Souichi Negishi is a timid young man who aspires to use his musical talents for a career as a pop star in the entertainment industry. But aspirations don't pay the rent, so in order to get by, he has joined the death metal band known as Detroit Metal City. On stage, Souichi becomes lead singer and guitarist Johannes Krauser II, publicized as a demon from hell that murdered his own parents and committed numerous other atrocities. Souichi’s band mates find themselves in similar predicaments; drummer Terumichi Nishida, stage name Camus, is actually an avid otaku who particularly enjoys ecchi anime, while bassist Masayuki Wada takes on the persona of Alexander Jagi, even though he would rather perform in a visual kei band.
Despite loathing the music he plays, Souichi just cannot seem to get away from Detroit Metal City. He feels compelled not to abandon his fellow band members and knows his success with pop music is nowhere near what he can do as Johannes Krauser II. Negishi will have to decide what is more important—who he is now or who he wants to be.
It’s about a reserved young lad, Negishi, moving to the city of debauchery that is Tokyo and fronting a death metal band, as Krauser II, even though he would rather be at home drinking green tea and listening to laid back indie pop.
It’s tear-inducingly hilarious.
DMC's humour is similar to Cromartie High School in its lunacy, albeit more traditional in narrative-stakes, and it’s also more unrelenting and risqué with its filthy potty mouth and explicit scenarios usually involving public humiliation involving a young man dressed like an 80's prog-rock-gone-wrong band member furiously thrusting his groin against a piece of government property in order to placate his maniacal fans.
DMC's cast of deranged characters, animated by the ever-brilliant Studio 4c, liven up every scene they're in, thanks to each episode's short length. There are no typical anime-style long pans or random shots of furniture or scenery wasting our time. Instead we get scenes crammed with Negishi getting mistreated, usually by DMC's violently blunt dominatrix manager, although if we're extra lucky we'll also get a scene where DMC drummer Nishida opens his mouth, or the DMC S&M mascot Pig of Capitalism frolics on stage.
One of the masterstrokes of this show, perhaps the main stroke of genius and source of such mirth, is the voice acting. Particularly the pacing. The dialogue is sublime in its breezy and hushed volume; actors regularly speak in normal conversational tones, and cut each other off with off-the-cuff remarks about nonsensical things and then scenes cut away immediately without giving anyone time to breath. The ultimate affect is hilarity, as you might see in Brit comedy skit shows and such.
Detroit Metal City's secret weapon are the maniacal fans mentioned earlier. Their commentary on the main band's hijinks are comedy gold, their crazy antics all in the name of their beloved musical heroes creates most of the show's best scenes, although having said that we shouldn’t ignore the main frontman of DMC himself, whether its Negishi or Krauser we're watching, his two identities continually spiral further and further into increasingly awkward and humiliating situations, that usually involve simulated rape and assault.
If any criticism could be thrown at DMC, it would be that the show doesn’t seriously explore the concept of losing your sense of identity when you're fronting such a ridiculous band, but then any focus on such an admittedly good topic as that would have robbed the show of precious laughs and scenes of humiliating sexual harrasment so in the end comedy wins over gravitas.read more
Wow man, DMC was fucking crazy. I swear that shit was so funny I almost fucking shit myself during every episode. It also made me want to kill and rape every bitch around me. As for my parents — you know I'm just going to stop right there.
Detroit Metal City is a brief comedic anime that is known for its vulgarity. The language is foul and the jokes are wildly offensive. And that's the show's shtick. If jokes about raping and murdering your own mother offend you — *cough* if you're any kind of sensible person they probably should offend you *cough* — then maybe DMC isn't for you. But if you're willing to travel to the dark side of humor, then welcome to Detroit Metal City, motherfucker.
