Where Evangelion revolutionised the mecha genre, and perhaps inspired melodramatic experimentalism in modern anime, Gasaraki made a quieter step in a different direction for mecha. From the very outset, I’ll just say that one of the main draw points for this series is the mecha design, and the high degree of thought that was put into the functionality of the bipedal machines as effective tools of war in near-future combat. But there is a lot more to the show than that; Gasaraki is one of those rare anime that manage to rise above what could easily have become a convoluted mess of a plot. With
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elements of military, romance, supernatural, sci-fi, mecha, history, and politics, Gasaraki is the product of an amalgamation of a whole slew of genres and plot-lines that manages to work. But it doesn’t work as well as it could have, and the constant juggling of its many characters and stories result in some elements being underplayed and others over-stressed. The character of Misuzu and her endearment to her brother seems to be almost completely redundant at times, and quite often you end up wishing one storyline was given more attention than others. But the hectic plot also means that the show manages to be engaging for the majority of its run without ever resorting to an episodic format, which is a bit of a rarity in anime. One of the show’s biggest flaws is its characterisation, largely in the first half of the series.
The series has a very large cast, and as such, it struggles early on in giving any one character enough attention to establish them as a believable, human individual. For far too long, the protagonists of the series are sidelined to a seemingly inconsequential role of feeling sorry for themselves, and most of the rest of the cast are like talking clichés. This results in a disappointing, flat beginning. But the show does eventually manage to pull in the viewers when things start to come together and the characters are faced with hardship after hardship, the way they handle each obstacle a contribution to their depth of character. By the end of the series I felt a strong affection for many of the characters, and the villains prove to be very satisfying in their antagonistic roles, with Gouda-esque scheming and cunning. The almost iconic Nishida was one of the more interesting characters, a tactical genius and a man of honour and strong values, he provided the backbone for the idealistic elements of the series. Unfortunately, Miharu is never quite granted enough development to make her anything beyond blatantly sympathetic, and Yushiro is often terminally quiet. The more outgoing members of the TA crew proved to be the best source of characterisation from the whole show.
I’m not usually a fan of mecha at all, in fact the mere concept of creating bipedal weapons that dwarf other combatants or transform into jets is just impractical. A man-made bipedal weaponry would not only be incredibly hard and costly to create (just look at how long it took them to get ASIMO waddling about), but it would serve no purpose, having no benefit over existing vehicles of war such as tanks and aircraft. Not to mention, hominoid designs for mecha are only possible to a certain height, whereupon the sheer weight of the mecha would cause its legs and joints to crumble. Gasaraki, however, is the one and only mecha anime where the mecha is both feasible and logically designed. Rather than trying to sell them as useful all-purpose weapons, the “Tactical Armours” or TAs, are portrayed as being optimised for urban combat, where the mobility of tanks is severely limited. They are not oversized, instead built with a stock frame that is able to hold a large array of equipment, ammunition and some missiles. The thought that was put into them is quite impressive, exemplified by the fact that they, realistically, are not flawless super-powered machines. In one of the earlier episodes, for instance, the functionality of the TAs are severely impaired by sand getting into their systems when they enter combat in a desert area. Also, the piloting of a TA is shown to be quite a taxing experience, with the use of drugs to manipulate the pilot’s physical condition being a common occurrence (quite an adept foresight into the direction of warfare). In combat, their mobility is significantly better than alternative vehicles (especially as they are able to hoist themselves up the sides of buildings), but they are not overly dextrous or agile. This down-to-earth, believable portrayal of mecha is something I hadn’t seen done before (or since), and so I give the show credit for its pioneering mecha conception.
However, with that appraisal out of the way, the fact that they are more realistic also means that the action scenes are often slightly subdued and slow, not as exciting as the fast-paced fisticuffs of your usual clichéd mecha. There are a number of action highlights, such as Symbol’s TAs taking out a unit of tanks in Belgistan, and the battle following the awakening of the Kugutsu, but all in all, the action scenes are relatively bland, and sometimes the animation budget clearly isn’t there to support them (such as when the rioting takes place later in the series). A few times, they are made more interesting by the ingenious use of the TAs many functions to escape a tight situation. The show maintains a relatively fast pace right the way through, so it isn’t lacking in excitement, but don’t expect to be blown away with intense action sequences. On the whole, the production values get the job done but do not excel. The character designs are different, but, with the exclusion of the Gowa family, also uite unappealing. There are a number of reused cels and shortcuts in the animation are apparent at times. The music, on the other hand, is remarkable, with an ethereal clash of archaic Japanese and modern, militaristic sounds. This melding of sounds is exemplified best by the OP, which I consider a musical accomplishment, and quite possibly my favourite anime OP ever. The soundtrack is fittingly haunting and refreshingly innovative.
