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Oct 28, 2023 3:45 AM
#1

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Do you know what is worse than a bad plot? For me, it's bad dialog. I really hate it when the author or the screenwriter writes these dialogs which are not only not interesting but not compelling and lack any entertainment. My criteria for differentiating good from bad dialog is does it serve any purpose? If no then yes it's a good dialog if no then it's a bad dialog.

With that being said what about you? What to you is a good dialog
NineO7Oct 28, 2023 3:50 AM
Oct 28, 2023 4:02 AM
#2

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"People die if they are killed" Nothing can top that.
.
Oct 28, 2023 4:03 AM
#3

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This video explains what is a good dialogue in a way I couldn't have done better:

Oct 28, 2023 4:21 AM
#4
🍅 Tomato 🍅

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"Let's start singing!"

My favorite.
Oct 28, 2023 4:38 AM
#5

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a good dialgoue is one which is able to move the hearts of not only the characters in the show but us viewers as well. the delivery also matters as much as the actual words. it should be written in such a way that the person hearing it should able to understand what the person speaking is feeling and what they are trying to say. words hold a lot of power in this regard, their tone along with the correct words can make a really great impact on the listener.

there have been many great great dialogues in animes like the erwin speech during the monke part but one specific scene is really coming to my mind, i remmeber watching this on yt as gigguk made a video about it. ill try to find it and share it here.

found it:


watch the clip from 7:04

The end of an era. Thank you Wit, Mappa and Isayama.
Feeling half happy, half sad.
  

Kawaii waifus
and precious
  best girls <3333
                                             


Oct 28, 2023 4:49 AM
#6

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My problem is that it can be hard to tell sometimes if it is bad dialog or a bad translation. But generally speaking bad dialog to me is if it goes on longer than necessary, doesn't seem to serve much of a purpose, or if it keeps stating the obvious.

The worst example that comes to mind is from the manga version of Platinum End. In my notes i wrote:

There were some cringeworthy moments in the dialogue. Particularly where a companion of Metro pointed out that "it's now 3 versus 4 people" and Metro petulantly responded that he knows how to count since after all he taught his sister how to count in the bathtub. Another thing that bothered me was how much talking takes place in the middle of a battle. And that leads me to another gripe. The man-on-the-street depictions of various anonymous people commenting on what is happening during the 'god battles' felt completely contrived so as to bolster the arguments offered up by the main characters. It basically amounted to "wow what a great point" or "gee that guy is so smart he must be right". It felt out of place in a work striving so hard to deliver a profound message.

*edited to says oops, i don't know why i gave examples of bad dialog when the thread is supposed to be about good dialog. I think the sun got in my eyes.....yes, that must've been what happened! (that was my go-to excuse in baseball, though admittedly it may work less well here).
NDskiesOct 28, 2023 5:48 AM
Oct 28, 2023 4:59 AM
#7

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I'm just going to leave it here. I think this is an example of the epitome of great narrative dialogue. You may take it as a joke, which, honestly, it is. But upon seeing it, I just realized it's actually great. You can tell from this short, with almost no actual words, conversation about the characterization of each character perfectly without knowing the context of the character. I think that's one of the points about how to make a great dialogue, in my opinion.

Oct 28, 2023 5:04 AM
#8
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Not long not short.
It cracks me up.
Unpar with Ghost Stories EnG Dub.
Mehehehee
Oct 28, 2023 5:06 AM
#9
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My favorite dialogue writing comes from shows like Steins;Gate, K-On!, ACCA & Stand Alone Complex, but I don’t really know what makes them so good.
Oct 28, 2023 5:21 AM

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Reply to Serafos
"Let's start singing!"

My favorite.
@Serafos I think you miss the point. I asked what makes a good dialog according to you.

Oct 28, 2023 5:33 AM

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Oct 2021
482
Reply to TsutanaiFuun
a good dialgoue is one which is able to move the hearts of not only the characters in the show but us viewers as well. the delivery also matters as much as the actual words. it should be written in such a way that the person hearing it should able to understand what the person speaking is feeling and what they are trying to say. words hold a lot of power in this regard, their tone along with the correct words can make a really great impact on the listener.

there have been many great great dialogues in animes like the erwin speech during the monke part but one specific scene is really coming to my mind, i remmeber watching this on yt as gigguk made a video about it. ill try to find it and share it here.

found it:


watch the clip from 7:04
@TsutanaiFuun Beautiful not just the voice acting but also the dialog. It not only reveals that the other character has had enough of being left in the dark and enough of being pushed around as if she was just an object. Enough! she's just had enough. It also reveals the kind of bond they share. Even though it is straight its pretty good.
NineO7Oct 28, 2023 5:55 AM
Oct 28, 2023 5:35 AM

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Reply to NDskies
My problem is that it can be hard to tell sometimes if it is bad dialog or a bad translation. But generally speaking bad dialog to me is if it goes on longer than necessary, doesn't seem to serve much of a purpose, or if it keeps stating the obvious.

