English: Spirited Away
Status: Finished Airing
Aired: Jul 20, 2001
Duration: 2 hr. 5 min.
Rating: G - All AgesL represents licensing company
Score: 8.931 (scored by 254,660 users)
1 indicates a weighted score. Please note that 'Not yet aired' titles are excluded.
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
I enjoyed this very much. You will experience all kind of different feelings watching this; fear, love, warmth..etc
Story, Art, Sound and Character: 4.12/5
Overall: 9.25/10 (or 4.12/5)
I'm gonna be direct with this review. Spirited Away (also known as Sen to Chihiro no Kamikakushi, lit. "Sen when Chihiro misteriously disappears") is a masterpiece. I think everybody should watch it, it is not perfect in any way, but it is indeed one of the most enjoyable experiences I ever had.
This movie made me review my way of reviewing movies (did that made sense) in a way where the plot is not the best in no way but the movie is so enjoyable that it makes up for it.
Probably the weakest part of Spirited Away, it starts with pussy Chihiro (fears everything, you can see the plot device from miles away), and her parents that get lost in their new town and find an old theme park. They don't know howevet that the theme park is actually a meeting place for ghosts and other creatures and yadda-yadda-yadda.
SPOILER ALERT: Chihiro stops being a pussy by the end of the movie. ∑(;°Д°)ᵒᵐᵍᵎᵎᵎ
The biggest problem about the story is the movie length, Spirited Away looks like it wants to be a series, the movie is full of little stories that add few to no content, and characters that look like the biggest shit end up just being a plot device to make the movie longer (btw, it has 125 minutes. 35 minutes more than a normal movie, about the same length as an anime series episode. COINCIDENCE? I THINK NOT!).
Obviously, this is not a real problem since these small adventures are indeed enjoyable and the characters are likeable, but it gives you that little empty feeling as the movie relies on a very thin overall plot, enough I could describe its whole 2 hours in less than 5 minutes.
Which brings us to the other problem: characters. I don't have much to talk about Spirited Away's characters, but for sure they don't add much depth. Not that they aren't likeable, they are! A lot! But their depth goes as long as: This guy has this backstory. this is his motives and he's gonna help you.
Studio Ghibli doesn't disappoint, no wonder why their works were licensed here by Disney. Every frame is beatiful and detailed, the budget is (literally) infinite. Character designs are well thought, specially the character designs of Yubaba and Kaonashi (No-Face), that mixes likeability and fear perfectly.
I haven't found much of the sound, it is nice and fits with the theme. The guy is talented. However, I must give a heads-up to the English Dub VAs and scripter, that actually felt like they wanted to do the shit and put TALENT on it. Hopefully other certain people learn from it.
Despite its flaws, Spirited Away is an extremely enjoyable experience, a classic that I (and other people for sure) will enjoy for days.
I could just copy my first paragraphs from this review here and it would get the point perfectly. Watch it. Despite its plot flaws, it will be one of the best shit you will EVER WATCH. read more
I am going to talk about Spirited Away (yeah, obvious). It's been quite a long time since I watched it for the last time, more than a year in fact; but I became a really fascinating and influential piece for me at that time, far enough to define my current love for Miyazaki's works, the Studio Ghibli and animation in general as an art and a strong way of expression. Today it's still one of my favorite animated features of any sort, and not because of its lack of flaws than its amazing blend of concepts.
The first thing that appeals the audience in this movie is its art and animation. I, as unexperienced and poor in technical knowledge about the subject, think it's utter fascinating, it manages to create a whole world out of nothing, and the use of lights and shades, the forms and colours make the overall experience a visual joy. And in addition to that I find the characters' gestures and movements extremely plastic and realistic, some other scenes have been mentioned in that aspect by other reviewers but I was particularly fond of that one where Chihiro is walking with her parents and she gradually moves away, only to come back to her position with a little run-up. These things don't happen, usually, in animation. In so far as they are unnecessary, easily ignorable and feel like a waste of resources, we hardly see characters making these little movements which in the end result in nothing relevant. Ghibli, however, animates them, and does it with such a mastery, a love for detail and a goddamn naturalism that I can't help but feel amazed.
As if the visual aspect wasn't good enough, the movie is also a pleasure for our ears and has what I consider the best track of my heavily worshipped Joe Hisaishi, one of the best (if not the best) film composers I have ever heard. Spirited Away is exceptionally good at that aspect; I'd say it's one of the very few cases in which there is, at some scenes, such a strong fusion between story and music, that I can't conceive nor think of one without the other.
But despite all of these beautiful qualities about its setting, the real substance of this movie is at its story. I apologize in advance, again, because as I'm going to develop some points I will give some free spoilers. If you haven't seen the movie I'd recommend to stop reading at this point.