DMC follows Negishi Souichi, a calm and quiet person who aspires to be a famous musician. His hobbies include sipping tea, listening to smooth pop, and reading magazines about fashion and music. He takes the first steps to achieving his dream when he decides to move to Tokyo. He gets his shot at the big time, but not how he could have ever imagined. He becomes the lead singer/guitarist and frontman of the metal band Detroit Metal City. They are crazy. They are over the top. They are a band that Negishi does not want to be a part of. We never really learn how he was recruited to be the face of this metal band, but that's not all that important. We're here for laughs, not plot. And the laughs are plentiful. Once you learn to step out of your humor's comfort zone you can really start appreciating how funny DMC is.
The story is simple. It explores loss of identity through peer pressure. But beyond that, it's just about DMC's rise to fame and Negishi trying to cover up the fact that he plays the role of a serial killing and raping terrorist from hell all while still saving time to give street performances of his beloved pop.
Perhaps the funniest part of the series is DMC's rabid fans. No matter what Negishi does in his Krauser persona, they perceive it as a godly act from their evil hero. He tries his best to win over the girl of his dreams, but somehow his life as a member of the most offensive band around prevents him from doing so. All we can do is laugh and feel a little sorry for Negishi as he desperately tries to keep everyone around him from knowing who he truly is.
Detroit Metal City is a short series that packs as much hilarity in as possible. From the moment Negishi boards the train to Tokyo and waves goodbye to his beloved mother, his life quickly spirals out of control. Watching him attempt to balance his personal life and his life as a serial rapist/murderer is truly one of the most humorous plots I have ever seen. read more
Alright, so this here is my first review on MAL. I'll try to make it a good one. As you can see, I'll be reveiwing Detroit Metal City.
I'd like to apologize in advance for how long this will be...
Let me say first off that if you think you will be offended by off - color humor and swearing, run away in panic now, as this show is not for you. It is filled with swearing, rape jokes, drug references and other implied naughtiness. It is not serious, of course - it is comedy and there is no nudity and little violence to be found here.
The story follows Souichi Negishi, a boy who, having recently graduated music college with the intent on forming a fashionable pop band, somehow finds himself as Johannes Krauser II, the demonic lead guitarist and vocalist for death metal group Detroit Metal City. The show is episodic in nature, so much so that they will often fit two short stories about the titular band into a single 15 minute episode. Don't expect too much in the way of an over - arching plot; it's almost a slice of life show in that respect. Despite being a comedy, the creators actually bring some interesting themes to light, such as conflicting split personalities, although they don't really develop them.
The characters are all good, though nothing to write home about. They seem to be almost charicateurs, in that they are fairly normal people, but exaggerated to the point of comedy. The only character who recieves any development even remotely is Negishi, as he does grow somewhat, his two personalities almost mixing together during the course of the show. Of course, it's to be expected when you can watch the entire series in about two and a half hours. That is my main problem with the series - it could have been much longer, as it does feel a little short. On the other hand, Negishi is actually fairly complex from the beginning, as he has some definite elements of schizophrenia, which provide some hilarious scenes as his two personalities show themselves in the wrong places.
The art is...interesting. The characters are somewhat flat and cartoonish most of the time, though there is the occasional scene where the animation is nothing short of stunning. The frame tends to change in size from shot to shot, presumably to create some kind of effect. You may find it irritating at first, but you'll quickly stop noticing it as you get caught up in the humor and the music.
This, of course is the series' main strength. How could it not be, as this is a show about music. There is a fairly high range of music, including pop, punk, freestyle rap and death metal. The songs are all original, unless I am much mistaken. Please don't expect too much in terms of song lyrics, though, as this is a comedy and all of the styles are exaggerated - the metal songs are filled with so many gruesome and offensive themes that it just becomes ridiculous and funny rather than brutal (as was the intention), while the pop songs are cheerful and cute to offset this.
I am a fan of death metal, and can safely say that this is not actually death metal. It's actually pretty good, but the creators likely wanted to appeal to a broader audience, so there is no growling or shrieking to be heard in the metal songs. DMC's music, I would say sounds more like evil KISS, which is suitable given that the name of the band is taken from a song by KISS (Detroit Rock City).
