Neon Genesis Evangelion: The End of Evangelion

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Alternative Titles

English: Neon Genesis Evangelion: The End of Evangelion

Synonyms: Shinseiki Evangelion Gekijouban: The End of Evangelion

Japanese: 新世紀エヴァンゲリオン劇場版 THE END OF EVANGELION

Information

Type: Movie

Episodes: 1

Status: Finished Airing

Aired: Jul 19, 1997

Producers: TV Tokyo, Toei Animation, Kadokawa Shoten, Movic, Sega, TV Tokyo Music, Audio Tanaka

Licensors: Manga Entertainment

Studios: Gainax, Production I.G

Source: Original

Genres: Sci-Fi, Dementia, Psychological, Drama, Mecha

Duration: 1 hr. 27 min.

Rating: R+ - Mild Nudity

Statistics

Score: 8.51¹ (scored by 336,991 users)

¹ indicates a weighted score.

Ranked: #94²

² based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.

Popularity: #200

Members: 518,774

Favorites: 15,935

8.51

Ranked #94Popularity #200Members 518,774

MovieGainax, Production I.G

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Episodes: /1

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Trailer English Dub

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Synopsis

With the final Angel vanquished, Nerv has one last enemy left to face—the humans under Seele's command.

Left in a deep depression nearing the end of the original series, an indecisive Shinji Ikari struggles with the ultimatum presented to him: to completely accept mankind's existence, or renounce humanity's individuality. Meanwhile, at the core of a compromised Nerv, Gendou Ikari and Rei Ayanami approach Lilith in an attempt to realize their own ideals concerning the future of the world.

The End of Evangelion serves as an alternate ending to the polarizing final episodes of Neon Genesis Evangelion. With the fate of the universe hanging in the balance, the climactic final battle draws near.

[Written by MAL Rewrite]

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Background

Shinseiki Evangelion Gekijouban: The End of Evangelion is an alternate version of the series ending, which either supplements or replaces episodes 25 and 26, depending on how they are viewed.

The movie was awarded the Animage Anime Grand Prix prize for 1997, the Japan Academy Prize for Biggest Public Sensation of the Year, and Special Audience Choice Award by the 1997 Animation Kobe.

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Related Anime

Prequel:

Neon Genesis Evangelion

More characters

Characters & Voice Actors

Souryuu, Asuka Langley

Main

Miyamura, Yuko
Japanese

Ayanami, Rei

Main

Hayashibara, Megumi
Japanese

Ikari, Shinji

Main

Ogata, Megumi
Japanese

Katsuragi, Misato

Main

Mitsuishi, Kotono
Japanese

Nagisa, Kaworu

Supporting

Ishida, Akira
Japanese

Ikari, Gendou

Supporting

Tachiki, Fumihiko
Japanese

Akagi, Ritsuko

Supporting

Yamaguchi, Yuriko
Japanese

Pen Pen

Supporting

Kaji, Ryouji

Supporting

Yamadera, Kouichi
Japanese

Ikari, Yui

Supporting

Hayashibara, Megumi
Japanese

More staff

Staff

Tsurumaki, Kazuya

Co-Director

Yamaga, Hiroyuki

Producer

Ishikawa, Mitsuhisa

Producer

Anno, Hideaki

Director, Storyboard, Key Animation, Music, Screenplay, Animation Director, Mechanical Design

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Opening Theme

No opening themes have been added to this title. Help improve our database by adding an opening theme here.

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Ending Theme

"Thanatos -If I Can't Be Yours-" by Loren & Mash

More reviews

Reviews

Apr 26, 2008

1 of 1 episodes seen

Overall Rating: 10

TheLlama (All reviews)

1148 people found this review helpful

[Spoiler Warning]

After watching the final episodes of the original Evangelion series, I was really baffled. What happened? I understood that it all took place in Shinji's mind, but that's about it. Where was the ending? What really happened?

Those answers are provided by End of Evangelion. We get an alternate retelling of the two last episodes, outside Shinji's mind. From the awakening of Lilith to the result of the Instrumentality, we get to see it all. Of course, there's a lot of moments which are confusing (this is Evangelion, after all), but you kinda get a better understanding of everything that happened. Oh, and for the read more

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Mar 10, 2009

1 of 1 episodes seen

Overall Rating: 10

BatOtaku13 (All reviews)

489 people found this review helpful

*This Review Contains Spoilers*

It's going to be very hard to review this movie because its basically a work of art. The first half of the movie provides all the action and big events that Eva fans would want in the movie, but its really the second act that is the most important part. The second half is an astonishing piece of filmmaking that essentially challenges common filmmaking and boldly dares to ask questions most filmakers wouldn't dare going to.

