Sword Art Online: Alicization - War of Underworld 2nd Season

Alternative Titles

Synonyms: Sword Art Online: Alicization 3rd Season, Sword Art Online III 3rd Season, SAO Alicization 3rd Season, Sword Art Online 3 3rd Season, SAO 3 3rd Season, SAO III 3rd Season, Sword Art Online: Alicization - War of Underworld - The Last Season

Japanese: ソードアート・オンラインアリシゼーション War of Underworld

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Information

Type: TV

Episodes: 11

Status: Finished Airing

Aired: Jul 12, 2020 to Sep 20, 2020

Premiered: Summer 2020

Broadcast: Sundays at 00:00 (JST)

Producers: Aniplex, Bandai Namco Entertainment, Egg Firm, Straight Edge, Kadokawa

Licensors: Aniplex of America

Studios: A-1 Pictures

Source: Light novel

Genres: Action, Adventure, Fantasy, Romance

Theme: Game

Duration: 24 min. per ep.

Rating: R - 17+ (violence & profanity)

Statistics

Score: 7.45¹ (scored by 249,895 users)

¹ indicates a weighted score.

Ranked: #1802²

² based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.

Popularity: #370

Members: 459,017

Favorites: 2,746

External Links

Official Site, AnimeDB, AnimeNewsNetwork, Wikipedia

7.45

Ranked #1802Popularity #370Members 459,017

Summer 2020TVA-1 Pictures

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Synopsis

The final battle against the Dark Territory drags on, as players from all over the world flood the Underworld's servers and plunge the Human Empire into utter chaos. Asuna Yuuki and her friends defend their new allies with everything they have, but their numbers are falling. Meanwhile, Alice Zuberg heads toward the World's End Altar while Gabriel "Vecta" Miller relentlessly pursues her.

Meanwhile, members of Rath strategize a plan in an attempt to restore Kirito's damaged fluctlight. However, the intruders occupying the main control room have other plans. Surrounded by death and despair, when all hope seems to be lost, one voice reaches out to Kirito—a familiar one saying, "I will always be by your side."

Sword Art Online: Alicization - War of Underworld 2nd Season is the epic conclusion to Akihiko Kayaba's dream of creating artificial human intelligence. Now it is up to Kirito and his friends to protect this collapsing world from the people that still think it is just a game.

[Written by MAL Rewrite]

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Background

Sword Art Online: Alicization - War of Underworld is an adaptation of volumes 15 through 18 of Reki Kawahara's Sword Art Online light novel series.

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Related Anime

Adaptation:	Sword Art Online
Prequel:	Sword Art Online: Alicization - War of Underworld, Sword Art Online: Alicization - War of Underworld Recap

More characters

Characters & Voice Actors

Kirigaya, Kazuto

Main

Matsuoka, Yoshitsugu
Japanese

Yuuki, Asuna

Main

Tomatsu, Haruka
Japanese

Zuberg, Alice

Main

Kayano, Ai
Japanese

Asada, Shino

Supporting

Sawashiro, Miyuki
Japanese

Eugeo

Supporting

Shimazaki, Nobunaga
Japanese

Konno, Yuuki

Supporting

Yuuki, Aoi
Japanese

Kirigaya, Suguha

Supporting

Taketatsu, Ayana
Japanese

Tsuboi, Ryoutarou

Supporting

Hirata, Hiroaki
Japanese

Ayano, Keiko

Supporting

Hidaka, Rina
Japanese

Shinozaki, Rika

Supporting

Takagaki, Ayahi
Japanese

More staff

Staff

Nakajuu, Shunsuke

Episode Director, Storyboard, Animation Director

Nakayama, Naomi

Storyboard

ReoNa

Theme Song Performance

Aoi, Eir

Theme Song Performance

Edit

Opening Theme

"ANIMA" by ReoNa (eps 1-10)

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Ending Theme

	1: "I will..." by Eir Aoi (eps 1-10)
	2: "ANIMA" by ReoNa (eps 11)

More reviews

Reviews

Sep 25, 2020

11 of 11 episodes seen

Overall Rating: 3

RebelPanda (All reviews)