So, where the characters and the production are the sources of most of the show’s flaws, the plot is an understated success, crafting a complex mythos for the gasaraki, as well as deftly utilising the global economy as the stage for a truly modernistic conflict. The way the series balances, or rather, collides the old and the new through its exploration of multiple timelines, one set in archaic Japan and the other in the near-future, is clever and engaging. It mirrors the thematic core of the series, which is all about the conflict between traditional and modern values, and the resultant direction of human civilisation. I especially love the story behind the Gasaraki, and their plight was a nice way to cap off the themes of the show in a thought-provoking manner. I will also attest to the fact that Gasaraki truly nails the fragile balance between mystery and explanation; where many anime leave frustrating plotholes, Gasaraki leaves a hazy sense of unknown which compliments the new-age mythical tone of the show. It helps that I’m a great fan of political espionage and conspiracy, as a good portion of the show is spent scheming and plotting, as well as exposition interestingly delivered through news reports. There is a lot of dialogue, and the story is quite involved, so it’s not a show you can casually skip through. That’s not to say it becomes bogged down in pointless dialogue; there should be enough going on to keep anyone interested.
All in all, Gasaraki is a series that should be applauded for trying something new and interesting with the mecha genre, and for the amount of thought that went into its complex story, but is one that failed to live up to its potential through unexceptional production and often poorly written characters. It’s a series that will be highly enjoyed by anyone with the fortitude to watch past its opening episodes, and for anyone who really appreciates innovation and a creative story. Those who simply must have strong dramatic elements to their anime, or who are likely to be apathetic toward the cool mecha designs may find the show very disappointing. In any case, its milestone treatment of mecha as more than a fanciful superweapon, is one that no other anime has put in the effort to match, and its plot is several cuts above the cliché that plagues the mecha genre.
Alternative Titles
Japanese: ガサラキ
More titlesInformation
Type:
TV
Episodes:
25
Status:
Finished Airing
Aired:
Oct 4, 1998 to Mar 28, 1999
Premiered:
Fall 1998
Broadcast:
Sundays at 09:30 (JST)
Studios:
Sunrise
Source:
Original
Duration:
25 min. per ep.
Rating:
PG-13 - Teens 13 or older
Statistics
Ranked:
#60862
2
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity:
#4548
Members:
23,441
Favorites:
57
Available AtResourcesStreaming Platforms | Reviews
Filtered Results: 14 / 17
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Your Feelings Categories Dec 15, 2007
Where Evangelion revolutionised the mecha genre, and perhaps inspired melodramatic experimentalism in modern anime, Gasaraki made a quieter step in a different direction for mecha. From the very outset, I’ll just say that one of the main draw points for this series is the mecha design, and the high degree of thought that was put into the functionality of the bipedal machines as effective tools of war in near-future combat. But there is a lot more to the show than that; Gasaraki is one of those rare anime that manage to rise above what could easily have become a convoluted mess of a plot. With
...
Oct 30, 2007
A different kind of Mecha anime.
Gasaraki is a relatively unknown anime series. Instead of concentrating on battles in their machines, it revolves more around family politics and politics. The story revolves around Yushiro Gowa, the fourth son in the Gowa family. The largest company in Japan. His family puts him in the volunteer part of the experimental Mecha unit. Then things erupt in the Middle East, and a Nato/UN is sent in, and are pushed back by a unknown force. The Gowa family learns that there is another Mecha unit and send in theirs without UN permission. Things get really complicated then, Yushiro meets the leader ... Jun 26, 2016
I could start off by saying that Gasaraki has a criminally low rating on this site. However, it makes sense that such a heady series wouldn't win over the hearts of wide-eyed mecha anime consumers who expect fight scenes to actually be mech fight scenes, and not the economic and diplomatic warfare that takes precedent in this anime. The attitude as expressed by raters here on MAL parallels the tension that defines the main theme of the series: the eternal and (probably) identical movement of progress and destruction.
Gasaraki takes place in a not-so-distant sci-fi future. Illegal immigration is a (seemingly) huge problem in Japan ... Jun 6, 2016
The Evangelion Inspiration Saga Part 2: Not Really A Rip This Time
"He who would move the world cannot concern himself over the placement of pebbles. A god worries not over the cries of individual men. He must be detached, disinterested. That is why I can move this world." - Kazukiyo Gowa At long last, my journey through anime inspired by (or directly ripping off) Evangelion continues with Gasaraki- an original Sunrise anime produced by Ryosuke Takahashi (creator of Blue Gender, assistant directed Ruroni Kenshin and has worked on many Sunrise mecha shows) and Gorou Taniguchi, who would later create and direct a little anime known as ... Feb 6, 2010
Out of all the anime I've seen over the years that fall in and around the mecha genre, Gasaraki definitely has one thing going for it: Style.
