Yakitori

I don't care what anyone says this show is dope as hell.

The dialogue is ok, the plot is actually really good. The animation work and directorial stuff is next level, but you do have to look past the 3d animation, which really isn't a problem for me.

If this AT ALL looks interesting to you, do yourself a favor and please watch this.


The set pieces and action moments are all done really well and there are some really breathtaking animation set pieces. There was a moment near the end of the show that legit left me speechless.

The writing isn't something that's going to draw you in ... to much, the plot is rather simple, but it does have a deeper layer, which you can actually understand without too much analysis, which is nice. It's overall entertaining enough to keep you going, and the plot actually does have some really fun payoffs.

Overall: A weaker version of Blue Gender, but with a great OST. I'm giving 4 stars on the OST alone. So it is at least worth watching just to hear the OST. The animation looked like one of the Saint Seiya reboots, which I don't like, but the production value was good. If Yakitori does anything else good, it is negligible, because the rest is so basic. A total of 4.5 stars max.

Is the story unique? If it was predictable, did you enjoy it anyway because you like this genre/set-up?
Story was completely predictable with just one small plot twist on the ... final episode, but it doesn't try to answer any big philosophical questions.

Do you think the art style is fitting for the story?
No, needed a different method of doing the CGI.

Were the characters well-rounded? Did they have flaws and strengths, or were they unusually strong/smart/stupid?
Just terrible stock characters. I remember when people were mad about Akudama Drive about this (excluding Swindler), but at least Akudama Drive had a flare to its' artwork and story direction had style points.

Did the characters react to situations and events in a realistic way?
The characters reacted to everything in such a predictable and vanilla way.

Do you think others will enjoy/dislike this series, even if you didn't? Why?
Someone who is new to anime might like this or someone studying to read, listen, and speak Japanese for some practice. It is way too vanilla for anime vets. Music geeks will rejoice.

I’ve had my Netflix subscription for about 4 years now. One conclusion I’ve come to during this time is that a marriage between anime and CG would lead to a very toxic relationship. And when you have Netflix certifying said marriage, it will lead to a bloody godawful divorce with no one winning anything substantial in the divorce proceedings. This has been evident in a vast majority of CG anime till date with no such anime becoming a commercial or a critical hit. Unfortunately, Yakitori continues this trend.
Yakitori is a 6-episode anime adaptation of a novel series by the same name, which was written by ... Carlos Zen (who also authored Youjo Senki) and illustrated by so-bin (who also illustrated Overlord). While I was turned off by the animation, I was hopeful that – due to the involvement of so-bin and Calos Zen – the anime would be pretty decent. Sadly, due to Netflix’s involvement, a rather underwhelming premise, unlikeable characters, a lack of character development and backstories, and a very short run of just 6 episodes, this anime was a disappointment.

SYNOPSIS:
In the not-so-distant future, Earth gets colonised by a group of aliens called the Trade Federation (these aliens are basically sapient cats, dogs, rats, and other animals), and have rendered humans as third-class citizens. Humans now face discrimination, a shrinking pool of work opportunities, become a food source for the alien elite, and are increasingly marginalised.
Enter Akira, our hot-blooded hero whose whiny attitude would make even urge Eren from Attack on Titan to slap him across the face, who is also a victim of the aforementioned marginalisation and faces workplace bullying and expulsion from his school (both of which were his own faults, mind you). One fine day, a chap named Pupkin visits his workplace and offers him a job in the Trade Federation’s military. To be more precise, he is scouted into an infantry unit which goes by the name of “Yakitori”; Yakitori is Japanese skewered chicken, and the unit is named as such due to having a 70% mortality rate. Even so, the pay is pretty good and Akira is convinced to join the unit and goes to London, where he would board a spaceship to Mars.
In London, Akira meets his future colleagues: Tyrone, Amalia, Erland, and Zihan. The crew hit it off pretty quickly – Not! Right off the bat, they (mainly Akira and Amalia) began to bicker about the most trivial of matters, from their attitudes to why on Earth is the rocket playing Mozart’s music in the background. While I do understand that a ragtag bunch of misfits (and multinational ones, no less) will have to bicker and gradually become true companions as the story progresses, the sheer inanity of the fights, the insufferable personalities of Akira and Amalia, and them telling off their other three colleagues really soured my mood. What’s worse is that they saw very little character development and their brattiness constantly put their unit’s lives at stake. Anyways, on Mars, they are assigned to work under the orders of Rimul, a dog alien who is an officer in the Trade Federation’s military.
The remainder of the story focused on their training, the history behind the formation of the Yakitori, the unit trying to put down a rebellion, a glimpse into war crime proceedings (which was actually pretty well-done albeit over-the-top), the internal politics of the Trade Federation, and the unit becoming more coherent and following their superiors’ orders. Oh, and the anime also blessed us with a bunny clone of Hatsune Miku, who was used by the Trade Federation to give orders to the Yakitori unit. And no, I am not making this up. Also, the Hatsune Miku clone would give orders to the Yakitori in Japanese in the English dub… And the whole team (including Akira, who’s Japanese) were able to understand her A-OK?! I have no idea why they didn’t bother dubbing her too!
Overall, Yakitori was not a pleasant experience for me. My biggest problem with it were the characters who were stereotypes at best and obnoxious twits at worst. While the premise of an alien race that look like Earth’s animals colonising Earth and enslaving humans is a rather silly promise, that is not an excuse. There are several anime that have silly premises but are well-received. My guess is that these anime strengthen their characters, animation, music, etc. to mitigate the shortcomings of the premise. That was not the case in Yakitori; the animation was uncanny, the premise was weak (save for the war crimes trial), a complete absence of character backstories, a lack of character development, and the characters were predominantly bland and unlikeable. Speaking of which…