Most of the following won't make sense if you have no knowledge of Eva. The entire second half of the movie takes place within Shinji's mind as the third impact is happening. As he is in a state of introspect, reminesing about the wrongs people have done to him and the loneliness and isolation he has in life, it develops not only his character, but the characters of everybody in his mind. Misato, Asuka, Rei, and Kaoru all gain great depth as they converse with Shinji in his mind and at least in the beginning, fail to convince him to stop the third impact.

It is after the third impact has happened however, that this masterpiece really stays with you. Shinji realizes what he has done and comes to realize truths within himself he couldnt understand with others around him. It is finally Rei/Yui that makes him come to terms with his existance and the value he gives to everybody around him. The film for the most part ends with Shinji undoing the third impact, after realizing he wants to see everybody again because the happy memories he has, no matter how few, are real.

It is in this chaos and often confusion of Shinji's and everybody's minds that director Hideaki Anno raises questions about the nature of humanity's existance and whether life is worth living, even in all the pain everyone and everything around us brings us. The answer is ultimately yes, but it is the process to getting to that answer that makes this film a masterpiece.

I'm not going to try to convince anybody who already isn't an Eva fan that this film will change your mind about the series, because it won't. But the truth of the matter is that this film is a masterpiece in not only anime, but in animation and filmmaking in general. It is not afraid to ask some of the most philisophical questions we can ask ourselves as people and is not afraid to have us, the viewer, realize the answers even as the characters on screen attempt to do the same. If you are going to see this movie, watch the 26 episode show first, or you'll have no idea what is going on. End of Evangelion is one of the most artistic and beautiful movies I have ever seen, animated or not, and is a mandatory movie to watch I believe for anybody who considers themselves a fan of anime or film in general.

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Feb 21, 2014

1 of 1 episodes seen

Overall Rating: 4

vivafruit1 (All reviews)

364 people found this review helpful

Story

The story starts in a fairly disorienting manner and then moves quickly from there. After about 20 minutes of confusion, however, the anime soon finds its feet and I began to be able to follow what was going on. At around 40 minutes in I was actually somewhat interested... and then, the anime falls apart under its own philosophical weight. Apparently, the creators of this anime thought that they could substitute all semblences of plot with random scenes that supposedly have symbolic meaning. A quote from Roger Ebert's movie glossary comes to mind: "If you have to ask what it symbolizes, it didnt."

I have seen this movie several times, and still cannot enjoy the film one iota. I do not believe that it is because I didn't "get" the film; I believe that there is quite simply nothing to get. Certain Neon Genesis Evangelion fanboys have gotten a huge kick out of analyzing the show and attempting to fabricate some sort of interpretation of the events that transpire, but in my opinion this is a futile endeavor. The shows plot was deliberately made incomprehensible for incomprehensibilitys sake; there is no meaning to the show other than to have no meaning whatsoever.

The difference between this film and other virtually indecipherable anime (see: Cat Soup, Paprika) is that End of Evangelion pretentiously demands interpretation.There is nothing to entertain the viewer beyond the movie's pompous symbolism, and this is the film's downfall.

Animation

Generally, the animation is pretty damn good. Because of the film's obviously larger budget, End of Evangelion improves on the excellent original character designs with greatly improved fluidity and backgrounds. A sequence near the end, where iridescent crosses spring from Earth, is one of the nicer pieces of eye candy that I have seen. Another highlight is Asuka's central fight midway through the show, which oozes with perfectly stylized violence.

The awesome animation is marred, however, by two dreadfully awful sequences. In one scene, the "anime" is not animated at all. Instead, a person with a low budget camcorder randomly wanders around town, filming things like empty movie theatres. This comes as quite a shock midway through and manages to come across as exceedingly ugly. Many people I have spoke with have tried to defend the scene by citing its symbolic meaning, but all of them have given me different answers. Ultimately, the sequence is a jarring break from the continuity of the animation, and definitely hurts both the show's pacing and overall video quality.

