Nisemonogatari

Fanservice has always been a bit of a controversial issue. Some love it, some hate all instances of it. There's really no feasible way to please everybody when the reaction can often be likened to a dichotomy, split between 'too much' and 'not enough'. While Bakemonogatari is a series known by most for its unique art direction and character interaction, to say that it's removed itself entirely from sexual themes would be a flat-out lie. It's not much of a surprise then, that these elements are even more prolific in Nisemonogatari, for both better and for worse.

The first thing that should be recognized ... before watching Nisemonogatari is this very change and shift in focus. It wouldn't be much an exaggeration to say that at times it can feel like a different series, and certainly not all fans are going to approve of the change in tone and theme.

Despite this though, things are not all that unlike either.

Being that this is the sequel to one of SHAFT's most successful anime, it would be incomprehensible for them to suddenly remove the unique style and flavor that the series became so known for in the first place. Head tilts are still prominent, the scenery is highly stylized, the characters will frequently engage in a playful diatribe and critique of Araragi, and surrealism remains a pervasive aspect in the presentation and overall experience. This is Bakemonogatari in much of its glory, but with the story itself becoming something of less importance than the characters and their interaction with each other.

Probably the largest addition to Nisemonogatari is the new role of Araragi's two younger sisters, Karen and Tsukihi. Both of them form a group known as the 'Fire Sisters', and together they create the main focus of the entire show. Tsukihi is a sharply sarcastic and disapproving sister while Karen, voiced by the beloved Kitamura Eri, behaves as a bit of a tomboy and energetic character who strives to fight for justice and what she feels is the right thing.

These ideals of justice create an interesting problem for Karen as she comes into contact with the antagonist, Kaiki, a con artist exploiting teenage girls out of their money which quickly escalates into a conflict between the two, with Karen focusing on protecting the innocent and Kaiki on using them for his own avaricious goals. Kaiki as a character is quite unique and interesting as he never falls into a generic and stereotyped 'bad guy' persona, instead adopting a very grey morality where neither good nor bad exists. He cares for little else than money, and money is something he aims to attain regardless of who loses out for it. Surprisingly, he doesn't antagonize the main characters very much outside of their first few encounters with each other. As long as they don't complicate matters for him, he generally has no issue. The way his departure is handled is also very surprising and refreshing when compared to the usual conventions in storytelling. It's just disappointing that he loses his role as a main character in the second half and falls much to the side, since his scenes are without a doubt the most memorable and engaging in the entire show. Being a character that stands out so much in a series full of unique characters is a very hard feat to achieve but Kaiki managed to pull it off.

Of course, Nisemonogatari wouldn't be the same without the cast from the previous season playing a prominent role in the story. All of the main characters from Bakemonogatari retain a large role in Nisemonogatari each with their own unique scenes, though unfortunately most of them don't appear anywhere near as much as they did in Bakemonogatari. Senjougahara in particular is largely missing from the first half of the series until becoming a large focus of the story again, which may be a bit disappointing at first for fans of her character. Thankfully, the episodes before that focus on an excellent blend of new and old characters and concepts, bringing just enough to the table to make the series fresh again while maintaining enough of the old that fans will still feel mostly at home when watching.

Focusing on the aforementioned Kaiki as the antagonist, the story itself is largely about his exploits and the characters' resulting intervention for the first half of the story. It picks up further towards the end into a galvanizing climax and battle between Araragi and the two new antagonists, one of which being a character from the previous season. Fans of Bakemonogatari will find something enjoyable in that respect once things start to pick up, but the story itself is not so much the focus of Nisemonogatari as it is what gives a way for the audience to see the characters interact in a variety of new and different situations.

This brings us to the main problem — fanservice.

Do you like fanservice? Do you want fanservice? If not, you probably won't enjoy Nisemonogatari too much. It's not nearly as oppressive or prominent as some screenshots would lead to believe but it's very easily a defining and inherent part of the experience. Characters will frequently try to seduce Araragi which leads to some amusing scenes with him on the verge of cheating on his beloved girlfriend and paying dearly for it. There's also fanservice for the female viewers, with long shots gawking deeply at Araragi's chest. Nude scenes are not too uncommon and the series often plays more with sexual feelings than it does with its witty dialogue and stylized presentation. Though these common elements still do remain a large part of the experience, all one needs to do is take a look at the infamous toothbrush scene to have a good understanding of how Nisemonogatari is often presented.

Whether or not the viewer will approve of these changes comes down to personal taste and what they primarily enjoy the series for. It would be a lie to say that I didn't enjoy the frequent fanservice and sexual themes at least somewhat, but it's just that, perhaps, Nisio Isin and SHAFT went slightly overboard and forgot a little bit about what made the series so highly respected in the first place. It's enjoyable in smaller and occasional doses but being that it's the forefront of the entire experience, it sometimes detract from what is an otherwise very engaging and unique story. Subtle or even suggestive fanservice would have been preferable to the ubiquitous butt-shots and nude scenes.

It doesn't help matters much when the pacing of the anime is negatively impacted by the fanservice as well. As a result of much of the screentime being spent on trying to make the viewer erect, it often feels like the main conflict surrounding Kaiki and the later two antagonists is a bit rushed. Certainly, more time could have been spent developing those characters and the main plotline. Things often shift haphazardly between fanservice and important story events and it feels a bit unwieldy and awkward for that reason. It's hard to appreciate the fanservice much when there's a serious and interesting story going on in the background, and conversely it's also hard to fully appreciate the story when the next scene will transition into more of the fanservice and silly interaction. Had SHAFT and Nisio Isin focused primarily on the story instead of these sexual themes, the main story could easily have been something equal to or even greater than Bakemonogatari. Which is a real shame.

Fortunately, thanks to the success of Bakemonogatari from a few years earlier, a large budget increase is very evident with the quality of animation. This really is one of the best-looking TV anime on the market and the fluidity in each frame is something truly stunning at times. The way the characters move and jump around so freely is something unique to the series when compared to the previous season which relied primarily on transitions and stills. While some complained about the lack of animation and movement in Bakemonogatari -- often comparisons to a slideshow -- this is definitely not the case with Nisemonogatari. This is just as much a visual presentation as it is a verbal one

Nisemonogatari can often verge on the surreal with its artwork. SHAFT loves to play with their scenery in highly creative and interesting ways which serves to immerse the viewer and give personality to the artwork and the area that the characters live and interact in. It wouldn't be strange to see a colorless cityscape with a bright blue-green sky looming above, a room filled with mountains upon mountains of same-colored books, a sudden letterbox effect in the image, a home bathroom with stained-glass windows reminiscent of a medieval church, or a gloomy thicket dyed beneath a red sunset. It's this stylized presentation which creates much of the atmosphere of Nisemonogatari and what makes the viewer feel like they're in a very different place. There's really nothing out there that looks or feels the same way.

And with more effort spent on the series, positive improvement comes to the music and soundtrack as well. The usage of songs and music is a perfect fit for the scenes they are used in, especially those involving Kaiki. They may not all be songs that will stick in your mind and be reminisced for long after, but when used in the anime itself they are an excellent fit. And much like Bakemonogatari, a variety of unique opening sequences are performed by the seiyuu and each styled with their own unique theme. While there's nothing quite on the same level as 'Renai Circulation' here, all three of the openings are very catchy and memorable. In particular, the second opening 'Marshmallow Justice' was something that I felt perfectly represented the series as a whole and its theme. Disregarding my own love towards Kitamura Eri as a seiyuu, it's quite a pleasant song that mixes the quirkiness of the series with the energy of the characters.

In the end it becomes very easy to see where the complaints and negativity surrounding Nisemonogatari come from. While there is truth to be found in the complaints of there being too much fanservice, it's also evident that some are focusing too much on this one aspect instead of fully seeing what it accomplished and did well. It's not quite as good as its predecessor, but Nisemonogatari still manages to be a solid entry to the series and one that paints its own unique character as well. It's certainly different, and different in a way that will be either a bad or a good thing depending on the feelings and tastes of the individual.

Hopefully, with the next animated installment of the Monogatari series these fanservice elements will be toned down a bit. We (well, some of us) have had our fun, and now it's time for the series to go back to its roots. Small change can often be beneficial but in cases like these it's best to know when to leave well enough alone.

Nisemonogatari was certainly one of the more interesting anime of the season, not least for its trait of dividing viewers down the middle in terms of who enjoyed it and who didn't; this show, being the continuation of a well-known franchise, has attracted plenty of vitriol in the last eleven weeks, even though many people have been outspoken in its defence. But now that broadcasting is finished (even if the argument over whether it is masterpiece or merely the latest victim of too-high expectations has plenty of fuel still left to burn), I'm afraid to say that I couldn’t resist the lure dangling so ... temptingly in front of me, and so it’s time to tackle Nisemonogatari and hopefully wring a definitive conclusion out of it.

Story-8

Now, the main sticking point with Nisemonogatari has been the storyline, which was quite slow in its progression; if you’ve recently read about the ‘fast-paced, clever storyline’, and are quite surprised by this assertion, then I shall elaborate; the first three episodes reintroduced characters from the first series, and while the Karen Bee arc was supposedly seven episodes long, it really did drag at points. In addition to that, the resolutions of each arc felt way too easy, and while we’re on it, the almost-complete absence of Tsukihi from the first two episodes of her own arc was bizarre. Although it initially wasn't promising, the story did become more interesting as the series went on, although I believe there will be further episode releases post-broadcast, because not everything came to a conclusion within the eleven episodes (and the Japanese equivalent of 'to be continued' seen at the end of the final episode is a confirmation that we'll be getting more Monogatari one way or another). I think the best way to see Nisemonogatari is as the bridging point which sets everything up nicely for a third series (and if the director is to believed, several more series after that), and in terms of introducing characters who will probably play a part in these later series, it does a pretty good job. Contrary to the impression I might have made, I did enjoy watching this, but I do think it could have been better.

