Yokohama Kaidashi Kikou

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Alternative Titles

Synonyms: Yokohama Shopping Log, Yokohama Shopping Trip, Touge

Japanese: ヨコハマ買い出し紀行

Information

Type: Manga

Volumes: 14

Chapters: 142

Status: Finished

Published: Apr 25, 1994 to Feb 25, 2006

Genres: Drama, Sci-Fi, Slice of Life, Seinen

Authors: Ashinano, Hitoshi (Story & Art)

Serialization: Afternoon

Statistics

Score: 8.74¹ (scored by 10,365 users)

¹ indicates a weighted score.

Ranked: #34²

² based on the top manga page. Please note that 'R18+' titles are excluded.

Popularity: #203

Members: 36,810

Favorites: 3,247

8.74

Ranked #34Popularity #203Members 36,810

MangaAfternoonAshinano, Hitoshi (Story & Art)

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Volumes: /14

Chapters: /142

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Synopsis

The story is set in future Japan, in which the sea level has risen and flooded many of the coastal areas and Mt. Fuji has erupted within living memory. The population has been considerably reduced and political and technological institutions have broken-down. Local communities have become nations and telephone and television no longer exist (although coffee vending machines and streetlights stubbornly continue to work). There are strange new animals and plants (like flying fish and glowing streetlight trees).

The remaining people have adopted a slower-paced, simpler way of life and rely more on each other. Along with the human population are some intelligent, humanoid robots. One of the robots, a female named Alpha, runs a café by the same name in the country outside of what remains of Yokohama. With her trusty motor scooter and her camera she travels around the area making friends with the humans and robots, having new experiences and observing the passage of time.

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Background

Three drama CDs were released in 2002. In all three, Alpha is voiced by Hekiru Shiina and Kokone by Akiko Nakagawa. Both of whom voiced the same characters in the two OVA series.

A novel based on Yokohama Kaidashi Kikou called Yokohama Kaidashi Kikou Novel: Seeing, Walking, Being Glad, written by Teriha Katsuki, was published by Kodansha on 23 October 2008. Set long after the conclusion of the manga series, it tells the story of a boy robot named Omega and his search for the legendary Cafe Alpha. (Source: Wikipedia)

In 2007, the series won the Seiun Award for Best Manga.

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Related Manga

Adaptation:

Yokohama Kaidashi Kikou: Quiet Country Cafe, Yokohama Kaidashi Kikou

More characters
Characters

Hatsuseno, Alpha

Main

Takatsu, Kokone

Supporting

Misago

Supporting

Ojisan

Supporting

Takahiro

Supporting

Koumi'ishi

Supporting

Maruko, Maruko

Supporting

Ayase

Supporting

Matsuki

Supporting

Koumi'ishi, Alpha

Supporting

More reviewsReviews

Aug 13, 2008

140 of 142 chapters read

Overall Rating: 10

TheCriticsClub (All reviews)

359 people found this review helpful

Yokohama Kaidashi Kikou (abbreviated to YKK outside Japan) is an example of the proverbial “diamond in the coal mine”. Written and drawn by Ashinano Hitoshi, the manga was serialized in Kodansha's [b]Afternoon[/b] magazine for almost 12 years, and has gathered a number of devoted fans around the world despite the lack of licensed English translations. This comes as no surprise since it is one of the few series which deserves to be treated as a works of literature rather than of pop culture. YKK is a testament to the true potential of manga and the series is recognized as such, having been deemed worthy of read more

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Jul 18, 2007

143 of 142 chapters read

Overall Rating: 10

Yuunagi (All reviews)

191 people found this review helpful

"This gentle calm and quiet is the twilight of an era.
I will probably watch the passing of this twilight age."

Content:
The stories featured in YKK are mostly light and melancholy. Readers who are used to action, sex, fanservice, violence, and/or intense drama would either be A) disappointed, or B) surprised that stories without the said elements could possibly exist and still be enjoyable.

YKK is characterized by mono no aware, a Japanese concept that describes beauty as an awareness of the transience of all things, and a gentle sadness at their passing. Entertaining old customers in a coffee shop, riding through desolate roads on a scooter, reminiscing while watching the sun set; none of these are close to being earth-shattering and yet the author somehow presents ordinary scenes in such a way that they evoke overwhelming feelings of nostalgia. Being reminded that today will be tomorrow’s yesterday, one cannot help but appreciate the present for its fleeting existence.

Literary Style:
Ashinano’s style of writing is radically different from that of other mangaka. Rather than using the typical cliches and standards of comics and animation, the author’s style is more similar to those used by writers of literary novels and short stories. Using motifs and details to imply themes, skillfully combining images of everyday life with colloquial monologues and dialogues to produce visual and verbal poetry, it is obvious that, while YKK is appropriate for readers of all ages, it requires a mature and understanding reader to fully appreciate this work of art.

In fact, his method of implying themes through details might remind some of J. D. Salinger’s The Catcher in the Rye. The characters, the plot, and the details don’t just represent themselves as components of a work of fiction, they reflect the reality of everyday living. The characters act naturally and events unfold as they would in real life: without fanfare. This makes it easier for the readers to relate with the characters and believe in them. As the characters develop, the reader may also find their revelations relevant to his/her own life. In a sense, Yokohama Kaidashi Kikou may in fact be one of the few titles which are actually worthy of being called “graphic novels”.

Visuals:
Ashinano’s character designs are simple yet charming. The faces of the characters are very expressive, effectively bringing out the characters’ moods and personalities. As one goes through the volumes, it’s also quite interesting to see how Ashinano’s style had improved through the years (the series ran for 12 years, after all).