In another scene, there is a horrendously long sequence in which thousands of still frames are flashed across the screen at a mind-numbing rate. Never before have I had to sit through such an obviously expensive, thoroughly pointless, and horrifically painful section in anime.

Sound

In general, I found the sound to be pretty much flawless. The music does a pretty good job of setting the mood even as the story is falling apart, and voice acting is still excellent. Sound effects, particularly in Asukas battle, are nicely done.

Characters

Some may disagree, but I thought the original characters of Evangelion were excellent. All of them were almost perfectly imperfect, and as a result managed to capture some of the darkest parts of the human soul. While none of the characters were particularly likeable, every single one was captivating in their infinite flaws.These promising characters, however, are pretty much destroyed in the treadmill of an awful story. By the end of the show, just about every single individual has lost his or her humanity; their actions no longer reflect any semblence of logic or compassion. Forget character development - this is an anime about action figures.Because of this, what was arguably Neon Genesis Evangelions greatest strength becomes End of Evangelions biggest fault.

Overall

I went into this anime genuinely hoping that at last I would find a little closure to Evangelion. Instead, I got this. Deliberately plotless, the creators apparantly assumed that they could pass off mindless and pointless scenes under the pretense of "art." A huge budget is wasted, a good storyline is desecrated, and one of the most promising animes of 1997 is put to shame. Pretentious and disappointing, End of Evangelion is certainly down there among some of the worst anime that I have seen.

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Apr 16, 2013

1 of 1 episodes seen

Overall Rating: 10

freyakoala (All reviews)

325 people found this review helpful

End of Evangelion is truly a masterpiece of an anime movie.

For me, like many other fans, the last two episodes of the anime series of NGE left me feeling a little frustrated and confused. They are fantastic and innovative as stand alone works but do not serve as a satisfying conclusion to what was an amazing anime. EoE, however, allows Anno to give his magnum opus the ending it truly deserves: beautifully animated, packed with action and philosophical to the core, this film does not disappoint.

Taking place in the same universe as the anime, EoE serves as a re-telling of events outside of Shinji's mind or as an entirely alternative ending. The beauty if this movie for me is that it does not spoon feed you the premise, instead it is up to you to decide what exactly is real, what is symbolic and what is psychological.
The first half of the movie acts like standard NGE fare...there is plenty of action, and an interesting threat falls upon the nerv headquarters. We are treated to a fantastic Asuka based fight scene, which breaks up nicely the scenes of drama involving Shinji. The interactions between side characters are stellar as always, and one never feels as though a character is being neglected...even the minor members of cast are three dimensional with their own wants and ideals.
The second half of the movie is when Anno's depth of work begins to truly shine. Beautifully animated, with stunning apocalyptic scenes, this part of the movie can be enjoyed as an analogy about the fear of being hurt, and the need for the warmth of others. Shinji's fear of reaching out to others has (or almost has) devastating consequences as the world without barriers he envisioned appears before him. The philosophical narration does not read as psychobabble at all: instead, EoE steadily makes simple points about the nature of life. Despite the scenes of destruction EoE presents, the narrative is largely optimistic: as an example, one quote is "if you are alive, any place can be heaven,".
As always, this is a wonderfully animated work. The backgrounds of the movie are stunning, and the larger budget definitely shows through, with complex action sequences and amazing, surreal and cosmic scenery galore. EoE is a feast for the eyes! The music, while somewhat dissonant to the general theme of the movie, is great, and strong enough to be appreciated as stand alone pieces. Like the NGE anime, this movie uses famous classical music, which create a dramatic effect.
I watched the original japanese Version, and the voice acting was fantastic. Particularly the voice of Shinji...Megumi Ogata is some woman! From crying to *ahem* ....other things..she performs realistically and with a tone of voice so unusual yet convincing. Rei's seiyuu was also fantastic, voicing her with that hint of emotion that is needed for such a complex girl.
Expect to see some character development, especially from Shinji and Rei in this movie! Even the villanious Gendou becomes more sympathetic. The interactions between Rei and Gendou and Shinji and Misato are some of the most heart rending of EoE, however, surprise encounters between the supporting cast (particularly the lovely Maya) also tugged at my heart strings.
All in all, EoE is fantastic and an imperative part of the Neon Genesis Evangelion franchise. This wonderful movie offers some of the best animation and characterisation I have scene in any series. If you are dissatisfied by the ending of NGE, this will be the conclusion you have been waiting for!

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