Ranked #140

Tokyo Godfathers

From the creator of Perfect Blue comes Tokyo Godfathers.

Story: This story is about 3 homeless people (a washed-up father/husband, a homo, and a runaway teen) during the Christmas Holidays. The story gets going when they find an abandoned baby at a dump site. Even though one of them wants to raise the baby himself, they knew that they couldn't, so they go on a search for the baby's parents. As this search goes on, they start to learn about each others past's and we see how it ties into the present.

While it may seem like a pretty straight forward concept, Kon Satoshi manages to fully utilize it by putting all these twists and turn that keeps the movie exciting. What makes the story so special is how Satoshi manages to portray the homeless urban hood and how he cleverly ties everyone's pasts together. So if a funny, compelling, heart-filled story is what you're searching for, then look no further than this.

Animation: For a movie made in 2003, the animation is very solid. Style-wise, there is nothing spectacular about it. It doesn't differentiate itself from other anime like Mind Game or Dead Leaves does, however, what makes it so appealing is all the detail it has when presenting urban Tokyo. A lot of work must have been done to try to represent the homeless.

Sound: There really isn't much to say about this. There weren't really anything that gave a huge impression; however, all I can say is that the music really fit the movie. Its one of the reason why movie stayed exciting

Character: Probably the best aspect of the movie was the characters. The first thing I want to point out is the realism. While they may be "weird" characters, their situations are really similar to society today. I can see a teenager running away from home. I can see a washed-up husband/father becoming homeless. Another fascinating thing about the characters is the growth that they go through. Because of this baby, we see the subtle growth of each character and the bonds between them becoming tighter.

Overall: This was a surprisingly good movie. It is a great addition to a Christmas holiday collection. I haven't been glued to a movie like this in a while. Now I am definitely looking forward to his latest work Paprika. read more

I started watching this movie knowing little more than that it was directed by Satoshi Kon, and even though I'm a fan of the man's work in general, I must say I was pleasantly surprised.

STORY - In brief, Tokyo Godfathers is a heart-warming Christmas story about family. Slightly elaborated, it's a rather unique slice-of-life movie featuring a less-than-average family. Sure, inspiration was taken from an old western film (3 Godfathers), but I haven't seen it, and I don't think having seen it would have affected the charm of this one. (Other than the bare bones, the details of the two movies are vastly different anyway.)

Though thoroughly punctuated with reminders of how hard life can be, the movie was fun, comedic at times, and pretty darn feel-good, reflecting the general optimism associated with the winter holidays. It was uplifting, meaningful, and potentially relevant to people from all walks of life. That said, there were a lot of situations that felt a bit contrived and overly corny. For a destined-to-have-a-happy-ending story like this, a few coincidences here and there are completely expected and can even be cute. But there's a line somewhere and after a certain point, it starts to get a bit silly. (How many characters do we need to be coincidentally named "Kiyoko"?) I'd say that Tokyo Godfathers crossed this very vague line -- maybe not by much, but it was crossed all the same. I guess I can only take so much cute before I start groaning.

The main theme of this movie is the importance of family, which is a huge shift from Kon's usual work involving diminished divides between fantasy and reality. Even so, there are little indications of the man's handiwork woven carefully into the backstories of the individual characters, which I found interesting. After all, you don't immediately think of hobos when you think "family values," but the homeless might be among more believable subjects for those who may want to disassociate themselves with reality. It was subtle, but I really think Kon did a superb job blending the two themes together, and that was just what I needed to tide me over.

CHARACTER - The characters were definitely the highlight of the film. The three protagonists were all wonderfully in-depth, but I never got the feeling that their complexity was being flaunted or that they were throwing it in our faces. Gin, Hana, and Mitsuki are all introduced as fairly ordinary people, which makes them easy to sympathize with and easy to relate to, even for such unconventional characters as Hana. They were all troubled people -- a deadbeat debtor, an okama with AIDS (implied), and a teenage runaway, all homeless and living in a tent in the park. But each character's personal issues were presented in gradual fragments, and there is enough ambiguity and deception to keep you wondering. That scores big in the realism department with me; after all, you don't really go around dumping life issues on people, even if they're your friends.

Throughout the movie, each of our three godparents struggle with their personal issues, even as they all deal with the immediate crisis involving the baby. But despite the fact that the baby problem was very pressing and is the main storyline, it's hard to miss the gradual development in the characters. There are short, solo scenes for all the protagonists scattered throughout the movie, and that's where some of the coincidences start mounting. Tokyo is a huge city, and I found it a little ridiculous that so many relevant figures from the characters' past should appear in such a short time, but I realize that those situations are hard to avoid, if not impossible. All the same, I really enjoyed each character's maturation, especially since so little was actually said in two out of three cases. That made everything seem all the more poignant. For some reason, even though I thought Miyuki's runaway story was a bit "Wait, what?" I could sympathize with her all the same.

The main trio aside, the other characters were more roles within the story than actual characters. Sachiko was a little over the top for me, and her husband a bit predictable as well, but that's okay. The other support characters more than make up for them. The yakuza guy was entertaining, and the Hispanic hitman intriguing, not to mention the raving, crazy, old hobo. They're as good as minor characters get.