517 people found this review helpful

“Jesus shall come again in glory to judge the living and the dead; and his kingdom shall have no end."
-Corinthians 15:23

I used to be an atheist until I watched Sword Art Online: Alicization: War of Underworld Part 2. History has proven Jesus was a real man, but the second coming of Christ was merely a myth to me. I never truly believed Christ would return from the heavens to liberate us… until now. Reki Kawahara has created the final chapter of the Bible. This tale rivals Shakespeare, Dante’s Divine Comedy, and The Odyssea. It is the most spectacular writing I have seen in the entire franchise, maybe even of all time. War of Underworld Part 1 began this mythological story. Kirito, the holy spirit, was trapped within the vessel of a sleeping man. The fake news viciously scrutinized Kirito, causing him to fall into a coma. These blind fools, Youtubers, and MAL reviewers howled like banshees of how Kirito was overpowered, lacking any personality, and every girl illogically fell in love with him. But Kirito overcame these haters in a triumphant return that will go down in history as the most epic piece of fiction ever created.

…

*Ahem*

Sword Art Online has gained a massively negative reputation for popularizing the isekai harem power fantasy genre. Alicization: War of Underworld 2 sought to rebrand the franchise as a deep and mature survival thriller with philosophical themes, emotional character arcs, and commentary on the future of artificial intelligence. Alicization attempted to accomplish these goals, but it missed the mark. Part one was wasted on a virtual war between one-dimensional characters. It wasn’t worth caring about any of them because they were artificial intelligence. Their deaths are meaningless. There is no tension when no one can die. The AI soldiers are not real, and the nameless gamers only risk losing their in-game avatars. Why are there no police trying to save the people trapped within the game, you ask? Because the whole show works on video game logic!
(Read my review of Part 1 for more information)

Part 2 does nothing to raise the stakes. Characters from prior seasons hack their way into the video game, but they are wrapped head to toe in plot armor. What do you do when all your characters suck? Just add the old ones! With the power of deus ex machinas, every human gamer is granted superpowers. The first part focused on the one-dimensional inhabitants of the underworld. In this season, they are useless. SAO momentarily cared about humanizing these computerized soldiers. There was potential it could’ve had deep themes. But who cares about that boring shit? They threw all of that away to make room for epic battles and technobabble! Part two is surface-level action shlock for the fans who crave shock value but are not willing to seek out something deeper, or better written. Around 30% of this season takes place in the real world. And it’s all dead air. It focuses on forgettable characters monitoring the game with convoluted motives. Who cares about pseudo-scientific explanations of things that never needed to be explained? Everyone gains new abilities and weapons at random. If they’re in danger, the show will remind us they have a secret weapon or a ghost will come to rescue them. Yes, ghosts. No joke, there are characters who DON’T die after they’re killed. It’s never explained why. There’s no logic. There’s no point in explaining how the main characters get SOME powers when you can just show how they got them and how they work. But SAO is a Very Deep anime for intellectuals, so it must make sense! Now and then, we get a long-winded explanation that no one asked for. Seven years and SAO still hasn’t learned what “Show don’t tell,” means. Go back to an elementary school English class! The scientist people use technological terminology to sound smart. Fluctlights, STL, Self-image. It’s all made up bullshit! This is so intelligent! All this with some techno music in the background makes a great baby's first sci-fi show. They aimed for the Matrix but landed closer to Transformers. I don’t care about the pseudo-scientific reasons for why Leafa gets a gigantic sword. Most of the time, new powers are thrown in at will. Stop pretending like any of this makes sense! Does anyone watch SAO for the boring exposition dumps? No, they don’t. It’s just to save the animation budget.

