'Shine Post' TV Anime Announces Supporting Cast
The official website of the television anime adaptation of Rakuda's Shine Post: Nee Shitteta? Watashi wo Zettai Idol ni Suru Tame no, Goku Futsuu de Atarimae na, to Bikkiri no Mahou (Shine Post: Did You Know? The Most Ordinary, Natural, and Unique Magic to Make Me an Absolute Idol) light novel revealed additional cast and a key visual on Tuesday. The anime is scheduled to premiere in July 2022 on NTV and BS NTV's AnichU programming block.
Cast
Yuuki Hinnase: Mikako Komatsu (Star☆Twinkle Precure)
Miina Hirose: Kiara Saitou
Nanoka Hiumi: Tomoyo Takayanagi (Koisuru Asteroid)
Hotaru: Ayaka Ohashi (BanG Dream!)
Aoba Karabayashi: Kurumi Takase (Puraore! Pride of Orange)
Itoha Karabayashi: Miyu Kubota (PriPara)
Ren Kurogane: Yuu Serizawa (Show By Rock!! Mashumairesh!!)
Yawara Naekawa: Arisa Kouri (Happy Sugar Life)
Taka Torawatari: Miyu Tomita (Aikatsu Stars!)
Nanami Totsuka: Iori Noguchi (Hashiri Tsuzukete Yokattatte.)
Kei Oikawa (Uma Musume: Pretty Derby (TV)) is helming the anime at Studio Kai, with SSP handling the series composition. Light novel author Rakuda and Tatsuto Higuchi (Shoujo☆Kageki Revue Starlight) are penning the script. Yoshihiro Osada (Yume Oukoku to Nemureru 100-nin no Ouji-sama) is designing the characters and Youhei Kisara (Selection Project) is the music producer.
Rakuda launched the idol light novel under the Dengeki Bunko imprint with illustrations by Buriki (Boku wa Tomodachi ga Sukunai), who collaborated with Rakuda on the OreSuki light novels in October 8 last year. Kadokawa shipped the second volume on March 10.
Shine Post is part of a multimedia project which will include a manga adaptation, concerts, music videos, and a video game by Konami Digital Entertainment and Akihiro Ishihara (The iDOLM@STER supervision).
Source: animate Times
Cast
Yuuki Hinnase: Mikako Komatsu (Star☆Twinkle Precure)
Miina Hirose: Kiara Saitou
Nanoka Hiumi: Tomoyo Takayanagi (Koisuru Asteroid)
Hotaru: Ayaka Ohashi (BanG Dream!)
Aoba Karabayashi: Kurumi Takase (Puraore! Pride of Orange)
Itoha Karabayashi: Miyu Kubota (PriPara)
Ren Kurogane: Yuu Serizawa (Show By Rock!! Mashumairesh!!)
Yawara Naekawa: Arisa Kouri (Happy Sugar Life)
Taka Torawatari: Miyu Tomita (Aikatsu Stars!)
Nanami Totsuka: Iori Noguchi (Hashiri Tsuzukete Yokattatte.)
Kei Oikawa (Uma Musume: Pretty Derby (TV)) is helming the anime at Studio Kai, with SSP handling the series composition. Light novel author Rakuda and Tatsuto Higuchi (Shoujo☆Kageki Revue Starlight) are penning the script. Yoshihiro Osada (Yume Oukoku to Nemureru 100-nin no Ouji-sama) is designing the characters and Youhei Kisara (Selection Project) is the music producer.
Rakuda launched the idol light novel under the Dengeki Bunko imprint with illustrations by Buriki (Boku wa Tomodachi ga Sukunai), who collaborated with Rakuda on the OreSuki light novels in October 8 last year. Kadokawa shipped the second volume on March 10.
Shine Post is part of a multimedia project which will include a manga adaptation, concerts, music videos, and a video game by Konami Digital Entertainment and Akihiro Ishihara (The iDOLM@STER supervision).
Source: animate Times
12 Comments Recent Comments
Idol shows seems like the way forward in the Reiwa era. I have got 5 idol shows in just 3 years.
May 11, 2022 9:17 PM by 28012001
AkeZZZ said:
more than just give me new waifu and a couple of music CDs.
yeah! That are their main targets. What they really want are the fanbases in their 'real-life events', not anime fanbases. Anime is just a promotion and marketing tool for them.
RobertBobert said:
Well, if you don't need idol content like air, it can get very repetitive and repetitive. Like watching isekai for those who aren't into fantasy. Personally, I think that even if shows like this have this idea, I still want them to remain unique and interesting more than just give me new waifu and a couple of music CDs.
Franchises like Love Live, Idolmaster or Bandori are highly commercialized at their very core, but they are unique and if you enjoy that, you will always enjoy the content as a standalone work of its own.