The worst example that comes to mind is from the manga version of Platinum End. In my notes i wrote:

There were some cringeworthy moments in the dialogue. Particularly where a companion of Metro pointed out that "it's now 3 versus 4 people" and Metro petulantly responded that he knows how to count since after all he taught his sister how to count in the bathtub. Another thing that bothered me was how much talking takes place in the middle of a battle. And that leads me to another gripe. The man-on-the-street depictions of various anonymous people commenting on what is happening during the 'god battles' felt completely contrived so as to bolster the arguments offered up by the main characters. It basically amounted to "wow what a great point" or "gee that guy is so smart he must be right". It felt out of place in a work striving so hard to deliver a profound message.

*edited to says oops, i don't know why i gave examples of bad dialog when the thread is supposed to be about good dialog. I think the sun got in my eyes.....yes, that must've been what happened! (that was my go-to excuse in baseball, though admittedly it may work less well here).
@NDskies I think the main flaw with the platinum end dialog is the subtext is not delivered well
Oct 28, 2023 5:38 AM

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Reply to AE-2
I'm just going to leave it here. I think this is an example of the epitome of great narrative dialogue. You may take it as a joke, which, honestly, it is. But upon seeing it, I just realized it's actually great. You can tell from this short, with almost no actual words, conversation about the characterization of each character perfectly without knowing the context of the character. I think that's one of the points about how to make a great dialogue, in my opinion.
@AE-2 😂 true indeed
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Oct 28, 2023 6:19 AM

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Good dialog is what real people would convincingly say in that situation. The problem with dialog in anime is that too often it's a device for exposition so that the author could tell you something that's too hard for the producers to show you by animation. Anime -- most anime -- are essentially lazy.
My subjective reviews: katsureview.wordpress.com
THE CHAT CLUB.
Oct 28, 2023 6:21 AM

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Listen up! Let's say you drink too much strawberry milk, and have to use the bathroom in the middle of the night, but it's cold outside your bed. You don't want to get up, but the urge to urinate is just too strong! You make up your mind to go! You run to the bathroom, stand in front of the toilet, and let loose! You think that all your life has led to this moment! But then you realize. It isn't the bathroom! You're still in bed! That feeling of lukewarm wetness spreads like wildfire! But you don't stop! You can't stop! That's what I'm talking about! That's the truth of the strawberry milk! Do you get it?

Now that's a dialogue

BTW it's from Gintama
Oct 28, 2023 7:09 AM
Handler One

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Jan 2023
3487
There's a lot of factors for a term like "good dialogue". For me personally, what makes good dialogue is not only how natural it feels to their respective characters but also how each single line is utilized in not only emotional delivery as someone mentioned above but the meaning behind the words of the characters as well. An example non-anime and anime that I found to have incredible dialogue is 'Andor' and 'Sora yori mo Tooi Basho'.

Dialogue is a way to express a character's emotion and a way to see who they are, there's a lot more to cover than what I just mentioned such as consistency. Execution on words is equally as important as the words themselves, it should be able to capture the thematic core of the show and can be used to either leave a big impact on both the audience and the characters inside the show or be something so subtle but meaningful.

I could probably go on for longer or explain things further and better, I'm not the best explainer. Hope this makes somewhat sense haha.



"You fought to the end. You survived. That's why you're here now. I think that's something you should be more proud of."
- Vladilena Milizé
Oct 28, 2023 7:23 AM

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Young_Forever said:
Do you know what is worse than a bad plot? For me, it's bad dialog. I really hate it when the author or the screenwriter writes these dialogs which are not only not interesting but not compelling and lack any entertainment. My criteria for differentiating good from bad dialog is does it serve any purpose? If no then yes it's a good dialog if no then it's a bad dialog.

With that being said what about you? What to you is a good dialog

Hmm... it's hard to pinpoint what makes a good dialog, but i can come up with a list of the wors dialog i've heard in anime

In order from worst of the worst makes my ears bleed to semi-shit
  • 7 Seeds
  • Demi-chan wa Kataritai
  • Makai Toshi Shinjuku
  • Switch
  • Dragon Fist
  • Ys
  • C Danchi
  • Towa no Quon
  • The Sky Crawlers
  • Yozakura Quartet: Hana no Uta
  • The Marginal Service
  • Tasogare Otome x Amnesia
  • Hero Mask
  • Uta no☆Prince-sama
  • Kagami no Kojou
  • AI no Idenshi
  • Isekai wa Smartphone to Tomo ni
  • Mushibugyo
  • Tanaka-kun wa Itsumo Kedaruge
  • Ghost Hunt
  • Magic Knight Rayearth
  • Psyco-Pass 2
  • Fake
  • Monster
  • Madoka Magica
  • SAO Alternative Gun Gale Oline
  • Kaguya-sama
  • Devilman Crybaby
  • Edens Zero


Oct 28, 2023 7:29 AM

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May 2021
5085
Reply to -Sleek-
Listen up! Let's say you drink too much strawberry milk, and have to use the bathroom in the middle of the night, but it's cold outside your bed. You don't want to get up, but the urge to urinate is just too strong! You make up your mind to go! You run to the bathroom, stand in front of the toilet, and let loose! You think that all your life has led to this moment! But then you realize. It isn't the bathroom! You're still in bed! That feeling of lukewarm wetness spreads like wildfire! But you don't stop! You can't stop! That's what I'm talking about! That's the truth of the strawberry milk! Do you get it?