From a critical standpoint, SAO is utter nonsense. There’s one narrative thread that ties every piece of this rancid rotting carcass of an anime together. Wish fulfillment. This is an otaku's wet dream. Beginning with the first plot point, Kirito is waking up. The best character development he’s had four seasons was becoming a vegetable. Without our God-tier main character, there was some threat of danger. Unfortunately, we need our overpowered pussy slaying MC back. Kirito is, and always has been, a hollow placeholder for all of the men in the audience to project their personalities onto—with none of his own. Once his harem entered the game and told him how much they loved him, he began to wake up. Seriously, this is what happened. One by one the girls say they love him and they cry because he’s a vegetable. Time after time, Kirito’s harem uses the power of stroking his ego to make him more powerful than God himself. Unfortunately, every girl loves Kirito. They each have their own story, but it will never be told. There’s more to know about them. In season 2, the Mother’s Rosario arc showed us Asuna could get her own story. It emphasized her friendship, rather than romance. She wasn’t overpowered. Even though it was rushed, there were actual stakes. When she’s with Kirito, she becomes a lobotomized puppet, just like all the other girls. After the girls join his harem, their personalities cease to exist. They become vacuous waifu-bait. Another cell is added to the prison–Kirito’s harem. They are no longer people with lives and goals. They are Kirito’s cheerleaders, existing to love him, to massage his ego, and to provide fan service.

In a good story, the heroes work for their powers. In SAO they are given powers. There is no tension because Kirito is so powerful, but how does his harem fare alone? While Kirito is in a vegetative state, psychopathic villains from past arcs return to torment his harem. Of course, when they feel hopeless they pray to Kirito for hope. Jesus is to Christians what Kirito is to his harem. The moment they say his name they get motivated to keep fighting. In many scenes, his girls hold each other, say how much they love Kirito, cry, and then they're filled with hope. He is the only source of hope in the entire world, despite still being a vegetable. When Kirito’s around, his harem becomes even more pathetic. They know they’re useless compared to him. Rather than helping him fight, they stand by and watch. Usually praying for his safety and help. Kirito summons ghosts, he freezes armies, and he creates healing rain. Why? Because he’s God! Even though he’s asleep, EVERYONE still relies on him. This must be female empowerment!

The women are treated as motivation for the audience to hate the villains rather than actual characters, and their pain is used to make Kirito seem godly. They’re tortured in violent gore porn scenes meant to evoke emotion, but it just bored me. Gore and rape don’t equal maturity. It’s like watching a kid’s show trying desperately to be taken seriously. Sinon and Leafa in particular are characters who embody the women as a commodity during this season. I’m going to paint you a picture, please skip to the last paragraph if sexual assault triggers you. Leafa falls from the sky in her first appearance of this season. The camera pans down her legs and her cleavage is exposed. Moments later, an evil woman with large breasts appears out of nowhere. She sexually assaults Leafa with tentacles. She cries, yells, and is choked, meanwhile the scantily clad dressed woman laughs sadistically. She is plenty capable of killing her captor, which she says clearly. Yet she chooses to endure the pain because she doesn’t want to kill anyone. Meanwhile, alluring woodwind instruments play in the background and the woman continues torturing her. I am not describing fetishistic hentai. This is a five-minute-long scene from the first episode of War of Underworld 2. I felt nothing but disgust with the show’s staff and cringe. I’m so sorry for the artists who had to animate this vile shit. I will speak directly to the fans just once: If you see someone who’s upset by the sexual assault, do not try to defend it. Even Reki Kawahara regrets writing it. Again, torture porn does not equal maturity! The anime insists on masquerading as something smarter than the average light novel adaptation. There’s nothing intelligent about making every villain a molester.

Every major villain is a one-dimensional molester with no depth. Making your villains do horrible things without challenging their ideals is awful writing. Molestation is used as a cheap way to make the villains evil. Their one motivation is being crazy molesters. This is a lazy way to get the audience to hate them. People only care about seeing Kirito kill the assholes, not because they want him to challenge their beliefs. Ridiculous plot armor everywhere. None of the victories feel deserved. Sinon is saved by Kirito’s necklace twice, Asuna is saved by her dead friend Yuuki, Alice’s Uncle gets a random power to win a fight. Kirito saves Sinon from a rapist without even being there. His necklace saves her from being smooched by a bad guy. The female characters are portrayed as weak, cowardly, and unable to succeed without the support of someone—usually a man. This is just sad.

