Kidou Senshi Gundam: Fukushuu no Requiem

--- What is it like to gaming with a cheater on the opposite team?
Glade to have another 'Gundam' from UC universe and this time from the POV of Zion's side since most is not all UC universe's 'Gundams 'are from the Gundam/federation's perspective. It really bring up the scale of war from a real, normal, and mature Zion foot soldier's POV instead of a problematic teenager, especially when she actually need to face the really protagonist of the franchises ---Gundam, a really underdog story that struggle to survive. This show is screaming with the original UC era vibe, so if you are a ... 'Gundam' fan you won't disappoint...And then lets address the TWO elephants in the room....

We anime watchers are all too familiar with the term 'anime CGI', the CGI from the beget anime industry just cannot compares to big company like ILM, and the 2D platform never sit too well with 3D yet... however if only one genre of the anime where the CGI could shine it is the mecha genre, and man this show looks good! Giving the credit to all original hand-draw animators but I think the CGI mecha is superior, the weight and impact behind every moves they make is really hard to achieve with traditional 2D anime. To be honest the Gundam in this show is a little wired, sometimes it feel too light (teleporting) yet sometime it feels to heavy and clumsy, but Zakus in this show tho, Zakus are perfect! It can moves fast but still has weight in it, it bend the knee and bring down the center of gravity then kick the ground extend the body, it has motions instead of 'teleportation'. This show really brings Zaku to life with the crudeness of that hundreds tons of metal monster, really a breath of the fresh air when today's mecha is more magical than mechanical.

The writing is a little bit childish but to be fair majorly the 'Gundam' does, so no big deal, the problem lies with the 'woke' perspective of the show. Personally I do not consider this show as 'woke', let me explain. Sure there are defiantly some 'woke' like/influence when it comes to the character design, yes I'm talking about the pink head rifle girl who is a badass female support with 'bad-girl' character design which is a classic character trop we have seen in shows and movies many times way before 'woke' exist e.g. the girls from Mad-Max-4 or 5th-Element or Cyberpunk-Edge-Runner, etc, slightly 'woke' maybe but as long as the 'woke' doesn't over-reach for the story I am cool with that. Then the only other female character is the main protagonist, she being a strong willed mother is the key factor that responsible for the progression of the story, the decisions she made and how her surrounding reacts to her because her character and background is essential. Therefore, the story does bend to have a female lead, the story has a female lead because she is the perfect character for the story.

To sum up, this is a short fast piece action pack OVA that is faithful to the origin material an honest tribute to the 'Gundam' fans with great visual (Zaku has never look this good! ever!), So if you are a 'Gundam' fan what are you waiting for??

Gundam: Requiem for a Vengeance is a very interesting entry to say the least. By no means is it "bad" but there is a lot that holds it back.

Firstly, the most important aspect to address is the animation, a key part of its appeal and marketing. The entire show was animated in the game engine of Unreal Engine 5 and it really shows (in a bad way). While objectively the show looks good from a pure visual fidelity standpoint, it in turn makes the aesthetics feel bland and uninteresting, it's just "realistic". A problem that plagues a lot of modern games as well.

I actually ... really enjoy the mechanical designs, they look quite good the titular Gundam especially, it manages to come off as scary and menacing really well and it's design definitely feels like a "prototype". The rest of the designs for the Zaku, Goufs and GMs are what you expect but all look good nonetheless. My main gripe with the animation is the human characters, they what really remind you that this was created in a game engine, there's many occasions where it looks like I'm about to transition into gameplay. A lot of dialogue sequences look like automated cutscenes in an open-world game and everyone has these lifeless eyes that always seem like they're looking past the person they're talking to. The movements at times look like they tweened between multiple pre-set animations they found in a library as they at times have these weird and noticeable start-ups and stiff and sudden ends. Some other small aspects such as hair clipping throw hats and hair not blowing in the wind while other fabrics are, all add up and take you out the experience.