Art-10

The art style is extremely effective. I don’t think I’ve ever seen anything quite like it before (except in Bakemonogatari, to state the obvious for the resident pedants here). The background art is most striking, with the use of colour co-ordinated objects and scenery to create scenes which immediately grab the viewer’s attention. The much-debated black and red scenes seem to have been cut down on since Bakemonogatari, now only making a couple of appearances per episode, but the use of talking heads is still common. The background sets the atmosphere much more effectively than a show which is constrained by realism; just watch Kaiki Deishuu’s first screen appearance, and the shadows of the trees stretching out towards Koyomi, and you will realise the brilliance of this art style. And now, the fanservice; how do they handle it? Well, what’s happening on screen and the progression of the storyline are almost completely separate from one another, for starters. It’s nothing compared to an actual ecchi series, and the characters are wearing clothes (cough… most of the time), it’s just the choice of shot and where it focuses on the character’s body that makes it fanservice. And when there are no clothes present, any details are obscured by the production team, preventing the need for masking or other censorship. That was incredibly awkward to write. Moving on…

Sound- 9

The sound hasn’t changed drastically from the first series; the episodes start with a blast of heavily distorted electric guitar, and a catchy pop-song opening, which is reminiscent of Staple Stable, to say the least. The lack of background music in Nisemonogatari compared to other series is noticeable, with only the occasional piano melody from the opening or ending slipped in at appropriate moments, but with the amount of dialogue that it has, this is actually a good thing; it would be pointless including any more soundtrack, as it would just either pass completely over our heads or make it incredibly difficult to listen to. The ending is a pop-rock four-chord number which will probably get stuck in your head on an endless loop at some stage, and no amount of purging your memory with your own music collection will dislodge it. If you liked Bakemonogatari’s Staple Stable and Renai Circulation, then this is definitely worth a listen.

Characters- 9

The characters from the first series remain as they are for the most part, with the exception of Hanekawa Tsubasa, who is now short-haired. Hitagi Senjougahara, self-diagnosed tsundere of the highest order, seems to have been relegated to a supporting role in Nisemonogatari, having only made three or so appearances in seven episodes; however, Araragi’s sisters, Karen and Tsukihi, step into the breach, so we have a net gain of characters. Connoisseur of Hawaiian t-shirts and supernatural phenomena Oshino Meme has disappeared, and the role of ‘sole adult in the series’ has gone to the much more evil, scheming Deishuu Kaiki, who looks like one of the creepier film incarnations of Dracula. It’s interesting that they’ve gone for a central villain, rather than having different problems which are unrelated in cause, as per Bakemonogatari. It must be mentioned that in this series, the characters do not merely lean on the fourth wall, they've practically installed a revolving door in it for their convenience. Even the creation of the anime was slipped a thinly veiled reference in one of the characters' metaphors. I quite like it, but you will need to know at least a little bit about the Monogatari franchise to get some of it.

It should probably be mentioned that Nisemonogatari will make some of its audience feel uncomfortable at certain points. Aside from the various Lolita characters, there are incestuous overtones involving Araragi and his sisters, including the now-infamous ‘toothbrush scene’. And I know that people will say “Oh, it’s only here in the West that we’ve got a problem with it, but in Japan, those scenes are seen as the funniest part of the show.” Aside from not wishing to read anything into these peoples’ apparent attempts to justify having relationships with underage girls or members of their own family, they might have a point; our moral values here don’t let us see the funny side. If we look at the source of all this trouble, Vladimir Nabokov’s now-infamous novel, half the time he is mocking us and our values; are SHAFT doing the same thing? Quite possibly. Just be prepared to ignore the screams of moral outrage you might occasionally feel welling up inside you while you’re watching this show, make sure your parents/partner/siblings/friends aren’t going to walk in at an awkward moment and then spend the next three weeks not talking to you, and you should be able to cope.

Overall- 9

So, Nisemonogatari does indeed have all the elements that Bakemonogatari was praised for, and at the same time features fanservice, which Bakemonogatari, if I remember correctly, did also have a certain amount of. I don’t think it is possible that it has ruined the series, as some people claim; these claims probably would have been made regardless of the actual nature of the series, and were sparked by its mere existence. Unfortunately for those claims and the people making them, Akiyuki Shinbo, the animation director, has apparently stated his intention to animate every single Monogatari novel, of which there are (or will be, to be entirely accurate) twelve. Now, if the first one came out in 2009, and the second in 2012, I think we can safely say that this series will continue for a while. For my part, I'm looking forward to it, and I hope that it may continue to be as innovative and interesting as it has been up to this point!

Nisemonogatari is the sequel to Shaft's 2009 hit Bakemonogatari. It features much of the same cast as the first show, but it includes many new characters as well. The particular focus is on Araragi's sisters, Karen and Tsukihi this time around. The first show broke sales records and this one is looking to do incredibly well as well. However, if you were expecting more of Bakemonogatari you might be in for a surprise.

There is always an issue with sequels when it comes to the story. They always seem to never really live up to their predecessors and sadly Nisemonogatari suffers from this issue as well. ... While the story is both interesting and engaging, it just lacks that overall “wow” factor that Bakemonogatari had. This pattern is especially prevalent in Shaft's other sequels other than maybe Hidamari Sketch but that's probably due to me needing a nutbladder replacement every time I watch another one of those. However, that is not to say that the story is not good. It is actually very good but it just lacks that special feeling that the first series had. When it comes to the actual story, it is a similar format to the first series where Araragi goes around messing with the various females in his life and unraveling mysteries. In Nisemonogatari the focus is on his two younger sisters and their issues though. However, instead of spending a significant amount of time on the mysteries themselves the sequel focuses more on character development and character interaction. I will not say that it's particularly a “bad thing” but the overall pace and tone of the story is definitely different from the first series and I'm not completely sold on those changes. Without spoiling everything, if you enjoyed the setup of Bakemonogatari and you enjoyed the characters of the first series you'll most likely enjoy the sequel. There really isn't much to say on the story just because if you're watching this, you must have watched Bakemonogatari as well so I would just be reiterating the facts that you already know. What I must point out is one of the flaws and distractions that was present in the sequel though.

Nisemonogatari essentially translates into “Falsestory” or “Impostory”. However, it should be translated into “Fanservicestory”. If I were to say Bakemonogatari didn't feature a significant amount of fanservice I would be lying, but they really did go overboard with the sequel. They must have put a significant amount of effort into cramming the most amount of fanservice into this 11 episode series and it definitely shows. From the convenient camera angles to half an episode dedicated to a discussion with Shinobu in the bath to the (in)famous “toothbrush scene” you can definitely see that there was a significant amount of work involved. While the novel includes this as well, it certainly is incredibly distracting to the overall tone and mood of the show. This is one of those cases where the source material does not particularly go over well into the adaption. While the original source material did include a lot of fanservice, Shaft also took it a step further with a multitude of compromising camera angles. That is not unexpected of them since it occurs in nearly every one of their shows, but it only adds to the distraction and makes the overall feeling of the show more low brow than the predecessor. Before you get your jimmies rustled, I am not against fanservice. I enjoy fanservice masterpieces such as Queen's Blade after all. I just feel that the second season's fanservice was a bit excessive and detrimental to this show's overall quality.

What wasn't detrimental to the overall quality was the art in this show. Shaft generally has a policy where the TV broadcast looks abysmal but they come up with an absolutely stunning Blu Ray release. In the case of Nisemonogatari, the TV version is excellent and they will be hard pressed to do any incredible changes to the Blu Ray release. The animation was for the most part very fluid and the background scenes were beautiful. They really outdid themselves on this show and it looks great. Likewise, the sound was also excellent in this show. The OST was fitting and the various openings were all great as well. Platinum Disco definitely stole the show this time around, like how Ren'ai Circulation stole the show in Bakemonogatari. I have absolutely no complaints when it comes to the art or sound in Nisemonogatari. Shaft went above and beyond my expectations on making an actually presentable TV anime and the sound continued on par with it's predecessor. Overall I feel that this section is much better than Bakemonogatari since you could only really enjoy it if you watched the Blu Rays due to the sheer amount of fixing they did to it.

As previously mentioned, Nisemonogatari focuses more on characterization over the mystery solving that was most prevalent in its predecessor. We see several new characters such Kaiki who brings up quite a bit of Hitagi's past and Yozuru and Yotsugi who serve as an exorcist combo. We also see Karen and Tsukihi having actual roles in the story as well. Without going into much detail since that would give away the entire show, I must say that the characters are once again a very strong point for the show. There is little character degradation between both shows and there is quite a bit of development as well (some of which I don't particularly like but I guess it can't be helped after all). The new characters are interesting and enjoyable while the old ones are what you knew and loved from before. The voice acting was once again top notch. The cast is filled with veterans that you have heard many times before. The new characters are also voiced by veterans and are fitting for their respective roles. Even Shinobu gets to talk this time around, however instead of Aya Hirano we have Maaya Sakamoto for obvious reasons. The characters are definitely a strong point for the *monogatari series and it continues on quite well in this sequel.

Overall, I must say that I enjoyed this show quite a bit but I was not nearly as impressed with it as I was with Bakemonogatari. Nisemonogatari does well as a sequel since it mostly maintains itself but it just leaves you feeling just a little disappointed. Bakemonogatari is one of my favorite shows due to its interesting dialogue, it's characters, and the overall story of it. Nisemonogatari picks up on much of that but the overall product feels unimpressive compared to Bakemonogatari. I think the issue with this show is that despite being great, it still pales in comparison to Bakemonogatari. The excessive fanservice and some certain “character development” that happened in the last episode really leaves a bad taste in my mouth. That along with some of the previous season's characters getting much less screen time and development also makes me feel somewhat frustrated with this series. I will not say that I am platinum disappointed with this show overall, but I just feel that it is not as good as Bakemonogatari. What is good news is that this particular arc of the story is now over and there are plans to continue this animation project with even more. The Kizumonogatari movie should be coming up soon and a suspicious “to be continued” at the end of the last episode shows that this story is definitely not done with. What I can say is that I am still looking forward to more and I hope that the upcoming projects maintain the overall quality. Surpassing the original will be a difficult feat, but I'm optimistic about the upcoming projects and I can't wait to see more. I just hope to the Space Pope that Shaft doesn't decide to release them as online episodes every 6 months.

I will be honest, I hold a certain amount of bias for this anime, a bias that leans towards "SUPAH" positive. I love Bakemonogatari with a passion, and I will always convince myself that Nisio Isin will remain to be one of the greatest writers I've ever seen, at least when dialogue and plot is involved.

So, if I seem like I'm just acting out my part to spearhead the opinion of the fanbase, don't hold it against me. I will do my best to be as unbiased as possible. You have been warned.

Story [9]

To be honest, I thought the highlight of the Monogatari series in ... terms of story was found in Kizumonogatari. Nisemonogatari was slightly weaker, but this is a personal opinion. Usually, I would give it 10 and be done with it, but I will stamp it on with a 9 because of the fact that it's the second season of Bakemonogatari.It's not because I think sequels suck, I just feel that Nisemonogatari should've taken the liberty of introducing the setting of the series to potential newcomers.