Now that's a dialogue

BTW it's from Gintama
@SLEEK__ASSASSIN I better start Gintama ASAP 🤣🤣🤣
Oct 28, 2023 7:34 AM

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Reply to DigiCat
@SLEEK__ASSASSIN I better start Gintama ASAP 🤣🤣🤣
@DigiCat if you haven't watched it yet my advice will be stick with it. People say Gintama get good around episode 58 first major arc (for me Gintama was great from the start) but once it gets good you won't be be disappointed.

It's my favourite anime so i am a little biased towards it.
Oct 28, 2023 7:36 AM

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Reply to katsucats
Good dialog is what real people would convincingly say in that situation. The problem with dialog in anime is that too often it's a device for exposition so that the author could tell you something that's too hard for the producers to show you by animation. Anime -- most anime -- are essentially lazy.
@katsucats

katsucats said:
Good dialog is what real people would convincingly say in that situation

Huh? What does that even mean?? Different people are gonna react differently to different situations, how are you going to determind what is convincing or not? Unless it's something so obviously unnatural that makes the character seem like a cardboard cutout of a stereotype, but considering you are calling most anime "lazy" i highly doubt that is the distinction you are making
Oct 28, 2023 9:07 AM

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For some reason Light is the first one I thinked of
Oct 28, 2023 9:25 AM

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Any dialogue that borders the massive exposition instead of SHOWING is bad. Dialogues that are believable to the worldbuilding are good.

Oct 28, 2023 1:16 PM

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Reply to Desaturate
For some reason Light is the first one I thinked of
@Desaturate Well a world without him the world would be dark
Oct 29, 2023 5:57 AM
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"No matter how many times someone is given the chance to start over, people just can't change that easily."
Oct 29, 2023 3:34 PM

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Content: density of information (about plot, characters, etc.). Boring dialogues are boring because they take a lot of time to provide an insufficient amount of interesting information.

Style: how can you distinguish it from most other works. I see it as either feeling more "real" than others or being extravagant enough in the opposite direction.
Oct 29, 2023 3:41 PM
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any dialog that makes me chuckle is a good one
Oct 29, 2023 3:49 PM

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6878
There are so many factors that can make a piece of dialogue good...

some of the most important parts would be:

1. conveying the characters with subtext. like actually there being stuff inbetween the lines.

2. dynamic. like, good and entertaining back and forths.

3. impact lines. having certain lines that are designed for maximum impact used well.

its hard to describe them, but i basically mean lines that would become quotes.

shit like "i don't have any enemies" or "give up on your dreams and die"


like some scenes need you to write a line that is trying to be "masterful" on purpose. these don't just appear, they are exceptional by design, because only certain important moments would pull them off without them sounding cheesy.

a show that uses them a lot, and does it extremely well would be black sails, check it out.




these are some examples though.

as i said there are so many things you can do to make dialogue good.

the worst kind of dialogue would just be bland.
Oct 29, 2023 3:51 PM

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example of good dialog:
- do you want dinner, a bath or wa...ta...shi?
- senpai
- yamete kudasai, ecchi
- we're both girls so it's ok

example of bad dialogue
- kurapika
- mmmmh
- kurapika
- yes gon
- violence is wrong
- I love my sister
Oct 29, 2023 3:57 PM

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6878
Reply to KitsuFrost
Any dialogue that borders the massive exposition instead of SHOWING is bad. Dialogues that are believable to the worldbuilding are good.
@KitsuFrost I disagree, good exposition exists.

sometimes, the moment is far more powerful when all you see is the character talking, it makes it more personal.

sometimes the information being given is wrong and biased, and its important to see how exactly it is worded and who it is coming from.



and thats besides the point that show don't tell can exist WITHIN in exposition. how do you think written media uses the concept?

eyes, phrasing, body movement, they all can Show you something.

its not exposition OR showing, not when the writer is actually good.
Oct 29, 2023 3:58 PM

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Reply to L1feHasNoMeaning
any dialog that makes me chuckle is a good one
@L1feHasNoMeaning what if its just laughably bad?
Oct 29, 2023 4:05 PM

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6878
Reply to DigiCat
Young_Forever said:
Do you know what is worse than a bad plot? For me, it's bad dialog. I really hate it when the author or the screenwriter writes these dialogs which are not only not interesting but not compelling and lack any entertainment. My criteria for differentiating good from bad dialog is does it serve any purpose? If no then yes it's a good dialog if no then it's a bad dialog.