Well, if you don't need idol content like air, it can get very repetitive and repetitive. Like watching isekai for those who aren't into fantasy. Personally, I think that even if shows like this have this idea, I still want them to remain unique and interesting more than just give me new waifu and a couple of music CDs.
Franchises like Love Live, Idolmaster or Bandori are highly commercialized at their very core, but they are unique and if you enjoy that, you will always enjoy the content as a standalone work of its own.
more than just give me new waifu and a couple of music CDs.
yeah! That are their main targets. What they really want are the fanbases in their 'real-life events', not anime fanbases. Anime is just a promotion and marketing tool for them.
Well, I try to stay away from anime, which is just the purest marketing tool without any attempt to tell an interesting story or experience. The franchises I mentioned have managed this, but for reasons already discussed, I would never have known about them if they didn't already have a good reputation even outside of the waifus crowd.
May 11, 2022 9:11 AM by RobertBobert
RobertBobert said:
Well, if you don't need idol content like air, it can get very repetitive and repetitive. Like watching isekai for those who aren't into fantasy. Personally, I think that even if shows like this have this idea, I still want them to remain unique and interesting more than just give me new waifu and a couple of music CDs.
Franchises like Love Live, Idolmaster or Bandori are highly commercialized at their very core, but they are unique and if you enjoy that, you will always enjoy the content as a standalone work of its own.
Well, if you don't need idol content like air, it can get very repetitive and repetitive. Like watching isekai for those who aren't into fantasy. Personally, I think that even if shows like this have this idea, I still want them to remain unique and interesting more than just give me new waifu and a couple of music CDs.
Franchises like Love Live, Idolmaster or Bandori are highly commercialized at their very core, but they are unique and if you enjoy that, you will always enjoy the content as a standalone work of its own.
more than just give me new waifu and a couple of music CDs.
yeah! That are their main targets. What they really want are the fanbases in their 'real-life events', not anime fanbases. Anime is just a promotion and marketing tool for them.
May 11, 2022 8:32 AM by AkeZZZ
AkeZZZ said:
As I said in my post, this kind of anime is kind of an experiment for the producer. All of them are related to real-life events. They created this kind of idol anime for marketing their new real-life idol group. So, most of them are basically similar to each other because what they really want from this kind of anime is for promoting their new group and gaining a new fan base for their real-life events. Their goal is more related to a real-life idol group.
RobertBobert said:
Again, I don't mind idol shows in general. It's just that lately it has increasingly begun to resemble a local version of isekai franchises, when the authors give up even trying to add a unique feature in favor of copying popular hits.
Again, I don't mind idol shows in general. It's just that lately it has increasingly begun to resemble a local version of isekai franchises, when the authors give up even trying to add a unique feature in favor of copying popular hits.
As I said in my post, this kind of anime is kind of an experiment for the producer. All of them are related to real-life events. They created this kind of idol anime for marketing their new real-life idol group. So, most of them are basically similar to each other because what they really want from this kind of anime is for promoting their new group and gaining a new fan base for their real-life events. Their goal is more related to a real-life idol group.
Well, if you don't need idol content like air, it can get very repetitive and repetitive. Like watching isekai for those who aren't into fantasy. Personally, I think that even if shows like this have this idea, I still want them to remain unique and interesting more than just give me new waifu and a couple of music CDs.
Franchises like Love Live, Idolmaster or Bandori are highly commercialized at their very core, but they are unique and if you enjoy that, you will always enjoy the content as a standalone work of its own.
May 11, 2022 8:02 AM by RobertBobert
RobertBobert said:
Again, I don't mind idol shows in general. It's just that lately it has increasingly begun to resemble a local version of isekai franchises, when the authors give up even trying to add a unique feature in favor of copying popular hits.
Again, I don't mind idol shows in general. It's just that lately it has increasingly begun to resemble a local version of isekai franchises, when the authors give up even trying to add a unique feature in favor of copying popular hits.
As I said in my post, this kind of anime is kind of an experiment for the producer. All of them are related to real-life events. They created this kind of idol anime for marketing their new real-life idol group. So, most of them are basically similar to each other because what they really want from this kind of anime is for promoting their new group and gaining a new fan base for their real-life events. Their goal is more related to a real-life idol group.
May 11, 2022 7:56 AM by AkeZZZ
Hoppy said:
Most aren't especially if they have a variety show attached to them (which is the bad touch of failure), heck even Lapis Re:Lights, which has one of the most functional magic systems in anime didn't sell well.
Oshi no Ko is something that should be a Netflix Original, as that type of commentary is more popular in the west, as long as there's no 3DCG, it should be fine.
