Hajime no Ippo: Rising (Hajime No Ippo: The Fighting!)

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Alternative Titles

English: Hajime No Ippo: The Fighting!

Synonyms: Fighting Spirit: Rising, Hajime no Ippo 3

Japanese: はじめの一歩 Rising

Information

Type: TV

Episodes: 25

Status: Finished Airing

Aired: Oct 6, 2013 to Mar 29, 2014

Premiered: Fall 2013

Broadcast: Sundays at 01:35 (JST)

Producers: VAP, Kodansha, Nippon Television Network

Licensors: None found, add some

Studios: Madhouse, MAPPA

Source: Manga

Genres: Comedy, Sports, Drama, Shounen

Duration: 22 min. per ep.

Rating: PG-13 - Teens 13 or older

Statistics

Score: 8.59¹ (scored by 100,780 users)

¹ indicates a weighted score.

Ranked: #74²

² based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.

Popularity: #865

Members: 182,917

Favorites: 1,050

8.59

Ranked #74Popularity #865Members 182,917

Fall 2013TVMadhouse, MAPPA

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Episodes: /25

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Synopsis

Japanese Featherweight Champion Makunouchi Ippo has defended his title belt once more with the help of his devastating signature move: the Dempsey Roll. However, new challengers are rising up left and right, claiming to have an answer for the move responsible for crushing his opponents. Will Ippo be able to step up to the challenge, or will the weight of his pride destroy him before he finds out just what it means to be strong? Meanwhile, fellow Kamogawa Gym mate Aoki Masaru is just a hop, skip, and a Frog Punch away from claiming his own belt, ready to take on the Japanese Lightweight Champion!

Hajime no Ippo: Rising continues Ippo's quest to become stronger, featuring the same cast of loveable dimwits from Kamogawa Gym, as they put their bodies and hearts on the line to make their way in the harsh world of professional boxing. With a will of iron, Ippo steps into the ring once again.

[Written by MAL Rewrite]

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Background

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Episode Videos

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Related Anime

Adaptation:	Hajime no Ippo
Prequel:	Hajime no Ippo: New Challenger

Tanaka, Masahiko
Japanese

More staff

Staff

Shishido, Jun

Director

Fukuda, Noriyuki

Episode Director, Storyboard, Key Animation, Animation Director

Mano, Akira

Episode Director

Aritomi, Kouji

Script

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Opening Theme

"Yakan Hikou (夜間飛行)" by Wasureran nee yo (忘れらんねえよ)

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Ending Theme

"Buchikome!! (ブチコメ!!)" by Shikuramen (シクラメン)

More reviews

Reviews

May 6, 2014

25 of 25 episodes seen

Overall Rating: 9

Stark700 (All reviews)

88 people found this review helpful

Representing a sports anime that have over two decades of history, Hajime no Ippo Rising returns in this third installation of its previous predecessors. It only takes one ring to bring together a collective cast of colorful characters, superstars of all shapes and sizes under one goal: to make a name of themselves and earn the respect of the world. Hajime no Ippo Rising accords for a perfect example of an anime based on the foundation of its theme not only in boxing but also in exploring the dynamics of its characters. It’s their time to rise and shine.

Based off the manga of the same name, George Morikawa is famously known for his work known as Hajime no Ippo. The franchise has gained international attention for its exquisite presentation of the sports genre. Focusing on Ippo Makunouchi, the series has set itself as a leading paradigm to the development of his character. Not only does he get the spotlight but the show itself also explores its other cast members under one unity – the conception of boxing and its wonders.

Being the holder of the Japanese Featherweight Champion holds a variety of meaning for Ippo. Responsibility comes as an archetypical word because top contenders will come after him. It’s his goal to defend his title, night after night, week after week, and possibly years after years. Ippo has already earned the respect of his peers but always strives to continuously aim for bigger heights. To do that, he faces off against powerful adversaries that truly tests his limits in the ring. Hajime no Ippo is known to explore characters both in and outside the ring for that matters. Well-developed stories also connects the characters together and formulates their development. For Ippo, it focuses both internally and externally on his character. This is extended by the clever usage of flashbacks involving his childhood. It’s a childhood that started out as pleasant but later turned cataclysmic after one faithful event relating to his father. We can feel Ippo’s emotions and what he’s been through that has left a painful scar in his mind. Whether in or outside the ring, Ippo identifies himself as a man of integrity – someone that stands out as a great example of a hardworking individual. The third season personifies his character in a way that is relatable and inspiring.