With that being said what about you? What to you is a good dialog

Hmm... it's hard to pinpoint what makes a good dialog, but i can come up with a list of the wors dialog i've heard in anime

In order from worst of the worst makes my ears bleed to semi-shit
  • 7 Seeds
  • Demi-chan wa Kataritai
  • Makai Toshi Shinjuku
  • Switch
  • Dragon Fist
  • Ys
  • C Danchi
  • Towa no Quon
  • The Sky Crawlers
  • Yozakura Quartet: Hana no Uta
  • The Marginal Service
  • Tasogare Otome x Amnesia
  • Hero Mask
  • Uta no☆Prince-sama
  • Kagami no Kojou
  • AI no Idenshi
  • Isekai wa Smartphone to Tomo ni
  • Mushibugyo
  • Tanaka-kun wa Itsumo Kedaruge
  • Ghost Hunt
  • Magic Knight Rayearth
  • Psyco-Pass 2
  • Fake
  • Monster
  • Madoka Magica
  • SAO Alternative Gun Gale Oline
  • Kaguya-sama
  • Devilman Crybaby
  • Edens Zero


@DigiCat


BRUH.

Monster is one of the prime examples on how to write well written dialogue, there are so many back and forths and lines in that show that have been praised, and remembered for years.

I can forgive kaguya sama, because you need to get to much further than one episode to see how brilliant it stacks up on jokes and uses them to develop its characters, and i know you never watched more than one episode.


but you need to explain monster.

bashing monster for dialogue is about as bad as bashing something like berserk or one punch man manga for bad art.
APolygons2Oct 29, 2023 4:10 PM
Oct 29, 2023 4:07 PM

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Reply to removed-user
My favorite dialogue writing comes from shows like Steins;Gate, K-On!, ACCA & Stand Alone Complex, but I don’t really know what makes them so good.
@El001

you could not have sold me on watching Stand alone complex and K-on any harder than you did just now.

if your other 2 examples of good dialogue are steins;gate and acca, you have my trust.

(funny enough, the script writer for both the dubs is John micheal tatum, the voice of okabe's english dub.)
APolygons2Oct 29, 2023 4:12 PM
Oct 29, 2023 4:26 PM

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Reply to APolygons2
@DigiCat


BRUH.

Monster is one of the prime examples on how to write well written dialogue, there are so many back and forths and lines in that show that have been praised, and remembered for years.

I can forgive kaguya sama, because you need to get to much further than one episode to see how brilliant it stacks up on jokes and uses them to develop its characters, and i know you never watched more than one episode.


but you need to explain monster.

bashing monster for dialogue is about as bad as bashing something like berserk or one punch man manga for bad art.
@APolygons2 I mean i didn't get very far with Monster either so this is only based on what i've seen of it T^T
I'll give it the benefit of the doubt that it possibly improves later on on the series, but what i did watch the dialogue was one of the reasons i dropped the show, to me it felt overcomplicated and overused and thus like it lacked substence, there were things i think could've been better conveyed in fewer words or even simply just observing the characters behaviours rather than constant dialogue
Oct 29, 2023 4:38 PM
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Reply to APolygons2
@L1feHasNoMeaning what if its just laughably bad?
APolygons2 said:
@L1feHasNoMeaning what if its just laughably bad?


i'll still consider it as semi-good
Oct 29, 2023 5:05 PM

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6878
Reply to DigiCat
@APolygons2 I mean i didn't get very far with Monster either so this is only based on what i've seen of it T^T
I'll give it the benefit of the doubt that it possibly improves later on on the series, but what i did watch the dialogue was one of the reasons i dropped the show, to me it felt overcomplicated and overused and thus like it lacked substence, there were things i think could've been better conveyed in fewer words or even simply just observing the characters behaviours rather than constant dialogue
@DigiCat

Can you give an example?

and also tell me if you got to episode 4 where the main premise of the show is revealed. and you get the back and forth between our 2 main driving forces of the story?

DigiCat said:
felt overcomplicated and overused and thus like it lacked substence, there were things i think could've been better conveyed in fewer words or even simply just observing the characters behaviours rather than constant dialogue


cause this doesn't really make sense to me.

Monster's dialogue is not really complicated, specially at the start the story and dialogue are both pretty straight forward.

and then you say it's overused, because you could have conveyed the same thing through fewer words or just observing the characters... to which...

dialogue IS observing the character's behaviour. it's not exposition, it's you seeing how the characters talk and think, which along you seeing the choices that the characters make and their reactions to things, gives you a full picture of their character. and while yes fewer words could have send the basic parts of it, more dialogue, only means a clearer picture of how the characters think or act like.

and more importantly, how does either of these even relate to substance? Neither of these complaints really relate to how much actual substance is in the dialogue to begin with. you can have a single character talking for 20 minutes about something that could technically be said in less than 1 and all of it have substance, hell THAT IS EXACTLY what "free churo" is, which is one of the most beloved bojack horseman episodes, with it being the second highest rated in that show sitting at a 9.8/10 right behind the 9.9 of "the view from halfway down" on imdb.
APolygons2Oct 29, 2023 5:21 PM
Oct 29, 2023 8:07 PM

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I don't really know it just sorta sits with me
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Oct 30, 2023 12:56 AM

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As I watch a lot of comedies, I guess for me a good dialogue is fast-paced, with lots of quirky one-liners :)
Oct 30, 2023 4:49 AM

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Reply to APolygons2
@DigiCat

Can you give an example?

and also tell me if you got to episode 4 where the main premise of the show is revealed. and you get the back and forth between our 2 main driving forces of the story?