I've met many people who saw Nisemonogatari a watch, and couldn't enjoy it nearly as much because they didn't understand the story. I feel that some time could've been spent in easing the viewer into the idea of Nisemonogatari. If I were to fix it, I would've introduced Kanbaru and Shinobu, or at least give them mention. Maybe I might've missed them somewhere, but I doubt I did.

Art [10]

Nisemonogatari has the same art style as Bakemonogatari, except a lot cleaner. I don't have much more to add. The art fits the spirit of the series, and to be honest, if comical art was more fitting to a series than a beautiful art, the comical would get a 10 in my book and the beautiful would get maybe an 8. Art's important to set the mood, in my opinion, and Nisemonogatari succeeded on that. Feel free to disagree on my thought in regards to how I grade art.

Sound [9]

Again, this series has always been great in regards to making elements outside of the plot fitting. Art works, and so does the music. My only complaint is the OP. It's terrific, but I feel like it was recycled from "Staple Stable", even though it totally isn't.

My take is that the OP is just to get into the musical style Bakemonogatari displayed, so it's not too much of a problem. I'm just going to tack on a 9 there though, but it will probably change in the future.

Character [10]

I will not write anything outside of these three statements, including this one. I cannot effectively review this section because I'm too much in love with the eccentric characters that the Monogatari series has displayed, and although I shall miss Oshino Meme, the characters in the series have never appeared flat to me, and if anything, the characters really makes Nisio's invention shine through.

Dialogue is key, and I shall not comment further, for this is the third statement.

Enjoyment [10]

Read the above if you haven't already, please.

...

Did you now? Sorry...and if you just read it after reading the message above the ellipses above this statement, then thank you for following my directions.

To summarize, Nisemonogatari displays the same strengths that made Bakemonogatari one of my favorite anime series of all times. It could be kinder in setting the mood for newcomers, or doing something new with the effective mood element. Hell, anything with the word "new" tagged in it could be improved on, but it's not going to detract me from waiting for new episodes every week.

Recommend? Very much so.

...And with that all done and typed, my first review on an anime series is done. I shall click this pretty blue button that says "Submit Review" now.

An imposter is one who is skilled at the arts of deception, often using their gifts to swindle unsuspecting victims. While its predecessor, Bakemonogatari, focused on the supernatural forms of five everyday animals and how the heroines of the story had to deal with them, Nisemonogatari shifts the focal point to the effect that imposters can have on the lives of those around them, specifically the two Araragi sisters. The sequel brings back the heavy dialogue to a lesser extent, adding in a touch of fanservice to fill in the gaps. While liking one does not necessarily mean it'll be same for the other, there ... is no doubt that both the Monogataris are NisiOisiN's more famous and successful pieces of work.

Art (8/10)
Anyone who has watched anime for a reasonably long period of time must have come across SHAFT's animation on at least one occasion. Known for their "unique" artwork, SHAFT's approach is often times a risky "hit or miss". For Nisemonogatari, I felt the artwork matched the overall atmosphere of the series. The often comical expressions of the characters fit in well with the less serious aspects of the series. The usage of rapid scene changes and abstract visuals in the other parts were also able to set the mood with relative effectiveness. While it may take getting used to, the overall animation style is much more than decent.

Characters (9/10)
Firstly, Araragi Koyomi continues showing why he is one of the most interesting and respectable male protagonists in anime. Given the opportunity and situation, the words that come out of his mouth are unbelievably moving, even encouraging and true. One can easily empathize with his beliefs and ideals, which he strongly holds onto even in the toughest of times. Unfortunately, such a solid character is a rarity these days. While Bakemonogatari dealt with five of his female friends, Nisemonogatari expands on the two characters that are even closer to him: his younger sisters. The combination of Karen and Tsukihi make for an interesting pair; the two are literally the opposites of each other in terms of personality. Nonetheless, after having their fair share of screentime this time around, both sisters were developed quite well (more so Karen than Tsukihi, in my opinion). This can be mostly credited to the exceptional use of development-driving dialogue.

Sound (8/10)
Although there were fewer OPs used in Nisemonogatari than in Bakemonogatari, I felt they were all quite catchy and a pleasure to listen to. As for the ED, even though I really liked it too, my expectations for it (given that it was written by ryo from supercell and performed by ClariS) weren't exactly met. With that being said, topping "Kimi no Shiranai Monogatari" was hard enough already so I'm not going to be too critical. The BGM was at most times overshadowed by the dialogue. But when it was noticeable, it greatly enhanced each scene. Voice acting was once again top notch, with the cast from Bakemonogatari returning, including some new voices.

Story (9/10)
Compared to a "Ghostory" or "Monstory", an "Impostory" is slightly more believable. Dealing with and confronting an imposter is no easy task. The main protagonist, Araragi Koyomi, was taught this lesson twice in the span of eleven episodes. With the story taking place over a time period of a few days, the amount of content involved is astounding. The fact that there were only a few episodes that were devoid of plot-development, proves how concentrated and detailed it is. Like in Bakemonogatari, the plot is mostly dialogue-driven. While this may bore those who are used to action-packed stories, I personally found the large number of long conversations, especially their contents, to be really interesting - especially the way they develop characters that, in turn, end up contributing towards the development of the plot. Although I'm certain that I missed many of the implicit meanings behind certain scenes, the fact that the story is still enjoyable is what matters, even if the bare minimum of what was intended is absorbed.

Overall (9/10)
The increased use of fanservice in Nisemonogatari may be a turn off for fans of the prequel. However, I felt it lightened up the series quite a bit, while at the same time reaching out to those who didn't really enjoy Bakemonogatari because of its complex storyline and total dependence on dialogue to drive the plot forward. Personally, I enjoyed Nisemonogatari more than Bakemonogatari. The balance between gags and seriousness made virtually all 11 episodes enjoyable and interesting. Boredom was hardly an issue throughout and it helped that each of the sisters got four arcs for development instead of the two or three that the other characters got back in Bakemonogatari. So even if you watched Bakemono and didn't enjoy it, I recommend you give Nisemono a try. They're more or less the same but the differences do make a noticeable impact. As for me, I'll be looking forward to a sequel seeing as how there was a "To Be Continued" sign at the conclusion of the last episode.

You may have read my review for Bakemonogatari, and if you have, you will know that I consider anime to be a legitimate genre of art, as are paintings, video games, and novels. You will also know that my admiration for Bakemonogatari goes well beyond simple fandom and that I regard it as one of the masterpieces that transcends the genre, as is Michelangelo's David to sculptures. If you have not watched Bakemonogatari, much of this review will not make sense. That's to be expected since Nisemonogatari shouldn't make much sense if you haven't watched Bakemonogatari. With that out there, I ... begin my review.

***NOTE that the show is still airing, and I have only watched 8 episodes of of the 11 planned. I feel that this is enough to write a review, but, as we learned from Bakemonogatari, when it comes to this series, one episode, or even one scene can change one's outlook on the entire series. I will promptly address any changes that might arise upon completion of the entire season.


STORY - 10
Those of you who have read my Bakemonogatari review will know that I actually gave lavish praise to its minimal and episodic plot, on the grounds that an elaborate storyline would actually distract from the character interactions. I feel differently for Nisemonogatari. This was never intended to be a standalone series; it is basically Monogatari series Season 2 (or 3, if you include the upcoming Kizumonogatari). Therefore, most of the characters were already introduced in Bakemonogatari, and now it's time for some story, some of that actual "monogatari." And I had high expectations because I am currently reading a manga by the same author, which convinced me that NisiOisin is fully capable of writing elaborate, enthralling, and spectacular storyline in addition to the breathtaking characters showcased by Bakemonogatari. Indeed, as I had anticipated, Nisemonogatari is much more plot-driven than was its prequel. Character and dialogue is still very much the heart and soul of the series, but now we have longer story arcs, more plot expositions (as opposed to Bakemonogatari, in which most expositions were character expositions), and something resembling an antagonistic entity, the lack of which turned off many a shounen-lovers from Bakemonogatari. The attention to plot is present in every scene. For example, Bakemonogatari, while not simple by any means, was very chronological. However, right from the beginning of Nisemonogatari, we see masterful anachronistic storytelling, which is hard to pull off unless the author and the director are both focusing on storytelling aspects. This shift is slight indeed (the show is still very much character-driven), but in such a complex and well-balanced show, the effects are definitely felt. It was a very smooth move to allow plot progression to occupy a bit more of the foreground, while the consolidation of the characters we already know and the introduction of only 3 more characters casually take a step back. Svelte indeed.

ART - 10
What can I say? It's Studio SHAFT. They absolutely splurged on the artistic presentation. Much of what I have to say on the art overlaps with the lengthy discussion I provided on my Bakemonogatari review. In short, the art really went for nothing but perfection. Every frame is idealized and perfected, which is really a prime advantage anime has over live action. Whatever isn't absolutely necessary to the scene or the plot is radically minimized, truncated, and symbolized. What I really have to say beyond what I already discussed for Bakemonogatari is that the art style in Nisemonogatari is even more stylized and surreal. The overlaps of realities, the use of light, scenery, the symbolims, the entire mise-en-scène of every scene are much more dramatic than they were in Bakemonogatari, which was delightfully surreal to begin with. This confirmed a conjecture I had upon viewing Bakemonogatari, that the series is just as much what happens inside the character's minds (usually Koyomi's) as it is what actually happens. This accounts for a part of why the series is so inexplicably identifiable. For example, movies like The Grudge horrify the viewers by showing them frightening images. On the other hand, movies like The Blair Witch Project feature no actual frightening image, but manipulates the very emotion of fear in the viewer by evoking the genetically-ingrained terror of the unknown, of being pursued, etc. The series, Nisemonogatari more intensely so, elicits emotion on two different levels in a similar manner. For example, we, as (male) viewers would see Senjougahara and think that she is a very pretty character. However, add to that the viewpoint of Koyomi, her lover, and how he sees her, how he focuses on the way her skirt moves with her legs, the way she tosses her hair; also throw in those notorious symbolic frames that flash by more intensely as the two leads' verbal fencing match intensifies, those shots of Koyomi's rather excitable hair, and the result is a greatly amplified emotional response compared to what would have been had we simply seen Araragi and Senjougahara talk back and forth. Genius, isn't it?

