind of the T-1000 from Terminator 2. Hm. No wonder they're intimidating. However as far as battles go, they're fast paced, explosive, and damn entertaining, but I was disappointed by the lack of screen time that two of the main Gundam's have in the film (not gonna say which ones. If you saw the movie, you know which ones I'm talking about). The 00 Raiser does appear again although I was disappointed by the way it's final moments were depicted.

Much like the series, the music is pleasing to the ears. The opening song "Closed World" by the Back Horn does have some of that heavy dark mood that L'arc En Ciel's "Daybreak's Bell" opening had, but without any of the hopefulness, and comes off as more impending. The ending theme "Qualia" is performed by Uverworld, who sang Season 2's first opening song. Personally I wish they got L'arc back for the movie, but I guess beggars can't be choosers. Much of the background music is from the TV series, which is okay by me since they suit the scenes just right, and fit in with the tone of the film.

In the end Gundam 00 Awakening of the Trailblazer does succeed in being an entertaining action film but it stumbles in doing so. From a thematic standpoint I was able to understand what Director Mizushima was trying to get across with the show's themes about ending war and understanding one another. These are themes that date back to the original Gundam series, and for the most part it deals with it in it's own way, but it didn't work for me until I sat down and thought about it. Because of that, I feel that the movie does get better with time, but then again that could just be me thinking too much about it. I liked the movie. It was fun, it was entertaining, but there were things about it that disappointed me. I'd say the film is on par with Gundam F91, but not as good as Char's Counterattack. Still if you liked the series, I say watch the film and decide for yourself.

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