The dialogue is pretty weak as well, character interactions just feel awkward and that especially the case when the intonation of speech doesn't match up with how the character is animated. There's quite a few occasions where character alignment isn't consistent. In the last episode Alfee comforts Iria by saying that her squad's death wasn't her fault and they're just soldiers doing their job, then when Iria decides to stay and fight the EFF (aka doing "her job") Alfee (and everyone for that matter) is against it. This show always love doing fake suspense, where it looks like a character is going to die but then someone comes just at the right moment to save them. That cliche occurs like three times in one episode.

This entry can't also decides whether it's for newcomers or veterans, because for newcomers it doesn't give a good depiction of either side of the war and makes reference to other key events, locations and people for the U.C but then it also stops to explains the concept of Newtypes (which I know makes sense in the context of the scene but still). The EFF are essentially faceless nobodies just there to be obstacles, no one is even given the attempt to have sympathy, aside from the Gundam's pilot, who felt kind of shoehorned into the latter half of the show. It's like they wanted to have the Gundam as a threatening presence but also as a thing to feel bad for, and due to the shortness of the series it couldn't be explored that in depth, but I could see where they wanted to go with it and I think the fact that they left the pilot as a nameless child adds to the horror they were trying to depict.

Most of the Zeon forces have little to no personality, they're all just there to "do their job" and "kill the enemy so they can go home", which is true for war but none of them display anything that makes them "Zeon", they act the same as the Earth Federation Forces in terms of motivation and ideals, they're almost interchangeable. This is especially jarring when you remember the existence of 'Operation British' and how much destruction the Principality of Zeon caused because of it, but no one even has an opinion on it, nor is it ever mentioned despite being such a major event. Iria is the only character to stand out with having an actual motivation but it's presented as if she's the only person who lost family in the war and/or has a child who's waiting for them.

When the Mobile Suit battles actually happened they do look quite good and cool, the effects work on the explosions, sparks and beams are really well done and I did find myself becoming more invested in the story as it unfolded (I wasn't very impressed with the first episode) but for every step it took forward a bunch of little things would accumulate into it taking two steps back. The concept isn't bad but it's not the first time we've seen a prototype Gundam and the existence of this specific model doesn't really make sense nor is ever explained (I can only guess that in-universe it aided in the development of the Ground Gundam from The 08th MS Team? Supported by the cameo from Yuri that they want that connection, but that still feels like a bit of a stretch).

There's a lot more I could mention but I don't want this to be too long.

Basically... Watch it if you want I guess, you're not gonna gain much but you're not gonna lose anything either.

Let's address the colony drop in the room.

Requiem for Vengeance (RFV) faces the same issue every One Year War (the conflict depicted in Mobile Suit Gundam 1979) spinoff has faced: how to make major POV Zeon characters sympathetic in the face of the colony drop—an event that killed billions. This show, like many before it, parrots the "just soldiers following orders" mantra. The cast of RFV is composed of normal soldiers, content with the perceived honor of their occupation. They are soldiers without philosophy or worldview—detached from any motivation outside of killing the enemy and going home. The main cast is shallow, lacking any ... form of complexity or depth (besides the pittance offered to Iria). They fight willingly, bravely, and justly, mouring the loss of their comrades, hating the enemy, and appaled by the slaughter of civlians. They are also fighting for the side whose first action in the war was to massacre millions of civilians (neutral to the war) and to turn their home into missile to drop on earth, killing billions more. See the problem?

They can't not have an opinion on that. Right? Iria, Alfee, and that one officer with a mustache act appaled at the very idea of civilian casualties, yet no mention of the drop. A simple way this show could add depth (or any depth for that matter) would be to simply have this cast offer differing perspectives on the necessity or lack thereof of Operation British. But the avoidance of the topic serves to undermine the show's legitmacy. The closest the show gets in referencing the event is at the end of the show's short intro that plays every episode, the closing shot being the colony drop. It's literally right there in the show!

Taking an approach similar to Dune: Messiah could have potentially been interesting in the right hands, with the creators seeking to make the bad guys (in the case of RFV: Zeon fascists; in the case of Dune: the monster of a dictator Pual is) sypathetic. But in today's world, that may not be possible with the polarization of political views and the dominance of absolute moralism due to a combination of World War II and the advent of cancel culture. One can imagine how this show might have looked in different—more capable and perhaps bolder—hands.