Sound - 9
I actually don't have much to say here. To be honest, I just thought the opening and ending songs of Bakemonogatari were great, and the same goes for Nisemonogatari. But to offer my perfectly honest and perhaps controversial opinion, I don't think OP and ED are really an integral part of an anime experience. As such, I will not offer review of OP/ED titles. I mean, they're like a minute long to look up and watch on YouTube, so no need for me to review them. On the other hand, I actually kind of miss some of the mundane BGM's of Bakemonogatari that were apparently swapped or scrapped for the new series. It seemed that Nisemonogatari is much lighter on the BGM and it being a proactive part of dialogue. Other than that, the voice acting is the same top-notch performance we are familiar with, except maybe Senjougahara sounds even more breathtakingly sardonic. This is one of those things where I really don't have much to say because the sound is just flawless. Only that I miss some of those sound effect/BGM's that really set the atmosphere of surreal absorption.

CHARACTER - 10
Ohoho MAJOR, MAJOR character development from Bakemonogatari. I mean, only three new characters are introduced, but the existing characters are oh so subtly revamped. Again, some of the changes may not be noticeable unless you've seen each episode of Bakemonogatari, like, a dozen times as have I, but even subtle changes are massive in such delicate work. To say to much would lead to inadvertent spoilers, so I will be brief.
Koyomi is a much more proactive and much more of a "main" character in Nisemonogatari. In a way, Nisemonogatari is much more "first-person" than Bakemonogatari was. Most of the expositions come from Koyomi's perspective, and the psychological reality I discussed in ART section is mostly what goes on inside Koyomi's head. Also, I discussed before that there is much more plot now. With more plot, there needs to be more action, and it is mostly Koyomi that answers the call and actually does stuff. Interestingly, he was hinted to be a bit of a pervert (who isn't?) in Bakemonogatari. This is explored much further in Nisemonogatari, and, in my opinion, is actually kind of a theme. But more on that.
Senjougahara is ever so ethereal and psychotic. Both her stationary and her wit have further sharpened since Bakemonogatari. Since the two story arcs focus around the two new characters, she does take a bit of a back seat, but her interaction with Koyomi is still what the core of this show consists of. Some interesting development happens to her in that she finally shows some level of emotional interaction with a character other than Koyomi; she now has a thing (I know not any other way to put it) apparently with Hanekawa, which is currently in the funny, joke-material stage, but I suspect that I will lead to something. Some major, major, MAJOR stuff happens around her, but you will have to watch yourself to find out.
Hanekawa, first of all, looks much better without her glasses and with those ridiculous braids gone. Well, she's no longer the resident maganekko, for those of you who are into that, but she looks much better IMO. And, as is always the case for anime heroines who take off their glasses and/or cut her hair, she has become more assertive, and over all, a stronger character. Her relationship with Koyomi is both more involved and more distant, but more on that later.
Hachikuji is probably the character whose development I most enjoyed since Bakemonogatari. Apart from her actual story arc, Hachikuji was a bit of a comic relief character and occasionally a foil to Senjougahara, but she is now a much deeper (and funnier!) character whose position in Koyomi's psyche is elaborated upon. Her appearances are some of the most entertaining scenes in Nisemonogatari.
Kanbaru is largely unchanged as her brusque, depraved self, but her relationship with Koyomi has progressed. More on that later.
Sengoku.... err.. just watch that episode.
Karen and Tsukihi are Koyomi's sisters that were pretty much nobodies in Bakemonogatari. They each get a story arc. Since they are kind of the main heroines of Nisemonogatari (as Senjougahara was for Bakemonogatari), any in-depth discussion of their characters would spoil the entire season. However, the role they have on Bake/Nisemonogatari as a "harem" show is important, and I will discuss that in the next section.
So that's a brief rundown of the characters, but this show is different for everyone, so the goal of listing my perception of each character was only to show how exciting this anime is, especially if you're a fan of Bakemonogatari. Make you own blissful judgments after you've experienced the unprecedented, mega-witty, mesmerizing character interactions.

ENJOYMENT - 10
This section is obviously highly subjective, and, because of that, it is here that I will discuss some of the more interesting things that have come to me upon viewing the first 8 episodes out of 11. I was finally able to put a handle on what it is that made Bakemonogatari such an experience because Nisemonogatari is more overt when it comes to themes. I've come to realize that the series can be summed up as a meta-fanservice. Really, the show is mild in comparison to the level of fanservice in other mainstream anime, yet it elicits the most emotional response. My theory is that the Bake/Nisemonogatari series touches on not just the sexual fantasies of viewers, but scratches the emotional itches of the viewer, resulting in a much, much fuller experience. Those of you who have seen Bakemonogatari will recall that the climax of Koyomi and Senjougahara's romance, in the TV finale, actually occurred off-screen. An even bigger pivotal event takes place in Nisemonogatari, and it is also off-screen. That is why it's okay for Bakemonogatari to be a "harem" anime. Nisemonogatari is very overt and gratuitous when it comes to fanservice, much more so than was Bakemonogatari. However, all compromising situations Koyomi gets into with each female character (THE TOOTHBRUSH) is rendered moot in a fell swoop by the decision to minimize Koyomi and Senjougahara's romance on screen. The two lovers spend the vast majority of their screentime together giving us those magnificent dialogues, and don't do any of the display of affection stuff we're so used to seeing in romance anime. That is because, to Koyomi, Senjougahara is the subject of love and respect. The ridiculous and often highly immoral (taken to a whole new level in Nisemonogatari THE TOOTHBRUSH) erotic situations he lands himself in with other female characters are meant to be gratuitous fanservice and nothing more. I actually found those fanservice scenes to be the funniest of the series because they were so tongue-in-cheek in absolutely ridiculing fanservice, while actually providing top-quality fanservice. That is what I call meta-fanservice. Koyomi and Senjougahara's relationship has noticeably solidified. In Bakemonogatari, there was always a sense of both Koyomi and Senjougahara playing along with the dialogue for the sake of the dialogue. Senjougahara surely doesn't actually see Koyomi as a worthless human garbage (remember that dialogue?), but she says with her trademark snark, and Koyomi knows this, but he feigns injury. This is much more involved in Nisemonogatari, where the verbal banters are more poignant, yet I could almost hear Koyomi and Senjougahara having a parallel telepathic conversation in which they sweet-talked each other. In other words, their banters are like flirting; that's how they keep their relationship interesting for themselves and the viewers. And, as their relationship has matured and solidified, it became more platonic, at least on screen, and other female "harem" members naturally could get more intensely involved with Koyomi to create those outrageous, delightful, hilarious scenes of meta-fanservice. It is self-aware fanservice for the self-aware viewer. Because I am a very self-aware and meta-cognitive person, I would, to be honest, have been a bit repulsed by the overtly pedophilic and even incestuous situations, but actually found them quite entertaining because the scenes themselves were also self-aware. As is all over my profile, I'm pretty against the whole moe/loli trend, but I did not find Koyomi/Hachikuji harassment situations weird at all. That is why Araragi Koyomi is actually an even more magnificent character than Senjougahara Hitagi: because he, for the sole sake of the viewer's gratification, goes out and gets tangled up with other women, but saves the viewer (and himself) from any danger of guilt by reserving 100% of his real love for Senjougahara only.

I think I've blabbered on for enough now, but that just goes to show how much I appreciate this series. Bakemonogatari was pretty much my penultimate anime experience (along with NGE), so I consciously lowered my expectations of Nisemonogatari, lest I be frustrated. Looking back, however, there was no need at all. Nisemonogatari is subtly, yet significantly of different flavor from Bakemonogatari, but it is just as enjoyable an experience. The shifts in direction may have led some fans to believe that the show has lost its art-house flair and became a bit too mainstream, but I still maintain that Nisemonogatari is a continuation of Bakemonogatari as the culmination of modern anime counterculture (refer to my Bakmonogatari review). I cannot give more praise to this wonderful sequel to a groundbreaking series.

Better than the real thing.

Fake, unreal, an impostor. Story. With even more of a play on words than its predecessor, Bakemonogatari. Nisemonogatari is everything you can believe or disbelieve in when it comes to being a good anime. Directed by the avant-garde-ish Akiyuki Shinbo, Nisemonogatari pushes the boundaries of conventionality in anime and even in our own perceptions in more than a few ways. Like Bakemonogatari, Nisemonogatari splits itself into two character-centric arcs, focusing on Araragi Koyomi's sisters, Araragi Karen and Araragi Tsukihi.

As a show Nisemonogatari carries surrealist presentation, strong dialogue interactions, characterisation, story, tenets of philosophy and seamlessly integrated 'fanservice'. It is that ... final point which I believe draws the greatest strength of Nisemonogatari, not as an anime or show, but in the name itself. The seamless integration of the fanservice in this show brings about discussion whether or not Nisemonogatari delivers a story at all, or whether it is just simply a conduit for the release of morally questionable content, which is a valid point for many viewers and indeed the polarising point. If the latter being the case, then Nisemonogatari has already sold itself strongly as not being a story at all, that the Impostory has always simply been telling us the truth and we refused to believe it wasn't a story and that it was always intent on showcasing various fetishes. However if it is truly a story, then we can say it is a story about various impostors and believe the falsity or fanservice in some aspects of its presentation as being integral towards it. Either way in this discussion, the great power in the name of Nisemonogatari has already demonstrated what I believe to be an excellent show which will leave you reeling one way or the other as a viewer.

The six elements of this show as mentioned above are seamless in their integration together which is primarily why I feel Nisemonogatari succeeds well in encapsulating the viewer in its mysterious world. As a show driven strongly by its dialogue, it is well backed up by the developed personalities and quirks of its various characters. The opening episode helps us reminisce the sharp personality of Senjougahara, her borderline sadism and her 'tender' love for Araragi Koyomi and hammers in what this show is all about, the powerful dialogue and serious yet occasionally comedic exchanges between the often powerful personalities in play. Within this scene, viewers are also treated with the surrealist presentation, the quick scene cuts, the magnified close ups which delivers a powerful intimacy, an almost voyeuristic, teasing approach to observing the relationship between Koyomi and Senjougahara. In terms of the story, this opening exchange would not have seemed significant at all, however the proceeding scenes and the effectiveness of their dialogue allows for seamless transition as the story is revealed to the viewer, bit by bit. Nisemonogatari continues in this vein albeit after this scene, exchanges grow even more unconventional, including the make or break element of fanservice. Combined with the surrealist approach and voyeuristic directing, the exchanges between Koyomi and various female characters have put many viewers on edge and an amount on high. However because these scenes generally carry some story significance or at least are serving as a transitional point, the fanservice slips itself in as a strange necessity almost. It is also important to note that these scenes serve as the intimate observation point of the developing feelings of many of the girls have for Koyomi.

