English: Now and Then, Here and There
Status: Finished Airing
Aired: Oct 14, 1999 to Jan 20, 2000
25 min. per episode
R - 17+ (violence & profanity)
L represents licensing company
Score: 7.891 (scored by 14115 users)
1 indicates a weighted score
adventure drama fantasy military
SynopsisShu is a typical Japanese boy, but has an unbeatable, optimistic and determined attitude. However, when he sees a mysterious girl with strange eyes named Lala-Ru up on a smokestack, he is soon pulled into a strange desert world. Shu soon discovers the true terrors of war, which includes genocide, brutal torture, hunger, thirst, and child exploitation. Now Shu is trying to save Lala-Ru, as well as his hard earned, and often relunctant, new friends from the insane dictator, Hamdo. Whether Shu can possibly accomplish saving those he cares about while still holding up to his values remains to be seen.
Characters & Voice Actors
Now and Then, Here and There is a real wall-gazer. The kind of show that you pause to reflect upon, and then find yourself gazing deeply into the nearest wall. Spacing out, utterly deflated, with that melancholy soundtrack echoing through the halls of your mind—like an empty ballroom, with only you left sitting at the bar. The dance is over, but the mood lingers, and there's not much you can do but sit and sigh... and realize you're a little bit older.
The hero of this story, Shu, is actually not so much a hero as he is just another victim of an ugly world gone wrong, and one who himself is nearly broken a number of times. What makes him stand out is his stubborn refusal to succumb to the hopelessness and terror of it all, even while everyone around him has been beaten down to the point where they commit terrible acts out of overwhelming fear and a desire to survive—in some cases a distant yet precious hope that if they can make it through, they'll one day be set free from this hell that holds them captive.
The setting is an alternate world that Shu finds himself pulled into, a bleak dystopian wasteland of endless, bone-dry desert; the atmosphere is stifling and oppressive, a nihilistic Future Boy Conan where skies are not blue, but blood-red, and there isn't a drop of water to be found. Enter Lala-Ru, a girl who, like Lana of the aforementioned classic, holds a power that can save the world from its ruin—a power that has fallen into the wrong hands. This is very much like a story Hayao Miyazaki might come up with were he feeling suicidally depressed. Lala-Ru, unlike Lana, would sooner let the squabbling humans wither up and die than exert herself to aid them.
It's easy to understand how Shu must feel, having stumbled into this world gone mad, but while I become more and more depressed and anxious as characters descend further and further into misery and anguish with each episode, Shu never loses his resolve. Even after being beaten and starved and nearly killed a number of times, he retains his determination to protect those in need of help, and to try to reassure them that as grim as things seem, everything will be okay.
It's tough to believe him, in the face of so much kidnapping, murder, and rape, all at the behest of Lord Hamdo, the completely insane fruitcake dictator of Hellywood and desperate captor of Lala-Ru. Other characters will accuse Shu of lying, and you'll wonder if there really is any escape from the utterly dismal state of this nightmarish world. But you'll also find that there are fragments of hope, and in some sense one may ultimately find illumination in all this darkness and despair.
Now and Then, Here and There has a look and feel that suggests it was a project made on a tight budget, yet with a lot of feeling behind it—especially evident in the wistful ending theme. You won't find yourself impressed with flashy modern animation, but the overall production is sufficient to convey the bleak atmosphere effectively.
The makers of this anime clearly wanted to say something, and they've gone about doing so in the most dire, soul-draining way they could muster. It's up to you if you can weather the journey, but I guarantee you'll come out on the other end a bit wiser for it. read more
Now and Then, Here and There is the most emotional engaging anime series I was ever lucky enough to watch. With it's amazing directing (Akitaro Daichi famous for directing Fruits Basket and Kodacha), and incredible writing (Hideyuki Kurata, famouse for writing Excel Saga, Bamboo Blade, and both the ROD OVA and TV series) this is a series that deserves a place in any anime fan's top ten spot. Don't let it's happy-go-lucky first episode or it's director or writer trick you into thinking this is a comedy or easy-going slice of life show. This is a dark, disturbing, and violent sci-fi/drama. It can become very diffucult to watch, but I will bet you if you can find the power to watch it all, you will thank me. This is truly one of the best anime series ever created. Why it's not ranked higher on this site is a true sin, and why it's not more well know is a greater one.