The characters being absent of philosophic musings isn't the biggest problem. You can make these characters sympathetic in spite of that. Even separated from the factors, ideas, and motivations that drive soldiers to fight in a war (like how someone might feel about ethnic genocide or the dehuminzation of certain people groups for example), these characters could be interesting. Everybody loved Ramba Ral in First Gundam for his honor and Char for his charisma and how those characters made Zeon feel more complex, multi-dimensional, and real as a faction in the world of Gundam. The issue here is this cast's complete lack of animation, personality, and distinction. Each and every one of the them is a charicature. Their personalities can be summarized in one or two words. There is nothing else to them. So I don't find myself rooting for the Zeons here. I just don't care about any of them like I did for Ramba Ral, Hamon, Char, or any of the many unnamed Zeon soldiers who made brief apperances in First Gundam.

On the matter of the animation: it's terrible. Not all the time, mind you, but it looks and moves like a ps3/Xbox 360 cutscene. My brother came into the room at one point and asked when I booted up an old game at one point while I was watching the show. Credit where credit is due, there are some beautiful shots in here. Most are environmental wide shots, the strong lighting and still models mixing wonderfully in some rare moments. For the bulk of the show, however, the animation isn't it. The characters are stiff and lifeless with emotionless faces and the lipsyncing rarely matching up. The voice acting doesn't inspire either with all besides maybe Priscilla Concepcion as Iria offering stilted and poor performances. The mechs are weightless in all the wrong ways. And textures are frequently muddy.

The show's action scenes fare little better. The. Camera. Won't. Stop. Moving. I remember people mentioning this as a problem in Berserk 2016, and I had this same issue with the Final Fantasy XV Kingsglaive movie. But something about the freedom 3d animation gives the camera just causes directors to lose all sense of how to use it. It's much less aggregious here than the two examples I gave, but it still bothered me. The bigger issue lies in how the pacing of scenes is all over the place. Mid-fight, the Gundam will just lose interest in a target after being shot at and just leave or slow down to allow for plot progression. Another time, it somehow lost sight of a Zaku II in a junkyard with nothing blocking its line of sight while Iria slowly lumbers behind a pile of rusted cars, and, the next thing you know, the Gundam is wandering around looking for her, inexplicably not knowing exactly where she went. It's baffling, and greatly deflates the tension.

As it stands, RFV has nothing of value to say. The cast is shallow and one note. Their paper-thin characterization as soldiers who loyally do what their told barely holds up through the show. The action is bland and weightless in all the wrong ways. The theme (?) of seeking unecessary vengeance at the cost of lives in wartime is kinda there but contradicted by the ending. The ending is its own brief conversation.

Without giving spoilers (but please avoid if you wish to avoid any idea of the ending), RFV's conclusion when viewed within the greater metanarrative and context of the Universal Century (the name for the main timeline of Gundam shows and films) is completely morally contradictory. It makes no sense for this show to frame Iria's decision as a positive thing. She perpetuates the status quo of conflict she claims to want to end—a fact made crystal clear by Zeta Gundam onward—but RFV lacks the self awareness to recognize this fact.

I didn't hate this show. But I found it's lack of commitment to a message or theme anathema within the context of its franchise and lineage. I might have strongly (*cough* very strongly *cough*) disliked other gundam shows like Gundam 00 or Unicorn, but I awcknowledge those shows were at least toying around with some interesting political and moral ideas, even if they dropped the ball on how they handled them.

But the moral of the story is that everything this show and its defenders say its doing, Mobile Suit Gundam 1979 did it better. And did it 45 years ago.

Do you want a show that disects the trauma of war? Done. You want heavy themes? Done. You want a narrative focusing on small people getting swempt up in a larger conflict they don't fully understand? Mobile Suit Gundam did that too. There is an understated quality to the original series and its retellings. It captures the drastically varied emotions of the human heart in the terror of wartime so vividly. Go watch or read First Gundam instead of this (or one of the great side stories like War in the Pocket). It's a far better use of your time.