Sora, a young girl from Japan, comes to America in search of her dream. She wants, with all her heart, to be a member of the Kaleido Stage, a world famous circus, with a combination of musicals, acrobatics and magical effects. With the help of her friends, she struggles to make this dream come true.
Kaleido Star was a big surprise for me as I expected it to be a typical shoujo with probably many cheesy moments...
I was proven wrong..
Overall, it was beautiful, bright colours and flowing movements that even appeared graceful, a very colorful setting that didn\'t appear too flashy....it totally captured the brilliance of a circus and the lovely performances that I just had to rewatch again. However it had its flaws, I noticed that several episodes had seemingly worse animation compared to the rest in which the characters looked distorted, thankfully this was hardly significant during the performances which kept their high standard throughout the whole anime.
The opening and ending themes were ok and catchy enough but what i really loved was the background music, some tracks were sometimes quite repetitive but it totally created the magical feel for this anime and enhanced it a lot more (even though you may not realise it). So do turn up the volume whenever you watch any of their performances as \'swan lake\', \'little mermaid\' etc. would not be so astoundingly beautiful without the music
Kaleido Star can be divided into 2 parts, 1st being Sora\'s introduction to the circus and striving to be in par with Layla Hamilton. Whereas the second part introduces 2 new character, Leon and May in which might be a turn-off for most viewers due to Sora suffering the most, but of course this is only to build the wonderful finale.
The overall concept may not seem special as it is only about a girl striving to achieve her dream and encountering many hardships. But the idea about a circus and acrobats is very unique, I don\'t think there are many animes out there that have attempted this genre and managed to keep it so interesting and magical. Whats good is the emphasis on friendship, Sora gets through a lot mostly due to the help of the people around her, it is not a one-girl show, all the rest are equally important characters and do shine as well.
Even though this is a shoujo anime, romance is only hinted but barely there, truly not the highlight of the show
As mentioned above, all the characters are great, in fact it is impossible to hate either of them since even the bad ones turn good at the end. Although this seems rather idealistic, it leaves you with a warm fuzzy feeling at the end
Overall this was a great ride, Satou Junichi\'s other creation, Princess tutu had left me in a bit of a trance when it ended, apparantly this had the same effect. It is hard to describe the truly magical effect this has, you have to watch it to know, and you won\'t regret it read more
You have a dream don't you? Of course you do. Everyone has one. A dream to do something that no one else has ever done, or maybe someone else has done it and you want nothing more than to follow in their footsteps. It could have started when you were a child, maybe even recently, but no matter what, your heart doesn't let it rest. It's something you want more than anything, even more than you think you want it.
Kaleido Star is the story of our dreams. How they all start from tiny things. Memories from days gone by that we think are insignificant, but at the same time, have really touched us and inspired us to become who we are today. Our dreams are not easy though. There will always be detours and obstacles in our way, and no dream can be reached without putting our own inner selves to the ultimate test, but if we can overcome these obstacles, befriend our enemies, and see the good in everyone's dreams that they aspire for as well, then your dream can come true.
Despite the formulaic way Kaleido Star goes about fulfilling the dreams of the characters, it works splendidly because of how sincere each and every character is about wanting their special dream to come true, and how the series treats the sincerity of each character with a great deal of respect to the point that the formulaic contrivances such as the cliched "special training" and running away only to come back having "found yourself" feel like genuine happenings.
Likewise, this series as it is couldn't be anything without its characters. The main focal point of the series is seeing the growth and struggle of all the members of Kaleido Stage from the primadonna to the lowly stagehands, and oh how they grow, and oh how they struggle. I credit this series immensely with how it puts each and every character through their own personal wringer, good guys and "bad guys" alike. It never lets them take the easy way out. Each and every accomplishment any character achieves is 100% earned. There are no gimmes.
And oh the accomplishments! I can't go into detail because of spoilers but this is where the technical aspects really shine! For as much as people seem to tease GONZO for being GONZO, this is arguably their opus. A setting such as Kaleido Stage requires dazzling animation to fully bring out the Cirque du Soleil atmosphere of the stage, and the animation astounds every time, especially the climaxes of both halves of the series. They are so gorgeous, that don't be surprised if you forget to breathe for a moment.
The soundtrack is also quite lovely with lots of wonderful performances, especially Ryou Hirohashi as Sora, who brings the same radiance and energy that Sora herself embodies.
With outstandingly gorgeous animation, heartwarming performances, characters that make you believe that everyone in this world, no matter how heartless or cruel they may be, are all good people inside, and a story that invokes you to believe your dreams, no matter how great or small, can all come true. Kaleido Star is one of the best anime I have ever seen. Heartwarming, heartbreaking, and inspiring to all. This is the stuff true dreams are made of.
Overall, I happily give Kaleido Star a 10 out of 10.read more
A certain expectation arises for an anime series such as this, which takes the effort to build a unique premise and story. Without the telltale signs of pervasive cliché, like a harem or giant piloted robot, I had good hopes for Kaleido Star. The show wasn’t even approaching flawless or astonishing on any technical level, or even in the way its story was written and reared, but what I found is that it had an intoxicating charm and that it was far more vibrant and ‘energetic’ than most anime. When I say energetic, I don’t mean just a cast of genki characters relentlessly talking quickly, and running around, I mean it had a certain sparkle in its eye, or a skip in its step that elevated it above its content, and even its technical quality of production. Something intangible was born from the sum of its parts, its voice acting, colourful animation, charismatic score music, and its amalgamation of so many fascinating characters and relationships. Even when I was shaking my head in the second season at how incoherent and silly the story had become, I was simultaneously glued to the screen, and enthralled by the climactic stage performances. Even though I’ve never considered myself a fan of anything to do with the stage or of shows that rely mostly on drama to hook their audience, I thoroughly enjoyed this series, both in the sense that it was fun, laidback entertainment, and in that it was occasionally emotionally stirring.
