This was a fantastic episode; easily the best so far, and a clear improvement over the last, as it very skilfully balanced the comedy with several emotional moments and some excellently intriguing romantic foreshadowing. Though indistinct and brief, these moments of foreshadowing indicate a gradual transition towards an increased focus on the romantic aspect of the story, which is quite satisfying. Also, there was a slightly nuanced emotional complexity added to the story, and, thankfully, it was handled really well. The pacing, compared to the last episode, improved considerably as well, since the story was able to confidently weave through nearly every single character, never faltering in it’s execution or losing focus of the central theme of the episode.
I loved that the focus of the narrative returned to the exploration of Rikka and Yuuta’s interesting and enjoyable dynamic. The ending was my favorite scene by far, since Rikka’s subtle feelings for Yuuta appear, with that one moment, to have blossomed into love. I really like that Yuuta consciously, and without reluctance, offered Rikka a temporary glimpse of his “Dark Flame Master” persona, since it indicates a growing acceptance of his youthful delusions when he’s solely interacting with Rikka. If not for the ending, my favorite scene would be the one in which Rikka and Yuuta decide to exchange e-mails. There was a slight melancholy that permeated the entire sequence, as a disconsolate Rikka sadly notes that, until now, she didn't have any friends, which was conveyed beautifully by her one line, in which she said, "in this dimension, they are the only ones who acknowledge my presence". This was a suitably powerful moment, since it essentially provided a heightened level of insight and characterization for Rikka that had been vague and indistinct until she decided to openly acknowledge her hidden emotions in front of Yuuta.
Rikka suddenly dropping the broomstick on Yuuta’s head while he was talking with Shinka at the pool was highly amusing, as it seems to suggest a subtle jealousy borne from the romantic feelings she has for Yuuta. The small revelation that Sanae's the smartest in her class was actually quite surprising. Sanae's intermittent quarrels with Shinka are great, as their interactions are becoming one of the most enjoyable elements of the show. The comedy worked really well throughout, such as Kumin calling Shinka deceptively plump and the entirety of the club’s visit to the shrine. Also, Touka's highly realistic game of house with Yumeha was hilarious.
The majority of the characters remain immensely engaging. Rikka, particularly after this episode, is gradually developing into my favorite character. The development of Rikka and Yuuta's relationship is excellent in it's slow, but noticeable evolution. The ending, of course, seems to depict a love-struck Rikka, yet Yuuta still lingers on the precipice of a seemingly indiscernible attraction and connection towards her, potentially unwilling to realize his feelings. Despite this, he still extensively cares for her, illustrated by his diligence in helping her learn the math she so frequently withdrew from understanding, as well as his unconcerned endeavor to wash the dishes for her. Despite their contrasting personalities, they have considerable chemistry, most evident during their numerous playful interactions, which continue to be the best element of the show.
I definitely prefer Shinka's role as Sanae's adversary and her altered personality. I also like how prevalent Kumin was throughout the episode, since her brief interludes are hilarious. Yuuta's family, particularly his mother, are extremely entertaining. As for Rikka’s family, I’m hoping that the question of why her sister is the only one around will be explored as the story progresses, since, so far, it appears that Rikka has adopted her chuunibyou tendencies as a fantastical façade to her pain; a pain that could very well be largely due to the issues with her parents.
The production values really are outstanding, particularly the direction, which was especially great during both scenes that involved the exchanging of Rikka and Yuuta’s e-mails, as it captured the many disparate emotions surrounding these moments brilliantly. The lighting was also rather effective in these two sequences, as the contrast in tone is visually displayed by the darkness in the somber kitchen scene and the comparative brightness of the conclusion. The scene where Rikka searches for a solution during her test was very well-animated, and, as usual, I felt that the animation shone most with the plethora of dynamic facial reactions and exaggerated movements, such as Sanae’s gestures towards Shinka in nearly every scene between them and the moment Yuuta temporarily indulges his Dark Flame Master form. The background art was a highlight of this episode, as it was incredibly detailed, especially Rikka's room. As for the music, the mournful piano selection that was used throughout the kitchen sequence illuminated the atmosphere of that particular moment wonderfully.
All in all, Chuunibyou is excelling in many areas, and it’s quickly becoming one of the very best shows of the season, as it portrays the bittersweet and fleeting nature of adolescence quite well. I’m really looking forward to the progression of the story, since, thankfully, following the under whelming previous episode, the narrative has shifted focus back to Rikka and Yuuta’s developing relationship, which is thoroughly interesting and compelling. It seems likely that the latter half of the story will include, along with more romance, an increase of occasional drama, so hopefully KyoAni will consistently be able to handle these elements as well as they did in this episode. |