It has been said many times by critics that Spirited Away felt like a senseless blend of magic elements, just a simple story filled with many things the author introduced undiscriminatingly to drag out the experience. Well, I have a quite different point of view for that device. I just can't conceive that the animation, for example, is taken to such a high level of detail and, on the other hand, that doesn't happen with the story. And by rewatching it repeatedly in a short amount of time (once every two months, more or less), I began to develop some theories about the nature of the world that is depicted here.
What must be considered at first is that all this magical world, with strange creatures and spells, is just an allegory for the always difficult transiton between childhood and the first steps of adulthood. It's the age you start dealing with responsibility, when you realize your acts have consequences and you have to make decisions that will affect your future; you define yourself and the course of your life. Miyazaki puts these simple concepts by transforming the need of finding an identity into a way to escape the wonderful yet cruel world where Chihiro is suddenly trapped. Its hostility imitates quite well the drama of the process, as it reinforces the need of an additional effort every one of us have to make at some point and reset our lives and our positions.
Does this mean that Yubaba's world is an undeveloped blend of magic, hostile things that only serve as a situation that Chihiro has to overcome at some point? Well, I don't think so, as it seems to have a clear structure and hierarchy. One of the stories I see compared more often with this one is Alice in Wonderland. However, I would define that as a blend of unrelated events, a story whose main charm lies in its anarchic, nearly nightmarish, narrative. Spirited Away is not like that in any way. In fact I think there is an effort to transmit a strong sense of logic throughout, it tries to delimit the causes and consequences of every single case.
The key character to understand how Yubaba's tyranny works is, in my opinion, Lin. She just happens to be the link between Chihiro and the rest of the magical creatures, just like somebody that is in some sort of intermediate level. Her physical appearance looks slightly transformed, but not as much as the rest. She is aware of the existence of another world outside of that one, the importance of remembering her name, her "identity"; and knowing that, she helps Chihiro and takes the role of a mother. I have the theory that every one of the creatures that live in Yubaba's world were once human, maybe little boys and girls like Chihiro who couldn't find the way to escape, or other people; and they ended up forgetting who they were, losing their "humanity" and becoming mere pieces of this world. Lin is a special case because it seems she's not lost her identity yet, at least not at all, but forgot at one point her name, the key to come back home, and knows her situation is irreversible. She maybe observed this in some of her companions when she arrived, and Chihiro reminds herself of that. Maybe because of that, because she knows and appreciates what she's doomed to lose, she decides to help her in an altruistic way.
And what about Kamaji? Another key character in Chihiro's development in there; he seems to be quite aware of his situation too. I'd say he is a bit like the "sacrificed" individual, who Yubaba used to start his project and maybe the only one that didn't lose his identity at all. He's a slave in this world, he knows it but can't help it.
So yes, I have a more "adult" and crude view of the overall concept. This definition of the magical public baths as a place were people are doomed to end up losing what makes them "special" is quite harsh and melancholic for a -as targeted and admitted by Miyazaki- kid's movie, and it might feel even weird, but that's how I interpreted it and I think it makes some sense.
Does this mean Yubaba is a villain? Well, define villain. Somebody whose only objective in life is to harm people? That's hardly what Yubaba is. She, for better or for worse, created a world, and made it work. She imposed some rules. We could even say she created her own utopia (and that doesn't mean she is naturally "bad"), why not? And, most important, she has a strong sense of honor, she dictates and also OBEYS her rules. One of the (maybe) main reasons why she loses her battle against Chihiro, in fact, is that her weakness is shown eventually (giant baby); and reveals a hypocritical attitude, as she is protecting her lovely child from any influence while she's always preaching the exact contrary. As she knows it, it's a shameful thing to admit and maybe here is where her image of forcefulness starts to teeter.
All in all, these examples just show that the real strength of this story lies in the characters, as they are always depicted in a detailed way. Yubaba not being the typical villain, or not even being a "villain" at all; Haku, the hero and the "positive" one here has also an overambitious side and is for the most part guilty of his situation... and Chihiro, of course. She is a spoiled brat who learns to appreciate some things, but in no way overreacting at these points, as she sounds real and relatable at every damn scene. It's quite easy to understand her, she's not made to be likeable but her portrayal is solid enough to make us join her development through the story.
I could spend hours and hours talking about this precious anime and its many details, the enigmatic role of No Face, the negative influence of the parents in Chihiro's behaviour, and so much more... I love it. It breathes mastery at (almost) every one of its points, and I can enjoy it in many levels. My only grip would be the way things are resolved, which I have always found too rushed; reading Miyazaki's opinion on that ending I've come to understand the intention behind, but still I'd say the metaphor is made too subtle for the audience, and maybe the execution is also somewhat clumsy. But aside from this minor flaw, I can't help but admire this fascinating, eye-captivating piece of art, my second favorite anime behind Grave Of The Fireflies. read more
“Nothing that happens is ever forgotten, even if you can't remember it.”