So this anime starts out like so many others do. A typicial shounen-anime like boy lead nicknamed Shu, who is living is daily life normally in Japan circa 1999, who's a little slow but good hearted finds a mysterious girl on top of some smoke stacks at the edge of town. He tries to talk to her, and ask her how she got to the top of the other smoke stack, when all of a sudden these futuristic machines get teleported there, and the people controling them want to capture this girl (named Lala-Ru). Bust just like in any typicial shounen-anime our hero tries to save her, a bit a little stupidely, but he tries. He ends up being teleported to the strange world (possibly the future of earth) along with these strange military people, and Lala-Ru. The place he gets transported to is called "Hellywood" , and he gets separated from Lala-Ru, and accidentally get's her pendant. But this is were the similarities with all other anime series pretty much stops. After this point this anime evolves into something much, much more. It's a dark seinen series, about how war effects people, and can destory the lives of everyone. It's also grounded in reality, even though most of the events take place in this "distant world", it's very realistic and feels as though most of this could happen right now (and to be fair, it was inspired by horrble events that happened in Africa over ten years ago). This anime is brutally honest, it doesn't sugar coat anything, nor does it glorify war or violence. It's a slap to the face to the DBZ's and Naruto's as well as many American war movies and novels of our current era. It also has a very powerful and blunt statement. But it's much, much more then that too. The story is emotional, engaging, and one of the best overall stories I've ever seen. The only "problem" I can find with the story is it isn't very "deep", it's a pretty straightforward, simple story, not very layered, but it wasn't going for deep in that sense anyway. It does have a message, and a point to it all, and it's a very good story. I can't mark it down for that small problem so 10/10.
It's a little dated, but it's still very beautiful. For whatever reason the powers that be decided to give this anime a more "simple" look to it. When compared to other anime from around or before it's time (Revolutionary Girl Utena, To Heart, Cowboy Bebop) it's not as detailed. This does not make it ugly, far from it. Still it's not the best animation and art ever, even given it's time. Cowboy Bebop truly shows what could be done with technology of the time, and a extremely large budget. This anime has no use of CGI or other computer techniques that newer anime series use. It's not as flashy as Cowboy Bebop (1998), and no where near as nice looking as say Black Lagoon (2006), a newer anime for example. The character designs are simple but effective, and the background art is very beautiful. The sunset in episode one is something to really enjoy, feel free to pause and just look at how nice it is. It's clear this anime was not made with a very large budget, but it still is very nice looking at times, esecially backgrounds. Don't let the dated animation turn you off this show, because it is an amazing series. This anime proves you don't need flashy animation, and gimmicks to make a great anime, all that's needed is a good story, and some talented people involved.
The music in this series is quite amazing. From it's very nice opening theme to it's background music everything is great! The ending theme is one of my favorites from any anime, because not only is it a great song, but it helps to calm the audience down after seeing some brutal and disturbing stuff. This anime has some of the best use of music I've ever seen.
The dub for this anime was recorded at Taj Studios Inc (NYC), for Central Park Media. The group of actors from New York City have proven themselves to be a talented bunch, but sadly many of the producations are still very poor. I think they get a bad rap due to the many poor 4Kid's dubs these guys have been in though. They are great actors, and they have have good directors and writers that work for the dubbing studios in NYC too. Luckily this is one of the best dubs I've ever heard, and definitely my favorite dub from a studio in/near New York City. The first episode starts off a little iffy, strong but with some awkard lines here and there (no pun intended) but afterwards it's really a top level dub. This anime needed a good dub, and CPM reconized that and allowed extra time for the dubbing to take place. Actors got to watch the entire show once or twice through before even starting on this anime. Special attention was given to this dub, and it clearly shows. With well known actors/actresses like Lisa Ortiz, Dan Green, Crispin Freeman, and Rachael Lillis giving great performances (that we've come to expect from them), but the one who steals this anime is Jack Taylor. He plays the horrible and insane ruler of Hellywood, King Hamdo, and he nails it! Jack Taylor is incredibly frightening and convincing! You would NOT want to deal with King Hamdo! If Jack Taylor's performance was not as strong as it is, the entire show might have buckled under the weight of that. The man should get an award for what he did in this show. He makes you hate Hamdo, with an undieing passion! Another relatively unknown, Dana Halsted, plays his assistant Lady Abelia, and she quickly gets used to her role. She gives out another great performance. Everyone in this anime knows their roles, and can really act. Only problem with the dub is the confusion on how to say the name "Nabuka". That and some may say a few of the children sound a little too old. I however did not think so at all. Both are forgivable seeing how amazing this dub is. The dub script stays pretty close to the subtitle track, as many CPM titles tend to do. This is one to show to the sub-only fans!
(I checked out the sub and it seemed fine to me)
This is not an anime you will "enjoy" as a form of entertainment. This is not an action show, this is not a comedy, this is some serious stuff! This is an anime that will be hard to re-watch because it is very depressing, very dark, and very distrubing. But this is an anime you will be very happy you watched. This is an anime that truly uses the medium to it's full advantage, much in the same way Grave of the Fireflies did. I can't imagine watching this as a live action movie, or reading it as a book. Anime is the perfect medium for this story. It may be a little too dark and depressing for some, but if you have the strength to finish it, you will look back at it and say "that was amazing".