It would have been nice to see a few more references to other musicians. They do mention Sid Vicious, but no one else gets a nod. I also found it strange that they didn't mention Sweden or Norway, the respective homes of death and black metal. They also mention 'the violent American death metal scene'. Aside from Florida, there really isn't a death metal scene in the US at all. Ah well.
Actually, this show reminds me of an American cartoon, Metalocalypse. It's similar, as it's about a super - popular death metal band with rabidly idiotic fans, though of course the band members are all idiots. I'd suggest you give it a look if you enjoyed DMC (or the other way around). Just be warned that it is very, very bloody.
My only real grievance with this show is how short it is - it is only 12 episodes, each of which are only 15 minutes long, The series does feel far to short, and you'll probably wish there were more.
"Detroit Metal City" is the most consistently funny anime ever made. It's not just a couple of episodes that hit the mark; all twelve are hilarious, unexpected, and brilliantly written.
Based on the manga which I also wrote a review for, the anime version is probably the most faithful translation imaginable. Every scene, word, and expression is exactly the same as in the comic, and in this case, that turned out to be an excellent decision.
DMC is based on the theme of dual personalities. Negi Souichi is a kind-hearted, simple 23 year old, a virgin with an ugly bowl-shaped haircut. He hails from a farm, talks to his mother every day, and dreams of uniting the world with fashionable pop songs about love and French desserts.
At night, he dresses up as the fearsome Krauser-san II of the band DMC, a KISS and Gwar-inspired death metal frontman who sings about rape, murdering one's parents, and on stage, beats up an elderly Japanese man wearing women's lingerie known as "The Pig of Capitalism".
He is considered a true demon by his crazed fans, who would love nothing more than to be raped and killed by their idol, and eventually comes to be known as the emperor of metal, thanks to his many legendary deeds, such as raping the Tokyo Tower, and his destruction of any rivals to his throne, whether they be punk, rap, or fellow metal bands.
At first, it seems like Negi is simply forced to go along with this because of the tyrannical President of DMC's record label, a frightening death metal chick who beats up Negi and everyone else standing in her way, and constantly talks about performances "making me wet".
However, as the series progresses, one realizes that Krauser is very much a part of Negi himself. All of his anger and frustration at not being recognized for his pop music, as well as his annoyance with various people and circumstances in his life fuel his angry, violent death metal acts. Often, the very people he is close to and respects as Negi are the ones he destroys and humiliates as Krauser.
The writing and stories throughout the series are nothing short of brilliant. While the joke could quickly wear thin, here the episodes keep thinking of creative, exciting situations and obstacles for DMC and Negi to be up against, and he never fails to resolve it with something absurd and over-the-top, which a normal, rational Negi would be outraged by.
The other characters are also interesting and funny, if a bit one-dimensional. There is Negi's considerate, sweet love interest Yuri Aikawa, who works for a fashionable music magazine, and is frequently tormented by Krauser-san. There is Jyagi-Sama, the bass guitarist for the band, an outgoing, kind partier who is popular with the ladies. He hopes of making a lot of money from the band, but just doesn't understand the essence of metal quite like Negi.
Then, there is Camus-San, who, to go along with the stereotype of drummers as being bizarre weirdos, is a short, fat, ugly, bespectacled man, whose entire speech consists of offensive, perverted one or two word sentences, mostly spoken to attractive women. He frequently seems to think he's in a brothel, telling an innocent girl either "anal" or "next!".
As mentioned before, there is DMC's frightening record label president, as well as a hilarious male DMC super-fan who makes a living doing shows for little kids, and has an inferiority complex about not being raped by Krauser. Frankly, every repeat character in the series is funny, and their inclusion in the story is very much in context.
The songs used throughout the work, while too light to truly be considered death metal, are catchy, and have enough death grunts, heavy bass, and riffing to get the point across. The art feels and looks exactly like the comic; occasionally, it almost feels like I'm watching a really fast Powerpoint slide.
Overall, an instant classic of a series, highly recommended for everyone. Even better than Metalocalypse. read more
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