Ippo isn’t the only character of this series though. Born from Tokyo, Japan, Takamura Mamoru returns to make his dream come true – to become the WBC champion of the world and eventually conquer all the other weight classes It’s no easy task with the opponents that he faces off such as David Eagle from America. In contrast with the brash boxer that Brian Hawk showed to the world, David stands out more as a motivator with an easygoing personality. There’s a sharp turn in this presentation as Takamura faces off an opponent that is respected for his mannerisms. At the same time, we witness first hand at how much Takamura improved since his most prominent matches from the previous season. No doubt too does Ippo improve with his abilities when he takes on opponents. It’s riveting to see how characters in this show make names for themselves by going through obstacles, battling their internal obstructions, and showing the world that anything can be achieved with purpose.

Even Aoki Masuru gets his highlights in the series for his efforts. While largely downplayed as a mediocre competitor in the boxing world, Aoki’s development is almost instrumental thanks to his unorthodox skills. Despite being still presented as a comic relief on most occasions, Aoki learns the strenuous effort to make a name in the boxing world. He takes on opponents that puts him at the edge of struggling. However, it’s creative in this way to see Aoki in the ring from a different light. We tend to doubt Aoki’s skills but there’s no doubt the man has the guts to perform in front of an audience at his best. At the end of the day, Aoki is one of those guys that puts on a show you won’t forget whether it’s a win, loss, or draw. Even if he’s not the greatest sports entertainer in the world, Aoki represents a character of dignity for his efforts.

Action returns as a classic style that Hajime no Ippo fans should be familiar with. From the moment the bell rings all the way until the last drop of sweat hits the ring stands for an intensely pushed match of integrity. Camera angles are aimed strategically in motions that focuses on every move the characters make. At the same time, the boxers show on their face the feelings of guts, boldness, audacity, courage, power, and experience. It defines these characters as visions of the future for their skill. After all, boxing is a difficult sport to master and perfect. It may take months, years, or a lifetime of training. Some of the characters may make the sport seem like easy but their guts shows more than just punching each other in the faces. It takes skill with various moves such as Ippo’s Dempsey Roll and risks too. Does anyone think becoming a champion is possible without taking a risk? Of course not.

Character relationships still stands out as dynamic despite the intense focus on its competitions. In particular, we witness several cases of Ippo’s progression with his love interest, Mashiba Kumi. Unfortunately, the both of them doesn’t hit home base and their relationship doesn’t move forward much. Despite this, it’s clear that they share a mutual connection that can be bittersweet in a tough world of boxing. The Kamogawa Crew’s relationship also stands out as a promising connection between its members. At times, they can be interpreted as rivals. Other times, its members are like a brotherhood or even a family. Being without a father after coming out of childhood years, Ippo’s relationship with the crew becomes a prominent motivation for his character. The bromance and platonic closeness with its crew members stand out as team that unites each other despite some of their clashing ideologies.

On most parts, Hajime no Ippo’s story classifies itself as development but some parts can also feel slow with its fillerish progression. A few episodes seems like a snooze in the breeze with little more than a typical slice-of-life value. While this isn’t entirely a drawback, it can be staggering and tests the patience of fans who are eagerly wants to watch what’s ahead. Romance doesn’t also hit anywhere in this third season so fans can give up the dreams of their ships. Some comedy bits also becomes stale or even a banality. Yet, there is also a different side to the third season featured prominently in the latter half of the show with its flashback dynamics. In essence, Hajime no Ippo Rising shines itself at best when it focuses on its characters and story. The other parts aren’t entirely back-stab but sometimes just doesn’t work out in this installation.

The artwork stands out for its original design of the characters with improved artistic values. Most of the boxers classifies and distinguishing themselves with their styles. The battle scars and wounds serves as a proof of their journey as professional boxers. At the same time, there are characters that identity themselves as icons in the industry. Female characters aren’t a prominent feature but does offer credibility with their innocence, compassionate nature, and sometimes obsessiveness with certain factors.

Soundtrack offers virtue that are defined by the characters with their abilities. Each of the characters’ voice mannerisms gives an impression of who they are. The OST matches well for every move, every match, and every episode with its instrumental score. Sound effects of connecting punches are vigorous and is dynamic with the results. The OP and ED song are coordinated with a parallelism with most of the characters’ journeys as a boxer. It gives a feeling of synergy between each match. The characters embraces their beliefs while trying to climbing to that ladder of world championship.

Hajime no Ippo Rising isn’t this a show about throwing a punch into someone’s face. While you will witness a lot of that, the show explores characters in paths with compelling depth in a variety of ways. It’s amazing that in just a small ring that so much can be shown. Thanks to Hajime no Ippo, fans will not just see but learn about its concepts with its innovations. It’s not just experimental but inspiring to see how characters come so far with their dreams. That’s because boxing isn’t just a sport but also an art piece. The paintbrushes are the characters and the product represents its beauty for these rising superstars.

