New
Jan 27, 2017 3:51 AM
#251
I just don't, i can't stand those overly colored and kawaii art styles, i prefer the more realistic and natural and simple art styles and yeah, bad animation is definately worst then a bad art style 😂 especially if the animation isn't tight 'loose and lame", i'll just drop it :p |
Jan 27, 2017 3:52 AM
#252
I didn't care much about the art style so I can watch it even if it had bad art style..what I care most is the story and the characters. |
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Jan 27, 2017 3:57 AM
#253
Endurance. I eventually get used to it and like it if the plot's good. |
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Jan 27, 2017 4:21 AM
#254
Once I noticed that most of the anime I love have art style I dislike, I stopped worrying about the graphical side of anime. Actually, most of shitty anime coming out now have pretty beautiful art style. So... you see, if I want to watch something really beautiful, I look at pictures (btw it doesn't mean I've never enjoyed the art style of my favourite anime, just more often I'm indifferent to it). |
Jan 27, 2017 4:50 AM
#255
Clannad's artstyle is bad? it looked good to me. Anyways, I just care about the plot, not the artstyle. So... I don't really care if the artstyle's bad. As long the plot is good. |
Jan 27, 2017 6:48 AM
#256
LordLagann said: TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. I told you already, her role in his life isn't coincidental nor is it out of good will towards.....what the fuck? Are you even reading anything? I'll give you the benefit of the doubt and agree that she did "drop into his life" as you're so adamantly incline to believe. In your strange little world any act of coincidence equates to the story being fantastic? I guess two strangers meeting is off limits now unless you want your story...oh wait. Every story must be fantastic now because there's no such thing as a plot involving one fucking person. It doesn't matter what you find odd, even though it's clear as day that Satou doesn't even use his computer until he is forced to help create a gal game with his neighbor, because the facts doesn't care about your widely mistaken opinions. If you think NHK is about conformity, EVEN THOUGH FROM BEGINNING, MIDDLE, AND END EVERY CHARACTER FINDS THEIR OWN UNIQUE PATH TO FOLLOW, then there is no need to continue this. I mean honestly, you think Satou's dilemma is resolve because of superficial and cosmetic changes in his life. Next you're gonna tell me the answer to depression is a new haircut and the tickle monster. There's so many things you've gotten wrong it's astonishing. The mere fact that you think she wants to help Satou for "no reason" defies belief. This isn't an argument nor is it a subjective view on NHK. You are literally ass pulling misinformation out of thin air. Just look at what you wrote... TheBrainintheJar said: Satou often handles social situations well until comes the time to scream for comic effects. In the very first fucking episode he can't even finish a conversation with his landlord without his anxiety going bonkers. I mean you talk about how I'm afraid of my opinion being changed yet your here spewing bullshit and turning a blind eye to concrete plot and character points. You can be descriptive and detailed as you want but it won't mean lick as you've missed the point of NHK completely to an extent that you've might as well not have seen it. Do yourself a favor and next time just stop replying when it's obvious you have no clue what you're talking about. I see though you, Pullman sees through you, and I'm sure many others do as well. Pullman said: You hit the nail on the head. You should see him talk about Ping Pong. You wouldn't believe he's actually seen the show either. Thanks Pullman. I rather not look at what he thinks about Ping Pong because if he's gotten this much wrong about NHK, a show over a decade old, lord knows Ping Pong might as well be an alien soap opera to him. TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? remains there even while he hurts her remains there and does nothing OH YOU MEAN THE ONE WHERE SHE RUNS AWAY TO KILL HERSELF? By thine own hand thou has been slapped. Satou handled the people in the suicide arc extremely well. His social anxiety manifests in instances, but not in general behavior. Despite being a shut-in, he could've gone to an island with a bunch of people he don't know and be really, really social. So much for 'social anxiety' Oh, there's something like a selfish motive for Misaki, but it's rarely addressed and it doesn't cause any conflict, or sheds negative light on her method. The conflict is solved in Misaki's suicide, which prompts him to stop being a shut-in thanks to the Power of Love. What's more conformist than this? Another hikkie gets cured only by being hungry. Notice how these are all don't tell us whether society has a role in pushing these people in this direction. The show doesn't address society, how it causes people to live like they do. It has nothing resembling criticism. It has no element of horror or insight. What does it say or express about being a shut-in? Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. You really haven't seen it have you? Misaki wasn't helping Satou she was helping herself. It wasn't coincidental, out of good will, nor fantastic as both their life begins to spiral even further. You're confusing the manic pixie dream girl as a theme and in reality the show is subverting it. It's far from fantastic as a theme and even further so as a trope. It's fantastic how the NHK deconstructs story elements, but the story itself makes it clear that there's nothing fantastic to behold once everything is said and done. Satou wasn't taken back by the discovery of porn, it was because the amount in front of him and how readily available it was. If anything he discovers online porn (soft core from what is shown) and is in awe at how much there is. There's this new thing called being a protagonist, where we as the audience follow their story. Satou's dilemma is being a hikikomori. Not is neighbor, not his senior, and not his gamer friend. They have their own problems in which the story address adequately and all of which relate to an overarching theme of fear and self doubt. Their emotional and mental anchors can't be lifted in a fortnight, or perhaps ever. There is why there is no resolution for any of them because that's the moral of the show; moving forward. Not the quest for curing hikikomori's. You're welcome to your opinion of NHK, as wildly mistaken as it is, but don't try to hide under the guise of subjectivity when you haven't put in the bare minimum in trying to grasp a deeper understanding. You've forfeit any stance of subjectivity when you've taken everything at face value and spread misinformation. You need to brush up on nuisance because clearly you're not just missing out in NHK but probably a majority of things you consume. Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Not saying you can't explain it. I'm saying not everyone can, should, nor is obliged to. I'm not sure that qualifies as a subjective if you literally think Misaki is an angel, Saito has never heard of porn, or that story arcs don't span several episodes. I assure you that's just plain misinformation as all of those things have a concrete basis in the plot that aren't up for debate. I.E Misaki is defiantly not an angle. Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Seriously? If art was one of the criteria I base my judgement on, I most probably would have missed on watching some of the best shows out there. Besides "bad/good art" is a subjective concept. Take xxxHolic which was honorably mentioned for its "bad style", personally one of my fave animes and no I don't particularly find the art ghastly, just a bit funny in no bad meaning.... Art is something that strikes you only at the beginning and then with 2-3 episodes in you get used to it if you actually pay more attention to the story instead. I can't ever forget about the part. After all, I'm watching a visual story. The story is told by the visuals. What about art styles that are dull and have no imagination in them? True, the story is told by the visuals but is not dependent on them, is it? A prettily drawn anime doesn't guarantee the story will be good (and I can give more examples for that than for good visuals good story), and bad animation doesn't mean a bad anime either. Not really sure what you mean by "dull and no imagination", it all depends on the manga author/s how they want their characters to look like and again for me it doesn't change how much I enjoy the anime or manga if the plot is worth it. And just like with "bad / good" I think "dull" would also fall under the subjective roof. No one is asking you to forget the art, but do give it a chance, you might be surprised (for example I was really hesitant when I was recommended Kaiji because of the bizarre art but once I started watching I couldn't stop :D ) 'It's subjective!" is never, ever an argument. The story is dependent on the art style, because how you draw a character affects how I view it. NHK would've worked better if it had a wacky style since the story is unrealistic and fantastical. Mind elaborating more on 2 things for me? What do you mean by "subjective is not an argument" when the concept of good and bad comes down to personal preference, perception and judgement and how exactly is the story related to the art? Like how does the plot change if the art is not "pretty"? It affects how YOU view it, if that is not what you call subjective then we might as well be speaking different languages If you hold an opinion on something, it's because of some reasoning. It can be deep, and it can be shallow - 'the characters in this anime is sexy and I had a good time looking at it'. The 'it's all subjective' argument doesn't explain why you think a show is good or not, what is your reasoning behind it. Even in pure sensory information like the taste of food we go deeper. People don't eat Snickers because 'it's all subjective' but because of the sensation it causes. Second, art isn't just pretty but has style that expresses things. Many shows use the art to express the personality of these characters. Ask yourself: Would you love the same anime if it were all stickmen? Moreover, if visuals don't matter, why not read books instead? Well if you look around you might find I'm actually not trying to explain that this show is good and that is bad, what I'm saying, if you couldn't understand, is that every single person has a different stance on what is good or bad and this is why ""bad/good art" is a subjective concept" , now tell me again about that "sexy" character you enjoyed watching and I hated. Throw a tantrum if you want but you don't have a good enough argument to counter the fact that what's considered good or not is not for you to define Second, you don't answer my second question: how does the art change the story? you can't answer, can you? Because a good story is a good story regardless how ghastly the art may be. Art can express many things but so does the plot, dialogues, development and everything else an anime is composed of, it's not only art I hope you realise. Now to answer your question, I asked myself and after a heated discussion me, myself and I all agreed that 1. if anime "were all stickmen" it wouldn't be called anime anymore and 2. if the story is good we'd still watch it, nothing wrong with that, in it? And your other question is just stupid. I read books as well, not "instead" and not because visuals are irrelevant but because I enjoy it as a separate type of work @rsc-pl may be you're the one who's blind? Look at their eyes, they all look like flies with human bodies, it's just too creepy. Also all the characters are drawn disproportionately, big heads, short arms, sometimes longer, sometimes shorter legs, small faces, huge eyes, mouth is sometimes existent sometimes not, some characters even have antennae... which part of that is so great? I don't think you get to decide whether liking or disliking that art is retarded or not I don't think good/bad in art are objective. So, you wouldn't mind if all the characters looked the same? [quote=LordLagann message=49419551] TheBrainintheJar said: Every intelligent person knows it's subjective. Saying it does nothing but waste your time and show you're afraid your opinion might be changed. The story of NHK IS fantastic and wacky - since we have conflicts solved in a single episode without build-up, hikkies who don't know porn exists and characters who are angels. You say subjectivity is, and I quote, "never, ever an argument", then proceed to state how a character is drawn directly affects your interpretation of the story....? Clearly an argument can be made from subjectivity when you yourself claim that your personal view changes depending on whichever particular art styles is present. Their lack of vocabulary or understanding is irrelevant and it stands that they are technically correct when they say it's subjective. It may not be an argument, they might not even be trying to argue, but whether you find these people so pitiful you need to descend from your throne and grace them with unlimited knowledge is your prerogative. I'm just here to point out that's stupid if you haven't figured that out already. Your interpretation of NHK, and I use that word loosely because sarcasm is hard to detect online, is of a hikki NEET who meets an angle, discovers porn, and solves all his life's struggles in the total span of three episodes. If yes, haha; good one. If not, I question whether you've actually seen and or understood NHK in it's entirety.[/quote Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Now you're not making sense but for once I actually agree with you, good/bad art is not objective, which is believe it or not, exactly what I have been saying from the beginning and you have been trying to prove me wrong........ And your next question is rather controversial as some of your previous statements so I figured you might be mixing objective with subjective so I will leave this definition for you to fix up the confusion "Objective is a statement that is completely unbiased. It is not touched by the speaker’s previous experiences or tastes. It is verifiable by looking up facts or performing mathematical calculations. Subjective is a statement that has been colored by the character of the speaker or writer. It often has a basis in reality, but reflects the perspective through with the speaker views reality. It cannot be verified using concrete facts and figures" Quoted from www.differencebetween.net Besides doesn't the majority of animes already look the same? If not the same painfully similar... Generic anime boys and generic anime girls What is there for me to complain at this point? Even the plots of so many are similar... I can be critical and dislike certain art to my heart's content but that will hardly change anything, mostly my mood and enjoyment level. So would I mind if all anime looks the same, I'll go back to my original point, if the story is engaging and worth it, no I wouldn't mind at all if all anime looked the same or be all stickmen or whatever, it doesn't matter as long as I enjoy the plot... Why do you watch anime, then? It's a visual medium that uses visuals to tell the story. What do you prefer? To see a fight, or to read a description of a fight? You're completely missing the point~ I can enjoy an anime even if the art is nor particularly good, on the condition the story is good. Besides visuals is not the only thing an anime is comprised of, there's plot, soundtrack, dialogues, development, flow and much more than just moving pictures so I don't see why I should cling onto 1 of these to determine whether I like the final product or not I enjoy books, manga anime, light novels etc, all in a different way, so I can't say I prefer a book over anime or manga over books, what I can say is I prefer this manga over that manga Seriously why don't you give it just 1 chance? How about this, do you wanna have a small challenge to get each others point across? Even if it doesn't work out well I reckon in the very least it might be fun and we could both learn of the others standpoint. What do you say? I just find it difficult to understand how visuals don't matter in a story told by visuals. The experience - physically - is different. Even listening to music on headphones and on speakers is different. So the switch from prose to visuals is critical. Look how vastly the stories are between acclaimed novels and acclaimed movies. You don't get an introspective movie like Catcher in the Rye. It doesn't seem like you're trying too hard to understand, since I've been trying to explain the same thing in different ways. Nothing wrong with that of course, I suppose arguing for the sake of the discussion is also a valid point I'd appreciate more bad/bizarre art anime with a good plot than a good art anime with a dull/average/bad plot. That's all there is to it I take it you don't accept the challenge and will leave it at that since this is getting nowhere Do you think that seeing a fight, and reading about it is the same experience? Why or why not? |
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Jan 27, 2017 8:14 AM
#257
TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. I told you already, her role in his life isn't coincidental nor is it out of good will towards.....what the fuck? Are you even reading anything? I'll give you the benefit of the doubt and agree that she did "drop into his life" as you're so adamantly incline to believe. In your strange little world any act of coincidence equates to the story being fantastic? I guess two strangers meeting is off limits now unless you want your story...oh wait. Every story must be fantastic now because there's no such thing as a plot involving one fucking person. It doesn't matter what you find odd, even though it's clear as day that Satou doesn't even use his computer until he is forced to help create a gal game with his neighbor, because the facts doesn't care about your widely mistaken opinions. If you think NHK is about conformity, EVEN THOUGH FROM BEGINNING, MIDDLE, AND END EVERY CHARACTER FINDS THEIR OWN UNIQUE PATH TO FOLLOW, then there is no need to continue this. I mean honestly, you think Satou's dilemma is resolve because of superficial and cosmetic changes in his life. Next you're gonna tell me the answer to depression is a new haircut and the tickle monster. There's so many things you've gotten wrong it's astonishing. The mere fact that you think she wants to help Satou for "no reason" defies belief. This isn't an argument nor is it a subjective view on NHK. You are literally ass pulling misinformation out of thin air. Just look at what you wrote... TheBrainintheJar said: Satou often handles social situations well until comes the time to scream for comic effects. In the very first fucking episode he can't even finish a conversation with his landlord without his anxiety going bonkers. I mean you talk about how I'm afraid of my opinion being changed yet your here spewing bullshit and turning a blind eye to concrete plot and character points. You can be descriptive and detailed as you want but it won't mean lick as you've missed the point of NHK completely to an extent that you've might as well not have seen it. Do yourself a favor and next time just stop replying when it's obvious you have no clue what you're talking about. I see though you, Pullman sees through you, and I'm sure many others do as well. Pullman said: You hit the nail on the head. You should see him talk about Ping Pong. You wouldn't believe he's actually seen the show either. Thanks Pullman. I rather not look at what he thinks about Ping Pong because if he's gotten this much wrong about NHK, a show over a decade old, lord knows Ping Pong might as well be an alien soap opera to him. TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? remains there even while he hurts her remains there and does nothing OH YOU MEAN THE ONE WHERE SHE RUNS AWAY TO KILL HERSELF? By thine own hand thou has been slapped. Satou handled the people in the suicide arc extremely well. His social anxiety manifests in instances, but not in general behavior. Despite being a shut-in, he could've gone to an island with a bunch of people he don't know and be really, really social. So much for 'social anxiety' Oh, there's something like a selfish motive for Misaki, but it's rarely addressed and it doesn't cause any conflict, or sheds negative light on her method. The conflict is solved in Misaki's suicide, which prompts him to stop being a shut-in thanks to the Power of Love. What's more conformist than this? Another hikkie gets cured only by being hungry. Notice how these are all don't tell us whether society has a role in pushing these people in this direction. The show doesn't address society, how it causes people to live like they do. It has nothing resembling criticism. It has no element of horror or insight. What does it say or express about being a shut-in? Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. You really haven't seen it have you? Misaki wasn't helping Satou she was helping herself. It wasn't coincidental, out of good will, nor fantastic as both their life begins to spiral even further. You're confusing the manic pixie dream girl as a theme and in reality the show is subverting it. It's far from fantastic as a theme and even further so as a trope. It's fantastic how the NHK deconstructs story elements, but the story itself makes it clear that there's nothing fantastic to behold once everything is said and done. Satou wasn't taken back by the discovery of porn, it was because the amount in front of him and how readily available it was. If anything he discovers online porn (soft core from what is shown) and is in awe at how much there is. There's this new thing called being a protagonist, where we as the audience follow their story. Satou's dilemma is being a hikikomori. Not is neighbor, not his senior, and not his gamer friend. They have their own problems in which the story address adequately and all of which relate to an overarching theme of fear and self doubt. Their emotional and mental anchors can't be lifted in a fortnight, or perhaps ever. There is why there is no resolution for any of them because that's the moral of the show; moving forward. Not the quest for curing hikikomori's. You're welcome to your opinion of NHK, as wildly mistaken as it is, but don't try to hide under the guise of subjectivity when you haven't put in the bare minimum in trying to grasp a deeper understanding. You've forfeit any stance of subjectivity when you've taken everything at face value and spread misinformation. You need to brush up on nuisance because clearly you're not just missing out in NHK but probably a majority of things you consume. Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Not saying you can't explain it. I'm saying not everyone can, should, nor is obliged to. I'm not sure that qualifies as a subjective if you literally think Misaki is an angel, Saito has never heard of porn, or that story arcs don't span several episodes. I assure you that's just plain misinformation as all of those things have a concrete basis in the plot that aren't up for debate. I.E Misaki is defiantly not an angle. Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Seriously? If art was one of the criteria I base my judgement on, I most probably would have missed on watching some of the best shows out there. Besides "bad/good art" is a subjective concept. Take xxxHolic which was honorably mentioned for its "bad style", personally one of my fave animes and no I don't particularly find the art ghastly, just a bit funny in no bad meaning.... Art is something that strikes you only at the beginning and then with 2-3 episodes in you get used to it if you actually pay more attention to the story instead. I can't ever forget about the part. After all, I'm watching a visual story. The story is told by the visuals. What about art styles that are dull and have no imagination in them? True, the story is told by the visuals but is not dependent on them, is it? A prettily drawn anime doesn't guarantee the story will be good (and I can give more examples for that than for good visuals good story), and bad animation doesn't mean a bad anime either. Not really sure what you mean by "dull and no imagination", it all depends on the manga author/s how they want their characters to look like and again for me it doesn't change how much I enjoy the anime or manga if the plot is worth it. And just like with "bad / good" I think "dull" would also fall under the subjective roof. No one is asking you to forget the art, but do give it a chance, you might be surprised (for example I was really hesitant when I was recommended Kaiji because of the bizarre art but once I started watching I couldn't stop :D ) 'It's subjective!" is never, ever an argument. The story is dependent on the art style, because how you draw a character affects how I view it. NHK would've worked better if it had a wacky style since the story is unrealistic and fantastical. Mind elaborating more on 2 things for me? What do you mean by "subjective is not an argument" when the concept of good and bad comes down to personal preference, perception and judgement and how exactly is the story related to the art? Like how does the plot change if the art is not "pretty"? It affects how YOU view it, if that is not what you call subjective then we might as well be speaking different languages If you hold an opinion on something, it's because of some reasoning. It can be deep, and it can be shallow - 'the characters in this anime is sexy and I had a good time looking at it'. The 'it's all subjective' argument doesn't explain why you think a show is good or not, what is your reasoning behind it. Even in pure sensory information like the taste of food we go deeper. People don't eat Snickers because 'it's all subjective' but because of the sensation it causes. Second, art isn't just pretty but has style that expresses things. Many shows use the art to express the personality of these characters. Ask yourself: Would you love the same anime if it were all stickmen? Moreover, if visuals don't matter, why not read books instead? Well if you look around you might find I'm actually not trying to explain that this show is good and that is bad, what I'm saying, if you couldn't understand, is that every single person has a different stance on what is good or bad and this is why ""bad/good art" is a subjective concept" , now tell me again about that "sexy" character you enjoyed watching and I hated. Throw a tantrum if you want but you don't have a good enough argument to counter the fact that what's considered good or not is not for you to define Second, you don't answer my second question: how does the art change the story? you can't answer, can you? Because a good story is a good story regardless how ghastly the art may be. Art can express many things but so does the plot, dialogues, development and everything else an anime is composed of, it's not only art I hope you realise. Now to answer your question, I asked myself and after a heated discussion me, myself and I all agreed that 1. if anime "were all stickmen" it wouldn't be called anime anymore and 2. if the story is good we'd still watch it, nothing wrong with that, in it? And your other question is just stupid. I read books as well, not "instead" and not because visuals are irrelevant but because I enjoy it as a separate type of work @rsc-pl may be you're the one who's blind? Look at their eyes, they all look like flies with human bodies, it's just too creepy. Also all the characters are drawn disproportionately, big heads, short arms, sometimes longer, sometimes shorter legs, small faces, huge eyes, mouth is sometimes existent sometimes not, some characters even have antennae... which part of that is so great? I don't think you get to decide whether liking or disliking that art is retarded or not I don't think good/bad in art are objective. So, you wouldn't mind if all the characters looked the same? [quote=LordLagann message=49419551] TheBrainintheJar said: Every intelligent person knows it's subjective. Saying it does nothing but waste your time and show you're afraid your opinion might be changed. The story of NHK IS fantastic and wacky - since we have conflicts solved in a single episode without build-up, hikkies who don't know porn exists and characters who are angels. You say subjectivity is, and I quote, "never, ever an argument", then proceed to state how a character is drawn directly affects your interpretation of the story....? Clearly an argument can be made from subjectivity when you yourself claim that your personal view changes depending on whichever particular art styles is present. Their lack of vocabulary or understanding is irrelevant and it stands that they are technically correct when they say it's subjective. It may not be an argument, they might not even be trying to argue, but whether you find these people so pitiful you need to descend from your throne and grace them with unlimited knowledge is your prerogative. I'm just here to point out that's stupid if you haven't figured that out already. Your interpretation of NHK, and I use that word loosely because sarcasm is hard to detect online, is of a hikki NEET who meets an angle, discovers porn, and solves all his life's struggles in the total span of three episodes. If yes, haha; good one. If not, I question whether you've actually seen and or understood NHK in it's entirety.[/quote Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Now you're not making sense but for once I actually agree with you, good/bad art is not objective, which is believe it or not, exactly what I have been saying from the beginning and you have been trying to prove me wrong........ And your next question is rather controversial as some of your previous statements so I figured you might be mixing objective with subjective so I will leave this definition for you to fix up the confusion "Objective is a statement that is completely unbiased. It is not touched by the speaker’s previous experiences or tastes. It is verifiable by looking up facts or performing mathematical calculations. Subjective is a statement that has been colored by the character of the speaker or writer. It often has a basis in reality, but reflects the perspective through with the speaker views reality. It cannot be verified using concrete facts and figures" Quoted from www.differencebetween.net Besides doesn't the majority of animes already look the same? If not the same painfully similar... Generic anime boys and generic anime girls What is there for me to complain at this point? Even the plots of so many are similar... I can be critical and dislike certain art to my heart's content but that will hardly change anything, mostly my mood and enjoyment level. So would I mind if all anime looks the same, I'll go back to my original point, if the story is engaging and worth it, no I wouldn't mind at all if all anime looked the same or be all stickmen or whatever, it doesn't matter as long as I enjoy the plot... Why do you watch anime, then? It's a visual medium that uses visuals to tell the story. What do you prefer? To see a fight, or to read a description of a fight? You're completely missing the point~ I can enjoy an anime even if the art is nor particularly good, on the condition the story is good. Besides visuals is not the only thing an anime is comprised of, there's plot, soundtrack, dialogues, development, flow and much more than just moving pictures so I don't see why I should cling onto 1 of these to determine whether I like the final product or not I enjoy books, manga anime, light novels etc, all in a different way, so I can't say I prefer a book over anime or manga over books, what I can say is I prefer this manga over that manga Seriously why don't you give it just 1 chance? How about this, do you wanna have a small challenge to get each others point across? Even if it doesn't work out well I reckon in the very least it might be fun and we could both learn of the others standpoint. What do you say? I just find it difficult to understand how visuals don't matter in a story told by visuals. The experience - physically - is different. Even listening to music on headphones and on speakers is different. So the switch from prose to visuals is critical. Look how vastly the stories are between acclaimed novels and acclaimed movies. You don't get an introspective movie like Catcher in the Rye. It doesn't seem like you're trying too hard to understand, since I've been trying to explain the same thing in different ways. Nothing wrong with that of course, I suppose arguing for the sake of the discussion is also a valid point I'd appreciate more bad/bizarre art anime with a good plot than a good art anime with a dull/average/bad plot. That's all there is to it I take it you don't accept the challenge and will leave it at that since this is getting nowhere Do you think that seeing a fight, and reading about it is the same experience? Why or why not? No, I don't think it's the same experience. And I also don't think both are relatable. Reading is heavily dependent on the word choice, writing style, details, description. If it's a well written piece it can give the reader the best experience showing them something nothing else can, be it a fight or something simple as a color. Reading relies on the imagination of the person who's reading, depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers. Reading can be seen as an interaction between reader and author and is unlimited, unbound and books usually have both types of descriptions for that purpose. Watching the fight however, is a one-way information transmission from the film/anime staff to the viewer. How the viewer will perceive the fight depends on the presented details, voices, dialogue, movement, graphics, animation, dynamics. While there are common traits with the books, because the viewer is actually presented with a motion picture it is already restricted to what he can see on the screen. It's less exciting because there are limits to what one can express and convey in a visual piece. This is why the story that the anime is telling has to compensate for the limitations of the visuals with quality. I am currently reading the Durarara light novels in original and have to say I get a completely different feel from what the anime conveyed. It's not necessarily bad difference because I loved the anime as it was but the book is a whole different thing, the character it creates in my imagination are far more vivid, real and alive that the anime. The books I was referring to were H.P Lovecraft's "The color out of space", "The thing on the doorstep" and well pretty much all of his works and Ryogo Narita's "Durarara" that I am currently reading (just as a comparison to the anime). I chose Lovecraft as a reference because of his excellent writing style that literally and effortlessly takes you into a completely different dimension. In conclusion, the experience of reading a book and watching an anime/film can hardly be compared to one another as they are, firstly, two different ways of conveying information, secondly, the interaction between reader/author and creator/viewer differ and,thirdly, the way the consumer perceives the information he is given is fundamentally different. Therefore it is not ethically correct to try and measure or compare something on two different bases. With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) while with watching, the viewer is already presented with the director's characters (one possibility). Simply put this is how I see reading and watching. But I fail to see how this is relevant to our previous discussion. |
Jan 27, 2017 8:34 AM
#259
Currently I'm dealing with WUG, artwork is inconsistent and people are saying this is low budget which I agree. The story is more engaging than say iM@S so I'll troop along. Usually if it's really horrible I'd drop the overall score by 1 or 2 depending how sadistic I was throughout the whole show... |
Jan 27, 2017 8:36 AM
#260
Easy, I just watch it. That's it. Simple and easy, no cringe, no forcing myself, nothing. I think for me the art style of those anime are easier for me to get into as that was the art style for a lot of anime styles at the time. When people complain about how the art style of older anime, and refuse to watch it because of that I just can't really understand why. |
Sometimes simplicity is greater than complexity |
Jan 27, 2017 8:36 AM
#261
Just learn to tolerate things when it is clearly a choice or an obligation. An example where the fact the artworks are"ugly" aren't supposed to be a negative: While in other cases, it is due to technical limitations (same year): Tsuxken said: So basically CLAMP's art style is a turn off for you. Please, this is "CLAMP's shônen art style". (or post-Angelic Layer) Enjyu said: With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) Infinite only if the author lets it be. You can't just ignore the imposed parts given in the text. And while some authors are as vague as can be, some like to detail everything. @Tsuxken Sorry, I always assumed that the Cardcaptor style (and the pretty similar style in previous works) was different in terms of proportions and lacked those characteristical slender characters that I saw everywhere in Chobits and after. |
Rei_IIIJan 29, 2017 2:00 PM
Jan 27, 2017 8:41 AM
#262
lequack said: While I watch anime with very different art styles (two such anime - ping pong and kuchuu buranko are in my favorites) I hate it when the body proportions of anime characters are strangely animated. I dropped code geass for this reason. The characters are too thin and their arms/legs are too long. So basically CLAMP's art style is a turn off for you. Though for me, the art in the manga looks better on paper than it does animated. |
Sometimes simplicity is greater than complexity |
Jan 27, 2017 8:46 AM
#263
If you call Clannad's art style horrible, you haven't seen the much worser anime fam |
Jan 27, 2017 6:01 PM
#264
It requires a good amount of patience. Without patience, many other good anime get drops beside the unfavorable art style. |
Jan 27, 2017 6:14 PM
#265
Quality of Plot > Quality of Art Just like a video game Story > Graphics |
Jan 28, 2017 1:34 AM
#266
Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. I told you already, her role in his life isn't coincidental nor is it out of good will towards.....what the fuck? Are you even reading anything? I'll give you the benefit of the doubt and agree that she did "drop into his life" as you're so adamantly incline to believe. In your strange little world any act of coincidence equates to the story being fantastic? I guess two strangers meeting is off limits now unless you want your story...oh wait. Every story must be fantastic now because there's no such thing as a plot involving one fucking person. It doesn't matter what you find odd, even though it's clear as day that Satou doesn't even use his computer until he is forced to help create a gal game with his neighbor, because the facts doesn't care about your widely mistaken opinions. If you think NHK is about conformity, EVEN THOUGH FROM BEGINNING, MIDDLE, AND END EVERY CHARACTER FINDS THEIR OWN UNIQUE PATH TO FOLLOW, then there is no need to continue this. I mean honestly, you think Satou's dilemma is resolve because of superficial and cosmetic changes in his life. Next you're gonna tell me the answer to depression is a new haircut and the tickle monster. There's so many things you've gotten wrong it's astonishing. The mere fact that you think she wants to help Satou for "no reason" defies belief. This isn't an argument nor is it a subjective view on NHK. You are literally ass pulling misinformation out of thin air. Just look at what you wrote... TheBrainintheJar said: Satou often handles social situations well until comes the time to scream for comic effects. In the very first fucking episode he can't even finish a conversation with his landlord without his anxiety going bonkers. I mean you talk about how I'm afraid of my opinion being changed yet your here spewing bullshit and turning a blind eye to concrete plot and character points. You can be descriptive and detailed as you want but it won't mean lick as you've missed the point of NHK completely to an extent that you've might as well not have seen it. Do yourself a favor and next time just stop replying when it's obvious you have no clue what you're talking about. I see though you, Pullman sees through you, and I'm sure many others do as well. Pullman said: You hit the nail on the head. You should see him talk about Ping Pong. You wouldn't believe he's actually seen the show either. Thanks Pullman. I rather not look at what he thinks about Ping Pong because if he's gotten this much wrong about NHK, a show over a decade old, lord knows Ping Pong might as well be an alien soap opera to him. TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? remains there even while he hurts her remains there and does nothing OH YOU MEAN THE ONE WHERE SHE RUNS AWAY TO KILL HERSELF? By thine own hand thou has been slapped. Satou handled the people in the suicide arc extremely well. His social anxiety manifests in instances, but not in general behavior. Despite being a shut-in, he could've gone to an island with a bunch of people he don't know and be really, really social. So much for 'social anxiety' Oh, there's something like a selfish motive for Misaki, but it's rarely addressed and it doesn't cause any conflict, or sheds negative light on her method. The conflict is solved in Misaki's suicide, which prompts him to stop being a shut-in thanks to the Power of Love. What's more conformist than this? Another hikkie gets cured only by being hungry. Notice how these are all don't tell us whether society has a role in pushing these people in this direction. The show doesn't address society, how it causes people to live like they do. It has nothing resembling criticism. It has no element of horror or insight. What does it say or express about being a shut-in? Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. You really haven't seen it have you? Misaki wasn't helping Satou she was helping herself. It wasn't coincidental, out of good will, nor fantastic as both their life begins to spiral even further. You're confusing the manic pixie dream girl as a theme and in reality the show is subverting it. It's far from fantastic as a theme and even further so as a trope. It's fantastic how the NHK deconstructs story elements, but the story itself makes it clear that there's nothing fantastic to behold once everything is said and done. Satou wasn't taken back by the discovery of porn, it was because the amount in front of him and how readily available it was. If anything he discovers online porn (soft core from what is shown) and is in awe at how much there is. There's this new thing called being a protagonist, where we as the audience follow their story. Satou's dilemma is being a hikikomori. Not is neighbor, not his senior, and not his gamer friend. They have their own problems in which the story address adequately and all of which relate to an overarching theme of fear and self doubt. Their emotional and mental anchors can't be lifted in a fortnight, or perhaps ever. There is why there is no resolution for any of them because that's the moral of the show; moving forward. Not the quest for curing hikikomori's. You're welcome to your opinion of NHK, as wildly mistaken as it is, but don't try to hide under the guise of subjectivity when you haven't put in the bare minimum in trying to grasp a deeper understanding. You've forfeit any stance of subjectivity when you've taken everything at face value and spread misinformation. You need to brush up on nuisance because clearly you're not just missing out in NHK but probably a majority of things you consume. Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Not saying you can't explain it. I'm saying not everyone can, should, nor is obliged to. I'm not sure that qualifies as a subjective if you literally think Misaki is an angel, Saito has never heard of porn, or that story arcs don't span several episodes. I assure you that's just plain misinformation as all of those things have a concrete basis in the plot that aren't up for debate. I.E Misaki is defiantly not an angle. Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Seriously? If art was one of the criteria I base my judgement on, I most probably would have missed on watching some of the best shows out there. Besides "bad/good art" is a subjective concept. Take xxxHolic which was honorably mentioned for its "bad style", personally one of my fave animes and no I don't particularly find the art ghastly, just a bit funny in no bad meaning.... Art is something that strikes you only at the beginning and then with 2-3 episodes in you get used to it if you actually pay more attention to the story instead. I can't ever forget about the part. After all, I'm watching a visual story. The story is told by the visuals. What about art styles that are dull and have no imagination in them? True, the story is told by the visuals but is not dependent on them, is it? A prettily drawn anime doesn't guarantee the story will be good (and I can give more examples for that than for good visuals good story), and bad animation doesn't mean a bad anime either. Not really sure what you mean by "dull and no imagination", it all depends on the manga author/s how they want their characters to look like and again for me it doesn't change how much I enjoy the anime or manga if the plot is worth it. And just like with "bad / good" I think "dull" would also fall under the subjective roof. No one is asking you to forget the art, but do give it a chance, you might be surprised (for example I was really hesitant when I was recommended Kaiji because of the bizarre art but once I started watching I couldn't stop :D ) 'It's subjective!" is never, ever an argument. The story is dependent on the art style, because how you draw a character affects how I view it. NHK would've worked better if it had a wacky style since the story is unrealistic and fantastical. Mind elaborating more on 2 things for me? What do you mean by "subjective is not an argument" when the concept of good and bad comes down to personal preference, perception and judgement and how exactly is the story related to the art? Like how does the plot change if the art is not "pretty"? It affects how YOU view it, if that is not what you call subjective then we might as well be speaking different languages If you hold an opinion on something, it's because of some reasoning. It can be deep, and it can be shallow - 'the characters in this anime is sexy and I had a good time looking at it'. The 'it's all subjective' argument doesn't explain why you think a show is good or not, what is your reasoning behind it. Even in pure sensory information like the taste of food we go deeper. People don't eat Snickers because 'it's all subjective' but because of the sensation it causes. Second, art isn't just pretty but has style that expresses things. Many shows use the art to express the personality of these characters. Ask yourself: Would you love the same anime if it were all stickmen? Moreover, if visuals don't matter, why not read books instead? Well if you look around you might find I'm actually not trying to explain that this show is good and that is bad, what I'm saying, if you couldn't understand, is that every single person has a different stance on what is good or bad and this is why ""bad/good art" is a subjective concept" , now tell me again about that "sexy" character you enjoyed watching and I hated. Throw a tantrum if you want but you don't have a good enough argument to counter the fact that what's considered good or not is not for you to define Second, you don't answer my second question: how does the art change the story? you can't answer, can you? Because a good story is a good story regardless how ghastly the art may be. Art can express many things but so does the plot, dialogues, development and everything else an anime is composed of, it's not only art I hope you realise. Now to answer your question, I asked myself and after a heated discussion me, myself and I all agreed that 1. if anime "were all stickmen" it wouldn't be called anime anymore and 2. if the story is good we'd still watch it, nothing wrong with that, in it? And your other question is just stupid. I read books as well, not "instead" and not because visuals are irrelevant but because I enjoy it as a separate type of work @rsc-pl may be you're the one who's blind? Look at their eyes, they all look like flies with human bodies, it's just too creepy. Also all the characters are drawn disproportionately, big heads, short arms, sometimes longer, sometimes shorter legs, small faces, huge eyes, mouth is sometimes existent sometimes not, some characters even have antennae... which part of that is so great? I don't think you get to decide whether liking or disliking that art is retarded or not I don't think good/bad in art are objective. So, you wouldn't mind if all the characters looked the same? [quote=LordLagann message=49419551] TheBrainintheJar said: Every intelligent person knows it's subjective. Saying it does nothing but waste your time and show you're afraid your opinion might be changed. The story of NHK IS fantastic and wacky - since we have conflicts solved in a single episode without build-up, hikkies who don't know porn exists and characters who are angels. You say subjectivity is, and I quote, "never, ever an argument", then proceed to state how a character is drawn directly affects your interpretation of the story....? Clearly an argument can be made from subjectivity when you yourself claim that your personal view changes depending on whichever particular art styles is present. Their lack of vocabulary or understanding is irrelevant and it stands that they are technically correct when they say it's subjective. It may not be an argument, they might not even be trying to argue, but whether you find these people so pitiful you need to descend from your throne and grace them with unlimited knowledge is your prerogative. I'm just here to point out that's stupid if you haven't figured that out already. Your interpretation of NHK, and I use that word loosely because sarcasm is hard to detect online, is of a hikki NEET who meets an angle, discovers porn, and solves all his life's struggles in the total span of three episodes. If yes, haha; good one. If not, I question whether you've actually seen and or understood NHK in it's entirety.[/quote Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Now you're not making sense but for once I actually agree with you, good/bad art is not objective, which is believe it or not, exactly what I have been saying from the beginning and you have been trying to prove me wrong........ And your next question is rather controversial as some of your previous statements so I figured you might be mixing objective with subjective so I will leave this definition for you to fix up the confusion "Objective is a statement that is completely unbiased. It is not touched by the speaker’s previous experiences or tastes. It is verifiable by looking up facts or performing mathematical calculations. Subjective is a statement that has been colored by the character of the speaker or writer. It often has a basis in reality, but reflects the perspective through with the speaker views reality. It cannot be verified using concrete facts and figures" Quoted from www.differencebetween.net Besides doesn't the majority of animes already look the same? If not the same painfully similar... Generic anime boys and generic anime girls What is there for me to complain at this point? Even the plots of so many are similar... I can be critical and dislike certain art to my heart's content but that will hardly change anything, mostly my mood and enjoyment level. So would I mind if all anime looks the same, I'll go back to my original point, if the story is engaging and worth it, no I wouldn't mind at all if all anime looked the same or be all stickmen or whatever, it doesn't matter as long as I enjoy the plot... Why do you watch anime, then? It's a visual medium that uses visuals to tell the story. What do you prefer? To see a fight, or to read a description of a fight? You're completely missing the point~ I can enjoy an anime even if the art is nor particularly good, on the condition the story is good. Besides visuals is not the only thing an anime is comprised of, there's plot, soundtrack, dialogues, development, flow and much more than just moving pictures so I don't see why I should cling onto 1 of these to determine whether I like the final product or not I enjoy books, manga anime, light novels etc, all in a different way, so I can't say I prefer a book over anime or manga over books, what I can say is I prefer this manga over that manga Seriously why don't you give it just 1 chance? How about this, do you wanna have a small challenge to get each others point across? Even if it doesn't work out well I reckon in the very least it might be fun and we could both learn of the others standpoint. What do you say? I just find it difficult to understand how visuals don't matter in a story told by visuals. The experience - physically - is different. Even listening to music on headphones and on speakers is different. So the switch from prose to visuals is critical. Look how vastly the stories are between acclaimed novels and acclaimed movies. You don't get an introspective movie like Catcher in the Rye. It doesn't seem like you're trying too hard to understand, since I've been trying to explain the same thing in different ways. Nothing wrong with that of course, I suppose arguing for the sake of the discussion is also a valid point I'd appreciate more bad/bizarre art anime with a good plot than a good art anime with a dull/average/bad plot. That's all there is to it I take it you don't accept the challenge and will leave it at that since this is getting nowhere Do you think that seeing a fight, and reading about it is the same experience? Why or why not? No, I don't think it's the same experience. And I also don't think both are relatable. Reading is heavily dependent on the word choice, writing style, details, description. If it's a well written piece it can give the reader the best experience showing them something nothing else can, be it a fight or something simple as a color. Reading relies on the imagination of the person who's reading, depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers. Reading can be seen as an interaction between reader and author and is unlimited, unbound and books usually have both types of descriptions for that purpose. Watching the fight however, is a one-way information transmission from the film/anime staff to the viewer. How the viewer will perceive the fight depends on the presented details, voices, dialogue, movement, graphics, animation, dynamics. While there are common traits with the books, because the viewer is actually presented with a motion picture it is already restricted to what he can see on the screen. It's less exciting because there are limits to what one can express and convey in a visual piece. This is why the story that the anime is telling has to compensate for the limitations of the visuals with quality. I am currently reading the Durarara light novels in original and have to say I get a completely different feel from what the anime conveyed. It's not necessarily bad difference because I loved the anime as it was but the book is a whole different thing, the character it creates in my imagination are far more vivid, real and alive that the anime. The books I was referring to were H.P Lovecraft's "The color out of space", "The thing on the doorstep" and well pretty much all of his works and Ryogo Narita's "Durarara" that I am currently reading (just as a comparison to the anime). I chose Lovecraft as a reference because of his excellent writing style that literally and effortlessly takes you into a completely different dimension. In conclusion, the experience of reading a book and watching an anime/film can hardly be compared to one another as they are, firstly, two different ways of conveying information, secondly, the interaction between reader/author and creator/viewer differ and,thirdly, the way the consumer perceives the information he is given is fundamentally different. Therefore it is not ethically correct to try and measure or compare something on two different bases. With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) while with watching, the viewer is already presented with the director's characters (one possibility). Simply put this is how I see reading and watching. But I fail to see how this is relevant to our previous discussion. I wanted to first see if you understand how different mediums affect storytelling. You agree with this, so if something like prose/visuals change how experience the story, how come different visuals don't affect the story? You admitted yourself the mere fact that the story is visual changes how you experience it. |
WEAPONS - My blog, for reviews of music, anime, books, and other things |
Jan 29, 2017 2:13 AM
#267
Wow I relate to the OP's post on a spiritual level. Clannad is the exact reason why I can't watch anime with old art (yes I'm trying to get over the old art style, but it's still a struggle). Like I get that you shouldn't necessarily be hindered to watch an anime because of the art style, but it's still hard since your eyes are constantly focused on the art style.. |
♔ caught in the wonder ♔ |
Jan 29, 2017 2:31 AM
#268
1. I Keep watching, you'll get used to it. Oftenly art style is creator's intention to make. 2. If number 1 fail. I'm just focused on the plot. If I get immersed with it. I don't care with anything else. 3. if number 2 fail. Just focused on the subtitles. |
DragonNoleJan 29, 2017 2:43 AM
I'm too weird to live but much too rare to die. |
Jan 29, 2017 2:37 AM
#269
Generally I ignoring anime with horrible art style. But if I watching anime with horrible art I'm trying "ignore" art style. :V |
Jan 29, 2017 2:41 AM
#270
If you like the story, then the art style wont matter. I HATED kaiji art style at the beginning, now it dosent bother me, in fact i like the uniqueness of it. |
Jan 29, 2017 2:50 AM
#271
Rievlyne said: 1. I Keep watching, you'll get used to it. Oftenly art style is creator's intention to make. 2. If number 1 fail. I'm just focused on the plot. If I get immersed with it. I don't care with anything else. 3. if number 2 fail. Just focused on the subtitles. I can power through a bad art style, but does it affect the enjoyment? For example, Another was pretty bad, and if it had better character design I would've had more fun. |
WEAPONS - My blog, for reviews of music, anime, books, and other things |
Jan 29, 2017 3:25 AM
#272
TheBrainintheJar said: Rievlyne said: 1. I Keep watching, you'll get used to it. Oftenly art style is creator's intention to make. 2. If number 1 fail. I'm just focused on the plot. If I get immersed with it. I don't care with anything else. 3. if number 2 fail. Just focused on the subtitles. I can power through a bad art style, but does it affect the enjoyment? For example, Another was pretty bad, and if it had better character design I would've had more fun. I don't even know what point you are trying to make here by quoting me. but to answer your question, of course it could. Art style is subjective. For examples I didn' t like House of Five Leaves simply because the character eyes looks likes dead fish and it didn't pleases me, although in the end it is still a good anime. On the other hand, Kaiba‘s artsyle is solely huge reason for me to quite enjoying the show, even though the plot was confusing. And I don't think Another's art was bad. |
I'm too weird to live but much too rare to die. |
Jan 29, 2017 4:38 AM
#273
I don't, it just ruins the experience for me. That's part of what made me dislike Clannad actually. Note though it's not only the art that's bad in that show, it's boring and bad in general. |
Jan 29, 2017 7:09 AM
#274
Before I watch something I always look at covers to see if I would like the art but sometimes I take risk like with Madoka. I hated their faces but I got used to it. |
Jan 29, 2017 1:52 PM
#275
Rei366 said: Tsuxken said: So basically CLAMP's art style is a turn off for you. Please, this is "CLAMP's shônen art style". (or post-Angelic Layer) No, this isn't just in their shonen art style nor just post-Angelic Layer XXXHolic (which isn't shonen, though it is after Angelic Layer) Magic Knight Rayearth Cardcaptor Sakura Tokyo Babylon You can point out their work in everything they do. But that is besides the point. I was wondering if it turned 'em off or not. |
Sometimes simplicity is greater than complexity |
Jan 29, 2017 7:02 PM
#276
Rei366 said: Enjyu said: With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) Infinite only if the author lets it be. You can't just ignore the imposed parts given in the text. And while some authors are as vague as can be, some like to detail everything. I agree with that and I mentioned it in my comment, that "depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers" TheBrainintheJar said: Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. I told you already, her role in his life isn't coincidental nor is it out of good will towards.....what the fuck? Are you even reading anything? I'll give you the benefit of the doubt and agree that she did "drop into his life" as you're so adamantly incline to believe. In your strange little world any act of coincidence equates to the story being fantastic? I guess two strangers meeting is off limits now unless you want your story...oh wait. Every story must be fantastic now because there's no such thing as a plot involving one fucking person. It doesn't matter what you find odd, even though it's clear as day that Satou doesn't even use his computer until he is forced to help create a gal game with his neighbor, because the facts doesn't care about your widely mistaken opinions. If you think NHK is about conformity, EVEN THOUGH FROM BEGINNING, MIDDLE, AND END EVERY CHARACTER FINDS THEIR OWN UNIQUE PATH TO FOLLOW, then there is no need to continue this. I mean honestly, you think Satou's dilemma is resolve because of superficial and cosmetic changes in his life. Next you're gonna tell me the answer to depression is a new haircut and the tickle monster. There's so many things you've gotten wrong it's astonishing. The mere fact that you think she wants to help Satou for "no reason" defies belief. This isn't an argument nor is it a subjective view on NHK. You are literally ass pulling misinformation out of thin air. Just look at what you wrote... TheBrainintheJar said: Satou often handles social situations well until comes the time to scream for comic effects. In the very first fucking episode he can't even finish a conversation with his landlord without his anxiety going bonkers. I mean you talk about how I'm afraid of my opinion being changed yet your here spewing bullshit and turning a blind eye to concrete plot and character points. You can be descriptive and detailed as you want but it won't mean lick as you've missed the point of NHK completely to an extent that you've might as well not have seen it. Do yourself a favor and next time just stop replying when it's obvious you have no clue what you're talking about. I see though you, Pullman sees through you, and I'm sure many others do as well. Pullman said: You hit the nail on the head. You should see him talk about Ping Pong. You wouldn't believe he's actually seen the show either. Thanks Pullman. I rather not look at what he thinks about Ping Pong because if he's gotten this much wrong about NHK, a show over a decade old, lord knows Ping Pong might as well be an alien soap opera to him. TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? remains there even while he hurts her remains there and does nothing OH YOU MEAN THE ONE WHERE SHE RUNS AWAY TO KILL HERSELF? By thine own hand thou has been slapped. Satou handled the people in the suicide arc extremely well. His social anxiety manifests in instances, but not in general behavior. Despite being a shut-in, he could've gone to an island with a bunch of people he don't know and be really, really social. So much for 'social anxiety' Oh, there's something like a selfish motive for Misaki, but it's rarely addressed and it doesn't cause any conflict, or sheds negative light on her method. The conflict is solved in Misaki's suicide, which prompts him to stop being a shut-in thanks to the Power of Love. What's more conformist than this? Another hikkie gets cured only by being hungry. Notice how these are all don't tell us whether society has a role in pushing these people in this direction. The show doesn't address society, how it causes people to live like they do. It has nothing resembling criticism. It has no element of horror or insight. What does it say or express about being a shut-in? Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. You really haven't seen it have you? Misaki wasn't helping Satou she was helping herself. It wasn't coincidental, out of good will, nor fantastic as both their life begins to spiral even further. You're confusing the manic pixie dream girl as a theme and in reality the show is subverting it. It's far from fantastic as a theme and even further so as a trope. It's fantastic how the NHK deconstructs story elements, but the story itself makes it clear that there's nothing fantastic to behold once everything is said and done. Satou wasn't taken back by the discovery of porn, it was because the amount in front of him and how readily available it was. If anything he discovers online porn (soft core from what is shown) and is in awe at how much there is. There's this new thing called being a protagonist, where we as the audience follow their story. Satou's dilemma is being a hikikomori. Not is neighbor, not his senior, and not his gamer friend. They have their own problems in which the story address adequately and all of which relate to an overarching theme of fear and self doubt. Their emotional and mental anchors can't be lifted in a fortnight, or perhaps ever. There is why there is no resolution for any of them because that's the moral of the show; moving forward. Not the quest for curing hikikomori's. You're welcome to your opinion of NHK, as wildly mistaken as it is, but don't try to hide under the guise of subjectivity when you haven't put in the bare minimum in trying to grasp a deeper understanding. You've forfeit any stance of subjectivity when you've taken everything at face value and spread misinformation. You need to brush up on nuisance because clearly you're not just missing out in NHK but probably a majority of things you consume. Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Not saying you can't explain it. I'm saying not everyone can, should, nor is obliged to. I'm not sure that qualifies as a subjective if you literally think Misaki is an angel, Saito has never heard of porn, or that story arcs don't span several episodes. I assure you that's just plain misinformation as all of those things have a concrete basis in the plot that aren't up for debate. I.E Misaki is defiantly not an angle. Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Seriously? If art was one of the criteria I base my judgement on, I most probably would have missed on watching some of the best shows out there. Besides "bad/good art" is a subjective concept. Take xxxHolic which was honorably mentioned for its "bad style", personally one of my fave animes and no I don't particularly find the art ghastly, just a bit funny in no bad meaning.... Art is something that strikes you only at the beginning and then with 2-3 episodes in you get used to it if you actually pay more attention to the story instead. I can't ever forget about the part. After all, I'm watching a visual story. The story is told by the visuals. What about art styles that are dull and have no imagination in them? True, the story is told by the visuals but is not dependent on them, is it? A prettily drawn anime doesn't guarantee the story will be good (and I can give more examples for that than for good visuals good story), and bad animation doesn't mean a bad anime either. Not really sure what you mean by "dull and no imagination", it all depends on the manga author/s how they want their characters to look like and again for me it doesn't change how much I enjoy the anime or manga if the plot is worth it. And just like with "bad / good" I think "dull" would also fall under the subjective roof. No one is asking you to forget the art, but do give it a chance, you might be surprised (for example I was really hesitant when I was recommended Kaiji because of the bizarre art but once I started watching I couldn't stop :D ) 'It's subjective!" is never, ever an argument. The story is dependent on the art style, because how you draw a character affects how I view it. NHK would've worked better if it had a wacky style since the story is unrealistic and fantastical. Mind elaborating more on 2 things for me? What do you mean by "subjective is not an argument" when the concept of good and bad comes down to personal preference, perception and judgement and how exactly is the story related to the art? Like how does the plot change if the art is not "pretty"? It affects how YOU view it, if that is not what you call subjective then we might as well be speaking different languages If you hold an opinion on something, it's because of some reasoning. It can be deep, and it can be shallow - 'the characters in this anime is sexy and I had a good time looking at it'. The 'it's all subjective' argument doesn't explain why you think a show is good or not, what is your reasoning behind it. Even in pure sensory information like the taste of food we go deeper. People don't eat Snickers because 'it's all subjective' but because of the sensation it causes. Second, art isn't just pretty but has style that expresses things. Many shows use the art to express the personality of these characters. Ask yourself: Would you love the same anime if it were all stickmen? Moreover, if visuals don't matter, why not read books instead? Well if you look around you might find I'm actually not trying to explain that this show is good and that is bad, what I'm saying, if you couldn't understand, is that every single person has a different stance on what is good or bad and this is why ""bad/good art" is a subjective concept" , now tell me again about that "sexy" character you enjoyed watching and I hated. Throw a tantrum if you want but you don't have a good enough argument to counter the fact that what's considered good or not is not for you to define Second, you don't answer my second question: how does the art change the story? you can't answer, can you? Because a good story is a good story regardless how ghastly the art may be. Art can express many things but so does the plot, dialogues, development and everything else an anime is composed of, it's not only art I hope you realise. Now to answer your question, I asked myself and after a heated discussion me, myself and I all agreed that 1. if anime "were all stickmen" it wouldn't be called anime anymore and 2. if the story is good we'd still watch it, nothing wrong with that, in it? And your other question is just stupid. I read books as well, not "instead" and not because visuals are irrelevant but because I enjoy it as a separate type of work @rsc-pl may be you're the one who's blind? Look at their eyes, they all look like flies with human bodies, it's just too creepy. Also all the characters are drawn disproportionately, big heads, short arms, sometimes longer, sometimes shorter legs, small faces, huge eyes, mouth is sometimes existent sometimes not, some characters even have antennae... which part of that is so great? I don't think you get to decide whether liking or disliking that art is retarded or not I don't think good/bad in art are objective. So, you wouldn't mind if all the characters looked the same? [quote=LordLagann message=49419551] TheBrainintheJar said: Every intelligent person knows it's subjective. Saying it does nothing but waste your time and show you're afraid your opinion might be changed. The story of NHK IS fantastic and wacky - since we have conflicts solved in a single episode without build-up, hikkies who don't know porn exists and characters who are angels. You say subjectivity is, and I quote, "never, ever an argument", then proceed to state how a character is drawn directly affects your interpretation of the story....? Clearly an argument can be made from subjectivity when you yourself claim that your personal view changes depending on whichever particular art styles is present. Their lack of vocabulary or understanding is irrelevant and it stands that they are technically correct when they say it's subjective. It may not be an argument, they might not even be trying to argue, but whether you find these people so pitiful you need to descend from your throne and grace them with unlimited knowledge is your prerogative. I'm just here to point out that's stupid if you haven't figured that out already. Your interpretation of NHK, and I use that word loosely because sarcasm is hard to detect online, is of a hikki NEET who meets an angle, discovers porn, and solves all his life's struggles in the total span of three episodes. If yes, haha; good one. If not, I question whether you've actually seen and or understood NHK in it's entirety.[/quote Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Now you're not making sense but for once I actually agree with you, good/bad art is not objective, which is believe it or not, exactly what I have been saying from the beginning and you have been trying to prove me wrong........ And your next question is rather controversial as some of your previous statements so I figured you might be mixing objective with subjective so I will leave this definition for you to fix up the confusion "Objective is a statement that is completely unbiased. It is not touched by the speaker’s previous experiences or tastes. It is verifiable by looking up facts or performing mathematical calculations. Subjective is a statement that has been colored by the character of the speaker or writer. It often has a basis in reality, but reflects the perspective through with the speaker views reality. It cannot be verified using concrete facts and figures" Quoted from www.differencebetween.net Besides doesn't the majority of animes already look the same? If not the same painfully similar... Generic anime boys and generic anime girls What is there for me to complain at this point? Even the plots of so many are similar... I can be critical and dislike certain art to my heart's content but that will hardly change anything, mostly my mood and enjoyment level. So would I mind if all anime looks the same, I'll go back to my original point, if the story is engaging and worth it, no I wouldn't mind at all if all anime looked the same or be all stickmen or whatever, it doesn't matter as long as I enjoy the plot... Why do you watch anime, then? It's a visual medium that uses visuals to tell the story. What do you prefer? To see a fight, or to read a description of a fight? You're completely missing the point~ I can enjoy an anime even if the art is nor particularly good, on the condition the story is good. Besides visuals is not the only thing an anime is comprised of, there's plot, soundtrack, dialogues, development, flow and much more than just moving pictures so I don't see why I should cling onto 1 of these to determine whether I like the final product or not I enjoy books, manga anime, light novels etc, all in a different way, so I can't say I prefer a book over anime or manga over books, what I can say is I prefer this manga over that manga Seriously why don't you give it just 1 chance? How about this, do you wanna have a small challenge to get each others point across? Even if it doesn't work out well I reckon in the very least it might be fun and we could both learn of the others standpoint. What do you say? I just find it difficult to understand how visuals don't matter in a story told by visuals. The experience - physically - is different. Even listening to music on headphones and on speakers is different. So the switch from prose to visuals is critical. Look how vastly the stories are between acclaimed novels and acclaimed movies. You don't get an introspective movie like Catcher in the Rye. It doesn't seem like you're trying too hard to understand, since I've been trying to explain the same thing in different ways. Nothing wrong with that of course, I suppose arguing for the sake of the discussion is also a valid point I'd appreciate more bad/bizarre art anime with a good plot than a good art anime with a dull/average/bad plot. That's all there is to it I take it you don't accept the challenge and will leave it at that since this is getting nowhere Do you think that seeing a fight, and reading about it is the same experience? Why or why not? No, I don't think it's the same experience. And I also don't think both are relatable. Reading is heavily dependent on the word choice, writing style, details, description. If it's a well written piece it can give the reader the best experience showing them something nothing else can, be it a fight or something simple as a color. Reading relies on the imagination of the person who's reading, depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers. Reading can be seen as an interaction between reader and author and is unlimited, unbound and books usually have both types of descriptions for that purpose. Watching the fight however, is a one-way information transmission from the film/anime staff to the viewer. How the viewer will perceive the fight depends on the presented details, voices, dialogue, movement, graphics, animation, dynamics. While there are common traits with the books, because the viewer is actually presented with a motion picture it is already restricted to what he can see on the screen. It's less exciting because there are limits to what one can express and convey in a visual piece. This is why the story that the anime is telling has to compensate for the limitations of the visuals with quality. I am currently reading the Durarara light novels in original and have to say I get a completely different feel from what the anime conveyed. It's not necessarily bad difference because I loved the anime as it was but the book is a whole different thing, the character it creates in my imagination are far more vivid, real and alive that the anime. The books I was referring to were H.P Lovecraft's "The color out of space", "The thing on the doorstep" and well pretty much all of his works and Ryogo Narita's "Durarara" that I am currently reading (just as a comparison to the anime). I chose Lovecraft as a reference because of his excellent writing style that literally and effortlessly takes you into a completely different dimension. In conclusion, the experience of reading a book and watching an anime/film can hardly be compared to one another as they are, firstly, two different ways of conveying information, secondly, the interaction between reader/author and creator/viewer differ and,thirdly, the way the consumer perceives the information he is given is fundamentally different. Therefore it is not ethically correct to try and measure or compare something on two different bases. With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) while with watching, the viewer is already presented with the director's characters (one possibility). Simply put this is how I see reading and watching. But I fail to see how this is relevant to our previous discussion. I wanted to first see if you understand how different mediums affect storytelling. You agree with this, so if something like prose/visuals change how experience the story, how come different visuals don't affect the story? You admitted yourself the mere fact that the story is visual changes how you experience it. I don't think I understand how different media affects storytelling in different individuals but I know how it affects me, although I tried to be as unbiased as I can in my post, and that aside you're quite impudent looking down on people "testing if they understand" what? that the Earth revolves around its axis? Of course visuals affect how one perceives the anime but I don't remember admitting that the story or how you experience it is dependent on how good or bad the art is, visuals does not equal story. Your argument is especially invalid when you take the case of books/novels getting animated. Say there is this awesome book that you've already read and loved and then it gets animated. You watch it and find out the art is bad, you'll tell me you'll hate the story now? because the bad art affected the story? or because the bad art affected how you (personally) experienced it? The story doesn't change and is not affected by the visuals, and I think you know it as well. In the end of the day it's only up to you if you're willing to give something a chance or not |
Jan 30, 2017 1:04 AM
#277
Enjyu said: Rei366 said: Enjyu said: With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) Infinite only if the author lets it be. You can't just ignore the imposed parts given in the text. And while some authors are as vague as can be, some like to detail everything. I agree with that and I mentioned it in my comment, that "depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers" TheBrainintheJar said: Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. I told you already, her role in his life isn't coincidental nor is it out of good will towards.....what the fuck? Are you even reading anything? I'll give you the benefit of the doubt and agree that she did "drop into his life" as you're so adamantly incline to believe. In your strange little world any act of coincidence equates to the story being fantastic? I guess two strangers meeting is off limits now unless you want your story...oh wait. Every story must be fantastic now because there's no such thing as a plot involving one fucking person. It doesn't matter what you find odd, even though it's clear as day that Satou doesn't even use his computer until he is forced to help create a gal game with his neighbor, because the facts doesn't care about your widely mistaken opinions. If you think NHK is about conformity, EVEN THOUGH FROM BEGINNING, MIDDLE, AND END EVERY CHARACTER FINDS THEIR OWN UNIQUE PATH TO FOLLOW, then there is no need to continue this. I mean honestly, you think Satou's dilemma is resolve because of superficial and cosmetic changes in his life. Next you're gonna tell me the answer to depression is a new haircut and the tickle monster. There's so many things you've gotten wrong it's astonishing. The mere fact that you think she wants to help Satou for "no reason" defies belief. This isn't an argument nor is it a subjective view on NHK. You are literally ass pulling misinformation out of thin air. Just look at what you wrote... TheBrainintheJar said: Satou often handles social situations well until comes the time to scream for comic effects. In the very first fucking episode he can't even finish a conversation with his landlord without his anxiety going bonkers. I mean you talk about how I'm afraid of my opinion being changed yet your here spewing bullshit and turning a blind eye to concrete plot and character points. You can be descriptive and detailed as you want but it won't mean lick as you've missed the point of NHK completely to an extent that you've might as well not have seen it. Do yourself a favor and next time just stop replying when it's obvious you have no clue what you're talking about. I see though you, Pullman sees through you, and I'm sure many others do as well. Pullman said: You hit the nail on the head. You should see him talk about Ping Pong. You wouldn't believe he's actually seen the show either. Thanks Pullman. I rather not look at what he thinks about Ping Pong because if he's gotten this much wrong about NHK, a show over a decade old, lord knows Ping Pong might as well be an alien soap opera to him. TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? remains there even while he hurts her remains there and does nothing OH YOU MEAN THE ONE WHERE SHE RUNS AWAY TO KILL HERSELF? By thine own hand thou has been slapped. Satou handled the people in the suicide arc extremely well. His social anxiety manifests in instances, but not in general behavior. Despite being a shut-in, he could've gone to an island with a bunch of people he don't know and be really, really social. So much for 'social anxiety' Oh, there's something like a selfish motive for Misaki, but it's rarely addressed and it doesn't cause any conflict, or sheds negative light on her method. The conflict is solved in Misaki's suicide, which prompts him to stop being a shut-in thanks to the Power of Love. What's more conformist than this? Another hikkie gets cured only by being hungry. Notice how these are all don't tell us whether society has a role in pushing these people in this direction. The show doesn't address society, how it causes people to live like they do. It has nothing resembling criticism. It has no element of horror or insight. What does it say or express about being a shut-in? Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. You really haven't seen it have you? Misaki wasn't helping Satou she was helping herself. It wasn't coincidental, out of good will, nor fantastic as both their life begins to spiral even further. You're confusing the manic pixie dream girl as a theme and in reality the show is subverting it. It's far from fantastic as a theme and even further so as a trope. It's fantastic how the NHK deconstructs story elements, but the story itself makes it clear that there's nothing fantastic to behold once everything is said and done. Satou wasn't taken back by the discovery of porn, it was because the amount in front of him and how readily available it was. If anything he discovers online porn (soft core from what is shown) and is in awe at how much there is. There's this new thing called being a protagonist, where we as the audience follow their story. Satou's dilemma is being a hikikomori. Not is neighbor, not his senior, and not his gamer friend. They have their own problems in which the story address adequately and all of which relate to an overarching theme of fear and self doubt. Their emotional and mental anchors can't be lifted in a fortnight, or perhaps ever. There is why there is no resolution for any of them because that's the moral of the show; moving forward. Not the quest for curing hikikomori's. You're welcome to your opinion of NHK, as wildly mistaken as it is, but don't try to hide under the guise of subjectivity when you haven't put in the bare minimum in trying to grasp a deeper understanding. You've forfeit any stance of subjectivity when you've taken everything at face value and spread misinformation. You need to brush up on nuisance because clearly you're not just missing out in NHK but probably a majority of things you consume. Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Not saying you can't explain it. I'm saying not everyone can, should, nor is obliged to. I'm not sure that qualifies as a subjective if you literally think Misaki is an angel, Saito has never heard of porn, or that story arcs don't span several episodes. I assure you that's just plain misinformation as all of those things have a concrete basis in the plot that aren't up for debate. I.E Misaki is defiantly not an angle. Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Seriously? If art was one of the criteria I base my judgement on, I most probably would have missed on watching some of the best shows out there. Besides "bad/good art" is a subjective concept. Take xxxHolic which was honorably mentioned for its "bad style", personally one of my fave animes and no I don't particularly find the art ghastly, just a bit funny in no bad meaning.... Art is something that strikes you only at the beginning and then with 2-3 episodes in you get used to it if you actually pay more attention to the story instead. I can't ever forget about the part. After all, I'm watching a visual story. The story is told by the visuals. What about art styles that are dull and have no imagination in them? True, the story is told by the visuals but is not dependent on them, is it? A prettily drawn anime doesn't guarantee the story will be good (and I can give more examples for that than for good visuals good story), and bad animation doesn't mean a bad anime either. Not really sure what you mean by "dull and no imagination", it all depends on the manga author/s how they want their characters to look like and again for me it doesn't change how much I enjoy the anime or manga if the plot is worth it. And just like with "bad / good" I think "dull" would also fall under the subjective roof. No one is asking you to forget the art, but do give it a chance, you might be surprised (for example I was really hesitant when I was recommended Kaiji because of the bizarre art but once I started watching I couldn't stop :D ) 'It's subjective!" is never, ever an argument. The story is dependent on the art style, because how you draw a character affects how I view it. NHK would've worked better if it had a wacky style since the story is unrealistic and fantastical. Mind elaborating more on 2 things for me? What do you mean by "subjective is not an argument" when the concept of good and bad comes down to personal preference, perception and judgement and how exactly is the story related to the art? Like how does the plot change if the art is not "pretty"? It affects how YOU view it, if that is not what you call subjective then we might as well be speaking different languages If you hold an opinion on something, it's because of some reasoning. It can be deep, and it can be shallow - 'the characters in this anime is sexy and I had a good time looking at it'. The 'it's all subjective' argument doesn't explain why you think a show is good or not, what is your reasoning behind it. Even in pure sensory information like the taste of food we go deeper. People don't eat Snickers because 'it's all subjective' but because of the sensation it causes. Second, art isn't just pretty but has style that expresses things. Many shows use the art to express the personality of these characters. Ask yourself: Would you love the same anime if it were all stickmen? Moreover, if visuals don't matter, why not read books instead? Well if you look around you might find I'm actually not trying to explain that this show is good and that is bad, what I'm saying, if you couldn't understand, is that every single person has a different stance on what is good or bad and this is why ""bad/good art" is a subjective concept" , now tell me again about that "sexy" character you enjoyed watching and I hated. Throw a tantrum if you want but you don't have a good enough argument to counter the fact that what's considered good or not is not for you to define Second, you don't answer my second question: how does the art change the story? you can't answer, can you? Because a good story is a good story regardless how ghastly the art may be. Art can express many things but so does the plot, dialogues, development and everything else an anime is composed of, it's not only art I hope you realise. Now to answer your question, I asked myself and after a heated discussion me, myself and I all agreed that 1. if anime "were all stickmen" it wouldn't be called anime anymore and 2. if the story is good we'd still watch it, nothing wrong with that, in it? And your other question is just stupid. I read books as well, not "instead" and not because visuals are irrelevant but because I enjoy it as a separate type of work @rsc-pl may be you're the one who's blind? Look at their eyes, they all look like flies with human bodies, it's just too creepy. Also all the characters are drawn disproportionately, big heads, short arms, sometimes longer, sometimes shorter legs, small faces, huge eyes, mouth is sometimes existent sometimes not, some characters even have antennae... which part of that is so great? I don't think you get to decide whether liking or disliking that art is retarded or not I don't think good/bad in art are objective. So, you wouldn't mind if all the characters looked the same? [quote=LordLagann message=49419551] TheBrainintheJar said: Every intelligent person knows it's subjective. Saying it does nothing but waste your time and show you're afraid your opinion might be changed. The story of NHK IS fantastic and wacky - since we have conflicts solved in a single episode without build-up, hikkies who don't know porn exists and characters who are angels. You say subjectivity is, and I quote, "never, ever an argument", then proceed to state how a character is drawn directly affects your interpretation of the story....? Clearly an argument can be made from subjectivity when you yourself claim that your personal view changes depending on whichever particular art styles is present. Their lack of vocabulary or understanding is irrelevant and it stands that they are technically correct when they say it's subjective. It may not be an argument, they might not even be trying to argue, but whether you find these people so pitiful you need to descend from your throne and grace them with unlimited knowledge is your prerogative. I'm just here to point out that's stupid if you haven't figured that out already. Your interpretation of NHK, and I use that word loosely because sarcasm is hard to detect online, is of a hikki NEET who meets an angle, discovers porn, and solves all his life's struggles in the total span of three episodes. If yes, haha; good one. If not, I question whether you've actually seen and or understood NHK in it's entirety.[/quote Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Now you're not making sense but for once I actually agree with you, good/bad art is not objective, which is believe it or not, exactly what I have been saying from the beginning and you have been trying to prove me wrong........ And your next question is rather controversial as some of your previous statements so I figured you might be mixing objective with subjective so I will leave this definition for you to fix up the confusion "Objective is a statement that is completely unbiased. It is not touched by the speaker’s previous experiences or tastes. It is verifiable by looking up facts or performing mathematical calculations. Subjective is a statement that has been colored by the character of the speaker or writer. It often has a basis in reality, but reflects the perspective through with the speaker views reality. It cannot be verified using concrete facts and figures" Quoted from www.differencebetween.net Besides doesn't the majority of animes already look the same? If not the same painfully similar... Generic anime boys and generic anime girls What is there for me to complain at this point? Even the plots of so many are similar... I can be critical and dislike certain art to my heart's content but that will hardly change anything, mostly my mood and enjoyment level. So would I mind if all anime looks the same, I'll go back to my original point, if the story is engaging and worth it, no I wouldn't mind at all if all anime looked the same or be all stickmen or whatever, it doesn't matter as long as I enjoy the plot... Why do you watch anime, then? It's a visual medium that uses visuals to tell the story. What do you prefer? To see a fight, or to read a description of a fight? You're completely missing the point~ I can enjoy an anime even if the art is nor particularly good, on the condition the story is good. Besides visuals is not the only thing an anime is comprised of, there's plot, soundtrack, dialogues, development, flow and much more than just moving pictures so I don't see why I should cling onto 1 of these to determine whether I like the final product or not I enjoy books, manga anime, light novels etc, all in a different way, so I can't say I prefer a book over anime or manga over books, what I can say is I prefer this manga over that manga Seriously why don't you give it just 1 chance? How about this, do you wanna have a small challenge to get each others point across? Even if it doesn't work out well I reckon in the very least it might be fun and we could both learn of the others standpoint. What do you say? I just find it difficult to understand how visuals don't matter in a story told by visuals. The experience - physically - is different. Even listening to music on headphones and on speakers is different. So the switch from prose to visuals is critical. Look how vastly the stories are between acclaimed novels and acclaimed movies. You don't get an introspective movie like Catcher in the Rye. It doesn't seem like you're trying too hard to understand, since I've been trying to explain the same thing in different ways. Nothing wrong with that of course, I suppose arguing for the sake of the discussion is also a valid point I'd appreciate more bad/bizarre art anime with a good plot than a good art anime with a dull/average/bad plot. That's all there is to it I take it you don't accept the challenge and will leave it at that since this is getting nowhere Do you think that seeing a fight, and reading about it is the same experience? Why or why not? No, I don't think it's the same experience. And I also don't think both are relatable. Reading is heavily dependent on the word choice, writing style, details, description. If it's a well written piece it can give the reader the best experience showing them something nothing else can, be it a fight or something simple as a color. Reading relies on the imagination of the person who's reading, depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers. Reading can be seen as an interaction between reader and author and is unlimited, unbound and books usually have both types of descriptions for that purpose. Watching the fight however, is a one-way information transmission from the film/anime staff to the viewer. How the viewer will perceive the fight depends on the presented details, voices, dialogue, movement, graphics, animation, dynamics. While there are common traits with the books, because the viewer is actually presented with a motion picture it is already restricted to what he can see on the screen. It's less exciting because there are limits to what one can express and convey in a visual piece. This is why the story that the anime is telling has to compensate for the limitations of the visuals with quality. I am currently reading the Durarara light novels in original and have to say I get a completely different feel from what the anime conveyed. It's not necessarily bad difference because I loved the anime as it was but the book is a whole different thing, the character it creates in my imagination are far more vivid, real and alive that the anime. The books I was referring to were H.P Lovecraft's "The color out of space", "The thing on the doorstep" and well pretty much all of his works and Ryogo Narita's "Durarara" that I am currently reading (just as a comparison to the anime). I chose Lovecraft as a reference because of his excellent writing style that literally and effortlessly takes you into a completely different dimension. In conclusion, the experience of reading a book and watching an anime/film can hardly be compared to one another as they are, firstly, two different ways of conveying information, secondly, the interaction between reader/author and creator/viewer differ and,thirdly, the way the consumer perceives the information he is given is fundamentally different. Therefore it is not ethically correct to try and measure or compare something on two different bases. With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) while with watching, the viewer is already presented with the director's characters (one possibility). Simply put this is how I see reading and watching. But I fail to see how this is relevant to our previous discussion. I wanted to first see if you understand how different mediums affect storytelling. You agree with this, so if something like prose/visuals change how experience the story, how come different visuals don't affect the story? You admitted yourself the mere fact that the story is visual changes how you experience it. I don't think I understand how different media affects storytelling in different individuals but I know how it affects me, although I tried to be as unbiased as I can in my post, and that aside you're quite impudent looking down on people "testing if they understand" what? that the Earth revolves around its axis? Of course visuals affect how one perceives the anime but I don't remember admitting that the story or how you experience it is dependent on how good or bad the art is, visuals does not equal story. Your argument is especially invalid when you take the case of books/novels getting animated. Say there is this awesome book that you've already read and loved and then it gets animated. You watch it and find out the art is bad, you'll tell me you'll hate the story now? because the bad art affected the story? or because the bad art affected how you (personally) experienced it? The story doesn't change and is not affected by the visuals, and I think you know it as well. In the end of the day it's only up to you if you're willing to give something a chance or not Yes, I tested your assumptions to see how common our ground is. I don't see how you can separate the story and visuals like this. For example, Another's horror antics would've been less convincing if it had regular backgrounds instead of its darker shade. Shigofumi suffers because its art is so dull. Will TTGL be effective if it's not visually bombastic? |
WEAPONS - My blog, for reviews of music, anime, books, and other things |
Jan 31, 2017 8:28 AM
#278
TheBrainintheJar said: Enjyu said: Rei366 said: Enjyu said: With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) Infinite only if the author lets it be. You can't just ignore the imposed parts given in the text. And while some authors are as vague as can be, some like to detail everything. I agree with that and I mentioned it in my comment, that "depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers" TheBrainintheJar said: Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. I told you already, her role in his life isn't coincidental nor is it out of good will towards.....what the fuck? Are you even reading anything? I'll give you the benefit of the doubt and agree that she did "drop into his life" as you're so adamantly incline to believe. In your strange little world any act of coincidence equates to the story being fantastic? I guess two strangers meeting is off limits now unless you want your story...oh wait. Every story must be fantastic now because there's no such thing as a plot involving one fucking person. It doesn't matter what you find odd, even though it's clear as day that Satou doesn't even use his computer until he is forced to help create a gal game with his neighbor, because the facts doesn't care about your widely mistaken opinions. If you think NHK is about conformity, EVEN THOUGH FROM BEGINNING, MIDDLE, AND END EVERY CHARACTER FINDS THEIR OWN UNIQUE PATH TO FOLLOW, then there is no need to continue this. I mean honestly, you think Satou's dilemma is resolve because of superficial and cosmetic changes in his life. Next you're gonna tell me the answer to depression is a new haircut and the tickle monster. There's so many things you've gotten wrong it's astonishing. The mere fact that you think she wants to help Satou for "no reason" defies belief. This isn't an argument nor is it a subjective view on NHK. You are literally ass pulling misinformation out of thin air. Just look at what you wrote... TheBrainintheJar said: Satou often handles social situations well until comes the time to scream for comic effects. In the very first fucking episode he can't even finish a conversation with his landlord without his anxiety going bonkers. I mean you talk about how I'm afraid of my opinion being changed yet your here spewing bullshit and turning a blind eye to concrete plot and character points. You can be descriptive and detailed as you want but it won't mean lick as you've missed the point of NHK completely to an extent that you've might as well not have seen it. Do yourself a favor and next time just stop replying when it's obvious you have no clue what you're talking about. I see though you, Pullman sees through you, and I'm sure many others do as well. Pullman said: You hit the nail on the head. You should see him talk about Ping Pong. You wouldn't believe he's actually seen the show either. Thanks Pullman. I rather not look at what he thinks about Ping Pong because if he's gotten this much wrong about NHK, a show over a decade old, lord knows Ping Pong might as well be an alien soap opera to him. TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? remains there even while he hurts her remains there and does nothing OH YOU MEAN THE ONE WHERE SHE RUNS AWAY TO KILL HERSELF? By thine own hand thou has been slapped. Satou handled the people in the suicide arc extremely well. His social anxiety manifests in instances, but not in general behavior. Despite being a shut-in, he could've gone to an island with a bunch of people he don't know and be really, really social. So much for 'social anxiety' Oh, there's something like a selfish motive for Misaki, but it's rarely addressed and it doesn't cause any conflict, or sheds negative light on her method. The conflict is solved in Misaki's suicide, which prompts him to stop being a shut-in thanks to the Power of Love. What's more conformist than this? Another hikkie gets cured only by being hungry. Notice how these are all don't tell us whether society has a role in pushing these people in this direction. The show doesn't address society, how it causes people to live like they do. It has nothing resembling criticism. It has no element of horror or insight. What does it say or express about being a shut-in? Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. You really haven't seen it have you? Misaki wasn't helping Satou she was helping herself. It wasn't coincidental, out of good will, nor fantastic as both their life begins to spiral even further. You're confusing the manic pixie dream girl as a theme and in reality the show is subverting it. It's far from fantastic as a theme and even further so as a trope. It's fantastic how the NHK deconstructs story elements, but the story itself makes it clear that there's nothing fantastic to behold once everything is said and done. Satou wasn't taken back by the discovery of porn, it was because the amount in front of him and how readily available it was. If anything he discovers online porn (soft core from what is shown) and is in awe at how much there is. There's this new thing called being a protagonist, where we as the audience follow their story. Satou's dilemma is being a hikikomori. Not is neighbor, not his senior, and not his gamer friend. They have their own problems in which the story address adequately and all of which relate to an overarching theme of fear and self doubt. Their emotional and mental anchors can't be lifted in a fortnight, or perhaps ever. There is why there is no resolution for any of them because that's the moral of the show; moving forward. Not the quest for curing hikikomori's. You're welcome to your opinion of NHK, as wildly mistaken as it is, but don't try to hide under the guise of subjectivity when you haven't put in the bare minimum in trying to grasp a deeper understanding. You've forfeit any stance of subjectivity when you've taken everything at face value and spread misinformation. You need to brush up on nuisance because clearly you're not just missing out in NHK but probably a majority of things you consume. Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Not saying you can't explain it. I'm saying not everyone can, should, nor is obliged to. I'm not sure that qualifies as a subjective if you literally think Misaki is an angel, Saito has never heard of porn, or that story arcs don't span several episodes. I assure you that's just plain misinformation as all of those things have a concrete basis in the plot that aren't up for debate. I.E Misaki is defiantly not an angle. Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Seriously? If art was one of the criteria I base my judgement on, I most probably would have missed on watching some of the best shows out there. Besides "bad/good art" is a subjective concept. Take xxxHolic which was honorably mentioned for its "bad style", personally one of my fave animes and no I don't particularly find the art ghastly, just a bit funny in no bad meaning.... Art is something that strikes you only at the beginning and then with 2-3 episodes in you get used to it if you actually pay more attention to the story instead. I can't ever forget about the part. After all, I'm watching a visual story. The story is told by the visuals. What about art styles that are dull and have no imagination in them? True, the story is told by the visuals but is not dependent on them, is it? A prettily drawn anime doesn't guarantee the story will be good (and I can give more examples for that than for good visuals good story), and bad animation doesn't mean a bad anime either. Not really sure what you mean by "dull and no imagination", it all depends on the manga author/s how they want their characters to look like and again for me it doesn't change how much I enjoy the anime or manga if the plot is worth it. And just like with "bad / good" I think "dull" would also fall under the subjective roof. No one is asking you to forget the art, but do give it a chance, you might be surprised (for example I was really hesitant when I was recommended Kaiji because of the bizarre art but once I started watching I couldn't stop :D ) 'It's subjective!" is never, ever an argument. The story is dependent on the art style, because how you draw a character affects how I view it. NHK would've worked better if it had a wacky style since the story is unrealistic and fantastical. Mind elaborating more on 2 things for me? What do you mean by "subjective is not an argument" when the concept of good and bad comes down to personal preference, perception and judgement and how exactly is the story related to the art? Like how does the plot change if the art is not "pretty"? It affects how YOU view it, if that is not what you call subjective then we might as well be speaking different languages If you hold an opinion on something, it's because of some reasoning. It can be deep, and it can be shallow - 'the characters in this anime is sexy and I had a good time looking at it'. The 'it's all subjective' argument doesn't explain why you think a show is good or not, what is your reasoning behind it. Even in pure sensory information like the taste of food we go deeper. People don't eat Snickers because 'it's all subjective' but because of the sensation it causes. Second, art isn't just pretty but has style that expresses things. Many shows use the art to express the personality of these characters. Ask yourself: Would you love the same anime if it were all stickmen? Moreover, if visuals don't matter, why not read books instead? Well if you look around you might find I'm actually not trying to explain that this show is good and that is bad, what I'm saying, if you couldn't understand, is that every single person has a different stance on what is good or bad and this is why ""bad/good art" is a subjective concept" , now tell me again about that "sexy" character you enjoyed watching and I hated. Throw a tantrum if you want but you don't have a good enough argument to counter the fact that what's considered good or not is not for you to define Second, you don't answer my second question: how does the art change the story? you can't answer, can you? Because a good story is a good story regardless how ghastly the art may be. Art can express many things but so does the plot, dialogues, development and everything else an anime is composed of, it's not only art I hope you realise. Now to answer your question, I asked myself and after a heated discussion me, myself and I all agreed that 1. if anime "were all stickmen" it wouldn't be called anime anymore and 2. if the story is good we'd still watch it, nothing wrong with that, in it? And your other question is just stupid. I read books as well, not "instead" and not because visuals are irrelevant but because I enjoy it as a separate type of work @rsc-pl may be you're the one who's blind? Look at their eyes, they all look like flies with human bodies, it's just too creepy. Also all the characters are drawn disproportionately, big heads, short arms, sometimes longer, sometimes shorter legs, small faces, huge eyes, mouth is sometimes existent sometimes not, some characters even have antennae... which part of that is so great? I don't think you get to decide whether liking or disliking that art is retarded or not I don't think good/bad in art are objective. So, you wouldn't mind if all the characters looked the same? [quote=LordLagann message=49419551] TheBrainintheJar said: Every intelligent person knows it's subjective. Saying it does nothing but waste your time and show you're afraid your opinion might be changed. The story of NHK IS fantastic and wacky - since we have conflicts solved in a single episode without build-up, hikkies who don't know porn exists and characters who are angels. You say subjectivity is, and I quote, "never, ever an argument", then proceed to state how a character is drawn directly affects your interpretation of the story....? Clearly an argument can be made from subjectivity when you yourself claim that your personal view changes depending on whichever particular art styles is present. Their lack of vocabulary or understanding is irrelevant and it stands that they are technically correct when they say it's subjective. It may not be an argument, they might not even be trying to argue, but whether you find these people so pitiful you need to descend from your throne and grace them with unlimited knowledge is your prerogative. I'm just here to point out that's stupid if you haven't figured that out already. Your interpretation of NHK, and I use that word loosely because sarcasm is hard to detect online, is of a hikki NEET who meets an angle, discovers porn, and solves all his life's struggles in the total span of three episodes. If yes, haha; good one. If not, I question whether you've actually seen and or understood NHK in it's entirety.[/quote Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Now you're not making sense but for once I actually agree with you, good/bad art is not objective, which is believe it or not, exactly what I have been saying from the beginning and you have been trying to prove me wrong........ And your next question is rather controversial as some of your previous statements so I figured you might be mixing objective with subjective so I will leave this definition for you to fix up the confusion "Objective is a statement that is completely unbiased. It is not touched by the speaker’s previous experiences or tastes. It is verifiable by looking up facts or performing mathematical calculations. Subjective is a statement that has been colored by the character of the speaker or writer. It often has a basis in reality, but reflects the perspective through with the speaker views reality. It cannot be verified using concrete facts and figures" Quoted from www.differencebetween.net Besides doesn't the majority of animes already look the same? If not the same painfully similar... Generic anime boys and generic anime girls What is there for me to complain at this point? Even the plots of so many are similar... I can be critical and dislike certain art to my heart's content but that will hardly change anything, mostly my mood and enjoyment level. So would I mind if all anime looks the same, I'll go back to my original point, if the story is engaging and worth it, no I wouldn't mind at all if all anime looked the same or be all stickmen or whatever, it doesn't matter as long as I enjoy the plot... Why do you watch anime, then? It's a visual medium that uses visuals to tell the story. What do you prefer? To see a fight, or to read a description of a fight? You're completely missing the point~ I can enjoy an anime even if the art is nor particularly good, on the condition the story is good. Besides visuals is not the only thing an anime is comprised of, there's plot, soundtrack, dialogues, development, flow and much more than just moving pictures so I don't see why I should cling onto 1 of these to determine whether I like the final product or not I enjoy books, manga anime, light novels etc, all in a different way, so I can't say I prefer a book over anime or manga over books, what I can say is I prefer this manga over that manga Seriously why don't you give it just 1 chance? How about this, do you wanna have a small challenge to get each others point across? Even if it doesn't work out well I reckon in the very least it might be fun and we could both learn of the others standpoint. What do you say? I just find it difficult to understand how visuals don't matter in a story told by visuals. The experience - physically - is different. Even listening to music on headphones and on speakers is different. So the switch from prose to visuals is critical. Look how vastly the stories are between acclaimed novels and acclaimed movies. You don't get an introspective movie like Catcher in the Rye. It doesn't seem like you're trying too hard to understand, since I've been trying to explain the same thing in different ways. Nothing wrong with that of course, I suppose arguing for the sake of the discussion is also a valid point I'd appreciate more bad/bizarre art anime with a good plot than a good art anime with a dull/average/bad plot. That's all there is to it I take it you don't accept the challenge and will leave it at that since this is getting nowhere Do you think that seeing a fight, and reading about it is the same experience? Why or why not? No, I don't think it's the same experience. And I also don't think both are relatable. Reading is heavily dependent on the word choice, writing style, details, description. If it's a well written piece it can give the reader the best experience showing them something nothing else can, be it a fight or something simple as a color. Reading relies on the imagination of the person who's reading, depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers. Reading can be seen as an interaction between reader and author and is unlimited, unbound and books usually have both types of descriptions for that purpose. Watching the fight however, is a one-way information transmission from the film/anime staff to the viewer. How the viewer will perceive the fight depends on the presented details, voices, dialogue, movement, graphics, animation, dynamics. While there are common traits with the books, because the viewer is actually presented with a motion picture it is already restricted to what he can see on the screen. It's less exciting because there are limits to what one can express and convey in a visual piece. This is why the story that the anime is telling has to compensate for the limitations of the visuals with quality. I am currently reading the Durarara light novels in original and have to say I get a completely different feel from what the anime conveyed. It's not necessarily bad difference because I loved the anime as it was but the book is a whole different thing, the character it creates in my imagination are far more vivid, real and alive that the anime. The books I was referring to were H.P Lovecraft's "The color out of space", "The thing on the doorstep" and well pretty much all of his works and Ryogo Narita's "Durarara" that I am currently reading (just as a comparison to the anime). I chose Lovecraft as a reference because of his excellent writing style that literally and effortlessly takes you into a completely different dimension. In conclusion, the experience of reading a book and watching an anime/film can hardly be compared to one another as they are, firstly, two different ways of conveying information, secondly, the interaction between reader/author and creator/viewer differ and,thirdly, the way the consumer perceives the information he is given is fundamentally different. Therefore it is not ethically correct to try and measure or compare something on two different bases. With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) while with watching, the viewer is already presented with the director's characters (one possibility). Simply put this is how I see reading and watching. But I fail to see how this is relevant to our previous discussion. I wanted to first see if you understand how different mediums affect storytelling. You agree with this, so if something like prose/visuals change how experience the story, how come different visuals don't affect the story? You admitted yourself the mere fact that the story is visual changes how you experience it. I don't think I understand how different media affects storytelling in different individuals but I know how it affects me, although I tried to be as unbiased as I can in my post, and that aside you're quite impudent looking down on people "testing if they understand" what? that the Earth revolves around its axis? Of course visuals affect how one perceives the anime but I don't remember admitting that the story or how you experience it is dependent on how good or bad the art is, visuals does not equal story. Your argument is especially invalid when you take the case of books/novels getting animated. Say there is this awesome book that you've already read and loved and then it gets animated. You watch it and find out the art is bad, you'll tell me you'll hate the story now? because the bad art affected the story? or because the bad art affected how you (personally) experienced it? The story doesn't change and is not affected by the visuals, and I think you know it as well. In the end of the day it's only up to you if you're willing to give something a chance or not Yes, I tested your assumptions to see how common our ground is. I don't see how you can separate the story and visuals like this. For example, Another's horror antics would've been less convincing if it had regular backgrounds instead of its darker shade. Shigofumi suffers because its art is so dull. Will TTGL be effective if it's not visually bombastic? TTGL's bombastic art didn't compensate for many things, as far as it impressed me a 6/10 overall. About Another, you're probably right, except the original discussion was about art as in how the characters are drawn and not backgrounds. And even if it concerned the BG as well I fail to see yet again how is that related to the story I can easily separate visuals and story, I don't see what's wrong with that. I can read and enjoy a story without visuals but couldn't care less for pretty visuals with no story, I still don't see why you insist the art can affect the story PS. Haven't seen Shigofumi so can't tell about the plot but from the few clips I just saw I think the art is not half bad, definitely not what personally I would call "so dull". If anything Ajin's all CG looks dull to me, but the story's good so what do I care |
Jan 31, 2017 12:59 PM
#279
I don't think there is an anime with a "horrible" art style - there are ones with an "unique" art style - but you get used to it anyway. |
Jan 31, 2017 11:54 PM
#280
Enjyu said: TheBrainintheJar said: Enjyu said: Rei366 said: Enjyu said: With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) Infinite only if the author lets it be. You can't just ignore the imposed parts given in the text. And while some authors are as vague as can be, some like to detail everything. I agree with that and I mentioned it in my comment, that "depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers" TheBrainintheJar said: Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. I told you already, her role in his life isn't coincidental nor is it out of good will towards.....what the fuck? Are you even reading anything? I'll give you the benefit of the doubt and agree that she did "drop into his life" as you're so adamantly incline to believe. In your strange little world any act of coincidence equates to the story being fantastic? I guess two strangers meeting is off limits now unless you want your story...oh wait. Every story must be fantastic now because there's no such thing as a plot involving one fucking person. It doesn't matter what you find odd, even though it's clear as day that Satou doesn't even use his computer until he is forced to help create a gal game with his neighbor, because the facts doesn't care about your widely mistaken opinions. If you think NHK is about conformity, EVEN THOUGH FROM BEGINNING, MIDDLE, AND END EVERY CHARACTER FINDS THEIR OWN UNIQUE PATH TO FOLLOW, then there is no need to continue this. I mean honestly, you think Satou's dilemma is resolve because of superficial and cosmetic changes in his life. Next you're gonna tell me the answer to depression is a new haircut and the tickle monster. There's so many things you've gotten wrong it's astonishing. The mere fact that you think she wants to help Satou for "no reason" defies belief. This isn't an argument nor is it a subjective view on NHK. You are literally ass pulling misinformation out of thin air. Just look at what you wrote... TheBrainintheJar said: Satou often handles social situations well until comes the time to scream for comic effects. In the very first fucking episode he can't even finish a conversation with his landlord without his anxiety going bonkers. I mean you talk about how I'm afraid of my opinion being changed yet your here spewing bullshit and turning a blind eye to concrete plot and character points. You can be descriptive and detailed as you want but it won't mean lick as you've missed the point of NHK completely to an extent that you've might as well not have seen it. Do yourself a favor and next time just stop replying when it's obvious you have no clue what you're talking about. I see though you, Pullman sees through you, and I'm sure many others do as well. Pullman said: You hit the nail on the head. You should see him talk about Ping Pong. You wouldn't believe he's actually seen the show either. Thanks Pullman. I rather not look at what he thinks about Ping Pong because if he's gotten this much wrong about NHK, a show over a decade old, lord knows Ping Pong might as well be an alien soap opera to him. TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? remains there even while he hurts her remains there and does nothing OH YOU MEAN THE ONE WHERE SHE RUNS AWAY TO KILL HERSELF? By thine own hand thou has been slapped. Satou handled the people in the suicide arc extremely well. His social anxiety manifests in instances, but not in general behavior. Despite being a shut-in, he could've gone to an island with a bunch of people he don't know and be really, really social. So much for 'social anxiety' Oh, there's something like a selfish motive for Misaki, but it's rarely addressed and it doesn't cause any conflict, or sheds negative light on her method. The conflict is solved in Misaki's suicide, which prompts him to stop being a shut-in thanks to the Power of Love. What's more conformist than this? Another hikkie gets cured only by being hungry. Notice how these are all don't tell us whether society has a role in pushing these people in this direction. The show doesn't address society, how it causes people to live like they do. It has nothing resembling criticism. It has no element of horror or insight. What does it say or express about being a shut-in? Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. You really haven't seen it have you? Misaki wasn't helping Satou she was helping herself. It wasn't coincidental, out of good will, nor fantastic as both their life begins to spiral even further. You're confusing the manic pixie dream girl as a theme and in reality the show is subverting it. It's far from fantastic as a theme and even further so as a trope. It's fantastic how the NHK deconstructs story elements, but the story itself makes it clear that there's nothing fantastic to behold once everything is said and done. Satou wasn't taken back by the discovery of porn, it was because the amount in front of him and how readily available it was. If anything he discovers online porn (soft core from what is shown) and is in awe at how much there is. There's this new thing called being a protagonist, where we as the audience follow their story. Satou's dilemma is being a hikikomori. Not is neighbor, not his senior, and not his gamer friend. They have their own problems in which the story address adequately and all of which relate to an overarching theme of fear and self doubt. Their emotional and mental anchors can't be lifted in a fortnight, or perhaps ever. There is why there is no resolution for any of them because that's the moral of the show; moving forward. Not the quest for curing hikikomori's. You're welcome to your opinion of NHK, as wildly mistaken as it is, but don't try to hide under the guise of subjectivity when you haven't put in the bare minimum in trying to grasp a deeper understanding. You've forfeit any stance of subjectivity when you've taken everything at face value and spread misinformation. You need to brush up on nuisance because clearly you're not just missing out in NHK but probably a majority of things you consume. Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Not saying you can't explain it. I'm saying not everyone can, should, nor is obliged to. I'm not sure that qualifies as a subjective if you literally think Misaki is an angel, Saito has never heard of porn, or that story arcs don't span several episodes. I assure you that's just plain misinformation as all of those things have a concrete basis in the plot that aren't up for debate. I.E Misaki is defiantly not an angle. Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Seriously? If art was one of the criteria I base my judgement on, I most probably would have missed on watching some of the best shows out there. Besides "bad/good art" is a subjective concept. Take xxxHolic which was honorably mentioned for its "bad style", personally one of my fave animes and no I don't particularly find the art ghastly, just a bit funny in no bad meaning.... Art is something that strikes you only at the beginning and then with 2-3 episodes in you get used to it if you actually pay more attention to the story instead. I can't ever forget about the part. After all, I'm watching a visual story. The story is told by the visuals. What about art styles that are dull and have no imagination in them? True, the story is told by the visuals but is not dependent on them, is it? A prettily drawn anime doesn't guarantee the story will be good (and I can give more examples for that than for good visuals good story), and bad animation doesn't mean a bad anime either. Not really sure what you mean by "dull and no imagination", it all depends on the manga author/s how they want their characters to look like and again for me it doesn't change how much I enjoy the anime or manga if the plot is worth it. And just like with "bad / good" I think "dull" would also fall under the subjective roof. No one is asking you to forget the art, but do give it a chance, you might be surprised (for example I was really hesitant when I was recommended Kaiji because of the bizarre art but once I started watching I couldn't stop :D ) 'It's subjective!" is never, ever an argument. The story is dependent on the art style, because how you draw a character affects how I view it. NHK would've worked better if it had a wacky style since the story is unrealistic and fantastical. Mind elaborating more on 2 things for me? What do you mean by "subjective is not an argument" when the concept of good and bad comes down to personal preference, perception and judgement and how exactly is the story related to the art? Like how does the plot change if the art is not "pretty"? It affects how YOU view it, if that is not what you call subjective then we might as well be speaking different languages If you hold an opinion on something, it's because of some reasoning. It can be deep, and it can be shallow - 'the characters in this anime is sexy and I had a good time looking at it'. The 'it's all subjective' argument doesn't explain why you think a show is good or not, what is your reasoning behind it. Even in pure sensory information like the taste of food we go deeper. People don't eat Snickers because 'it's all subjective' but because of the sensation it causes. Second, art isn't just pretty but has style that expresses things. Many shows use the art to express the personality of these characters. Ask yourself: Would you love the same anime if it were all stickmen? Moreover, if visuals don't matter, why not read books instead? Well if you look around you might find I'm actually not trying to explain that this show is good and that is bad, what I'm saying, if you couldn't understand, is that every single person has a different stance on what is good or bad and this is why ""bad/good art" is a subjective concept" , now tell me again about that "sexy" character you enjoyed watching and I hated. Throw a tantrum if you want but you don't have a good enough argument to counter the fact that what's considered good or not is not for you to define Second, you don't answer my second question: how does the art change the story? you can't answer, can you? Because a good story is a good story regardless how ghastly the art may be. Art can express many things but so does the plot, dialogues, development and everything else an anime is composed of, it's not only art I hope you realise. Now to answer your question, I asked myself and after a heated discussion me, myself and I all agreed that 1. if anime "were all stickmen" it wouldn't be called anime anymore and 2. if the story is good we'd still watch it, nothing wrong with that, in it? And your other question is just stupid. I read books as well, not "instead" and not because visuals are irrelevant but because I enjoy it as a separate type of work @rsc-pl may be you're the one who's blind? Look at their eyes, they all look like flies with human bodies, it's just too creepy. Also all the characters are drawn disproportionately, big heads, short arms, sometimes longer, sometimes shorter legs, small faces, huge eyes, mouth is sometimes existent sometimes not, some characters even have antennae... which part of that is so great? I don't think you get to decide whether liking or disliking that art is retarded or not I don't think good/bad in art are objective. So, you wouldn't mind if all the characters looked the same? [quote=LordLagann message=49419551] TheBrainintheJar said: Every intelligent person knows it's subjective. Saying it does nothing but waste your time and show you're afraid your opinion might be changed. The story of NHK IS fantastic and wacky - since we have conflicts solved in a single episode without build-up, hikkies who don't know porn exists and characters who are angels. You say subjectivity is, and I quote, "never, ever an argument", then proceed to state how a character is drawn directly affects your interpretation of the story....? Clearly an argument can be made from subjectivity when you yourself claim that your personal view changes depending on whichever particular art styles is present. Their lack of vocabulary or understanding is irrelevant and it stands that they are technically correct when they say it's subjective. It may not be an argument, they might not even be trying to argue, but whether you find these people so pitiful you need to descend from your throne and grace them with unlimited knowledge is your prerogative. I'm just here to point out that's stupid if you haven't figured that out already. Your interpretation of NHK, and I use that word loosely because sarcasm is hard to detect online, is of a hikki NEET who meets an angle, discovers porn, and solves all his life's struggles in the total span of three episodes. If yes, haha; good one. If not, I question whether you've actually seen and or understood NHK in it's entirety.[/quote Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Now you're not making sense but for once I actually agree with you, good/bad art is not objective, which is believe it or not, exactly what I have been saying from the beginning and you have been trying to prove me wrong........ And your next question is rather controversial as some of your previous statements so I figured you might be mixing objective with subjective so I will leave this definition for you to fix up the confusion "Objective is a statement that is completely unbiased. It is not touched by the speaker’s previous experiences or tastes. It is verifiable by looking up facts or performing mathematical calculations. Subjective is a statement that has been colored by the character of the speaker or writer. It often has a basis in reality, but reflects the perspective through with the speaker views reality. It cannot be verified using concrete facts and figures" Quoted from www.differencebetween.net Besides doesn't the majority of animes already look the same? If not the same painfully similar... Generic anime boys and generic anime girls What is there for me to complain at this point? Even the plots of so many are similar... I can be critical and dislike certain art to my heart's content but that will hardly change anything, mostly my mood and enjoyment level. So would I mind if all anime looks the same, I'll go back to my original point, if the story is engaging and worth it, no I wouldn't mind at all if all anime looked the same or be all stickmen or whatever, it doesn't matter as long as I enjoy the plot... Why do you watch anime, then? It's a visual medium that uses visuals to tell the story. What do you prefer? To see a fight, or to read a description of a fight? You're completely missing the point~ I can enjoy an anime even if the art is nor particularly good, on the condition the story is good. Besides visuals is not the only thing an anime is comprised of, there's plot, soundtrack, dialogues, development, flow and much more than just moving pictures so I don't see why I should cling onto 1 of these to determine whether I like the final product or not I enjoy books, manga anime, light novels etc, all in a different way, so I can't say I prefer a book over anime or manga over books, what I can say is I prefer this manga over that manga Seriously why don't you give it just 1 chance? How about this, do you wanna have a small challenge to get each others point across? Even if it doesn't work out well I reckon in the very least it might be fun and we could both learn of the others standpoint. What do you say? I just find it difficult to understand how visuals don't matter in a story told by visuals. The experience - physically - is different. Even listening to music on headphones and on speakers is different. So the switch from prose to visuals is critical. Look how vastly the stories are between acclaimed novels and acclaimed movies. You don't get an introspective movie like Catcher in the Rye. It doesn't seem like you're trying too hard to understand, since I've been trying to explain the same thing in different ways. Nothing wrong with that of course, I suppose arguing for the sake of the discussion is also a valid point I'd appreciate more bad/bizarre art anime with a good plot than a good art anime with a dull/average/bad plot. That's all there is to it I take it you don't accept the challenge and will leave it at that since this is getting nowhere Do you think that seeing a fight, and reading about it is the same experience? Why or why not? No, I don't think it's the same experience. And I also don't think both are relatable. Reading is heavily dependent on the word choice, writing style, details, description. If it's a well written piece it can give the reader the best experience showing them something nothing else can, be it a fight or something simple as a color. Reading relies on the imagination of the person who's reading, depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers. Reading can be seen as an interaction between reader and author and is unlimited, unbound and books usually have both types of descriptions for that purpose. Watching the fight however, is a one-way information transmission from the film/anime staff to the viewer. How the viewer will perceive the fight depends on the presented details, voices, dialogue, movement, graphics, animation, dynamics. While there are common traits with the books, because the viewer is actually presented with a motion picture it is already restricted to what he can see on the screen. It's less exciting because there are limits to what one can express and convey in a visual piece. This is why the story that the anime is telling has to compensate for the limitations of the visuals with quality. I am currently reading the Durarara light novels in original and have to say I get a completely different feel from what the anime conveyed. It's not necessarily bad difference because I loved the anime as it was but the book is a whole different thing, the character it creates in my imagination are far more vivid, real and alive that the anime. The books I was referring to were H.P Lovecraft's "The color out of space", "The thing on the doorstep" and well pretty much all of his works and Ryogo Narita's "Durarara" that I am currently reading (just as a comparison to the anime). I chose Lovecraft as a reference because of his excellent writing style that literally and effortlessly takes you into a completely different dimension. In conclusion, the experience of reading a book and watching an anime/film can hardly be compared to one another as they are, firstly, two different ways of conveying information, secondly, the interaction between reader/author and creator/viewer differ and,thirdly, the way the consumer perceives the information he is given is fundamentally different. Therefore it is not ethically correct to try and measure or compare something on two different bases. With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) while with watching, the viewer is already presented with the director's characters (one possibility). Simply put this is how I see reading and watching. But I fail to see how this is relevant to our previous discussion. I wanted to first see if you understand how different mediums affect storytelling. You agree with this, so if something like prose/visuals change how experience the story, how come different visuals don't affect the story? You admitted yourself the mere fact that the story is visual changes how you experience it. I don't think I understand how different media affects storytelling in different individuals but I know how it affects me, although I tried to be as unbiased as I can in my post, and that aside you're quite impudent looking down on people "testing if they understand" what? that the Earth revolves around its axis? Of course visuals affect how one perceives the anime but I don't remember admitting that the story or how you experience it is dependent on how good or bad the art is, visuals does not equal story. Your argument is especially invalid when you take the case of books/novels getting animated. Say there is this awesome book that you've already read and loved and then it gets animated. You watch it and find out the art is bad, you'll tell me you'll hate the story now? because the bad art affected the story? or because the bad art affected how you (personally) experienced it? The story doesn't change and is not affected by the visuals, and I think you know it as well. In the end of the day it's only up to you if you're willing to give something a chance or not Yes, I tested your assumptions to see how common our ground is. I don't see how you can separate the story and visuals like this. For example, Another's horror antics would've been less convincing if it had regular backgrounds instead of its darker shade. Shigofumi suffers because its art is so dull. Will TTGL be effective if it's not visually bombastic? TTGL's bombastic art didn't compensate for many things, as far as it impressed me a 6/10 overall. About Another, you're probably right, except the original discussion was about art as in how the characters are drawn and not backgrounds. And even if it concerned the BG as well I fail to see yet again how is that related to the story I can easily separate visuals and story, I don't see what's wrong with that. I can read and enjoy a story without visuals but couldn't care less for pretty visuals with no story, I still don't see why you insist the art can affect the story PS. Haven't seen Shigofumi so can't tell about the plot but from the few clips I just saw I think the art is not half bad, definitely not what personally I would call "so dull". If anything Ajin's all CG looks dull to me, but the story's good so what do I care I'm not saying that TTGL's art compensated, but can you tell the same story with Shigofumi's low-key art? |
WEAPONS - My blog, for reviews of music, anime, books, and other things |
Feb 1, 2017 12:18 AM
#281
TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Rei366 said: Enjyu said: With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) Infinite only if the author lets it be. You can't just ignore the imposed parts given in the text. And while some authors are as vague as can be, some like to detail everything. I agree with that and I mentioned it in my comment, that "depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers" TheBrainintheJar said: Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. I told you already, her role in his life isn't coincidental nor is it out of good will towards.....what the fuck? Are you even reading anything? I'll give you the benefit of the doubt and agree that she did "drop into his life" as you're so adamantly incline to believe. In your strange little world any act of coincidence equates to the story being fantastic? I guess two strangers meeting is off limits now unless you want your story...oh wait. Every story must be fantastic now because there's no such thing as a plot involving one fucking person. It doesn't matter what you find odd, even though it's clear as day that Satou doesn't even use his computer until he is forced to help create a gal game with his neighbor, because the facts doesn't care about your widely mistaken opinions. If you think NHK is about conformity, EVEN THOUGH FROM BEGINNING, MIDDLE, AND END EVERY CHARACTER FINDS THEIR OWN UNIQUE PATH TO FOLLOW, then there is no need to continue this. I mean honestly, you think Satou's dilemma is resolve because of superficial and cosmetic changes in his life. Next you're gonna tell me the answer to depression is a new haircut and the tickle monster. There's so many things you've gotten wrong it's astonishing. The mere fact that you think she wants to help Satou for "no reason" defies belief. This isn't an argument nor is it a subjective view on NHK. You are literally ass pulling misinformation out of thin air. Just look at what you wrote... TheBrainintheJar said: Satou often handles social situations well until comes the time to scream for comic effects. In the very first fucking episode he can't even finish a conversation with his landlord without his anxiety going bonkers. I mean you talk about how I'm afraid of my opinion being changed yet your here spewing bullshit and turning a blind eye to concrete plot and character points. You can be descriptive and detailed as you want but it won't mean lick as you've missed the point of NHK completely to an extent that you've might as well not have seen it. Do yourself a favor and next time just stop replying when it's obvious you have no clue what you're talking about. I see though you, Pullman sees through you, and I'm sure many others do as well. Pullman said: You hit the nail on the head. You should see him talk about Ping Pong. You wouldn't believe he's actually seen the show either. Thanks Pullman. I rather not look at what he thinks about Ping Pong because if he's gotten this much wrong about NHK, a show over a decade old, lord knows Ping Pong might as well be an alien soap opera to him. TheBrainintheJar said: Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? remains there even while he hurts her remains there and does nothing OH YOU MEAN THE ONE WHERE SHE RUNS AWAY TO KILL HERSELF? By thine own hand thou has been slapped. Satou handled the people in the suicide arc extremely well. His social anxiety manifests in instances, but not in general behavior. Despite being a shut-in, he could've gone to an island with a bunch of people he don't know and be really, really social. So much for 'social anxiety' Oh, there's something like a selfish motive for Misaki, but it's rarely addressed and it doesn't cause any conflict, or sheds negative light on her method. The conflict is solved in Misaki's suicide, which prompts him to stop being a shut-in thanks to the Power of Love. What's more conformist than this? Another hikkie gets cured only by being hungry. Notice how these are all don't tell us whether society has a role in pushing these people in this direction. The show doesn't address society, how it causes people to live like they do. It has nothing resembling criticism. It has no element of horror or insight. What does it say or express about being a shut-in? Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. You really haven't seen it have you? Misaki wasn't helping Satou she was helping herself. It wasn't coincidental, out of good will, nor fantastic as both their life begins to spiral even further. You're confusing the manic pixie dream girl as a theme and in reality the show is subverting it. It's far from fantastic as a theme and even further so as a trope. It's fantastic how the NHK deconstructs story elements, but the story itself makes it clear that there's nothing fantastic to behold once everything is said and done. Satou wasn't taken back by the discovery of porn, it was because the amount in front of him and how readily available it was. If anything he discovers online porn (soft core from what is shown) and is in awe at how much there is. There's this new thing called being a protagonist, where we as the audience follow their story. Satou's dilemma is being a hikikomori. Not is neighbor, not his senior, and not his gamer friend. They have their own problems in which the story address adequately and all of which relate to an overarching theme of fear and self doubt. Their emotional and mental anchors can't be lifted in a fortnight, or perhaps ever. There is why there is no resolution for any of them because that's the moral of the show; moving forward. Not the quest for curing hikikomori's. You're welcome to your opinion of NHK, as wildly mistaken as it is, but don't try to hide under the guise of subjectivity when you haven't put in the bare minimum in trying to grasp a deeper understanding. You've forfeit any stance of subjectivity when you've taken everything at face value and spread misinformation. You need to brush up on nuisance because clearly you're not just missing out in NHK but probably a majority of things you consume. Misaki drops suddenly out of nowhere on the protagonist and remains there even while he hurts her and does nothing. Does it happen often that out of nowhere, people want to help you for no apparent reason? I find it odd that a hikkie wouldn't know such abundance of porn exists. What he did all this time? NHK isn't a 'deconstruction', its message is that of conformity - of a pleasant, nice society out there that we need to merge with it. Something more subversive wouldn't be so black-and-white. Satou's arc is resolved in the last or second-last episode, and it has little to do with what comes before. It only takes Misaki's little tragedy to change him. Call me mistaken all you want, but focus on the argument. I wrote a detailed review of NHK and its problems, its fantastical nature, convenient plot and lack of psychology. For someone who shuts himself in, Satou often handles social situations well until comes the time to scream for comic effects. Enjyu said: TheBrainintheJar said: LordLagann said: TheBrainintheJar said: Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Not saying you can't explain it. I'm saying not everyone can, should, nor is obliged to. I'm not sure that qualifies as a subjective if you literally think Misaki is an angel, Saito has never heard of porn, or that story arcs don't span several episodes. I assure you that's just plain misinformation as all of those things have a concrete basis in the plot that aren't up for debate. I.E Misaki is defiantly not an angle. Misaki comes out of nowhere to help Satou. This, in itself, is a fantastic idea. Satou expressed shock when he saw the collection of half-nude pictures in his friend's house. The main conflict - stopping being a hikkie - is solved two times by two characters. In one instance, they become hungry, need money and magically stop being a hikkie. The other instance includes "DON'T KILL YOURSELF!". We don't see the development. Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: TheBrainintheJar said: Enjyu said: Seriously? If art was one of the criteria I base my judgement on, I most probably would have missed on watching some of the best shows out there. Besides "bad/good art" is a subjective concept. Take xxxHolic which was honorably mentioned for its "bad style", personally one of my fave animes and no I don't particularly find the art ghastly, just a bit funny in no bad meaning.... Art is something that strikes you only at the beginning and then with 2-3 episodes in you get used to it if you actually pay more attention to the story instead. I can't ever forget about the part. After all, I'm watching a visual story. The story is told by the visuals. What about art styles that are dull and have no imagination in them? True, the story is told by the visuals but is not dependent on them, is it? A prettily drawn anime doesn't guarantee the story will be good (and I can give more examples for that than for good visuals good story), and bad animation doesn't mean a bad anime either. Not really sure what you mean by "dull and no imagination", it all depends on the manga author/s how they want their characters to look like and again for me it doesn't change how much I enjoy the anime or manga if the plot is worth it. And just like with "bad / good" I think "dull" would also fall under the subjective roof. No one is asking you to forget the art, but do give it a chance, you might be surprised (for example I was really hesitant when I was recommended Kaiji because of the bizarre art but once I started watching I couldn't stop :D ) 'It's subjective!" is never, ever an argument. The story is dependent on the art style, because how you draw a character affects how I view it. NHK would've worked better if it had a wacky style since the story is unrealistic and fantastical. Mind elaborating more on 2 things for me? What do you mean by "subjective is not an argument" when the concept of good and bad comes down to personal preference, perception and judgement and how exactly is the story related to the art? Like how does the plot change if the art is not "pretty"? It affects how YOU view it, if that is not what you call subjective then we might as well be speaking different languages If you hold an opinion on something, it's because of some reasoning. It can be deep, and it can be shallow - 'the characters in this anime is sexy and I had a good time looking at it'. The 'it's all subjective' argument doesn't explain why you think a show is good or not, what is your reasoning behind it. Even in pure sensory information like the taste of food we go deeper. People don't eat Snickers because 'it's all subjective' but because of the sensation it causes. Second, art isn't just pretty but has style that expresses things. Many shows use the art to express the personality of these characters. Ask yourself: Would you love the same anime if it were all stickmen? Moreover, if visuals don't matter, why not read books instead? Well if you look around you might find I'm actually not trying to explain that this show is good and that is bad, what I'm saying, if you couldn't understand, is that every single person has a different stance on what is good or bad and this is why ""bad/good art" is a subjective concept" , now tell me again about that "sexy" character you enjoyed watching and I hated. Throw a tantrum if you want but you don't have a good enough argument to counter the fact that what's considered good or not is not for you to define Second, you don't answer my second question: how does the art change the story? you can't answer, can you? Because a good story is a good story regardless how ghastly the art may be. Art can express many things but so does the plot, dialogues, development and everything else an anime is composed of, it's not only art I hope you realise. Now to answer your question, I asked myself and after a heated discussion me, myself and I all agreed that 1. if anime "were all stickmen" it wouldn't be called anime anymore and 2. if the story is good we'd still watch it, nothing wrong with that, in it? And your other question is just stupid. I read books as well, not "instead" and not because visuals are irrelevant but because I enjoy it as a separate type of work @rsc-pl may be you're the one who's blind? Look at their eyes, they all look like flies with human bodies, it's just too creepy. Also all the characters are drawn disproportionately, big heads, short arms, sometimes longer, sometimes shorter legs, small faces, huge eyes, mouth is sometimes existent sometimes not, some characters even have antennae... which part of that is so great? I don't think you get to decide whether liking or disliking that art is retarded or not I don't think good/bad in art are objective. So, you wouldn't mind if all the characters looked the same? [quote=LordLagann message=49419551] TheBrainintheJar said: Every intelligent person knows it's subjective. Saying it does nothing but waste your time and show you're afraid your opinion might be changed. The story of NHK IS fantastic and wacky - since we have conflicts solved in a single episode without build-up, hikkies who don't know porn exists and characters who are angels. You say subjectivity is, and I quote, "never, ever an argument", then proceed to state how a character is drawn directly affects your interpretation of the story....? Clearly an argument can be made from subjectivity when you yourself claim that your personal view changes depending on whichever particular art styles is present. Their lack of vocabulary or understanding is irrelevant and it stands that they are technically correct when they say it's subjective. It may not be an argument, they might not even be trying to argue, but whether you find these people so pitiful you need to descend from your throne and grace them with unlimited knowledge is your prerogative. I'm just here to point out that's stupid if you haven't figured that out already. Your interpretation of NHK, and I use that word loosely because sarcasm is hard to detect online, is of a hikki NEET who meets an angle, discovers porn, and solves all his life's struggles in the total span of three episodes. If yes, haha; good one. If not, I question whether you've actually seen and or understood NHK in it's entirety.[/quote Just because it's subjective doesn't mean we can't explain it. We can explain why the deep seas are better for the squids to live in than a house. Yes, this is my subjective view of NHK. It has a basis. You're welcome to argue with it. Now you're not making sense but for once I actually agree with you, good/bad art is not objective, which is believe it or not, exactly what I have been saying from the beginning and you have been trying to prove me wrong........ And your next question is rather controversial as some of your previous statements so I figured you might be mixing objective with subjective so I will leave this definition for you to fix up the confusion "Objective is a statement that is completely unbiased. It is not touched by the speaker’s previous experiences or tastes. It is verifiable by looking up facts or performing mathematical calculations. Subjective is a statement that has been colored by the character of the speaker or writer. It often has a basis in reality, but reflects the perspective through with the speaker views reality. It cannot be verified using concrete facts and figures" Quoted from www.differencebetween.net Besides doesn't the majority of animes already look the same? If not the same painfully similar... Generic anime boys and generic anime girls What is there for me to complain at this point? Even the plots of so many are similar... I can be critical and dislike certain art to my heart's content but that will hardly change anything, mostly my mood and enjoyment level. So would I mind if all anime looks the same, I'll go back to my original point, if the story is engaging and worth it, no I wouldn't mind at all if all anime looked the same or be all stickmen or whatever, it doesn't matter as long as I enjoy the plot... Why do you watch anime, then? It's a visual medium that uses visuals to tell the story. What do you prefer? To see a fight, or to read a description of a fight? You're completely missing the point~ I can enjoy an anime even if the art is nor particularly good, on the condition the story is good. Besides visuals is not the only thing an anime is comprised of, there's plot, soundtrack, dialogues, development, flow and much more than just moving pictures so I don't see why I should cling onto 1 of these to determine whether I like the final product or not I enjoy books, manga anime, light novels etc, all in a different way, so I can't say I prefer a book over anime or manga over books, what I can say is I prefer this manga over that manga Seriously why don't you give it just 1 chance? How about this, do you wanna have a small challenge to get each others point across? Even if it doesn't work out well I reckon in the very least it might be fun and we could both learn of the others standpoint. What do you say? I just find it difficult to understand how visuals don't matter in a story told by visuals. The experience - physically - is different. Even listening to music on headphones and on speakers is different. So the switch from prose to visuals is critical. Look how vastly the stories are between acclaimed novels and acclaimed movies. You don't get an introspective movie like Catcher in the Rye. It doesn't seem like you're trying too hard to understand, since I've been trying to explain the same thing in different ways. Nothing wrong with that of course, I suppose arguing for the sake of the discussion is also a valid point I'd appreciate more bad/bizarre art anime with a good plot than a good art anime with a dull/average/bad plot. That's all there is to it I take it you don't accept the challenge and will leave it at that since this is getting nowhere Do you think that seeing a fight, and reading about it is the same experience? Why or why not? No, I don't think it's the same experience. And I also don't think both are relatable. Reading is heavily dependent on the word choice, writing style, details, description. If it's a well written piece it can give the reader the best experience showing them something nothing else can, be it a fight or something simple as a color. Reading relies on the imagination of the person who's reading, depending on the author's description the reader can either see the exact same scene as the author had in mind OR can be led to see something only he can, something that would differ in different readers. Reading can be seen as an interaction between reader and author and is unlimited, unbound and books usually have both types of descriptions for that purpose. Watching the fight however, is a one-way information transmission from the film/anime staff to the viewer. How the viewer will perceive the fight depends on the presented details, voices, dialogue, movement, graphics, animation, dynamics. While there are common traits with the books, because the viewer is actually presented with a motion picture it is already restricted to what he can see on the screen. It's less exciting because there are limits to what one can express and convey in a visual piece. This is why the story that the anime is telling has to compensate for the limitations of the visuals with quality. I am currently reading the Durarara light novels in original and have to say I get a completely different feel from what the anime conveyed. It's not necessarily bad difference because I loved the anime as it was but the book is a whole different thing, the character it creates in my imagination are far more vivid, real and alive that the anime. The books I was referring to were H.P Lovecraft's "The color out of space", "The thing on the doorstep" and well pretty much all of his works and Ryogo Narita's "Durarara" that I am currently reading (just as a comparison to the anime). I chose Lovecraft as a reference because of his excellent writing style that literally and effortlessly takes you into a completely different dimension. In conclusion, the experience of reading a book and watching an anime/film can hardly be compared to one another as they are, firstly, two different ways of conveying information, secondly, the interaction between reader/author and creator/viewer differ and,thirdly, the way the consumer perceives the information he is given is fundamentally different. Therefore it is not ethically correct to try and measure or compare something on two different bases. With reading the reader is allowed to adjust the images to his own liking (infinite possibilities) while with watching, the viewer is already presented with the director's characters (one possibility). Simply put this is how I see reading and watching. But I fail to see how this is relevant to our previous discussion. I wanted to first see if you understand how different mediums affect storytelling. You agree with this, so if something like prose/visuals change how experience the story, how come different visuals don't affect the story? You admitted yourself the mere fact that the story is visual changes how you experience it. I don't think I understand how different media affects storytelling in different individuals but I know how it affects me, although I tried to be as unbiased as I can in my post, and that aside you're quite impudent looking down on people "testing if they understand" what? that the Earth revolves around its axis? Of course visuals affect how one perceives the anime but I don't remember admitting that the story or how you experience it is dependent on how good or bad the art is, visuals does not equal story. Your argument is especially invalid when you take the case of books/novels getting animated. Say there is this awesome book that you've already read and loved and then it gets animated. You watch it and find out the art is bad, you'll tell me you'll hate the story now? because the bad art affected the story? or because the bad art affected how you (personally) experienced it? The story doesn't change and is not affected by the visuals, and I think you know it as well. In the end of the day it's only up to you if you're willing to give something a chance or not Yes, I tested your assumptions to see how common our ground is. I don't see how you can separate the story and visuals like this. For example, Another's horror antics would've been less convincing if it had regular backgrounds instead of its darker shade. Shigofumi suffers because its art is so dull. Will TTGL be effective if it's not visually bombastic? TTGL's bombastic art didn't compensate for many things, as far as it impressed me a 6/10 overall. About Another, you're probably right, except the original discussion was about art as in how the characters are drawn and not backgrounds. And even if it concerned the BG as well I fail to see yet again how is that related to the story I can easily separate visuals and story, I don't see what's wrong with that. I can read and enjoy a story without visuals but couldn't care less for pretty visuals with no story, I still don't see why you insist the art can affect the story PS. Haven't seen Shigofumi so can't tell about the plot but from the few clips I just saw I think the art is not half bad, definitely not what personally I would call "so dull". If anything Ajin's all CG looks dull to me, but the story's good so what do I care I'm not saying that TTGL's art compensated, but can you tell the same story with Shigofumi's low-key art? The last two sentences of my previous comment answer your question |
Feb 1, 2017 12:33 AM
#282
Animation is equally important to me as the plot is, so I agree that I can't watch anime with horrible art unless the plot is really, really, REALLY good. Like Ajin. I despise CG but I didn't even notice it because the plot is so amazing. I've dropped a few anime that have bad art and relatively good plots. If the plot is just good (aka not phenomenal) and I can't stand the art, to the dropped list it goes (Serial Experiments Lain and Blassreiter fall into this category. Mildly interesting plots, but I just can't with the art. Same with Kotetsu Sangokushi. Although this one had bad art AND execution lol). |
「 I am forever your most devoted believer. 」 |
Feb 1, 2017 7:09 AM
#283
I think it depends on the perspective. A lot of my favourite series have art that a lot of people would consider bad because it deviates from the norm, or it's an older series with low production quality. For me I suppose I just focus more on the plot if the art isn't the main draw, and if I enjoy it then I find myself liking the art style a lot more. For example with Utena I couldn't really say I was into the art much at first but as I grew to love the show I have definitely come to appreciate the uniqueness of the art style. There's nothing wrong with having a preference in art style of course, but I think that a lot of people miss out on some great series because of this reason. |
Feb 1, 2017 8:15 AM
#284
Take everything else serious while laughing your ass off at the art |
Feb 1, 2017 10:15 AM
#285
That's actually tough, because anything that has bad art (like, really bad art) I just drop completely. Evangelion, while somewhat of an exception, tends to be an example of something that I would watch completely, even when the animation is bad. Same goes for Yu Yu Hakusho, but that's another story, since it was only good up until the Chapter Black arc. Now, that aside, I feel that Gainax has always had severe budgeting issues with their anime (i.e. Nadia, Gunbuster, Panty & Stocking, etc.) because they blow so much of their fucking money into making an anime look good. Other examples include most Shounen series, especially Naruto, One Piece, and Dragon Ball Super. The animation looks like complete shit and these shows have actually become guilty of using poor quality animation. However, unlike One Piece and Dragon Ball, which have pretty decent manga art, Naruto's art looks like cardboard shit. Robotech, or otherwise known as Macross in Japan, has some pretty bad animation, but it's understandable since it's very, very old. A lot of people tend to joke about David Production's animation in JoJo DiU, but it's nowhere near as bad as Pierrot with Bleach, Naruto, and Yu Yu Hakusho as mentioned above. Now Ping Pong, on the other hand. THAT'S a fucking spectacle, because even when the animation looks bad to normal viewers, I think it's a fucking masterpiece. |
Feb 2, 2017 8:50 AM
#286
Just gradually ease into it, for me I thought KonaSuba's art was atrocious and now looking at it just makes me laugh lol |
Feb 2, 2017 10:22 PM
#287
I mostly don't. Some people may argue that there anime out there with a horrible art style but an amazing story, but most of the time I can't concentrate on the story being told because of the awful looking characters. |
Feb 3, 2017 6:28 AM
#288
If the rest of the anime is good I think the art can be forgotten. |
Feb 3, 2017 5:01 PM
#289
You find things in it worth watching it for. If you can't do that, then drop it. You'll never get over the shit style. |
Feb 3, 2017 5:09 PM
#290
You either get used to it or just don't watch it in the first place if you think that there's no way you'll like it. |
"At some point, I stopped hoping." |
Feb 4, 2017 1:07 AM
#291
PrimeRevenir said: I mostly don't. Some people may argue that there anime out there with a horrible art style but an amazing story, but most of the time I can't concentrate on the story being told because of the awful looking characters. How do you define a 'horrible artstyle' for you? Is it weirdness or dullness? |
WEAPONS - My blog, for reviews of music, anime, books, and other things |
Feb 4, 2017 1:17 AM
#292
I am not sure what horrible art actually means and I have never watched an anime that even come close to be called " horrible art". But my own definition of horrible art is for the anime that came before 2004 and I could never watch them(Naruto, DBZ not included). |
Feb 4, 2017 1:18 AM
#293
i haven't ever dropped an anime because of the artstyle i usually don't focus on the art but on the story if the story is good then i am ok well i also avoid watching anime that have the kawaii artstyle like clannad or mahou shojo madoka majika or whatever it is named because they aren't the type of anime i am interested in |
Feb 4, 2017 2:26 AM
#294
I don't even look at the art style.It is great if the art style is good but I don't judge a anime if the art style is horrible.If the story and the characters are great,I don't care about how bad the art style is. |
I will not believe that everything is controlled by fate. ll X ll |
Feb 4, 2017 5:11 AM
#295
TheBrainintheJar said: PrimeRevenir said: I mostly don't. Some people may argue that there anime out there with a horrible art style but an amazing story, but most of the time I can't concentrate on the story being told because of the awful looking characters. How do you define a 'horrible artstyle' for you? Is it weirdness or dullness? A mix of both. Weird looking characters with dull colors. |
Feb 4, 2017 7:54 AM
#296
Either ignore it or get used to it because I care about story and characters much more than art style. Most "horrible" art styles aren't even that bad anyway. |
Feb 5, 2017 1:13 AM
#297
PrimeRevenir said: TheBrainintheJar said: PrimeRevenir said: I mostly don't. Some people may argue that there anime out there with a horrible art style but an amazing story, but most of the time I can't concentrate on the story being told because of the awful looking characters. How do you define a 'horrible artstyle' for you? Is it weirdness or dullness? A mix of both. Weird looking characters with dull colors. Can you show examples? In my experience, unique but ugly (like Ping Pong) is better than dull and unimaginative (NHK) |
WEAPONS - My blog, for reviews of music, anime, books, and other things |
Feb 5, 2017 1:27 AM
#298
I don't know, I'm exactly like you in this regard. I can't watch an anime if it has bad artwork. |
Feb 6, 2017 8:34 PM
#299
TheBrainintheJar said: PrimeRevenir said: TheBrainintheJar said: PrimeRevenir said: I mostly don't. Some people may argue that there anime out there with a horrible art style but an amazing story, but most of the time I can't concentrate on the story being told because of the awful looking characters. How do you define a 'horrible artstyle' for you? Is it weirdness or dullness? A mix of both. Weird looking characters with dull colors. Can you show examples? In my experience, unique but ugly (like Ping Pong) is better than dull and unimaginative (NHK) In my opinion a great example would be Saraiya Goyou. The way they're drawn make them look like frogs and the color scheme is too dull for my taste. |
Feb 6, 2017 8:59 PM
#300
I usually don't unless the synopsis is really piquing. I mean, it took me a while to finish the first chapter of mob psycho 100. but going back to it and actually paying attention to the dialogue of the characters and seeing the dynamics between different characters was interesting. But anyways, it's brilliant and watching the anime wasn't half as bad as i had imagined it |
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