Id:Invaded

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Alternative Titles

English: ID: INVADED

Japanese: ID:INVADED イド:インヴェイデッド

Information

Type: TV

Episodes: 13

Status: Finished Airing

Aired: Jan 6, 2020 to Mar 23, 2020

Premiered: Winter 2020

Broadcast: Mondays at 00:30 (JST)

Producers: Toei Animation, BS11, Kadokawa Media House, NTT Plala, Kadokawa, Anima&Co.

Licensors: Funimation

Studios: NAZ

Source: Original

Genres: Mystery, Police, Psychological, Sci-Fi

Duration: 24 min. per ep.

Rating: R - 17+ (violence & profanity)

Statistics

Score: 7.89¹ (scored by 96,767 users)

¹ indicates a weighted score.

Ranked: #695²

² based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.

Popularity: #682

Members: 234,721

Favorites: 2,006

7.89

Ranked #695Popularity #682Members 234,721

Winter 2020TVNAZ

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Episodes: /13

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Trailer 2

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Synopsis

The Mizuhanome System is a highly advanced development that allows people to enter one of the most intriguing places in existence—the human mind. Through the use of so-called "cognition particles" left behind at a crime scene by the perpetrator, detectives from the specialized police squad Kura can manifest a criminal's unconscious mind as a bizarre stream of thoughts in a virtual world. Their task is to explore this psychological plane, called an "id well," to reveal the identity of the culprit.

Not just anyone can enter the id wells; the prerequisite is that you must have killed someone yourself. Such is the case for former detective Akihito Narihisago, who is known as "Sakaido" inside the id wells. Once a respected member of the police, tragedy struck, and he soon found himself on the other side of the law.

Nevertheless, Narihisago continues to assist Kura in confinement. While his prodigious detective skills still prove useful toward investigations, Narihisago discovers that not everything is as it seems, as behind the seemingly standalone series of murder cases lurks a much more sinister truth.

[Written by MAL Rewrite]

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Background

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Related Anime

Adaptation:	Id:Invaded: #Brake-Broken
Summary:	ID:INDEED

More characters

Characters & Voice Actors

Narihisago, Akihito

Main

Tsuda, Kenjirou
Japanese

Hondoumachi, Koharu

Main

Ichimichi, Mao
Japanese

Momoki, Funetarou

Main

Hosoya, Yoshimasa
Japanese

Fukuda, Tamotsu

Supporting

Takeuchi, Ryouta
Japanese

Kaeru

Supporting

Miyamoto, Yume
Japanese

Tougou, Sarina

Supporting

Bridcutt, Sarah Emi
Japanese

Wakashika, Kazuo

Supporting

Enoki, Junya
Japanese

Narihisago, Ayako

Supporting

Endou, Aya
Japanese

Narihisago, Muku

Supporting

Shimabukuro, Miyuri
Japanese

Matsuoka, Kokuryuu

Supporting

Nishi, Rintarou
Japanese

More staff

Staff

Aoki, Ei

Director, Episode Director, Storyboard

Maijou, Outarou

Script

Miyavi

Theme Song Performance, Inserted Song Performance

Sou

Theme Song Performance

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Opening Theme

"Mister Fixer (ミスターフィクサー)" by Sou

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Ending Theme

#1: "Other Side" by MIYAVI (eps 2-12)
#2: "UP" by MIYAVI (ep 13)

More reviews

Reviews

Mar 22, 2020

13 of 13 episodes seen

Overall Rating: 9

SingleH (All reviews)

207 people found this review helpful

Id:Invaded is a riveting enigma, an epic mystery, a shocking psycho-thriller. It meticulously places you on the edge of your seat only to mercilessly kick you off into the deepest depths of the abyss of contemplation. As soon as you’ve gotten over its hideously graphic imagery from unthinkable gore to appallingly creative torture, you’re buckled under its poignantly resonant character trauma if not whiplashed into pure blood-boiling hype by its abrasively awesome insert songs and mind boggling visual action. Its story is all genius, perplexing, and entrancing, and the characters who inhabit its irreplaceably unique structure imbue it with a fiercely unforgettable sense of identity inherent in their almost confounding amounts of esoteric conversation and characterization just oozing with degrees of implicit meaning little artists have even the creativity to come up with. The more you think you’ve wrapped your head around it, the more it wraps its head around you, leaving you with the natural assumption—having gone this many layers deep into the mind of a screenwriter so mad—that it was all just a dream, and to escape, you need only wake up.