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Mar 29, 2014

25 of 25 episodes seen

Overall Rating: 8

ParaParaJMo (All reviews)

66 people found this review helpful

Taking place where New Challenger leaves off, the series starts from Ippo vs Shimabukuro Iwao to the conclusion of the story of Kamogawa in his youth in Post World War II Japan. Naturally, a new anime installment of Hajime no Ippo did excite me. I mean, with New Challenger ending, the animators have nearly 60 volumes to catch up on as opposed to being 60 volumes ahead unlike a certain Studio Pierrot series which you can easily conclude is.

For now, I would mostly like to focus my personal issues with this season as someone who actively reads the manga and is up to date read more

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Feb 1, 2017

25 of 25 episodes seen

Overall Rating: 6

Cinefil_original (All reviews)

50 people found this review helpful

Intro:
Hajime no Ippo:Rising continues the story presented in the previous 2 seasons. This 3rd season was just a distant shadow of what Hajime no Ippo once was.
After the first season ended the series went downhill, not in animation quallity but in the material.

Story: 6/10
I wish I could rate this a 9/10 as I did for the first season, unfortunately that will not happen and here is why.
- Why the heck is this show named "Hajime no Ippo" and not "Hajime no Everyone Else"? Ippo did not get any attention in this season, with just one single fight animated I was dissapointed to read more

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Apr 4, 2014

25 of 25 episodes seen

Overall Rating: 8

amirhoss (All reviews)

29 people found this review helpful

First of all a big thanks to George Morikawa because he did something nearly impossible with Hajime no Ippo. He managed to keep his story interesting and his comedy fresh even after all these years. Sure it has it’s weaknesses(for example some short chapters in the manga plus some repeated stuff in the story etc) but it is still a great accomplishment that only a few are capable of.

The story is about Ippo a kid without any purpose in his life and fate decides to make a boxer out of him. This season focuses on his challenges to keep his special move sharp and fresh, the Dempsey roll. in the manga the reason for the focus on the Dempsey Roll is explained better but since madhouse tried to handpick parts of the story there had to be some changes so they could fill it all in their schedule which is still no biggie since Ippo is not the best part of the story for me anyway(cause most of the times we know he is gonna win so it takes the tension away for me at least). His coach Kamogawa and his hero Takamura are the best parts and both get to shine in this season. Takamura aimed to rule 6 classes and his fights are always exciting and we get to see his second conquest in this season with a classier opponent this time, Eagle. A man that is exactly the opposite of Hawk, not just in style but also in personality. This is specially for American so mangaka could show better to them that he is not against Americans!

Madhouse decided to put the best part at the end of the season of course and along with some changes they put the Kamogawa background story at the end of this season which is probably the best part of the whole story and it explains why Kamogawa and Nekota are in their current state(plus Dankichi). As for the other characters Aoki and Kimura are mostly for comical relief like most of the times (even Aoki’s serious fight was funny and unreal probably on purpose) and Manabu is yet to reach his best condition in the manga but he is not liked by many it seems so I guess it’s for the best. (I actually like his character specially his expressions during matches and his second fight with Imai but he seems to me just like an extra character just to extend the story and doesn't add anything meaningful. I get it that he is there to show the growth of next generation but if it is going to be the similar rivalry thing that happened in the previous generations then who cares?!...). as for female characters…sigh, Sport genre and good female characters usually don’t go hand to hand(there are some strong or useful ones in some stories still as characters they are not that interesting). also this season shows one of the key messages the manga has: the importance of rivals.

The animation doesn’t seem too much improved to be honest specially when you watch Kuroko no baske’s second season and see the improvement there in the short time it had from it’s previous season(although they didn't keep it up till the end) but it still feels a little cleaner and sharper than before. voice acting is strong just like previous seasons although Kamogawa’s voice actor passed away (rest in peace) so they had to replace him. Sadly they replaced him with Miguel’s voice actor but many probably don’t even remember Miguel so who cares and they might not even adopt Wally’s story so he might not be needed since if there is going to be a fourth season they might go for another epic fight or something (Volg’s fight would be good if they could somehow include it too since they had to show Volg this time too so it would be cooler narrative-wise but guess for that reason they should go for Randy J too.). also Coach’s voice in his earlier days didn't fit him(it is done by Mamoru Miyano mostly famous for Light Yagami) it was obvious they were just trying to use a famous Voice actor cause he is an important character but to be honest the fact that it doesn't fit is not a bad thing cause not all characters should have voices that matches their faces or style and as long as voice actors do their job fine they are fine. As for OP and ED I didn’t enjoy them although they made a smart use of a front page of one of the chapters in the ED which I liked.

2013 was filled with great sport anime like Yowamushi pedal, Kuroko no Baske Season 2 and Diamond No Ace and sport fans are hopefully pleased. Hajime no Ippo Rising doesn't lose to those anime of course and it is a worthy adaptation. also Hopefully George Morikawa will start another Takamura fight soon or something as epic so Madhouse gets more tempted for another season.

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