DigiCat said:
felt overcomplicated and overused and thus like it lacked substence, there were things i think could've been better conveyed in fewer words or even simply just observing the characters behaviours rather than constant dialogue


cause this doesn't really make sense to me.

Monster's dialogue is not really complicated, specially at the start the story and dialogue are both pretty straight forward.

and then you say it's overused, because you could have conveyed the same thing through fewer words or just observing the characters... to which...

dialogue IS observing the character's behaviour. it's not exposition, it's you seeing how the characters talk and think, which along you seeing the choices that the characters make and their reactions to things, gives you a full picture of their character. and while yes fewer words could have send the basic parts of it, more dialogue, only means a clearer picture of how the characters think or act like.

and more importantly, how does either of these even relate to substance? Neither of these complaints really relate to how much actual substance is in the dialogue to begin with. you can have a single character talking for 20 minutes about something that could technically be said in less than 1 and all of it have substance, hell THAT IS EXACTLY what "free churo" is, which is one of the most beloved bojack horseman episodes, with it being the second highest rated in that show sitting at a 9.8/10 right behind the 9.9 of "the view from halfway down" on imdb.
@APolygons2 It's been a while since i watched it so it's hard to pinpoint an example, and no i didn't reach ep. 4

APolygons2 said:
Monster's dialogue is not really complicated, specially at the start the story and dialogue are both pretty straight forward

I didn't say it is complicated, i said overcomplicated, def: make something more complicated than necessary
Exactly because the dialogue is straightfoward at this time it is overcomplicated, it's basically word filler

APolygons2 said:
more dialogue, only means a clearer picture of how the characters think or act like

Sorry but this i disagree with 100%

More doesn't always mean better, clearer, there is such a thing as too much of a good thing can be bad

Like i said before i can't really pinpoint specific examples for Monster as not only has it been a while since i watched it, but not liking or being interested in it nothing has really stuck with me

But to give a similar example from something i have watched to completion, Re:zero has a similar problem at times (especially s1) of overcomplicating and extending to no end dialogue

I'll give the most extream example, there is an entire episode which is literally just Subaru and Rem talking to eachother, 25 full minutes of back and forth between the 2 of them, which don't get me wrong, that ep. did give them both a lot of character developement, but it could've been done just as well if not better in half the time

APolygons2 said:
hell THAT IS EXACTLY what "free churo" is, which is one of the most beloved bojack horseman episodes, with it being the second highest rated in that show sitting at a 9.8/10 right behind the 9.9 of "the view from halfway down" on imdb

I haven't watched Bojack Horseman yet so don't really get the reference
Oct 30, 2023 5:07 AM

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Reply to DigiCat
@APolygons2 It's been a while since i watched it so it's hard to pinpoint an example, and no i didn't reach ep. 4

APolygons2 said:
Monster's dialogue is not really complicated, specially at the start the story and dialogue are both pretty straight forward

I didn't say it is complicated, i said overcomplicated, def: make something more complicated than necessary
Exactly because the dialogue is straightfoward at this time it is overcomplicated, it's basically word filler

APolygons2 said:
more dialogue, only means a clearer picture of how the characters think or act like

Sorry but this i disagree with 100%

More doesn't always mean better, clearer, there is such a thing as too much of a good thing can be bad

Like i said before i can't really pinpoint specific examples for Monster as not only has it been a while since i watched it, but not liking or being interested in it nothing has really stuck with me

But to give a similar example from something i have watched to completion, Re:zero has a similar problem at times (especially s1) of overcomplicating and extending to no end dialogue

I'll give the most extream example, there is an entire episode which is literally just Subaru and Rem talking to eachother, 25 full minutes of back and forth between the 2 of them, which don't get me wrong, that ep. did give them both a lot of character developement, but it could've been done just as well if not better in half the time

APolygons2 said:
hell THAT IS EXACTLY what "free churo" is, which is one of the most beloved bojack horseman episodes, with it being the second highest rated in that show sitting at a 9.8/10 right behind the 9.9 of "the view from halfway down" on imdb

I haven't watched Bojack Horseman yet so don't really get the reference
DigiCat said:
I didn't say it is complicated, i said overcomplicated, def: make something more complicated than necessary
Exactly because the dialogue is straightfoward at this time it is overcomplicated, it's basically word filler


it's just not though, like by no standards it is more "complicated than it needs to be"

ten simple lines is still as simple as a 100 simple lines.