When I discuss fanservice, Nisemonogatari also strays far from the typical conventional ecchi like scenes found in various harem shows. That is to say that the fanservice in Nisemonogatari is different in terms of impact, presentation, time, location and case. One of the first things I should mention is how normalised the fanservice is in some cases. The character Kanbaru Suruga is an example of where her flirtatious personality results in her being intimately nude in her own room. The setting of her room is different to say more traditional fanservice locations such as the beach of hot springs and this also brings me to another point. As is with Shinbo's directing, Nisemonogatari's fanservice brings about this intimacy which is only exemplified by the surroundings and the scene cuts and close-ups. In some cases, the fanservice occurs in the room of the girl, or in one case Koyomi's own room which adds additional characterisation elements and heightens parts of the dialogue. Additionally, the fanservice brings forth extra dialogue which helps to proceed to the next element of the story. Some say you could compare it to Phoenix Wright, with a little more intimate action from examining witnesses in attempting to unveil the mystery. Also unlike other shows with fanservice, I feel that the fanservice here is not forced per se, but as mentioned integrated well into the story. Because the fanservice was done with story intent in many cases, and done seamlessly I feel that this element contributes to the success of Nisemonogatari as a show and to itself as a name. There is also the impact of a certain scene in Episode 8 which will not be forgotten any time soon.

Regarding the core of Nisemono (The Impostor), Nisemonogatari brings forth various intelligent exchanges regarding that topic. Whether it be fake love, fake feelings, lies, families, justice, relationships, Nisemonogatari has excelled at keeping towards its particular core topic. Some of the best exchanges are a result of discussions between Koyomi/Senjougahara and a self described villain and a self described good guy and they have raised interesting philosophical points of things we perceive in society such as good and evil and the power of lies. This is partly due to the excellence of the source material written by Nsio Isin, whose manipulation of language has proven to create powerful dialogue.

Regarding some of the more technical aspects such as music, voice acting and animation, this is probably one of SHAFT's better works in terms of animation. Many will recall how horrible and non-existent the animation for Bakemonogatari was and will notice that Nisemonogatari relies far less on full screen cuts and has much more fluid animation. The voice acting for Nisemonogatari has also been excellent, in particular the voice of Kaiki Deishu, voiced by the experienced Miki Shinichiro. His deliverance of lines which were lies and compliments with sarcasm and scorn enhanced the many scenes he was in and certainly heightened the personality traits of his character. Kamiya Hiroshi also remains excellent as Koyomi Araragi, delivering comedic, serious lines along his character. I felt the OST remained a little under the radar, but proved to be good enough for the situations they were played in.

Nisemonogatari presents a mature, comedic, intimate, emotional rollercoaster of a show with its avant-garde methods of presentation, backed up by its powerful characters and their exchanges and dialogues. As a sequel, it will prove more difficult to watch without watching Bakemonogatari, and as what I would deem a seinen show, difficult for newcomers to anime, especially those unaccustomed to degrees of fanservice. If you enjoyed Bakemonogatari, Nisemonogatari will be familiar to you and I would recommend you continue even if you don't enjoy fanservice. Fans of SHAFT shows should also explore the Gatari series and watch up to Nisemonogatari. Mystery, Fantasy and Comedy fans should also try watching Nisemonogatari, through watching through Bakemonogatari first. Nisemonogatari for me has few weaknesses as a show aside from it being a sequel and I'd rate it a 9 for enjoyment. Critically, Nisemonogatari also fares very well as a show, I think of it as the smooth, silky tapestry located in an art museum with all the statues and nude pictures, it's captivating, flowing and intricate, yet you don't stare at it for all the naughty bits. It scores a critical score of 8.

Well it may only be the first episode but the sequel to Bakemonogatari does not fool around!

[Story]
Only one episode in but just from the synopsis and what happened this looks to be a very very interesting anime. The first episode really grabs you making you wonder whats happening then completely throwing you off and making you laugh and the very unusual and non-cliche jokes.

[Art]
Same art as the first season and there's nothing wrong with that. Very nice animation and if you don't like the art style try watching a few episodes and you will come to enjoy it.

[Sound]
There was only an OP in the episode ... I watched and the song was very catchy, kind of song you can listen to over and over and not get bored with it.

[Characters]
Nothing really changed her but the first episode just seems like a reintroduction episode to the characters but it was very fun to watch.

[Enjoyment]
Very very nice anime, looking forward to the rest of it and seeing what they do with this show.

[Overall]
Had to take off a point for story ep. 1 only seems like a kind of "catch up" episode, reintroducing you to the characters but in a nice relaxing enjoyable way. This season looks like it is going to be pretty awesome.

I really, really wanted to review Bakemonogatari way back when it aired, since the show seemed to captivate the anisphere but because of the fact I only just joined, that was of course wasn't possible. Here’s the thing though: I was never quite sure what I watched. To me, the show was overly complex when it didn't need to be, a continual tease, and only “intelligent” in the way two teenagers up late talking about life can be. But I held my tongue. I could never form a set of arguments that satisfied me. Nisemonogatari, on the other hand, I understand and was prepared for. ... This time, I get it, because if the prequel was everything people said of it, the Spring 2012 show is definitely worse.

Story (5/10) - Nisemonogatari’s TV run picks up shortly after the end of its prequel series and sees Koyomi Araragi spending time shirking his studies and visiting his various friends. While the anime starts off touching base with its characters and serving up the meandering conversations for which Bakemonogatari gets so much praise, eventually a pair of incidents surrounding Araragi’s “Fire Sisters” become the show a semblance of a plot.
Sadly, Shinbo gets in the way more in this season than the last. He turns the fanservice meter up to to eleven, exchanging the clever banter for lovingly crafted shots of his underage beauties. Sure, the first season had its awkward moments of lingering on jailbait, but this time, we spend significant portions of the plot watching Araragi oggle, fondle, and play twister with teenage girls with very little story-related payoff. The infamous toothbrush scene--during which Koyomi and Karen play a punishment game in pretty explicit imitation of a sex act--in particular drags on for an uncomfortable amount of time and doesn't do much more than provide cognitive dissonance with Araragi’s later explanations of filial relationships.

Animation (10/10) - In contrast to the scattered storytelling bringing down the anime, the visuals deliver precisely what the audience has come to expect from Shinbo at the top of his game. While the direction remains avant garde at times, the animations ensure that the characters and settings appear as lovingly rendered as possible, and the juxtaposition works. The constant cuts work better in the more intimate setting of this series and either work to intensify the action (the few times when it does come up) or create an almost tactile understanding of a scene in his viewers (see: the pencil or toothbrush scenes).
The character designs help Shinbo in his quest to provide the best visual experience. Each character can flow between eerie, moe, and attractive almost at will without damaging the coherence of a scene, and again the disjointed direction helps ease the transition between the silly and the serious. The mercurial and flexible portrayals work best with Koyomi, Kanbaru, and Kagenui who work hard at hiding multiple sides to their personalities and identities. But it also helps to add surprising depth to Hachikuji whom the script treats strangely.

Sound (8/10) - For all that Renai Circulation should still be banging around in some of your heads, Platinum Disco manages to raise the bar. Its combination of traditional sounds, upbeat vocals, and a pop baseline makes it one of the best offerings of the year.
Once again, Hiroshi Kamiya gives us a super-plastic Araragi who really saves the show. Since he’s in just about every scene and spends a good portion of the time wandering all over the emotional spectrum, this performance determines whether the narrative holds together at all. That he succeeds frees the rest of the cast to stick to caricature. Of these, my personal favorites are Maaya Sakamoto’s Shinobu, Emiri Katou as Hachikuji, and the delightfully petulant Tsuhiki played by Yuka Iguchi, although my preference for those characters clouds my judgement. Fans of aloof tsundere should still find Chiwa Saito’s Senjogahara easy on the ears and the newcomers playing Kagenui and her familiar provide excellent ‘otherness’ so needed for the roles.

Characters (7/10) - Bakemonogatari and Nisemonogatari play with the shifting space between characters as tropes or ideas and characters as interesting, layered personalities. The earlier show’s meatier conversations create a wide-open space for exploring each characters’ quirks as he or she (mostly she) banters with Araragi. Here, however, something seems off. Araragi spends too much of his time alone in the first half of the show or beating around the bush as the first conflict winds up. Moreover, Suruga and Nadeko, who had displayed their personal conflicts and quirks prominently before, flatten into their single defining traits for their brief appearances which feels disappointing after their humorous arcs in the first season.
Even so, some characters shine through the odd direction choices. First and foremost, Hitagi’s moments near the end of the Karen Bee arc show a vulnerability and depth of emotion to her that works well at complementing the sensitivity shown near the end of the first season. Retreading her weakness provides some much-needed cracks in her cool tsundere. Shinobu gets a similar treatment that has her bounding between violent legendary vampire and lonely little girl. Isin binds the two personalities together using her condescension as glue, which allows her to be aloof, ironic, and earnestly concerned about Araragi without stretching the limits of her characterization.

Overall (8/10) - Its prequel straddles the line between self-importance and brilliance. Nisemonogatari, however, distorts the formula sufficiently to lose some of its shine. The top-notch visuals and exceptional sound direction don’t entirely excuse Shinbo’s explosions of fanservice and stuttering plotting, but fans of the first series should still find lines of character development worth following and many of the same themes on display. If you liked Nisio Isin’s first installment, you should take this second bite, just don’t expect it to blow your mind.

Shaft... just words can't describe their magnificence. If you have seen Shaft's works, they are truly amazing and one of the best animation studio. Bakemonogatari was the first anime I've watched when I came back to watching anime in December 2012. I've got to say that Bakemonogatari was a genuine work of literature and it was my favorite. The monogatari series focuses on mysteries of each character and explains them in a beautiful way. I kept telling myself that this series isn't the best, but I was sadly lying to myself.

Nisemonogatari is a continuation of Bakemonogatari and focuses on the sisters. Araragi-Kun has two ... sisters: Karen and Tsukihi. As we already know, Araragi is a vampire and he has to the decency to help other people with weird problems. Who knows that the sisters even had supernatural problems? The plot was creative and wasn't cliche. Give a hand of applause to Isin Nisio, the author of the Monogatari series. I couldn't tell what this intelligent man was thinking, but I had to agree that his literature was one of my favorite. Nisemonogatari shows the relationship Araragi has with his sisters since it wasn't focused much on Bakemonogatari. There has to be some background knowledge if you introduced a character into an anime. It would be vague if the sisters weren't explained, but introduced in Bakemonogatari.