An attempt at explanation would be daft, and an attempt at description would span infinity and eventuate in intense subjectivity. What one may find to be a bog-standard sci-fi murder mystery on paper will—I promise you—come to surprise even the most jaded of pseudo intellectual keyboard warriors and utterly scar any casual viewer with its shell-shocking ego. Being a narrative which quite literally invades the id of its ever-astounding cast of eclectic personas, from broken officers to perverse serial killers, it builds itself around the minds of those thoroughly intentional and cavernously deep characters written to clever perfection and results in a totally arresting presentation of psychotically malleable ideation turned to somehow solid environment, both of which rocket up and down in visual prominence until the only thing you have to ground yourself is your own body, a being far detached from the mental breakdown in front of you, lashing itself dangerously outside the bounds of your screen with its enchanting sense of maddeningly immersive wonder. Call it confusing or call it possessing, at the end of the day it stands as a statement of thought so unforgettable at face and unbelievably impervious to plot holes or forward criticism save production nitpicks, mere impress doesn’t even being to do justice.

Atop its labyrinthine writing and audacious conceptualization stands the freshly iconic visual direction of a true master, thunderously flaunting one visual metaphor after another all whilst juggling the countless ideas said writer bloated its context with to begin with. At once minimalistically elegant, at once overwhelmingly provocative, Id:Invaded is a feast for the senses which it doesn’t subvert, and its feverish changes of pace and betrayals of expectation all find themselves accompanied by cinema sensibilities which can only be described as sublime. While the concepts it asks you to accept out the gate are more than their fair share of freakish, never does the show break its own rules or perforate its own plot, and seeing as said concepts are presented with such acute realization of the writer’s intentions, their believability is unquestionable and their sense of immersion almost dubious in light of their exciting air of unreality. The more its science fiction morphs into pure psycho-fantasy, the more its cast of already human characters evolve and devolve into remarkably affecting icons of expert thematic execution and equally exquisite empathetic development. Be it crying in pain, smiling in wry, or celebrating in hype, Id:Invaded will move you in sincerity, and I bet my life you won’t even comprehend why, how, or by when.

Well, that’s about a lifetime’s worth of poeticism I just wrung out of my naturally prosaic fingers, isn’t it? Id:Invaded, no matter how much I love it, is just so hard to comprehensively write about—let alone critically review—such was the only way I saw forward. When I said an explanation would be daft I wasn’t kidding, and the man, the powerful fucking figure who let me not be kidding was Otarō Maijō. I expect the name Ōtarō Maijō to go over peoples’ heads as much as I expect this thickly bibliographical paragraph to turn what little of you are still reading away from this review, but to not discuss this man would be to deny the very source of the unhinged identity this show defines itself with. As bracingly weird as Id:Invaded is, Ei Aoki is not a weird director. As I’m sure many are aware given the immense popularity of many projects he’s helmed, he’s a grand director known for his sweeping perspective shots, wide frames, and foreground focus, and while Id:Invaded most certainly uses his directorial skill to its fullest extent, no one would ever in a million years walk away from this show with those aspects having been the most memorable. What completely overshadows Aoki’s personal mark is Maijō’s. Which isn’t to say Maijō’s work is better than Aoki’s, it’s more to say Maijō’s is so mentally unbalanced and deranged, even having seen some outstanding cinematography, your biggest takeaway from the experience is what in the hell you could even call that scripting. Id:Invaded is confusing in structure, execution, purpose, and is esoteric as all hell, being nearly impossible to see the immediate appeal of or the immediate intention of outside of surface level actions and fetishes. You’ll often find yourself not knowing what the point of something is, and I honestly think 50% of people who watch Id:Invaded will hate it, and to them I have no harsh words. Characters are as insane and non-relatable as I imagine Maijō himself to be, and his characterization still hits you like a train to the face. The very first sentence of the very first work of Maijō’s I ever read was “my mom is a piece of shit,” and in Id:Invaded, you watch a character deride someone to suicide, watch on contently, and that character is portrayed as being the good guy—and IS the good guy. But this was all exactly what I expected. Maijō is off his damn rocker. He’s a cult author even in Japan and has been since his early 2000s debut, and very few of his works have been translated into english, so the only people who will have likely known about him prior to now are freaks like me deep into the Faust style lore of Japanese literary culture. Since finally founding his long deserved personal studio, TROYCA, Aoki began getting more interesting writers behind his direction. I don’t know if this has gone well for him per se, but it certainly has been interesting. In 2014, Aoki brought on The Butcher, Urobuchi Gen, to write Aldnoah.Zero, and unfortunately, Urobuchi was swamped with the Psycho-Pass 2/Psycho-Pass Movie production quagmire to write any further than the original concept and scenario, and while that foundation and inciting incident were the best parts of that show by far—if not the only good parts at all—his minimal involvement likely left Aoki with some regrets. However, in 2017, Aoki vindicated himself by bringing in legendary mangaka, Rei Hiroe, and had him write the entire screenplay for Re:Creators, and it was easily the most uniquely conceptualized and thereby daringly well produced spectacle I’d seen in years. Aoki is clearly wanting to one-up himself creatively after his past critical and popular successes, and how else to accomplish this feat than bringing on the single most certifiably insane author-turned-screenwriter the industry has ever seen. What’s weirder (and the sad reason I couldn’t put a ten out of ten on this review), is how bizarre and sometimes even downright ugly Id:Invaded looks. Seeing as the pre-production and planning for this work began a whopping eight years ago before TROYCA was even around to launch Aoki’s new oddities, he had to get it off the ground at whatever studio would take it, hence NAZ, and seeing as switching studios once an obvious alternative arose would be notably bad optics, Aoki committed. In the end, they got to a point in the latter half of the production where they literally had FIVE people doing the genga for the entirety of episode twelve. That’s less animators than a student film has, and what we got—at least in that piteous context—I dare say is good enough, especially with such incredible visual direction never leaving the screen.