DigiCat said:
But to give a similar example from something i have watched to completion, Re:zero has a similar problem at times (especially s1) of overcomplicating and extending to no end dialogue

I'll give the most extream example, there is an entire episode which is literally just Subaru and Rem talking to eachother, 25 full minutes of back and forth between the 2 of them, which don't get me wrong, that ep. did give them both a lot of character developement, but it could've been done just as well if not better in half the time


The problem with this is, monster is not like rezero in the slightest.

The reason rezero's amount of dialogue is worthless, is because emotions are something that you show. it has entire scenes of characters explaining why they are sad, what is their thoughts, why it's important that go on and on and on for soo long.

Monster doesn't have a single part even close to that. all the dialogue there serves a purpose, and every line add something that the show would be lessened without it.

there is a lot of dialogue, but big or small, every line adds something that the other lines didn't fully.

which is why I asked for an example.

Go look through the episode. if it's as bad as you say finding an example should be easy
Oct 30, 2023 7:23 AM

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Reply to APolygons2
DigiCat said:
I didn't say it is complicated, i said overcomplicated, def: make something more complicated than necessary
Exactly because the dialogue is straightfoward at this time it is overcomplicated, it's basically word filler


it's just not though, like by no standards it is more "complicated than it needs to be"

ten simple lines is still as simple as a 100 simple lines.

DigiCat said:
But to give a similar example from something i have watched to completion, Re:zero has a similar problem at times (especially s1) of overcomplicating and extending to no end dialogue

I'll give the most extream example, there is an entire episode which is literally just Subaru and Rem talking to eachother, 25 full minutes of back and forth between the 2 of them, which don't get me wrong, that ep. did give them both a lot of character developement, but it could've been done just as well if not better in half the time


The problem with this is, monster is not like rezero in the slightest.

The reason rezero's amount of dialogue is worthless, is because emotions are something that you show. it has entire scenes of characters explaining why they are sad, what is their thoughts, why it's important that go on and on and on for soo long.

Monster doesn't have a single part even close to that. all the dialogue there serves a purpose, and every line add something that the show would be lessened without it.

there is a lot of dialogue, but big or small, every line adds something that the other lines didn't fully.

which is why I asked for an example.

Go look through the episode. if it's as bad as you say finding an example should be easy
@APolygons2

APolygons2 said:
ten simple lines is still as simple as a 100 simple lines

That is technically true, but, you mentioned about substence

APolygons2 said:
you can have a single character talking for 20 minutes about something that could technically be said in less than 1 and all of it have substance

Ok, so you're basically saying the 10 simple lines have the same amount of substence as the 100 simple lines correct?

Now imagine the lines as cherry syrup (the one you mix in water to make a drink)

You're gonna make 2 drinks with the exact same amount of cherry syrup (the substence), but one drink you'll make with 10ml of water, the other with 100ml, question, will these 2 drinks with the same amount of cherry syrup (substence) have the same exat taste (impact)?

The answer is obviously no, the drink with 100ml of water is gonna be way more diluted than the one with 10ml

Ponit being if you streach out the substence that fits in 10 lines to 100 lines it can feel like theres too little there for the amount of time dedicated to it, aka overcomplicating a simple matter

Same can be said the other way round, if you mix the same amount of cherry syrup in 10ml of water and in 1ml of water, the one with 1ml will be too sweet, that is describing something that is too rushed, there's too little time to understand and savor the substence

APolygons2 said:
Monster doesn't have a single part even close to that. all the dialogue there serves a purpose, and every line add something that the show would be lessened without it

Again, i can't comment on what i haven't seen, but as far as i've watched it did not convey that at all

APolygons2 said:
Go look through the episode. if it's as bad as you say finding an example should be easy

I'll look trhu it when you look thru Tokyo Revengers and give me examples of bad time travel :P Then we can trade examples
Or alternatively if an italian dub of Monster ever comes out i might give it a second chance, might be more bareble if i don't need to try and read most of the dialogue
Oct 30, 2023 7:42 AM

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Oct 2019
6878
Reply to DigiCat
@APolygons2

APolygons2 said:
ten simple lines is still as simple as a 100 simple lines

That is technically true, but, you mentioned about substence

APolygons2 said:
you can have a single character talking for 20 minutes about something that could technically be said in less than 1 and all of it have substance

Ok, so you're basically saying the 10 simple lines have the same amount of substence as the 100 simple lines correct?

Now imagine the lines as cherry syrup (the one you mix in water to make a drink)

You're gonna make 2 drinks with the exact same amount of cherry syrup (the substence), but one drink you'll make with 10ml of water, the other with 100ml, question, will these 2 drinks with the same amount of cherry syrup (substence) have the same exat taste (impact)?