The art is absolutely amazing. I loved the way Shaft animated it. It is truly convey the cinematic. I'm glad that Shaft is going to animate Monogatari: Season 2 in the summer. To add more, their going to animate the movie, Kizumonogatari! The head tilt is what Shaft was known for and it was unique in its own way. The characters were well drawn and the background was good. There was a bit of action in Nisemonogatari and it was amazing. It was just the literature which makes Monogatari series stand out.

Since this anime focuses on the sisters, there are only 3 opening. The beginning is Senjougahara, but the rest focuses on Karen and Tsukihi. The music for Shaft is amazing and I love the way they animate each one. I have to say that Tuskihi's opening was my favorite. It was cute and it reminded me classical music. The ending was made by ClariS and it was pretty good. Other than that, Nise was well made.

The huge change I've seen was that Nisemonogatari added too much fanservice. I can say that it was hilarious cause I believe it was intentional and it has a significance in the anime. It isn't those ecchi anime without any meaning. I mean I can just sit here and watch oppais bouncing around, but the ecchi here is creative and symbolic. It is also to approach siscons and brocons. The monogatari series have a broad genre that it appeals to most viewers. You don't have to be a mystery lover to enjoy this anime, nor a ecchi fan to enjoy it too.

At the end of the day, I just want Shaft to take my wallet and my car and my clothes and my computer and yadda yadda. This is one of the anime I was interested in buying figurines and stuff to support the author and the company. The story was great, the art is superb, the music was soothing, and characters were likeable and I enjoyed the anime throughout. It touched the goal where Araragi wants to save everyone who he cared deeply for.

"It is impossible for someone to replace someone else." - Araragi Koyomi

Nisemonogatari, the sequel to bakemonogatari another beautiful masterpiece created by Shaft, the animation continues to be as weird as ever, an amazing sequel that has a similar atmosphere to bakemonogatari when watching it.

Story 8

Nisemonogatari, focuses on Koyomi's sisters, also known as the "fire sisters", theses active and outgoing sisters, embark on a journey to caputre Deishu. Based on the light novel Karen Bee and Tsukihi phoenix. The story is as unique as ever, with an "unusual development" between the siblings it'll surely make you go "What the F***". The story is as great as ever, showing the strong relationship between the Araragi siblings and ... how much they depend on each other.

Art 8

Shaft, has continued to uphold the weird animation style with hundreds of eye shots, and the abnormal sized rooms/back grounds. The character design are as amazing as ever with several changes to their appearances such as hair cuts, in certain scenes the detail (toothbrush scene) sets the mood and inhances the weird/awkward feelings you sometimes get when watching nisemonogatari.

Sound 7

The sound is nothing special, the thing that defines this anime isn't really the sound. But i guess one thing to look out for is that each main character that gets a story has its own opening and ending each matching the style of the character

Character 9

We see the return of the main characters from the last season such as Hitagi, Tsubasa and etc. Some have changed their appearances while their personality is still the same, but the relationship between the old characters and koyomi has gotten stronger showing more trust and etc. If you a massive fan of Shinobu like me, then guess what she finally speaks!!!!! Ka Ka. Nisemonogatari mainly shows the development Koyomi and his sisters, which was known in season 1 that they always fight, but like all family's Koyomi as the older brother has to look out for his sisters no matter what which leads to unusual developments, and strengthening of their relationship, and scenes that makes you basically go "Aww, Good job Koyomi! thats a good answer" or something.

Enjoyment 9

It's hard not to enjoy a show like this, with many awkward scenes or weird rape scenes that make you go "Ka Ka". But as ever the dialogue coupled with the weird animation makes a great combination and draws you in to the anime as much as possible. This anime doens't contain a lot of fight scenes, but when it does your sure up for a hell of a show, with lots of gore. The thing i enjoyed the most in this anime was seeing Shinobu in her adult form/teenager form (hard to tell) =P

Overall 9

Overall this anime is a great successor of bakemonogatari with most of the good aspects of bakemonogatari applied in Nisemonogatari, One thing to note is that it is shorter, with less story rather than 5 stories this one has 2, but i guess the stories in this one is more developed and detailed. If your a fan of the Bakemonogatari series, then your up for one hell of a ride when you watch this.

Nisemonogatari is one of those truly unique animes. Never have I seen anything like it. Unlike other animes, Nisemonogatari relies heavily on character dialogue and interactions and almost the entire episodes are spent on discussions between characters. It is very unique on this aspect, but let’s review each aspect in greater depth, shall we?

Story: The story revolves around Araragi, a former vampire who is trying to help other people get rid of certain curses that are pestering them. Now, if you are reading this review and you haven’t watch the first season Bakemonogatari, then I suggest that you watch that first because you may not ... be able to understand this Nisemonogatari without prior knowledge of its prequel. All I can tell you is that unlike the first season, Nisemonogatari revolve more on Araragi and his family, specifically his sisters. It starts of light-hearted and then turns into a more serious tone when his and his sister’s views and beliefs collide, forming an interesting story. Overall I would give it an 8/10 because although the story was not incredible, it’s just that the way it was told was amazing, and is truly unique.

Art: Animation is one of the strong points of this anime. There are beautiful visuals, smooth animations, and wonderful character designs. The animation of Nisemonogatari is also unique in a way that the scene changes every so often, and is shown at weird angles, although it can get a bit annoying at times. There are also times when the background is completely abstract, as if everything has been covered in wallpaper. There are also some fight scenes which are good enough to be considered on par with shounen animes like Bleach that other ninja crap. I guess in terms of visuals, you can also compare it to the anime “The Count of Monte Cristo”, since both contain some serious eye candy. All I can is that this anime is really a feast for the eyes and for that I give it a 9/10.

Sound: Voice acting in this anime is really well done. Considering that the dialogues make up almost 90% of the anime, it really did a great job. I give the voice actors a thumbs up for being able to internalize not only the characters, but also the scene itself and also for being able to talk for like 20 minutes straight. In addition to that, Nisemonogatari actually has an opening, unlike its prequel. The OP is very nice actually, with a nice cheerful tone. Overall I give it a 8/10.

Character: The characters in Nisemonogatari are nothing that hasn’t been shown in other animes. You can pretty much describe all of them in a simple phrase. There is the heroic –but-peverted main character, miss tsundere, hentai underclassman, a spirit who is apparently going hiking, loli vampire, a shy type-girl, and two hot blooded sisters. Although the character designs can be quite cliché, they are by no means static. Each character has his or her own story, as well a certain depth. Since the entire anime is mostly about characters talking to each other, there is a lot of character development. Overall I give it a 9/10.

Enjoyment: For me, Nisemonogatari is more of a intellectual anime(?) wherein there are lots of debates that will make you think about your own opinion on the subject. Of course it is more of a comedy so most of the times these debates will often lead to laughter. I really enjoyed it, and of course, there are also some yummy fanservice here and there, although it may not be what you expect(ever got raped by a toothbrush?). Overall I give it an 8/10.

Overall: I think that Nisemonogatari will either be a hit or a miss for your taste. If you are the kind of person who likes heated arguments, sensible debates, and long speeches then this anime is for you but if you have a phobia of long dialogues then steer away, you may not like it. I for one really liked this anime it can make you think, although not in a way like in Steins;gate wherein it just mindfucks you, but more of a question-what-you-believe-in or question-your-values type of make you think. It has also made me laugh, gave me a very weird boner left me wanting more when it ended. Overall I would give it a 9/10 for giving me a completely unique experience unlike anything I’ve seen before.

If you read the entire review then please do post a comment on my page and give me some feedback. Thx :))

Bakemonogatari..
Nisemonogatari...

"The series was first created by Nisio Isin as a series of short stories for Mephisto magazine." -Wiki

It seems quite a few people who watch this series are unawares or only partially aware to the fact that this series was originally a light novel. I'm writing this review thinking of the viewers who do not know quite as much about the series as they could, and may want to learn a bit more after seeing Bakemonogatari.

Let me start off saying that the author of this series has captured my heart, be it translated bits of light novel or the animated adaptations that have ... sprung fourth from this series popularity, the Monogatari Series has awed me in many many ways.

Nisemonogatari; even though this is my only review written for the Monogatari series at all so far, I will attempt to focus on Nisemonogatari itself.

Nise~ is a continuation of the Monogatari series. It is indeed a sequel. It is the 2nd volume in the light novels as well as the 2nd season in the animation. It picks up after Koyomi has successfully saved 5 different girls and now allows us to see him developing his relationships with the characters now surrounding him rather than completely focusing on the mysteries surrounding spirits and the people they attach themselves to.

From a sharp-tongued ex-vampire who lives in Koyomi's shadow to a pair of younger sisters attempting to exact justice on the world, even at the expense of their older brother's peace of mind, Nisemonogatari is here to help us grasp what is happening to the characters since the first volume/season ended.

One very unique aspect I love about this series is that it frequently uses a psuedo-fanservice to drive many of it's scenes and conversations. The way the characters talk with each other, the concern or lack of concern for delicate situations between characters, these vague ideas express specific instances that occur throughout the series where when you are watching these scenes; you are able to grasp just what kind of relationship certain characters have without much needing to even be spelled out for you.
(One example those who have not read the light novel will not get is; when Koyomi is taking a bath and Shinobu comes out of his shadow to bathe with him. This is done in a non-sexual manner, but also with a lot of sexual tension.
In the LN Volume titled "Koyomi Vamp" Book #4, we get a LOT of back-story to his VERY intricate relationship with Shinobu, which is a reason as to why she is likely my favorite character in this series as of now)

The story, albeit confusing for newcomers, is amazing. Though it is isn't told in complete chronological order, they keep the story & the dialogue they do have in the animation true to form. After reading bits and pieces of the translated light novel I am truly impressed with how well this was adapted into an anime.

The art in the anime is effing awesome, and not only just for it's attention to detail, but also for how expressive it can be do the mood-changes in a conversation. The rooms that Araragi Koyomi is in, and the paths he travels from place to place upon while conversing with a character ~ will only resemble a real room or path 50% of the time. Our characters surroundings are frequently used in the animation to project certain emotions to the audience with the characters themselves hardly needing to say a word.The art is extremely symbolic as well as being some of the most quality animation I have seen.

