What type of "punk" genre of anime or manga would you like to see be made more in the future?

Clockpunk, a subgenre of steampunk, reimagines the Renaissance period (14th–17th century) to include retro-futuristic technology, often portraying Renaissance-era science and technology based on clockwork, gears, and Da Vincian machinery designs. Such designs are in the vein of Mainspring by Jay Lake, and Whitechapel Gods by S. M. Peters.

The term was coined by the GURPS role-playing system. Examples of clockpunk include The Blazing World by Margaret Cavendish; Astro-Knights Island in the nonlinear game Poptropica; the Clockwork Mansion level of Dishonored 2; the 2011 film version of The Three Musketeers; the TV series Da Vinci's Demons; as well as the video games Thief: The Dark Project, Syberia, and Assassins Creed 2. Ian Tregillis' book The Mechanical is self-proclaimed clockpunk literature.

Decopunk, also known as coalpunk, is a recent subset of dieselpunk, centered around the art deco and Streamline Moderne art styles, and based on the cities of New York, Chicago, and Boston around the period between the 1920s and 1950s and inspired by Fritz Lang's Metropolis (1927 film).

Steampunk author Sara M. Harvey made the distinction that decopunk is "shinier than dieselpunk;" more specifically, dieselpunk is "a gritty version of steampunk set in the 1920s–1950s" (i.e., the war eras), whereas decopunk "is the sleek, shiny very art deco version; same time period, but everything is chrome!"

Possibly the most notable examples of this genre are games like the first two BioShocks and Skullgirls; films like Dick Tracy (1990), The Rocketeer (1991), The Shadow (1994), and Dark City (1998); comic books like The Goon; and the cartoon Batman: The Animated Series, which included neo-noir elements along with modern elements such as the use of VHS cassettes.

Atompunk (also known as atomicpunk) relates to the pre-digital period of 1945–1969, including mid-century modernism; the Atomic, Jet, and Space Ages; communism, Neo-Soviet styling, and early Cold War espionage, along with anti-communist and Red Scare paranoia in the United States; underground cinema; Googie architecture; Sputnik and the Space Race; comic books and superhero fiction; and the rise of the American military–industrial complex.

Its aesthetic tends toward Populuxe and Raygun Gothic, which describe a retro-futuristic vision of the world. Most science fiction of the period carried an aesthetic that influenced or inspired later atompunk works. Some of these precursors to atompunk include 1950s science fiction films (including, but not limited to, B movies), the Sean Connery-era of the James Bond franchise, Dr. Strangelove, Star Trek, The Twilight Zone, The Outer Limits, The Avengers, early Doctor Who episodes, The Man from U.N.C.L.E., The Green Hornet, The Jetsons, Jonny Quest, Thunderbirds, Speed Racer, and some Silver Age comic books.

Notable examples of atompunk in popular media that have been released since the period include television series like Dexter's Laboratory, The Powerpuff Girls, Venture Bros, Archer, and the web series The Mercury Men; comic books like Ignition City and Atomic Age; films like The Incredibles (2004), The Iron Giant (1999), Indiana Jones and the Kingdom of the Crystal Skull (2008), The Man from U.N.C.L.E. (2015), X-Men: First Class (2011), and Men in Black 3 (2012); video games like Destroy All Humans! (2005) and the Fallout series; and books like Adam Christopher's novel The Age Atomic.

Steelpunk focuses on the technologies that had their heyday in the late 20th century. It has been described as being characterized by hardware over software, the real world over the virtual world, and mega-technology over nanotechnology; rather than grown, printed, or programmed, artifacts in steelpunk are built (typically with rivets).

Examples include films like Sky Captain and the World of Tomorrow (2004) and Snowpiercer (2013), as well as those in the Mad Max, Terminator, and Robocop film franchises; stories centered on comic book characters Barb Wire, Iron Man, and Stainless Steel Rat; and Heinlein juveniles novels.

Rococopunk is a whimsical aesthetic derivative of cyberpunk that thrusts punk attitude into the Rococo period, also known as the late Baroque period, of the 18th century.

Although it is a fairly recent derivative, it is a style that is visually similar to the New Romantic movement of the 1980s (particularly to such groups as Adam and the Ants). As one steampunk scholar put it, "Imagine a world where the Rococo period never ended, and it had a lovechild with Sid Vicious." Rococopunk has most recently been seen through the artist Prince Poppycock as featured on The X Factor. Fashion designer Vivienne Westwood, often known as "the Queen of Punk Fashion," also mixes Rococo with punk stylings.

Stonepunk refers to works set roughly during the Stone Age in which the characters utilize Neolithic Revolution–era technology constructed from materials more-or-less consistent with the time period, but possessing anachronistic complexity and function.

The Flintstones franchise, including its various spinoffs, falls under this category. Other examples include the episode "The Nightmare of Milky Joe" in The Mighty Boosh, Gilligan's Island, The Croods franchise, and Castaway (2000). Literary examples include Edgar Rice Burroughs' Back to the Stone Age and The Land that Time Forgot, and Jean M. Auel's "Earth's Children" series, beginning with The Clan of the Cave Bear. Riichiro Inagaki's manga series Dr. Stone can be also considered as stonepunk.

Solarpunk is a movement, a subgenre, and an alternative to cyberpunk fiction that encourages optimistic envisioning of the future in light of present environmental concerns, such as climate change and pollution, as well as concerns of social inequality. Solarpunk fiction—which includes novels, short stories, and poetry—imagines futures that address environmental concerns with varying degrees of optimism. One example is News from Gardenia by actor-writer Robert Llewellyn.

Lunarpunk is often considered a dark opposite of solarpunk. It portrays humans as invasive instead of using technology to improve things. As seen in the film Avatar (2009) by James Cameron, the genre focuses on living in unison with nature; spiritualization is very present and nature is seen as a deity of sorts. In this way, it can be defined as "Wiccan Solarpunk." Aesthetically, lunarpunk usually is presented with pinks and purples with an almost omnipresence of bioluminescent plants and especially mushrooms.

Elfpunk is subgenre of urban fantasy in which traditional mythological creatures, such as faeries and elves, are transplanted from rural folklore into modern urban settings.

The genre has been found in books since the 1980s, including works such as War of the Oaks by Emma Bull, Gossamer Axe by Gael Baudino, the Artemis Fowl series by Eoin Colfer, the Harry Potter series by J.K. Rowling, and The Iron Dragon's Daughter by Michael Swanwick. It also existed in other mediums at that time, for example the 1989 role playing game Shadowrun. Set in the near future, its setting would be considered traditional cyberpunk, if not for the appearance of orks, dwarves, elves, trolls and dragons, and the return of Magic.

During the awards ceremony for the 2007 National Book Awards, judge Elizabeth Partridge expounded on the distinction between elfpunk and urban fantasy, citing fellow judge Scott Westerfeld's thoughts on the works of Holly Black who is considered "classic elfpunk:" creatures depicted in elfpunk are those that have already existed in literature—urban fantasy, on the other hand, "can have some totally made-up f*cked-up creatures."

The 2020 Pixar animated film Onward is an example of elfpunk fiction, set in a "suburban fantasy world" that combines modern and mythic elements. The film Netflix Bright is another example of elfpunk in cinema.