The answer is obviously no, the drink with 100ml of water is gonna be way more diluted than the one with 10ml

Ponit being if you streach out the substence that fits in 10 lines to 100 lines it can feel like theres too little there for the amount of time dedicated to it, aka overcomplicating a simple matter

Same can be said the other way round, if you mix the same amount of cherry syrup in 10ml of water and in 1ml of water, the one with 1ml will be too sweet, that is describing something that is too rushed, there's too little time to understand and savor the substence

APolygons2 said:
Monster doesn't have a single part even close to that. all the dialogue there serves a purpose, and every line add something that the show would be lessened without it

Again, i can't comment on what i haven't seen, but as far as i've watched it did not convey that at all

APolygons2 said:
Go look through the episode. if it's as bad as you say finding an example should be easy

I'll look trhu it when you look thru Tokyo Revengers and give me examples of bad time travel :P Then we can trade examples
Or alternatively if an italian dub of Monster ever comes out i might give it a second chance, might be more bareble if i don't need to try and read most of the dialogue
DigiCat said:
Ok, so you're basically saying the 10 simple words have the same amount of substence as the 100 simple words correct?


"I've been feeling down lately"

"It's been a while since time last time I got up out of bed and felt truly alive, these past few days have been a headache to say the least. I have been conflicted, depressed, and stressed about.... everything, so yeah, I've been feeling pretty down lately"



No, these two do not have the same substance. They both send the same general idea across, but the second one is more effective, more detailed, more everything.

your example doesn't work, because more dialogue about the single core idea, is not the same thing over and over again.

using more dialogue to convey something is more like adding detail to a painting. if the details are unnecessary and not well used, they make your painting look like a mess. with extra lines scattered on unneeded places, and shadows being on all the wrong areas.

but if used well, detail, is good. your drawing the same imagine, but just adding details to it.

Again, unnecessary detail done wrong, can make the painting look messy. but the key is "done wrong".

none of the dialogue in monster is bad. not even close.

Any time monster is adding more dialogue than necessary, it's because it's giving it more detail, it's not stretching it for the hell of it.

DigiCat said:
I'll look trhu it when you look thru Tokyo Revengers and give me examples of bad time travel :P


Bad dialogue is constant. If the show as a whole has bad dialogue, you wont need to spend more than a few minutes or less to find an example.

For tokyo revengers, I need to rewatch the show, to fully remember how everything is explained and what where the countless plot holes I found while watching it.

and more importantly, for a show to have plot holes, it needs to break it's own rules. which means I would need to at least rewatch 6 or 7 episode, to have gotten far enough to make an argument even close compelling enough to convince a super fan (If I were to be right that is).

And that is really not something that I want to do. It's a whole ass commitment. finding bad dialogue again, shouldn't take more than a few minutes, if it's actually common enough for you to say the show as a whole has bad dialogue.

Plot holes, even in shows where there is a lot of them, are only there every now and then and need a full understanding of the plot. Dialogue, specially in a dialogue heavy show like monster is literally everywhere. if it were to be bad, finding it would be a piece of cake.
Oct 30, 2023 7:59 AM

Offline
May 2021
5085
Reply to APolygons2
DigiCat said:
Ok, so you're basically saying the 10 simple words have the same amount of substence as the 100 simple words correct?


"I've been feeling down lately"

"It's been a while since time last time I got up out of bed and felt truly alive, these past few days have been a headache to say the least. I have been conflicted, depressed, and stressed about.... everything, so yeah, I've been feeling pretty down lately"



No, these two do not have the same substance. They both send the same general idea across, but the second one is more effective, more detailed, more everything.

your example doesn't work, because more dialogue about the single core idea, is not the same thing over and over again.

using more dialogue to convey something is more like adding detail to a painting. if the details are unnecessary and not well used, they make your painting look like a mess. with extra lines scattered on unneeded places, and shadows being on all the wrong areas.

but if used well, detail, is good. your drawing the same imagine, but just adding details to it.

Again, unnecessary detail done wrong, can make the painting look messy. but the key is "done wrong".

none of the dialogue in monster is bad. not even close.

Any time monster is adding more dialogue than necessary, it's because it's giving it more detail, it's not stretching it for the hell of it.

DigiCat said:
I'll look trhu it when you look thru Tokyo Revengers and give me examples of bad time travel :P


Bad dialogue is constant. If the show as a whole has bad dialogue, you wont need to spend more than a few minutes or less to find an example.

For tokyo revengers, I need to rewatch the show, to fully remember how everything is explained and what where the countless plot holes I found while watching it.

and more importantly, for a show to have plot holes, it needs to break it's own rules. which means I would need to at least rewatch 6 or 7 episode, to have gotten far enough to make an argument even close compelling enough to convince a super fan (If I were to be right that is).

And that is really not something that I want to do. It's a whole ass commitment. finding bad dialogue again, shouldn't take more than a few minutes, if it's actually common enough for you to say the show as a whole has bad dialogue.