The most prominent feature of Kaleido Star is undoubtedly its characterisation, and as such, each character is given a strong dream or ambition that they strive towards over the course of the show, as well as a heavily fleshed-out personality. Almost every character is likeable and easy to become attached to. If you find that you’re a sucker for getting behind your favourite characters and empathising with their hardships, then Kaleido Star is a good bet. By the end of the show, the real emotional impact lies not in the conclusion to the plot, but in the final send-off for a great cast of characters you’ve come to know and love. Relationships are dealt with, but almost always in the form of friendships, rivalries and companionships. Rarely does Kaleido Star tread in the thorny realm of romance, and when it does it’s usually just for a cheap gag. Don’t be deterred though, the friendships that are grown over the course of the series have more weight to them than most romantic relationships in anime. I’m not sure if the characters interactions are massively realistic, but they are believable and earnest enough to work. Really though, the rest of the series is in orbit around Sora Naegino, the heart and star of the series. Fortunately, she is really a great protagonist, particularly in the first season. She is portrayed very much as being a real person, with holes poked into her resolve to achieve her dreams, and struggles that she must overcome, not with superhero talent, but with hard work and perseverance. I must admit to being in admiration of her from time to time. Most importantly, through all the harsh training she endures, you end up really wanting to see her succeed, which really makes the stage performance scenes what they are.
The animation used in the stage show scenes themselves is certainly quite good. Although the level of detail in the cel animation is overall surprisingly low, the stage scenes are carried by a high degree of fluidity in the animation and strong use of artistic direction, such as the use of colour and dramatic camera angles. The music definitely helped to create the sense of tension and beauty required. I do think they could have been done better, and rendered in more lavish detail befitting the scope of the shows, but for a 51-episode tv series it’s production is definitely solid. Unfortunately, off-stage doesn’t allow for the same graceful movement to overcome the simple visual style. The background art lacks personality and detail. The character designs range from completely bland and uninteresting to memorable. Sora and Rosetta, fit into the latter category, while most of the other character designs leave little impression. The music had a very strong presence in the series, and it was definitely good quality, with rousing instrumentals and melancholic strings tugging at the heart when required. However, it was far too repetitive; far more music is required for a series of this length to stop the tracks from overstaying their welcome. The OPs and EDs were relatively good. I watched the first and second OPs every episode, but was appalled by the 3rd.
The plot, looked at in isolation, is very weak indeed, marred by inconsistency and incongruence, especially in the way the plot for season 1 is wholly confused by that of season 2. The way terms like “true Kaleido Star” were thrown about really annoyed me, in much the same way as the over-use of the Angel/Demon analogy in season 2. It all felt so contrived and silly, as though it was an attempt to give the stage some sort of misplaced mythology that ended up just being a distraction from the performances themselves. Furthermore, Leon Oswald’s backstory, and his frequent visions of Sophie grated my patience, because they were a symptom of the overall problem with the second half of the story, which is immature and simplistic plot development. Everything was given parallel and faux meaning with such forceful blatancy that it became a nagging irritation. However, unlike most series, the plot is not the backbone of the show, and with its strong characterisation and emotional themes, it can stand on its feet without the need for a concrete story to support it.
Kaleido Star is no great achievement as an anime series from a technical or cynical perspective. If you watch past the first season, the plot becomes haphazardly thrown together and nauseatingly unsophisticated. However, for its colour, vitality and charm, Kaleido Star proves to be a worthy entertainer/ Perhaps ones could look at the series for advice about why it is so enjoyable - like Sora’s stage play, it is unpretentious fun, and manages to keep itself at an arms length away from derivative clichés. And more than just light-hearted fluff, it has the potential to wet the eyes of all its viewers through Sora’s trials and mesmerising triumphs. read more
Due to the fact that this is a 2003 and 2004 anime, I would most definitely give it a 10. haha for some reason older animes have better plot lines (just found out recently). To be quite honest at first the anime didn't seem interesting... and i'm not really into an anime that has quite a lot of episodes... though when I kept watching it, there was no doubt that I couldn't stop.
Story: Amazing, by far the most detailed and well planned out story i've seen. Everything had a moment, a conflict, a climax. It's exactly how an actual story is suppose to be seen.
Art: Though I did prefer Sora and her partner to look a bit better, I'm pretty sure i'm fretting about the hair, I did love everything else of the art of the main character's surrounds, friends, and the way their movements were phenomenal.
Sound: Gosh the sound had a lot of effort into it. Every moment where there is a situation due to face or environmental aspects, they'd use great expressions.
Character: Each and every characters had an important impact to the anime. They were astonishing and fun! Truly an amazing cast!
Enjoyment: I loved it overall! It had a certain vibe that I never felt before. There were times where I want to hit my head on a wall and there are times when I feel like shipping characters together! It was without a doubt absolutely fun!
Overall: After watching skip beat I thought i'd never encounter such an anime again. You have no idea how happy I've become and I'm more than satisfied! Hope you watch this with as much happiness as I did!read more
In the early-mid 2000s, US licensing companies were involved in numerous anime Production Committees. It didn't go so well for them. This year, several US licensors are trying their luck on Production Committees again. Will it go better this time?