The sound is great. Nothing seems distorted or out of place. The character voices are clear and do not distort. In fact the music in the background used throughout the series is fantastic at setting certain tones. We know when the story is being playful, as well as when it is getting relatively serious. And the voice actors do a fantastic job of delivering our characters and their personalities. Nothing seems forced, it all simply flows.

Our characters are numerous and their personalities voluminous. So many unique interactions ensue that even though each episode is mostly dialogue, it feels as though they pass in a matter of minutes. From a Tsundere girlfriend to a quick witted ghost child we are never left wanting with each person Koyomi stops to engage. And these interactions pop up so frequently it sometimes takes half an episode for Koyomi to simply leave his house.

Personally, every episode is a treat for me. I am never opposed to a bit of fanservice, and I feel this series is far less random with it. In fact I think the fanservice effectively moves the plot forward and makes the characters stand out even more. The humor is subtle most of the time, but it makes the story even more endearing than the constant outrageous outbursts some anime rely on to entertain the viewers. The supernatural aspect is so intriguing alone that we never know what route exactly Koyomi will need to pursue to shed light on the matters he deals with.

I know giving a 10 is always fairly ridiculous for any anime, because nothing is perfect and no viewer is exactly the same, but I really do love this series. This is simply one of those series that make me wish I knew Japanese so that I could dive into the wealth of novels and games created around it. After reading the translated Koyomi Vamp installment and rewatching this series, I understood this series so much better, and thus fell in love with the many characters all over again. Shinobu, who at first only was able to thoroughly confuse me as a presence, easily became my favorite character for Koyomi to interact with in the anime.

I highly suggest that if you watch this anime, you at least read some of the translated Light Novel as well to fill in the gaps. I cannot wait for the movie based off Koyomi Vamp to be released~

^_^

Ah, Nisemonogatari.

A sequel that kinda surprised me, because I don't expect that Monogatari has many series and this one had been released this year. Last year I watched Bakemonogatari then fortunately, Nisemonogatari released a few months later. Lucky me, hahaha. Then I immediately take a look at the synopsis. So, it's about Koyomi's sisters. Seems legit.

I didn't really aware about the existence of Koyomi's sister though, but since I watched Nisemonogatari, I think they are very interesting. And now Araragi Karen even become my #1 favorite character, just because of this anime. The interaction between Koyomi and his sisters was always hilarious and fun to ... watch. Karen & Tsukihi are both annoying at first. Karen is a tomboy, Tsukihi is more girly but then some episodes revealed that she is actually quite sharp & sadist a.k.a yandere.

First thing about this anime: fanservice. Yeah sure this anime is full of fanservice that make me bored when watching the first three episodes. But once again, some interesting dialogues and jokes can make me laugh sometimes. Many fanservice for Suruga, Mayoi, Nadeko, Tsubasa, and Hitagi's fans in the early episodes. I don't mind though, just a bit boring. By the way, Shinobu was really surprising here. In Bakemonogatari, she didn't said a single word, but in Nisemonogatari she was very talkative and a bit annoying. She's like a replacement for Meme who suddenly disappeared, so Koyomi can ask for advice to her. The only episode that can make me laugh hardly and enjoyed it at the same time is the legendary Episode 8 a.k.a "Toothbrush rape episode." I never thought that toothbrushing your little sister can be that erotic. Yeah that must be just fantasy of the author, since I've read a comment from other forum user that have tried it to his little sister and then nothing happened. Hahaha, I laughed after reading that comment.. xD

Second, of course about the story. The main plot is about "impostor" that referred to Karen and Tsukihi. Both of them have something fake. Even Tsukihi is a "fake" little sister from the start. What did I mean by this "fake"? You'll find out after watching this anime. I don't want to post spoilers here. Nisemonogatari also introduced three new villains: Kaiki Deshu, Kagenui Yodzuru, and Ononoki Yotsugi. In "Karen Bee" arc, Kaiki played an important role for what happened on Karen. He also has his own reason for doing something evil. The reason was very realistic, you'll find out later. After Karen has been cured, she changed into an obedient little sister that will always ready to help her brother, because she was very grateful for being saved by him. This obedient attitude is the main cause of the toothbrushing scene . After that, the story focused immediately into Tsukihi's problems. That arc named "Tsukihi Phoenix." Koyomi met Yodzuru and Yotsugi, the demon hunter who will exterminate Phoenix. Since Tsukihi have the Phoenix, Yodzuru ordered Yotsugi to attack Tsukihi. This led Koyomi to the "battle" with Yodzuru, and Shinobu fought Yotsugi. The villains "defeated" and walk out, Tsukihi still being herself. Karen? Guarding Araragi's house.

And bam, the end. The ending was disappointing for me. That story "end" just like that is just... Still I have a big hope for next sequel, although the nearest release is Kizumonogatari (prequel of Bakemonogatari). If it's Monogatari series, I'll watch it for sure, because their "character" has gotten into me, LOL. And also, the OST was always good. Like the ED that sung by ClariS. I liked it. For the OP, I think Tsukihi arc's OP was better than Karen arc's.

The story-telling and character development was amazing, just like Bakemonogatari. The only thing I didn't like is the story that kinda too shallow and boring. Just chit-chat and it's all over. Need more action! By the way, about the artwork: it's even more amazing than Bakemonogatari. I really enjoyed every scene, especially when Karen was there, because her chara design was good. Cute face, nice expression, and slender body. Plus, Eri Kitamura played her voice really good! All of those awesomeness made me gave this anime an overall score of 9 instead of 8, hehehe.

Okay, that's all. When we talked about Monogatari series, we always talked about characters. That's why I liked the Monogatari series and will watch every title of them. If the story isn't good, doesn't matter, because once again, it's all about character.
Yeah, CHARACTER rulez! ^^

The chronicle of Araragi Koyomi and his harem of supernatural girls have been influencing the anime industry since Bakemonogatari's release. While Bakemonogatari was a complete success, there were a number of hitches it had that prevented it from reaching its full potential. Animation cuts, frames with absolutely nothing during a key point (Nadeko snake fight?) in the story. It was unfortunate it couldn't reach its full potential and take flight. I can securely say, Shaft has lived up to its expectations of clever dialog, multicolored characters, and wacky animation with Nisemonogatari.


... Nisemonogatari is an entertaining watch. The story is literally about almost nothing but the smallest of occurrences. This is due to the original source material, being entirely written for the authors own personal amusement. One episode is wholly about Araragi brushing his sister’s teeth, and that's it. But remarkably, I never cease to have interest in what's going on. The story has a way of enveloping its finger around the viewer and immersing them in its tale of idiotic and amusing antics.


An example of this boarding on insane attitude and approach to storytelling, is meeting one of the main antagonists, right inside a donut shop. Wait, what are you doing here? To be fair, Kaiki was only attempting to enjoy his drink. Shaft has a weird sense of pace. It'll spend most of the episode on courage jokes (The courage to not give a fuck about pace!) just to get to the "plot" at the end. It's verging on asinine and impractical, but it works.


That's another important issue you want to take into consideration, the "plot". Yes, there is a ton of fan service. Final boss of the internet anyone? This is generally a fan service show. But it just so happens to be, an enjoyable beyond expectations and restrictions fan service show. From erotic twister to being inside your sister with a toothbrush, hell, even a Loli vampire that loves donuts! It's an entirely amusing show, whether anyone wants to argue if it's deep or not (HUR DUR DEEP DARKNESS) is another page in the great big book of fucking retards.


In my opinion, Shaft is a very good company when it comes to animation. No, I'm not a Shaftfag; I just particularly enjoy some of their shows. Back on track, the animation is literally out of this world. No I'm serious. It's like Shaft hired a group of children, drugged them with cocaine, gave them a box of 64 color crayons and told them to get to work. People are going to argue that the wacky and wild structures are "deep" or are a form of symbolism. Mistaken, they’re simply there for the purpose of looking fucking cool, and to benefit the immersion of the world of Monogatari. Even Anno said the ton of religious symbols in Evangelion were only there, because he thought it looked cool.

Shaft has this weird plot device, where the only people in their universe are the actual main characters; you never see a single background character. It's very weird, but it's also very original. Interpret this how you wish.

The OST spews directly from the fountain of fuck yeah, I am platinum mad about not being able to find Platinum Disco anywhere though. Each Op is catchy, each ED is catchy, and it’s exactly what you would presume from a fucking show like this.


Araragi is the personification of a bad ass, sort of Dracula with an ahoge. Dare I say deconstruction of the harem genre main character? He has his girlfriend, but at the same time, runs all the other girls around his finger. Of course not on purpose, he's not a jerk with a capital fuck you. They all just crave his supernatural cock. He enjoys each of their company, and is not afraid to get his ass cut up into small pieces for their sake. Each girl is god tier, from his imouto's, the Fire Sisters, to Kiss-shot Acerola-orion Heart-under-blade and her mister donut obsession, to his deconstruction of a tsundere girlfriend Senjougahara. They all have their quirks and crazy oddities that make them who they are, and I personally find them to be some of the most enjoyable characters in Anime today.


Yeah, sure this is fan service. But its enjoyment meter high rating compensates completely its lack of a solid story. But some of the greatest stories ever told, just so happen to be the simplest.


Nisemonogatari has the courage to be simple.

Alright, this is my first review so I'm going to try and make this right. Forgive any spelling mistakes please, as I type too fast for my keyboard to register. There are very minimal spoilers in this, I will not reveal the plot though, so need not worry about that.

OKAYSO:

Story: 9/10

The story of Nisemonogatari is unlike any other that I have ever seen. There are also many cultural differences that are incorporated into Nisemonogatari, and some of them are hard to pick up if you're a westerner such as I am. The major one being incest, this anime has an almost ... pornographic incestuous sense of humour. I have talked multiple times with friends who live in Japan, and they seem to find it funny while others may find it appalling. That being said, if you're highly disheartened by such themes, then this anime is not for you.

There is a huge amount of fanservice involved in Nisemonogatari. Naturally if you're watching this, then 99% of you should have seen the prequel called "Bakemonogatari". If not, then completely ignore this anime until you have, otherwise you will not get the same enjoyment that I did.

Nisio Isin is a storytelling genius, there are plenty of amazing dialogues and if you're a fan of witty arguments, then look no further than Nisemonogatari.