Now, I fully admit to cheating this game. I have the unique means to look across the room I’m currently sat in and see a shelf carrying Asura Girl and both volumes of Faust, one of which contains Drill Hole in My Brain, so I concede to bringing a gun to a knife fight. This isn’t me pretentiously scoffing at the thought of casuals or newcomers—or even long time, truly authentic fans who’re just too young to know the industry’s older names—getting filtered by their first taste of even remotely high-minded media. No, this is me reflecting genuine concern for any normal, thinking human being whose about to unknowingly drown themselves in the literary ravings of a barely professional madman given a platform bigger than ever before by a creator outrageously gaudy enough to employ him in an effort to make a statement, only to make a statement so schizophrenic, nothing can be learned from it other than a lesson as to what happens when the wielder doesn’t know the power of the weapon he’s naively placed in his own two hands without the viewer willing to bravely dive deep into the barrel of said smoking gun, whether one thought the viewing of said weapon’s discharge to be utterly badass or fundamentally terrifying. Personally, I thought it utterly badass.

Thank you for reading.

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Mar 22, 2020

13 of 13 episodes seen

Overall Rating: 3

MamaSasaki (All reviews)

150 people found this review helpful

[Minor spoiler ahead]
What do you get when you mash well thought-out ideas from other great sci-fi cop shows into a stew and then leave that stew on a oven that's not turned on? A cold mess. ID:Invaded as a product is a cold mess. I can't help but try to understand what people are praising about this and wonder to myself if we even watched the same show. Yes, it's not awful and in a landscape of established IPs and forced squeals/remakes having an original anime come out is fantastic, but is the bar set so low that this show is considered good?

I suppose we should talk about the good first. Despite my initial bitching if you enjoy sci-fi/cop shows this anime isn't awful. It'll scratch that itch you have and maybe even keep you going with its case of the week (2 weeks) set-up for awhile. The mystery isn't always hard, but they do give enough to them that you find yourself playing along with the show to try and figure out who the killer is this week. On top of that the character designs are worth praise given how distinct and memorable they happen to be, as well as the animation which although no Ufotable dose keep itself from feeling like they lost budget. Even if some of the shots are laughable bad.

As for the bad.....well where to start. The final big bad of the show John Walker has absolutely NO mystery to it. By episode two you could make a guess and I promise you you'll be right. A child could figure it out which makes the whole shows over arcing mystery (who is John Walker?) a complete bore. The character development is almost as bad. Only really given to our main character Sakaido all the other characters take a backseat till the plot calls for them to actually do something. Yet, when we reach our final few episodes and major (?) deaths start to happen we're supposed to care? I honestly found myself laughing when these people were dying and the show was playing the super sad music like it mattered. On that note the last two episode drop so much exposition that I'm honestly truly baffled that a studio green-lit this project. Nothing in the last two episodes feels natural and spending every five minutes to info dump so you can understand what the hell is happening you loses all tension the show had going into the finally.

I won't lie, I fell behind on this show (and others this season) and ended up marathoning the past six weeks of this show. I'm glad I did because if it wasn't for that ID:Invaded would have ended up dropped. This show isn't good. If you want to spend time watching 13 episodes of an anime in this genre please go watch something else. Psycho-Pass, Ghost in the Shell, Patlabor and if you've seen all those shows and REALLY need something new then fine. Try this show. Maybe you'll find enjoyment out of it. Or at least enjoy watching concepts from better shows get so badly botched. After all their's enjoyment in a train wreak.