Spirited Away is a massive cauldron brimming with creativity, its boiling contents enthusiastically leaping and skipping out of its overflowing container throughout the length of its 2 hour journey. It isn't here to answer questions: we may be left in wonder as to how aspects of this beautiful, fleshed-out world function, but it's best to simply sit back and enjoy the fantastical sights. Chihiro's departure to an alien world, swathed with shape-shifting witches, faceless phantoms, radish spirits and harmonized talking heads is akin to a magician with an endless torrent of tricks hidden beneath his dark cloak. Yet, we may watch with fear of being disillusioned, in case the cards begin tumbling out of this magician's sleeves. But Spirited Away needs no such gimmick, for it is a spectacle which never fails to be spectacular. Like the one-way train in its world which trails a mysterious path on platforms both solid and liquid, Spirited Away proceeds at a consistent pace, as a rapid stream full of unique creatures and exquisite landscapes, propelling forward before we're able to stop and smell the roses. Unlike the train's linear journey however, Spirited Away isn't merely bridging the gap between stops - the entire adventure feels like a sinuous, yet seamless wave, flowing as gracefully as the dragons which roam its skies and the water which surrounds its lands.
Through this vicarious journey, Spirited Away weaves a rich tapestry of assorted themes. Spun beneath its light-hearted façade are haunting messages speaking volumes about identity and growth, the dichotomy of good and evil, and other connotations which linger subtly in the movie’s duration, but become ever prominent upon reflection. The reminiscence of Chihiro’s coming-of-age adventure never fails to summon up the deep-rooted fragments which echo within my memories, bittersweet shards of childhood innocence which have been all but forgotten.
All the while we are guided by the trembling, uncertain hands of 10-year-old Chihiro as she paves her way through a world which is as mystifying to her innocent eyes as it is to ours. Whereas character development is often neglected in movies due to their relatively brief duration, I couldn't help but resonate with the fragile heart of our protagonist as I bore witness to her subtle growth from a pessimistic child with no desire for change to one headstrong, responsible, and competent. However, the other members of the large cast, while entertaining in their own right, remain largely static. Yet, by no means are the supporting characters a detriment to the film, for they play pivotal roles not only in progressing the plot, but also in Chihiro’s rise to maturity. There are no clear-cut villains among Spirited Away’s cast, either – every character resides in an area of grey, and even the most troublesome are largely redeemed by the film’s climax. And while Chihiro's bonds with others may proceed in a fairly simple and predictable manner, Studio Ghibli has long proven its mastery in this regard - giving form to straightforward character bonds which are nonetheless both delicate and heartwarming in their conclusion.
Furthermore, this cauldron's contents of endless spectacles are topped with impeccable production values. Spirited Away simply effervesces with magical vigor. Character designs for humans, spirits, witches, and everything in between are imaginative and detailed, their movements as smooth as silk. The entire film seems to be dappled with vibrant shades of countless hues, and the sharp drawings and radiant lights make way for many exquisite landscapes. Joe Hisaishi's melodious soundtrack fluctuates between prominent, uplifting pieces which dominate the screen to serene, subtle tracks which seep into the background - but the soundtrack never ceases to harmonize as well as stun. It is difficult to pick apart individual aspects of Spirited Away's presentation, for they complimented each other so well that the entire journey felt like a seamless amalgamation rather than a sum of parts.
Perhaps my earlier analogy comparing Spirited Away to an infallible magician is flawed. After all, I certainly feared being disillusioned as its credits were creeping ever closer; my heart felt as if it were withering away, for I was a willing hypnotic to this magician's spellbinding journey. It wasn't that Spirited Away had failed to deliver; it had simply left the stage, leaving in its wake a dark, insatiable void; the curtains were closing, the show was over. Yet as its bursting fountains of love and magic began to trickle away into its heartrending ending piece, "Always With Me", I realized that such an experience doesn't simply disappear. For two hours, Spirited Away rendered an alternate reality which I was hesitant to leave; the ephemeral journey had come to an end and the banality of my world began to seep into my senses once more. But after gazing back, like Chihiro, into the long, dark tunnel which led into a new world, I thought, with renewed hope, that I carried with me fragments of a world never to be imitated, fragments which - even if I failed to remember, wouldn't ever be forgotten.