Very well directed and written story. The animation may be a little dated and simple but it's still very nice and it works, and the music is stunning. The dub is one of the best from NYC, and it's one to test on those subtitle only type people, but the subtitle track is perfectly alright as well. Both are very good. This anime is very dark, disturibing, depressing, visualy graphic at times, but it's still one of the best stories ever told. Brutal, but brutally honest and realistic. Highly recommended esecially to those who like Grave of the Fireflies , fans of Mohiro Kitoh's mangas, or fans of Akitaro Daichi (who want to see him do something darker). Actually if you are a human being (and even if your not, lol) I suggest this to you, as long as you can deal with it. It's really 16+ due to the subject matter,violence, implied rape, visually graphic scenes, and overall dark tune. Much of the violence is aimed at innocent children, and it makes it much worse. A very mature series, but a true masterpeice. read more
Both masterful examples of watching people suffering the life out of themselves for entertainment.
Both deal the gruesome truth about war; and the negative effects war has on society; especially children.
War, destruction, emotions, tears... both are masterpieces.
Loss and the betrayal of human decency are key themes in both of these productions. Persecution and inhumanity are portrayed in harsh and realistic ways. Both succeed in pulling the viewer into the middle of the conflict, with a keen sense of empathy for the characters. "What would I do if faced with this cruelty? Would my actions really be much different?"
Both have the same bleakness that never completely destroys the enjoyment factor but it doesn't allow viewers to drop their guard either. Both are all too true tales of war and the effects it has on poeple and children.
However, the war itself is not the primary focus. Rather, it depicts it's heroes' journeys to perservere through it all in search of hope. Both are powerfully emotional, expertly written, and are classics in anime.
Fireflies is a decade older than Now and Then, uses a real war, and is more likely to steal a few tears away from you.
Now and Then is a sci-fi series, has a more distinguished cast (which in turn creates more reason for sadness), ends slightly better but it's overall potency of a tearjerker remains.
-Passable animation of the same level.
-Characters with the same feel.
-Lot's of sufering for the sake of it.
Note: Out of the two Now and Then, Here and There is the better title.
Both of these shows show the effects of war on a world.
But while Future Boy Conan presents a much lighter mood, NTHT tells its story by directly presenting the harsh realities of war.
Nonetheless, both shows hold similar themes that will most likely attract a specific crowd.
So if you liked one, try the other.
NTHT's setting is an alternate world, a bleak dystopian wasteland that seems to be made up of almost nothing but desert and blood-red sky; the atmosphere is stifling and oppressive, a nihilistic vision where skies are not blue, but blood-red, and there isn't a drop of water to be found, completely opposite of FBC. Enter Lala-Ru, a girl who, like Lana of FBC, holds a power that can save the world from its ruin: a power that has fallen into the wrong hands. NTHT is very much like FBC might have been, had Miyazaki been feeling suicidally depressed. Both of these are tales about the effects that war and abuse of resources have on people.
A sinister man with a large tower as his base hunts a girl who holds the secret to the energy he needs to power his ultimate weapon. An outsider boy acts as her protector. Both series take place in a dead/wounded future Earth. Both have the same basic plot progression in terms of what happens to the characters and where they go. Now and Then, Here and There is basically a darker version of Future Boy Conan that takes place on Arrakis instead of Waterworld. Both shows are really good!
Both take place in a desolate future, with limited resources and not many humans.
Both are also classics in anime, and they each have legendary staffs at their helms.
Now and Then is much more bleak, has harsh and often graphic themes, emotional, morally plentiful, and is shorter.
Conan is more uplifting, comical, adventurous, older, longer, and easier to enjoy.
Both take place in an alternative dark world of war and are about a boy who suddenly happens to go into that world because he wants to save a mysterious girl from an emperor who doesn't want to let go of his vision of future but still tries to win the war wich he can only do with the help of the girl. The story is very, very much the same and both are alike in their art and date of production and so are the main characters. Future Boy Conan is not all as dramatic as Now and Then, Here and There and a bit more of enjoyable to watch and is still a bit more of a children's cartoon, however, it doesn't lack much of seriousness on the topic of war compared to Now and Then, Here and There.
Opening Theme"Now and Then, Here and There" by Toshio Masuda
Ending Theme"Lullaby..." by Reiko Yasuhara
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Shakaw [Shakaw] (Brazilian Portuguese)
Kawada [Kawada] (Brazilian Portuguese)
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