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Mar 22, 2020

13 of 13 episodes seen

Overall Rating: 9

Ethan_07 (All reviews)

132 people found this review helpful

“Sleep is very important.”

Half-way through the show, I chuckled on this scene. It sounds ridiculous without context, but being warped inside a world within an unconscious world, it has this heavy irony that comes with it. Like, it makes one afraid that everything is just not real after all. But at the same time, it sort of bring back an amazement of the setting that this world is enveloped in, as it gives the desire to seek for more info. That’s when it clicked.

ID: Invaded has this ability to construct a mind-bending story premise by intertwining reality and fantasy, but in a way, it read more

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Mar 22, 2020

13 of 13 episodes seen

Overall Rating: 7

fastghosthunter (All reviews)

62 people found this review helpful

ID: Invaded is a semi-episodic crime procedural, sci-fi anime, in line with shows like Ghost in the shell: sac and second gig as well as the more recent and trendy psycho-pass. The basic setup requires a lot of psychobabble to explain. There is an organization called a Kura, which is a highly functional unit that uses technology that detects remnant particles called "cognition particles" that serial killers leave behind. The cognition particles are only one part of this whole organizations scheme. There is also a machine called the Mizunohame, a big machine that allows serial killers to enter into this dreamscape called the id: well, a throwback to the theories of Sigmund Freud. In this well, they can put various pieces together to figure out exactly who is the murderer and the intentions of the murderer. So, in other words, a lot of things that don't really make a whole lot of sense. Luckily, for the viewer that this sort of psychobabble is just window dressing for the bigger episodic crime thriller at play.

The main character is the brilliant detective Narihisago. Who is for all intents in purposes the emotional core of this series. Narihisago is one of several tragic characters in this show. Narihisago has the tragic past of being a rogue cop driven mad by constantly facing the grim realities of working in an investigation unit whose sole purpose is catching insane serial killers. The key difference between Narihisago is that he decides to use his talents for good instead of evil, since his arrest he is now serving in the Kura as their most talented detective.

Earlier I said Narihisago is the emotional core for this show. He is the primary window in which we learn about and become connected to this world. For Narihisago the Kura isn't just an organization, it is his life. Catching serial killers, due to his own tragic life is personal to him. The Kura and by extension Narihisago's modus operandi is peeking into the mind of the depraved. There is a lot of anime that play around with this theme, that like "the real evil is inside man!". All of these serial killers we meet throughout the show and even the main protagonist all were driven to murder, not through a seemingly sadistic middle finger to the world type of way, but usually, their backstory is always tinged in a sort of tragedy.

One of the huge characterising aspects of this shows storytelling is attention to detail. The author of the light novel for this show is known to be a sort of eclectic guy, and it shows because he reminds me a lot of Tomino(gundam director). Where he has a wealth of weird ideas, but he also expects his audience to be paying very close attention and the show doesn't really have any interest in holding the audience's hand. A perfect example of this is the character of the Perforator. A serial killer who kills his victims by drilling a hole in their head. He is caught fairly early in this show and if this was any other show you would expect that to be the last we hear about drilling holes. However, not only does his character remain a very important aspect of the show, but the fact that he drills holes in peoples heads and his motivation for that remains a fairly constant theme in this show that rears its heads over and over again.

While I like this show way more then I expected to, ID; Invaded is still very scatterbrained. The psychobabble is evidence of this because it really wasn't necessary to have that sort of window dressing to tell an otherwise simple story. The writers own tendencies to create these detailed and layered technical stories take away from the fact that he is actually really great at creating more episodic, emotional, and sentimental stories. A huge reason that I was impressed with this is that despite all the worldbuilding, all of the setup, all the Freudian psychoanalysis. There were several episodes that I think could go toe to toe with any episode of Death Parade. For example episode six, the eternal rail episode was absolutely beautiful. Narihisago holding the bloody Kaeru's hand on bent knee saying "please, you don't have to die" is haunting. There are so many episodes similar to that, whether it be episode 4 where Narihisago rescues the girl from a burning building, or episode 10 when Narihisago gets caught in the well. All of this is personal for him, and by extension the viewer.

With that being said in good faith I could never compare this to my personal favourites like Mushishi, or Death Parade or Bokurano. It gets pretty close to that level and I see very little wrong with the show. I think the show forces the viewer to a certain extent resign themselves to a lot of the pseudoscientific explanations for why the plot is happening. If you are able to do that, you are in for a good ride.

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