In 2013, Sword Art Online popularized power fantasy harem isekai anime. After four seasons, it has continued to make the same mistakes. “SAO is good now,” Are you joking? It has only gotten worse. This is normally the part where I’d praise the art for being outstanding. It’s without a doubt the best of the entire franchise, but what does it matter? No amount of glitter and gold will make this piece of shit beautiful. Since SAO opened the floodgates, we’ve been blessed with titles such as Kenga no Mago, Arifureta, Master of Ragnarok, Isekai Cheat Magician, Isekai wa Smartphone tomo ni, Death March and so many more mind-numbingly generic anime. Thank you SAO. Thank you for fucking up a generation of anime.

Thank you Lord Kirito! Hail the Father, Hail Kirito! Hail the Son, Hail Kirito! Hail the Holy Spirit, HAIL KIRITO!

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Sep 19, 2020

11 of 11 episodes seen

Overall Rating: 8

Pipe (All reviews)

270 people found this review helpful

SAO's franchise has always been full of disapproval babbles between the anime fans, we can look that in the continue hate and rants that we can find in every place. However, even if it is hard to accept for several fans, the light novel is considered the best of Japan's decade, where it matters. One of the arcs from that light novel is titled Alicization that concludes with these eleven episodes and that for me, it is probable the best part of SAO's plot until this date leaving aside the new arc (Unital Ring) that is being published right now.

The story follows the basic template of the light novel; we have a Kirito in a coma waiting for his return as the underworld struggles to survive. The fight allows a large number of characters to participate in the story. The action sequences and some of the subplots are concluded (for example, Bercouli), so the development of the main character is completed. We can see tears, blood, gore, betrayal, fear, and many other feelings during these episodes. Maybe the screen gets saturated with action to the point that we can't process what's happening, or perhaps the events are too fantastic to be accepted. Furthermore, those awkward and useless scenes will lead us to wonder why several fans hate SAO, and it's not a problem with the adaptation that is a problem with the novels and the need to promote them with fan service. Albeit this silly impression, the show is able to offer a charming conclusion to Alicization's story arc, leaving the door open for future development.

On the other hand, character development wasn't too impressive. I understand that various characters are introduced. However, I want to remind the audience that several of those characters have already had their development through other arcs of the story. Therefore, it is unnecessary to cover more details because the setting of the story will not allow it. They are just fillers that will help with the conclusion of the battle, and perhaps that is a negative aspect of this series. Asking for further character development when the climax was already set is not wise, but it could have enhanced the enjoyment. For example, giving Alice a bit more context would have been interesting. Still, this second season I feel like she is left behind as a supporting character, and all her development from the previous seasons froze.

From art and technical aspect, the color palette is traditional but exciting nonetheless, the adaptation focuses more on the action sequences than the personal details that could have been expanded. Even if the action was well directed, you would feel like something is missing if you are not an avid SAO fan. I can't complain about the technical aspect of the series, it's good and I think the director and the studio made an excellent adaptation. On the sound, it's okay and it helps with the dynamics of the action, but it's not great. The songs are interesting, especially Anima by ReoNa; for some reason, I like the rhythm and the lyrics.

Finally, the conclusion is acceptable, but sometimes the plot is useless and leads us to think that the story is garbage. However, I think the author is playing with some fictional elements that can give us great emotions and better development in future arcs. I can't recommend this series to all fans because you need to understand SAO's entire plot from the beginning to enjoy the full context, but I do enjoy it until the last episode. One last commentary, it was funny watching Alice coming out from a box lol.

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Sep 19, 2020

11 of 11 episodes seen

Overall Rating: 8

Stark700 (All reviews)

218 people found this review helpful

Sword Art Online’s Alicization arc has been one of the most complex and gratifying storytelling in its franchise history. From the depths of the underworld, we are thrown into a labyrinth of conspiracies. As a matter of fact, this arc has been so complex that it had to be told in multiple parts to explore its story at its full potential.

From the first episode titled “The War of Underworld”, part 2 immediately jumps into the chaos with characters we were familiar with from the previous seasons. In this case, we are reintroduced to Sinon, Leafa, Klein, Lisbeth, Silica, and among others as they make their journey to the Underworld. Furthermore, Kirito still remains in a comatose state with viewers wandering if he can ever recover to normalcy. With the full weight of the ongoing war, characters such as Bercouli gets their triumphant yet sorrowful moments. It’s his moments of tragedy that is depicted not by fear but with a resolve, a way for this show to exemplify his character’s personality at its apex. And as I watched more and more of this season, I realized that every character has its importance, not like random fodder thrown away.