RobertBobert said:
There are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
There are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
Most aren't especially if they have a variety show attached to them (which is the bad touch of failure), heck even Lapis Re:Lights, which has one of the most functional magic systems in anime didn't sell well.
Oshi no Ko is something that should be a Netflix Original, as that type of commentary is more popular in the west, as long as there's no 3DCG, it should be fine.
Did it sell poorly even though it was much more pronounced yuri baiting than other franchises of its kind? Yes, it's still not Yuru Yuri, but I thought this franchise was literally glossy with fanservice.
AkeZZZ said:
Idol is really a big thing in Japan both nationwide and local idols.
This kind of project is like an experiment for the agencies. Create a new idol group/unit, and audition a new seiyuu who want to be an idol. Most of them are newbies or the one who doesn't have much work yet. Basically, it's like creating a new idol group in real life by using anime as one of its marketing platforms.
If the project is successful they will continue their group, releasing more new songs, especially in real-life events. But, if it doesn't, the project could be discontinued. So what will the seiyuu gain if those projects were discontinued? They will get a legit idol job and a voice acting experience in their portfolio, people will know more about them, and they will get their own fanclub. Which will help them a lot in their next works.
Idol is really a big thing in Japan both nationwide and local idols.
This kind of project is like an experiment for the agencies. Create a new idol group/unit, and audition a new seiyuu who want to be an idol. Most of them are newbies or the one who doesn't have much work yet. Basically, it's like creating a new idol group in real life by using anime as one of its marketing platforms.
If the project is successful they will continue their group, releasing more new songs, especially in real-life events. But, if it doesn't, the project could be discontinued. So what will the seiyuu gain if those projects were discontinued? They will get a legit idol job and a voice acting experience in their portfolio, people will know more about them, and they will get their own fanclub. Which will help them a lot in their next works.
Again, I don't mind idol shows in general. It's just that lately it has increasingly begun to resemble a local version of isekai franchises, when the authors give up even trying to add a unique feature in favor of copying popular hits.
May 11, 2022 7:46 AM by RobertBobert
RobertBobert said:
There are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
There are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
Most aren't especially if they have a variety show attached to them (which is the bad touch of failure), heck even Lapis Re:Lights, which has one of the most functional magic systems in anime didn't sell well.
Oshi no Ko is something that should be a Netflix Original, as that type of commentary is more popular in the west, as long as there's no 3DCG, it should be fine.
May 11, 2022 7:38 AM by Hoppy
Idol is really a big thing in Japan both nationwide and local idols.
This kind of project is like an experiment for the agencies. Create a new idol group/unit, and audition a new seiyuu who want to be an idol. Most of them are newbies or the one who doesn't have much work yet. Basically, it's like creating a new idol group in real life by using anime as one of its marketing platforms.
If the project is successful they will continue their group, releasing more new songs, especially in real-life events. But, if it doesn't, the project could be discontinued. So what will the seiyuu gain if those projects were discontinued? They will get a legit idol job and a voice acting experience in their portfolio, people will know more about them, and they will get their own fanclub. Which will help them a lot in their next works.
This kind of project is like an experiment for the agencies. Create a new idol group/unit, and audition a new seiyuu who want to be an idol. Most of them are newbies or the one who doesn't have much work yet. Basically, it's like creating a new idol group in real life by using anime as one of its marketing platforms.
If the project is successful they will continue their group, releasing more new songs, especially in real-life events. But, if it doesn't, the project could be discontinued. So what will the seiyuu gain if those projects were discontinued? They will get a legit idol job and a voice acting experience in their portfolio, people will know more about them, and they will get their own fanclub. Which will help them a lot in their next works.
May 11, 2022 7:34 AM by AkeZZZ
Tokoya said:
But that's why I can't wait until the Oshi no Ko anime drops, that way we can actually have some quality and depth in this god forsaken genre of anime
RobertBobert said:
There are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
Same.....Most of them look like they're the exact same thing tooThere are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
But that's why I can't wait until the Oshi no Ko anime drops, that way we can actually have some quality and depth in this god forsaken genre of anime
Well, I don't mind idol shows that explore this topic, showing both the industry's problems and the real challenges of being successful in it. But yet another simple "all-female/all-male idol show" multimedia project seems too forced. Even assuming that this is aimed at some theoretical otaku for whom real idols are too real, it still does not explain this attitude towards the genre.
May 11, 2022 6:16 AM by RobertBobert
RobertBobert said:
There are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
Same.....Most of them look like they're the exact same thing tooThere are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
But that's why I can't wait until the Oshi no Ko anime drops, that way we can actually have some quality and depth in this god forsaken genre of anime
May 11, 2022 5:43 AM by Tokoya
There are so many of these multimedia projects that sometimes I just find it hard to believe that they are all financially successful.
May 10, 2022 10:08 PM by RobertBobert
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