ART & ANIMATION - Tokyo Godfathers was a gorgeous, gorgeous movie, but I wouldn't have expected or accepted anything less. Seriously, there wasn't much not to like here visually. The characters were all distinct, memorable, and animated. Expressions were rendered with impressive realism, and the scenic city background was beautiful. I especially loved how the snow and light rail were handled, as well as nighttime city lights. The realness of the city really resonated as well. We do see a few prominent landmarks like Tokyo Tower, but pretty much all the buildings looked like they could have been real. The big city feeling really came out perfectly. It was kind of nice to see a few trademarks of Satoshi Kon's style as well, including that a stout, self-important man, and that one creepy, old guy. They're Kon's white doves.

MUSIC - Average in that I-don't-really-remember-any-of-it way. The final melody that played with the end credits was nice though.

VOICE ACTING - I saw this movie subbed, and it was lovely. The cast for our three protagonists all did great; the emotion was clearly there. I was especially fond of Yoshiaki Umegaki, who voiced Hana. I suppose I'm always impressed with those that do well playing less traditional roles, but it was a very believable portrayal. And... the baby cry was too believable. I don't like babies much, but even amongst the baby lovers of the world, I'm sure there is a general consensus that the noise they can make is incredibly unpleasant. I almost muted this movie so many times because oh, snap, there is a lot of baby wailing in this movie. Oh well. More realism points?

The inclusion of a few Spanish-speaking characters in the movie was a nice surprise and scored some multicultural points. I like Spanish a lot and even though I probably wasn't the best student of the language, I understood well enough without subtitles (I guess KAA hadn't been prepared to sub Spanish). They used real Spanish-speakers too, so it actually sounded like Spanish instead of some strange, garbled Supaniishu. Yay!

OVERALL - Barring a bit of partial nudity (exposed breasts for breastfeeding), I think Tokyo Godfathers is an excellent family film. The story is pretty straightforward and easy to understand. All the traditional elements of a Christmas movie are there -- inspiration, hope, good deeds, strong relationships, family values, feel-goodness, and a happy ending -- but the rich characters that Satoshi Kon brings into the mix really makes the difference. So yeah, even with all the silly little coincidences that move it along, I really enjoyed this movie. read more

I just sort of randomly requested this from my library on a whim, knowing what it was about but not quite sure what to expect.

Tokyo Godfathers is the story of 3 homeless people: a tranvestite, a runaway teenager, and an ashamed father. On Christmas Eve, they encounter a baby in the trash that was seemingly abandoned by its mother. The soon began to take care of it, some more eagerly than others. However, taking care of this baby allowed them to remind them the reality of their situations, and what to maturely do about it.

The one thing about the story and that it was very realistic. The characters were really believable. There was no one overly perky or unrealistic, they just acted and talked like regular people, and that was pretty refreshing considering all the generic stereotypical characters that are often seen.

The characters' relationship with one another was interesting. I think they could all relate to each other, the fact that they all had nowhere to go, and no one to be with expect themselves, and also that they had done something that had landed them in their situation.

Animation was very well done. Nothing exactly stood out, but the movements were fluid, and everyone in the screen was actually moving at the same time.

While it's not the best anime movie you'll ever sit down to watch, it's a nice story with some lessons to be learned, and it was very entertaining. read more

This movie is definitely a slow one to start out, but then it gets faster and more interesting towards the end. Still, this movie is not the greatest ever, definitely not the greatest.

The "adventure" part of it was well written, but the movie wasn't directed as viewers were looking for. The story connected lots of different individual character stories quite effectively and it made for a good ending.

This being the first subtitled anime I have endured from start to finish I found it different, but this did not hinder my enjoyment one bit.

New year's eve, three unsuspecting parents, all homeless, a homo, an alcoholic and a runaway teenager find an abondoned child while rumaging thorugh garbage. In their quest to find the mother, they find themselves and what they have been looking for all along, a family.

Definitely worth watching and it has something for everyone, a beautiful drama with adventure and a few dashes of comedy here and there, but only when appropriate and does not interfere with the action or storyline one bit.

A tale of compassion that shows even those with nothing, have something to give. read more

STORY: Overall, the story was pretty good. I find that altogether the story is pretty heartwarming, and pretty easy to understand. One thing that disappointed me was that, in the end, an event takes place, (I wont mention how far towards the end, or who), that really leaves you hanging, mainly because a lot of this is going on during the main story. Other than that the story was great!

ART: The art was alright, I mean the movie was 2003, and this is 2008. There has been a lot of change since then. I give it an 8 because I'm sure they used the best of their abilities to make the art as it was.

SOUND: The sound of everything in general was just fine. But I think where Tokyo Godfathers failed, was in the actual music. They attempted to insert music in the movie which was actually very good-if you could hear it. They made voices and other sounds a lot higher than the music. To me it sounded more like a radio playing somewhere in the distance. But in general the sound was good.

CHARACTER: The characters were really good, they all had very well-played emotions. Most importantly of all the fact that one of them was a transvestite was pretty hilarious, (The character himself, not transvestites in general, in case anyone takes offense). The roles that they each played they played very well, and there actions were also entertaining.

ENJOYMENT: I really enjoyed all except the part towards the end which was kind off dissappointing, considering theres a lot about it during the story.

OVERALL: Overall, it was, once again, really good. One thing that I would like to point out however, is the movies rating. I just dont think PG fits its description. Even the TV rating was "Movie/PG-13". And I can easily understand why. They do sware things such as the following: Faggot, Bullshit, Saggy nipples, and some other things as well. So really I would give it a solid rating of "PG-13+" read more