For the sake of part 2, we are treated with 11 episodes with the ultimatum to conclude this saga. As the longest story arc to date, SAO Underworld wanted to fully capitalize its themes such as identity, loyalty, and love. When we realize what SAO Underworld has been selling to us, it makes sense to see how characters behave. It’s important to know that the war is much more about one side trying to gain dominance over the other, but rather why characters fight with their lives on the line. Bercouli, Alice, Sheyta, Iskahn, and Asuna are among a few of those who finds a reason to fight. And it is because of their reasons, they put everything on the line. For what’s worth, SAO Underworld isn’t afraid to also pull the trigger with character betrayals such as Yanai. With every action, there is a consequence as startling revelations are discovered.

Meanwhile, fans will also have a lingering question on their mind. Will Kirito ever wake up from his coma? He’s the black swordsman that stepped foot into the virtual world of the franchise from the very beginning and make no mistake, he is an integral part of the Underworld arc. The memories grows to show his despair but somewhere within him, Kirito will find a way to become what he once was before. That is, during mid-season, he reawakens to battle against Vassago (Prince of Hell) and reunites with his friends. The moment between him and Asuna is imperative to show that despite them being apart for so long, they’ve never forgot about each other or their reason to exist. It’s a characterization element of the show that makes up their character roles this season. Furthermore, Kirito’s resolve to fight the good fight again shows that is able to conquer his personal demons and that anyone can overcome any obstacle in the SAO world.

On the outside world, there’s also the threat of the government with the world at stake. This season shifts the balance between the virtual and real world to a surprisingly satisfying effect. The betrayal of Yanai is one such example to capitalize on how characters are motivated by their own morals. When you throw the government into this complex arc, the stakes are raised even higher. For what’s worth, you should expect SAO Underworld to deliver its best arc to date. It manages to woven together the multiple arcs together to meets its ends. This isn’t some half-baked game project like Sword Art Online Alicization Lycoris. It may not be perfect but certainly manages to evade a disastrous launch from the beginning. With every episode that progresses, we see more and more of the story unfold and why characters fight the way they do. SAO Underworld is the best for what this franchise has to offer and this one really hit the ball out of the park.

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Sep 19, 2020

11 of 11 episodes seen

Overall Rating: 8

Neo_oeN (All reviews)

159 people found this review helpful

A little story on how Sword Art Online started. Reki Kawahara written SAO in Fall 2001 to participate in the 9th Dengeki Novel Prize, but he exceeded the page limit. According to him, he had no idea or will to trim it down, so he end up forfeiting and instead published it online. This manuscript he wanted to use to take part on the competition is the very known first arc "Aincrad arc", a death game story that take place in a floating castle inside a Virtual World, because of continues support from readers he wrote the sequels arcs and spinoffs. SAO was later published officially into Light Novel around 2008 then adapted into anime on 2012, at the right time it exploded in popularity, with varying receptions to its fan, haters and critics. As well as at that time, the boom of isekai from light novels had begun. The author's wish to take part into a light novel competition was now unexpectedly adapted into anime continuously with new seasons and other media as well.

Minor spoilers for first episode.