Art: 10/10

This is the most beautiful anime that I have ever laid eyes on, because SHAFT once again provides us with mind-tripping scenic masterpieces to go along with the banter, and you'll find yourself getting lost within the scenes and such. The artwork also has it's little trademarks that you will notice throughout watching, such as people twisting their heads as they talk and the famous "black screen" slide that was commonly found in Bakemonogatari.

Sound: 9/10

I had no quirks with the sound of this anime, the opening themes always had a nice ring to them and blended well with the artwork. The ED is addicting, though not to the point that Kimi No Shiranai was in Bakemonogatari. I think they did a great job with the sound.

Character: 10/10

Despite the many annoyances in various characters, there is one who makes up for them all. Senjougahara is a goddess, a truly inspiring character who cannot be compared to any other character in any other anime. I'm probably going to get a lot of negative votes for saying that, but it needed to be said. Every time she came on the screen and had one of her mindless banters with Araragi, I became so engrossed in the anime that I couldn't' blink even if I wanted to. Anyone who has watched Bakemonogatari can relate to this, surely. Treasure her moments, as there are not as many as I would have hoped.

Enjoyment: 9/10

This would have definitely been a 10, but I am very against incest and there were a few scenes that made me feel uncomfortable. That's my personal opinion, take it or leave it. Everything else was spot on amazing.

Overall: 10/10

If you can overcome the uncomfortable moments, then this anime is a masterpiece in every which way shape or form. I would highly recommend this anime to anyone who loves character development, and does not place huge value on flashy fight scenes that drone on and on. Go watch it if you haven't already!

Nisemonogatari is a direct sequel of Bakemonogatari, and it tells the story of Koyomi Araragi's Siters, Karen and Tsukihi.

Strory-10
Nisemonogatari has more focus with the story same as Bakeomonogatari because of its toned down editing and it helps shines the characters and the ongoing story. Well now i give it a 10 why?, because the story focuses a lot more on the actual storyline. I know there is a bunch of fanservice everywhere...but that's make a major character development. As you can see, i can't stop waiting for the next episode of this series because of the plot that makes me interesting to watch it ... twice.Nisemonogatari focused more on Kare Bee which has 7 part, and it gives us a lot of background on Koyomi Araragi's personal life with his little sister(imouto), and it become quite emotional. After that the Tsukihi Arc that tells the other Araragi's sister also intresting, there is a new interesting characters and the story itself become more interesting as some . Yeaah this is a perfect monogatari!!

Art- 10
C'mon it's SHAFT!!, and they make another unique art for this franchise. So it's no doubt that this anime franchise has the perfect art and it looks beeatiful and original.

Sound-10
Ohh yeaah the sound...it is really catchy and very unforgettable. For Example, Karen Op was really energetic and interesting, you will hear that opening again and again, and i give it an 10 again..because every sound of the BGM feels right at the moment. The BGM has some variation and not repetitive. As for the new Tsukihi OP is very cute,oriental and original....The ending by CLARiS also great like The ending of Bakemonogatari by Supercell.

Characters-10
As i say in the story part, the character has more development. We can see the previous character like Senjougahara, and the others. But the real character development is for the fire sisters.The best is Koyomi's sisters make a unique and complex personalities.But it's too bad that the other character such as Nadeko Sengoku doesn't get too much development in the series, but her personalitites is alrady explained in Bakemonogatari. As you can see, you have to watch Bakemonogatari to understand every part of the character explanation, so you wont get bother with it and you will enjoy the show.

Enjoyment-10
Ohh man..this is the best anime story i ever seen, the character,the humor, the art, and every part of it is so enjoyable and very great.I guarantee if you watch Bakemonogatari and continue with watching 4 episodes of Nisemonogatari, you will addicted to the series, you will be asking more and more, and you always waiting for the next episode.

Overall -10
Hell yeaah!!! it's a perfect Anime series,if you watch Bakemonogatari and continue to this series i bet you will think the same with me. The fanservice it's not ordinary, it's unique and yeah NisiOisin's literary versatility had continued to amaze me with Nisemonogatari. I can't wait to review the movie of the franchise,Kizumonogatari.

Thanks for reading my review...i hope this review will help you and sorry for my bad english XD..

"Normally you only need to know what's happening on stage. That's how reality works."

Following the commercial success of Bakemonogatari came the anime adaptation of the next chapter in Nisio Isin's light novel series, in the form of Nisemonogatari. This is the direct sequel to Bakemonogatari, and takes place some time after the events of Bakemonogatari. As one character pointed out, "Add too many members, and the story will be hard to follow." While there are some new additions to the cast, the majority of the series is centered on familiar faces. In this season, Koyomi's two sisters, the cheerful tomboy-ish Karen and the delicate but ... short-tempered Tsuhiki take the spotlight from their previous positions as minor background characters. The "fire sisters" become the main focus, although it is well blended with the other heroines from Bakemonogatari, who are still involved but take a backseat in this series.

If Bakemonogatari were to be considered the main act, then Nisemonogatari is the supporting act that plays on the previous, although that isn't to say one or the other is superior. It's a matter of taste, as the general theme and styles viewers were familiar with are still there, although there are some changes that may or may not be pleasing to you. Although the two sisters are the main focus, we also see familiar faces in various scenes. The series plays on the old interactions with the addition of time to the character's relationships. They are more familiar with one another and their interactions seem a bit smoother to me.

Aside from the Araragi siblings, there are a few more new faces to the scene, who bring with them different perceptions on life and justice, which act as a foil to one another, which really highlights the distinctions between each character's outlook on life. While the fire sisters believe themselves to uphold justice, Kaiki is in a whole different class. He could be seen as cruel or evil, but in his mind, he doesn't really belong in the spectrum of good or evil. What he believes in, is only money, and that is the only absolute. I found it to be a very refreshing take on a villain; while it brings in the argument of what is justice and evil, it was also an adult, or maybe pessimistic outlook. The way that the matter was solved was different to most confrontations, and that was also nice, although it might have been a little disappointing to some.

One major difference I noticed was an increase in fanservice. Although I was fine with it most of the time, it was a little distracting during moments of intense dialogue or plot moments. It did however lead to numerous hilarious sequences so I'm not really sure what to say. I think it would have been better if there was a bit more moderation, as sometimes it just felt excessive. It does show you a bit more about how the characters interact with one another though, such as their toleration or confidence (or lack of it) in themselves or others. This might be a love it or hate it aspect, but I think many viewers out there will enjoy it a bit.

Art/Animation: As a series by Studio Shaft, the animation is very well done. This series in particular was stunning, in my opinion. The animation was smooth and colorful. Each background brings in a different mood or setting, it looks sort of unreal how simple, mundane backgrounds could be made to look unique, from a whole city street or even a regular bathroom. Unlike Bakemonogatari, I felt a spike in animation quality and visuals, as colors just seems to leap off and actions just seems so crisp and clean. One example of this could be seen in the second opening theme of the three in the series. Shaft has its own style and quirks and they ran free in this anime, which I loved.

Sound and sound: Solid in every aspect, background tones suited the mood very well and complemented what was going on during the moment. Similar to Bakemonogatari, this series had various opening themes with their own different style and singers, for Senjougahara, Karen, and Tsukihi, in that order. I thought they were all good in their own way, with Karen's being my favorite of the 3, although I do like how cute Tsukihi's theme was.

Overall I really enjoyed this series, with each episode ending in what felt like only minutes. It mixes together great, witty dialogue with a good amount of action and character interactions and, haha, some fanservice thrown in for good measure, although it is done tastefully.

Nisemonogatari was a great addition to an already phenomenal series, but with too much unnecessary fluff. I was inspired by a friend to try and figure out exactly what it is about the season that felt weak to me, so I guess I'm writing a review.

The arcs themselves were relatively interesting. Karen’s arc was lacking any real supernatural oddities, but that was okay because it expanded deeply on the universe, including the introduction of Kaiki, and fleshing out of Koyomi’s sisters and the previously stoic and silent Shinobu. There was actually a lot of content there, but I think seven episodes was a little much.

Tsukihi’s ... arc is a little more refined in its length than Karen Bee, but somehow manages to feel even more lacking in content. We find out a huge detail about Tsukihi, but when all is said and done, it’s really of no consequence. A couple new characters are introduced, but one is never seen or heard from again*, and the other doesn’t really add much to this arc one way or another.
*Edit: she does appear, but VERY far down the road, and frankly could still be substituted by any other exposition character such as Meme (who I would much rather see again) or Izuko.

The first episode of Tsukihi Phoenix contains no real plot development, instead focusing almost entirely on what could be described as an erotic toothbrushing scene. And you know what? I loved that episode. But it was just another blip on the radar showing a trend I noticed throughout the season. There was just too much fan service.

I think blending fan service in with all of the other elements is one of the things that makes the Monogatari series shine as an anime. A little fan service is great, in the right time and place, but Nisemonogatari just seems to take it too far. A loli panty-flashing Koyomi, Koyomi bathing with a loli, sister-on-sister yuri, a girl molesting Koyomi, a middle school girl trying to seduce a clueless Koyomi... These are just a few things on the list, and I’m pretty confident that no other season has had quite this density of lewd material. I don't know if this was Nisio Isin getting a little overzealous, or if Shaft was taking too many liberties, but it's definitely there.

The characters introduced were mostly okay. Kaiki is perhaps my favorite character, with his charismatic lack of regard for morals which he backs up with clever wordplay. Karen has a deceptively deep personality profile, and is a loveable addition to the lineup of female characters. Tsukihi is a little shallow as a character. It feels like her only traits are her yandere tendencies and devout following of her sister. I don’t love Shinobu the same way a lot of the fandom does, but she is certainly an interesting character, and an adequate replacement for Meme.

Monogatari is my favorite anime series, but that doesn’t mean I can’t criticize it. Nisemonogatari had better philosophical dialog, character development, and art design you could expect to find in any other medium, but it still has its faults. I don't really like to give "scores," but let's put it this way: Assuming I’m only allowed to give Bakemonogatari and Monogatari Series Second Season a 10 at the most, Nisemonogatari would probably get a 9. It's a great show, but the shoes it had to fill were just one size too big.

Nisemonogatari - 8/10
There really isn't much to say. As good as Bakemonogatari except more lewd humor (much more) and lewdness in general and less sharp dialogue and references and new characters.
Instead however, we get pretty much everything we had in Bakemonogatari just in a different ratio and i definitely liked this.
LEWDogatari basically.
Also the drawing is even higher quality.
The story is pretty simplistic, but good enough for a small series like itself.