Plot holes, even in shows where there is a lot of them, are only there every now and then and need a full understanding of the plot. Dialogue, specially in a dialogue heavy show like monster is literally everywhere. if it were to be bad, finding it would be a piece of cake.
@APolygons2

APolygons2 said:
"I've been feeling down lately"

"It's been a while since time last time I got up out of bed and felt truly alive, these past few days have been a headache to say the least. I have been conflicted, depressed, and stressed about.... everything, so yeah, I've been feeling pretty down lately"



No, these two do not have the same substance. They both send the same general idea across, but the second one is more effective, more detailed, more everything

Ok... but here you just gave me an example of 1 line vs 4 lines, 1ml of water vs 10ml, now if you tryed to streach that to 20 lines, chances are it'll be as effective as the 1 line, cuz now you are overcomplicating what was coveyed decently to well (this depends also on the VAs performance but that's a debate for another time) in just 4

If those are lines from Monster, yes those alone are good lines, but if every line/s of the series is said in that format, it can feel overloaded, repetitive, and drowened on

APolygons2 said:
finding bad dialogue again, shouldn't take more than a few minutes, if it's actually common enough for you to say the show as a whole has bad dialogue.

You're basically telling me to just fine the first piece of bad dialogue and run with it, but that doesn't prove the rest of what i watched is bad T^T
So i would also need to spend a whole hour looking thru what i've watched to confirm if it's as bad as i remember

Anyways, i took a look at the eng dub cast for Monster and it doesn't seem half bad, i actually really like the VA who does Anna, so i could even try the eng dub when re-watching... in december when i renew netflix, it's on there, i'm paying for it, i might as well use it
Oct 30, 2023 8:27 AM

Offline
Oct 2019
6878
Reply to DigiCat
@APolygons2

APolygons2 said:
"I've been feeling down lately"

"It's been a while since time last time I got up out of bed and felt truly alive, these past few days have been a headache to say the least. I have been conflicted, depressed, and stressed about.... everything, so yeah, I've been feeling pretty down lately"



No, these two do not have the same substance. They both send the same general idea across, but the second one is more effective, more detailed, more everything

Ok... but here you just gave me an example of 1 line vs 4 lines, 1ml of water vs 10ml, now if you tryed to streach that to 20 lines, chances are it'll be as effective as the 1 line, cuz now you are overcomplicating what was coveyed decently to well (this depends also on the VAs performance but that's a debate for another time) in just 4

If those are lines from Monster, yes those alone are good lines, but if every line/s of the series is said in that format, it can feel overloaded, repetitive, and drowened on

APolygons2 said:
finding bad dialogue again, shouldn't take more than a few minutes, if it's actually common enough for you to say the show as a whole has bad dialogue.

You're basically telling me to just fine the first piece of bad dialogue and run with it, but that doesn't prove the rest of what i watched is bad T^T
So i would also need to spend a whole hour looking thru what i've watched to confirm if it's as bad as i remember

Anyways, i took a look at the eng dub cast for Monster and it doesn't seem half bad, i actually really like the VA who does Anna, so i could even try the eng dub when re-watching... in december when i renew netflix, it's on there, i'm paying for it, i might as well use it
DigiCat said:
Anyways, i took a look at the eng dub cast for Monster and it doesn't seem half bad, i actually really like the VA who does Anna, so i could even try the eng dub when re-watching... in december when i renew netflix, it's on there, i'm paying for it, i might as well use it


I actually watched the dub myself lol

I can't binge watch subbed shows, specially something that is 70+ episodes long. my adhd ass does not let me pay attention to subbed anime for more than like 2 episodes at a time.

DigiCat said:
Ok... but here you just gave me an example of 1 line vs 4 lines, 1ml of water vs 10ml, now if you tryed to streach that to 20 lines


monster is a long ass show, so I could be forgetting, but the thing is in the entire 74 episodes of monster I have not seen it once stretch a small thing to the massive extent that you are talking about. not even once. which is why I asked for an example as the first thing.

DigiCat said:
but that doesn't prove the rest of what i watched is bad T^T


I know, But I just one example cause I don't even remember what you are talking about existing.

you don't need to convince me the entire thing is like that, one example would be enough for me to see what you mean exactly, cause again, what you describe to the extent that you describe is not something that I remember existing at all in monster.

and recently I've been watching pluto, and with it being by the same author and having the exact same writing style, if this was a thing in monster, at all, I feel like It would be in pluto too. and I know for a fact that's it's not the case here, cause I watched parts of it recently enough to remember everything.
Nov 3, 2023 7:27 AM

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Oct 2021
482
Reply to L1feHasNoMeaning
any dialog that makes me chuckle is a good one
@L1feHasNoMeaning Yea especially in the graveyard
Nov 3, 2023 7:29 AM

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Oct 2021
482
Reply to MeguSae38
As I watch a lot of comedies, I guess for me a good dialogue is fast-paced, with lots of quirky one-liners :)
@MeguSae38 Well for comedy I don't believe there are any rules you need to follow as long as it makes the audience laugh

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