Currently, here we are with the longest arc of SAO, started on Fall 2018 and span with almost 50 episodes, "Alicization arc" is animated completely. Alicization arc mostly sets in a Simulated Reality called "Underworld" created by Rath for the purpose of creating a True general-purpose Artificial Intelligence, where the characters are not NPCs but actual people copied from real world people's soul using the most advanced technology of SAO, the Soul TransLator. The first part of this arc "Human Realm sub-arc" is about Kirito and Eugeo on quest to reach the central city Centoria, with different goals, Eugeo is to save Alice, while Kirito is to find out how and why he was in sent to Underworld. Consequently, in the real world, while Asuna and Rath Staffs are waiting for Kirito's recovery and observing the state of Underworld, their facility Ocean Turtle is infiltrated by a Foreign Terrorists group. This lead to unfortunate events, with Kirito being comatose worsely, character deaths and the start of "Rath's Final Load test" or in Underworlders viewpoint, it is the start of war between Human Realm and the Dark Territory. This last season is part of the "War of Underworld sub-arc", the second part of Alicization arc, that covers the later 4 volumes, spanning with 24 Episodes. It started at were the "War of Underworld 1st Part" left off, with the Reinforcements coming from Real World, Asuna, along with the human army and a temporary truce to the Dark Territory had now a glint of hope. They can now fight back to the overwhelming number of the Red Knight Army, or so they thought, as a certain demon from the past takes the stage, and wants to settle the score with the SAO survivors, such as Kirito and Asuna. Meanwhile, Alice was captured by Vecta flying on his dragon to exit through the World End Alter, Bercouli, along with the 3 integrity knights dragon, continues to chase him. The adaptation is pretty faithful with slight alteration to join the elements from the movie Ordinal Scale. But because of most scenes lack explicit context, it will not be understood well by most viewers. Unless the viewer, perceives the scene using the past similar phenomenon or scenario that happen in previous season, as reference for its explanation or context, this is mostly the "Incarnation scenarios" in the anime. There are also overdid scene which got controversial receptions, which is to begin with, already questionable in the Light Novel, and just like on the first part of Alicization, this seasons controversial scene was adapted worse. But even though it did have those scenes, the anime did deliver heartfelt or emotional scenes, character moments, high production action battles and the storyline wrapped up well for this arc. The story elements that matter at start of this arc and from the other previous arcs were still used for this arc, such as the old characters coming back for this arc like the friends of Kirito and other players from other VR worlds; there is also old game/system mechanics at work such as the account-conversion system which made possible by The Seed program package, the common program used by all VRs in SAO.

The Alicization arc until this last seasons arc is still directed by Manobu Ono, not a well known director, but has made quite experience with the popular very detailed scifi Light Novel, The Magic of Irregular High School. Did he do a better job at adapting the whole Alicization arc up to this point, instead of Tomohiko Ito who directed season 1-2 and the movie? My answer is not really, at most it's presentable, some directions being questionable leading to varying receptions. But thankfully, he did some good scenes that got a well reception like character interactions and relationships either among the main or supporting characters; and the most notable in SAO, of course the action scenes. But that is because of his other notable well-known great talent staffs such as Yoshihiro Kanno, Kentaro Waki, and Kajiura Yuki. They had produced high production values for this arc specifically in this second part of the War of Underworld. Yoshihiro Kanno is the SAO's main animator of major action battles, he came back for this arc's second part, after not animating the major battle scenes back in Alicization Part 1 Human Realm sub-arc. He did a great job, putting rough and weight on major action scenes, such as the most notable, Bercoulli vs Vecta fight. The Director of Photography(DoP) Kentaro Waki, known for being the DoP of God Eater and Mobile Suit Gundam Thunderbolt, made the final animated product refined. Blending the background and subjects with amazing visual effects. They produced the major action scenes captivating. Major action scenes indeed is sakugafest, although most of them lack the explicit context for it to understand. Also, we continuously have the notable great talent composer Kajiura Yuki, who's well-known for Ufotable Fate anime and Kara no Kyoukai. She had produced well-arranged pieces, ranging from heart warming to intense soundtracks.

SAO is consistent and didn't shy away on presenting its themes, even though how ambitious it is. From earlier arcs back then we have Virtual Reality, VR machine for Medical Technology, now in this arc we have Artificial Intelligence, Time Accelerated and Simulated Reality, which is for myself the very reason I continue looking forward to SAO, are the themes it shows us, how our future technology might be. I wonder what more can SAO do with its themes, as the franchise is far from ending now. An announcement just made for another SAO anime.

If you have watch this SAOs longest arc up to the previous season, why not finished it now with this last part, you might still find something to like.

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Sword Art Online: Alicization - War of Underworld 2nd Season

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Sword Art Online: Alicization - War of Underworld 2nd Season

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