What really makes his art stand out, however, is his awesome ability illustrate the setting in fine detail. Gusts of wind sweep across vast fields of grass, the lights of a submerged city continue to glow beneath the ocean waves, roads and towns once bustling with life now stand derelict and abandoned; the scenes often invoke feelings of nostalgia as if the writer and the readers had been there themselves. Later on in the series, Ashinano starts using more and more of these images to enforce or sometimes even replace the dialogue to deliver his message to the audience.

Overall:
Well, it looks like it’s all downhill from this point on for anime/manga because I don’t think I’ll ever find anything close to being as good as this series. Sure, I’ll probably stumble over a few other well-written stories out there, but I really doubt it if they would be as emotional and as thought provoking as Yokohama Kaidashi Kikou.

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Jul 27, 2013

142 of 142 chapters read

Overall Rating: 10

lpf (All reviews)

171 people found this review helpful

As the sea assaults continents, slowly but surely, humanity is declining. Telecommunication is no more. Government gave way to local organisation. Quietly witnessing this apocalypse unfold, humans are living peacefully.

Among the many ways fiction depicts apocalypse, "peacefully" is uncommon. We like to think of the world ending in brutal, dramatic and lightning fast ways. Of humans against their fate struggling. But the end of the world in this manga is gradual, slow enough to give mankind the time to accept his fate, sit back, and enjoy the last hour of his age. Whatever will be will be – the die is long cast.

So unfolds the twilight of a transient humanity. And our little humans get many occasions to experience the transience of things – the transience of the world and that of themselves. Time and again, the beautiful melancholy of the dying world touches and overwhelms. The story unfolds at roughly the same pace as its monthly publication; we follow the characters as time passes, and as the curtain falls on the remnants of the world. The sea rises, and the landscapes that were dear to us disappear like smoke in the air. The machines that once served mankind meet their end too: aeroplanes, or engines, are for their last time used. Characters pass away during the series, but death is a fact of life that the living have accepted. As such, death is merely implied, and mourning but hinted at. Such is, among other understated occurrences of drama, what makes Yokohama Kaidashi Kikou a wonderful experience: the lament of its dying world, quiet yet staggering.

I think YKK is a story about a people that lost so much that it stopped taking anything for granted and started cherishing the things it has left. And, with its masterful art, atmosphere, and writing, it makes you cherish them too. It makes you cherish life, the characters' things, your own things. Here's a quote from the manga to illustrate my argument: "There isn't as much difference between the seasons as there used to be; however, I think we take greater pleasure in those differences." One common translation of "mono no aware", the manga's driving force, is "sensitivity to things". More precisely, the contemplation of things' impermanence and how it amplifies their beauty.

But YKK isn't only about treasuring what the characters have. It's about losing some of it, too. The characters' everyday life slowly changes, falters and disappears as the slow apocalypse has its way with humanity. And it's okay. The characters already accepted it, because "acknowledgement of the transience of things makes them more beautiful". Because of this peculiar way YKK handles tragedy, the dramatic parts (as well as the blissful ones) are extremely understated. And it makes them all the more powerful – even if it means that more attention and sensitivity is demanded from the reader.

Moments such as two characters' reunion after a long journey convey strong feelings like melancholy, surprise, and happiness. These moments are often handled without words, using panelling, faces and body language to convey feelings. In the saddest moments of the series, very little of Alpha's thoughts is given, trusting the readers to know our main character well enough to empathise with her sorrow, and form their own reaction to the happenings, finding their place in Alpha's journey.

The art is exceptional. Inanimate scenes are like poetry in motion. Alpha loses herself in many sumptuous landscapes, inviting the reader to follow suit. From the still functional lights of a submerged city to the view of Mount Fuji in the distance, mundane situations are made extraordinary and extraordinary ones are made otherworldly. Up the author's sleeve are countless tricks to heighten this experience; one such trick is the sparse, but wise use of colour. For example, one chapter shows Alpha enjoying a nostalgic view, and as day turns into dusk the varying colours make obvious – and beautiful – that a large amount of time passes throughout the panels.

As the characters grow, their design changes. By contrast, Alpha is an android and she doesn't change – the regular realisation that time passed before her knowing is never short of melancholy. Although stylised in design, human characters are clearly of Asian heritage. The inhabitants have black hair and share many features. The androids, thereby, stand out; their outlandish looks become a central part of their characterisation. Often replacing thoughts and speech, the characters' faces are expressive (save for Ojisan's sometimes all too subtle expression changes); anatomy is rendered in a detailed enough style to permit realistic and convincing body language.

Over the years, Yokohama Kaidashi Kikou has enjoyed a small, but very enthusiastic fanbase which I am proud to be part of. It ranks among the most gratifying and memorable stories. For a great number of reasons of which a single review couldn't make a comprehensive list, I enjoyed this manga tremendously and I sincerely believe that you will.

As the sea assaults continents, as governments and telecommunications die out, humanity is declining. Before Alpha's eyes, the world, which once seemed tireless, slowly calmed down...

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Jan 7, 2017

142 of 142 chapters read

Overall Rating: 10

Kns- (All reviews)

40 people found this review helpful

"The festival like world, had slowly settled to a leisurely pace. To think that an era... came to its twilight so pleasantly. I think i will continue... watching this twilight world...as long as time flows".

Nothing remains motionless; all - whether quickly or quietly - moving, mutating, turning, hesitating between being and non-being.
The world is conceived as a single stream, eternal emergence and disappearance: some things go away, others come; some blossom, others wither and dry up; some become stronger, others weaken; The wet dries, the dry moistens; some things are created, formed, others are destroyed. Formed with time again transformed. Everything gradually passes from one read more

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