CHARACTERS:
1) Akira Ihotsu: The main character of the story and one of the most selfish and bratty protagonists to grace our screens in 2023. Akira was expelled from his school for attacking his teacher for refusing to let him go to college, and he was also involved in fighting with his co-workers for not doing their duties. While the anger was a bit justifiable, violence is rarely, if ever, the answer. Even after getting scouted into the Yakitori, he simply refused to work in a team and his selfish attitude constantly dragged his team down and even nearly got them killed. Also, the blighter’s really rude to his teammates even when he’s not provoked and has been racist towards them (especially Tyrone and Zihan) a couple of times. Sure, he does prove his military prowess occasionally, but what good would that do if you’re a rabid dog biting your enemies and allies alike 99.99% of the time?
2) Amalia Schultz: A British, female, and slightly less insufferable version of Akira. Many of the complaints I had about Akira can be copy-pasted to Amalia. She’s also quite pompous and talks her colleagues down for not liking Mozart. Thankfully, she lacked the racist bone present in Akira and did call him out for verbally assaulting Zihan.
3) Tyrone Baxter: The muscle of the Yakitori unit and originating from the United States. He and Erland are by far the nicest characters, as well as the one who tried to break the ice when the unit was first formed. Unlike Erland, he’s no pushover and grew less patient with Akira and Amalia’s antics. He’s also experienced in fighting and sometimes leads the Yakitori in their operations.
4) Erland Martonen: A tech geek from Sweden who plays the role of the pacifier in the Yakitori. Unfortunately, he’s also a pushover and his efforts to calm the team down often backfire. Overall, a nice but forgettable character.
5) Zihan Yang: The everywoman of the Yakitori from China and my favourite character in this anime. She’s the brains of the team and is by far the most level-headed and pragmatic member who mainly prioritises completing the missions. Like Tyrone, she’s no pushover and tries to develop a sense of teamwork in the Yakitori. Unlike Tyrone and Erland, she has (rightfully) no tolerance for her team’s antics and is very blunt about her colleagues’ shortcomings.
6) Rimul: A dog alien who is an officer in the Trade Federation’s military. He’s also responsible for leading the Yakitori unit. He also plays a more fatherly role for his subordinates and becomes sceptical about his leaders’ agendas. He’s probably the only character in the anime who saw some shred of character development. He’s my second favourite character after Zihan.
7) Vasya Pupkin: The guy who scouted the Yakitori unit. A mysterious character whose objectives are yet to be clarified. Even so, he has aided the Yakitori in several ways across the story. If the anime gets a new season, I would be interested in seeing how Pupkin’s story goes.

ANIMATION:
Yakitori’s animation was weak, period. The animation and the character designs were uncanny and disorienting. Before I picked up the anime, the trailer which showcased what it would be like put me off immediately.
The studio behind the anime is Arect, a studio which specialises in CG and is known for its contribution in the Aikatsu series. Yakitori is their second venture as the main animation studio. Their debut was with Bright: Samurai Souls, a Netflix-original anime movie which suffered from the same exact problems Yakitori faced and suffered from even worse animation.
While Yakitori’s animation is better than Bright’s, that doesn’t mean it’s good. Sure, if a kid gets a 27% score in his maths test while his classmate scores a 3%, both have still failed the test.

MUSIC:
The music score of Yakitori is alright, just forgettable. The opening theme is kinda catchy; it was done by Ken Ishii (a famous DJ inspired by Detroit techno) whose most famous work was Extra, a music video which won MTV Europe’s Best Dance Music Video award in 1997. The ending theme was also done by Ken Ishii; it was a remix of Eine Kleine Nachtmusik (A Little Night Music), which is one of Mozart’s most famous works. Still, my biggest gripe is that why bother having a bunny Hatsune Miku in the anime but have none of her songs. Why on earth was she in the anime then? Why bother leaving things half-baked?

FINAL THOUGHTS:
Yakitori is just one of the many reminders to why CG, Netflix, and anime can’t go hand-in-hand. The anime had potential (heck, it was written by the same bloke who wrote Youjo Senki), but it was very poorly executed. Apart from the animation, the unlikeable and forgettable cast of characters only made the anime a chore to watch. The only three saving graces in it were the war crimes trial scene, Hatsune Miku as a bunny, and the fact that the whole bloody anime was just 6 episodes long.

VERDICT:
3/10 (Genuinely Bad)
Likes: Zihan, Rimul, Bunny Miku, and the war crimes trial scene.
Dislikes: Most of the characters (especially Akira), the animation, and the premise.