The show is a fusion of unlikely elements: Gritty mechanized warfare that's so real it's almost boring with its endless chatter about maintenance and data collection. Elaborately costumed and choreographed traditional performing arts. Classical Japanese history. War in the Middle East. Trans-Pacific diplomacy. Somehow Sunrise manages to fit all these individual pieces together into a nice-looking whole with a muted but satisfying color palette, consistent but not-too-formulaic episode pacing, and well selected musical choices that compliment the military and spiritual ... Jan 16, 2009
I love this series because it's nothing like what you expect it to be. It's highly thoughtful and insightful into the relationships of large political families. When watching this anime, I think it's vitally important to go read up on the importance of the Noh play in Japan and what it actually MEANS. You will not be able to fully appreciate this series without having an appreciation of Noh (and wikipedia's article is totally insufficient to get this appreciation - I suggest a trip to your local library for a breifing of Japanese literature and art history). I literally had to go study up
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Oct 1, 2013
Gasaraki is one of the more trickier titles I've had to try figuring out in terms of what it wanted to tell and how to critique it. Focused on young mecha pilot Yushiro Gowa, the boy is treated as nothing more than a tool by his family who have considerable influence in Japan's military and political world, considering they have Yushiro become part of the country's military to test out their mecha, the Tactical Armor. This starts off the complicated tale of Gasaraki, a series that dabbles into political conspiracies, elements of Japanese folklore and the "real robot" genre of mecha anime.
Let's first tackle the ... Jul 14, 2016
It's always awesome to see a good mecha series that doesn't bank on flashy fight scenes. The bipedal weapons here are presented as being very new technology to the battlefield, still very limited in many ways but much better suited for urban combat than tanks. Where the show really shines is in the story itself that it tells. It was deep and complex in itself, however the amount of time spent on any individual detail relevant to the core story wasn't quite enough to really drive it home all the way. It left it feeling like they just touched on most of the key points
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Jul 14, 2008
From the same fellow, Ryosuke Takahashi, who brought you Armored Troopers VOTOMS and Silent Service, Gasaraki shares its 'stable-mates' interests in the politics of war and the dilemmas of the soldier, buts adds little bit of a supernatural edge to the proceddings.
The design of the mecha is what makes Gasaraki interesting, but these distinct designs can only just make up for the general lack of action in the series overall. Character development is also fairly weak, but seceral characters are forced to make difficult decisions, which adds to the dramatic elements of the series overall. Gasaraki is also among the more ethnocentric series available on DVD ... Aug 7, 2008
Gasaraki is a very unusual show. It doesn't mind being extremely poetic. It doesn't care that a lot of viewers will regard it as excessively high-brow. I think the director must have watched a lot of art films, especially Fellini.
Gasaraki is not a great show. It is not the next Cowboy Bebop. It does have a lot of elements that don't fit together very closely -- the giant robots don't fit well with the supernatural elements or the realistic techno-thriller politics. Gasaraki evoked a very powerful mood in me. In the end, perhaps it promised more explanations than it delivered, ... Mar 13, 2010
I was always quite eager to see this series and I managed to pick the set up cheap fairly recently. I'm not the biggest fan of mecha anime but I've been keeping an open mind and have started to appreciate them a little more now, as long as they're done properly. This series has quite an adult feel to it, it can be fairly political and it doesn't rely massively on mecha action. It's a slow paced series, which I normally quite like but I must admit, at times it did become a little tedious. Overall, the story is fairly simple until the very final
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Mar 15, 2016
While most mecha anime lean towards fantastical premises, Gasaraki takes the opposite approach. The show portrays a realistic view of what mechs would be like in the modern world. Where so many mecha shows have a toy tie in, forcing elaborate designs and numerous different models, Gasaraki only has a few unique robots and they’re not the type you’d expect to make any toys from. If you are the type who is sick of how far out there the genre can be, this is a great show to watch where things are a lot more down to Earth.
The basic premise of the show is ... Feb 6, 2015
Overall
First, this is a very slow and heavy anime to watch. It has big ambitions and demands a lot of focus from the viewer. Sadly, a great backstory gets demolished by a slow, dull and uninspiring execution. Animation Considering it was made in 1998, you shouldn’t expect too much graphics-wise. Particularly the characters look quite bad and uninspiring. Action sequences are confusing to the point where you don’t know who is who as all the mechas look basically the same. All is not bad though; there are unusually few recycled animations and still frames, and the dark style really creates a nice mood. Sound Voice acting is not bad ... Jul 28, 2017
I like this show, the animation is interesting as well as the concept of the story. I like the character designs and the mechs. But to me the story was unable to engage me and keep me interested despite those cool concepts.
If you can bear through it, go ahead however the show as a whole is not interesting enough to me to keep watching but its not irredeemably bad.i think the show would have benefited greatly if the episode count was cut. Moreover its has difficulty to spice things up, for the most part the show consists of people talking, the dialogue is interesting but ... |