Overall Rating: 9.5/10
Note: This review has been edited by Ezmira (aka DystopianLove) on MAL. If you like this review, you like her. If you don't like this review... well, I wouldn't blame her. read more
Still, I watched it again and, for some reason, I got it the second time around. Spirited Away isn't meant to be anything grand, with all the bells and whistles. It has a quiet, subdued way of telling a simple story about a simple girl in a very strange world. Instead of expecting something huge, just sit back, watch, and appreciate the world and story Miyazaki has finely crafted for us all to enjoy.
To get to the technical aspects...
The art is, of course, amazing. The colours are rich and the animation is fluid. When Chihiro and her family first walk into the spirit world, you can practically feel the breeze as you watch it whisk through the grass. The lights of the spirit world at night are breathtaking. And watching the train ride closer to the end of the movie, coupled with the amazing music score (the track is called "The Sixth Station"), remains one of my most favourite animation sequences out of anything I've seen. Which brings me to another point: the music.
I will get this out of the way first - Joe Hisaishi is one of my favourite composers. His music style is very simple, but he makes every note count. Most of his music is quite subdued in nature and takes a careful ear to notice when your eyes are being captivated by what's going on in the screen, but do take notice if you have the chance. Or search on YouTube for videos of his live performances. His music is a joy to listen to. Like with Spirited Away, Hisaishi's music lacks all the "bells and whistles" per se, but it's beauty lies in its simplicity. Hisaishi has not failed here in Spirited Away.
I dearly loved the characters. One of the best parts of this movie, for me, was that it lacked any clear good or evil characters. Everyone has a bit of both, though perhaps some allow the evil sides of them to come out a bit more obviously than others. In this way, it's very realistic. Granted, the characters were all quite predictable and Chihiro grated on my nerves at times, but overall, I enjoyed each and every one of the characters Miyazaki has create here.
Overall, Spirited Away is one of my favourite movies and will always be a treasured item in my small DVD collection. It requires some patience to get through since it's not packed with action or drama, but it's a nice fairy tale to watch and enjoy. read more
Miyazaki isn’t a stranger to making movies about childhood and things similar of its nature; Totoro would be an obvious example to this fact. He certainly has an eye of making these kinds of stories that could be reflected to everyday childhood experiences that we have since grown out of and are now living in a realist way of life. The fantasy elements that are a constant staple to the Miyazaki lore is what has made most of his movies so special to a lot of people, including myself, because of their originality and inventive folklore. Now, that isn’t to say that I’m the biggest Miyazaki fan as much as the next person. However if there is one film that could never lose its imaginative and beautiful vision in his filmography with each passing viewing, Spirited Away would win at no contest.
In describing what kind of story Spirited Away follows, coming-of-age would be the most logical way of putting it. In that, we follow with our main protagonist Chihiro and how she handles certain situations that would prove to be difficult for any other young person such as herself. When she first encounters this Spirit World she is lost, hopeless, and confused. Not knowing what is going to happen to her or her parents, after they’ve been turned to pigs, she finally finds help with other characters that are willing to help her be acquainted with this world that is unlike her own. Once she is acquainted with the Spirit world, we now see her as a strong individual once she is more aware of her surroundings and is able to take care of herself without the help of Haku. It is by the end of the film the most essential point to what makes not only Chihiro a wonderful character but also how Spirited Away paces its story structure.
Art and animation are nothing but superb in Studio Ghibli’s legacy in how they incorporate more emphasis on impressionist inspired backgrounds with traditional hand-drawn animation. The scope of Miyazaki’s artistic vision is vast and organic in each of his films that some other Ghibli films sometimes lack in minimal detail. Spirited Away may not have the biggest scope in terms of scale such as his previous films such as Nausicaä or even Princess Mononoke, but I would argue the minimal scope works magnificently with the show’s structure. From the wonderfully drawn buildings to the tiniest detail of rust and wood splinters to the hypnotic waters that surround the spirit world, it complements extremely well with Miyazaki’s ascetic vision and Ghibli’s artistic talents.
With regards to Art, the one aspect of it that Spirited Away shines the most is its creative art designs of the characters of each spirit you come across. Every single one of them looks absolutely original and not thought of from previous animation, despite most of them obviously inspired by Japanese folklore. It’s not as if most of them are forgettable the minute after you see them. They all stick with you as you go along with the film and even years after you’ll finish it from how memorable and imaginative all of them are from the amazing art designs.
To describe how the character Chihiro is treated, as in how she is portrayed in the film in her own personality, would come to the conclusion that Miyazaki approached her in a realistic fashion. You’ve often seen kids before that behave like Chihiro, or you may have been like her in her age, and that behavior would be considered “bratty” or “immature.” But these shouldn’t be seen as negatives since realistically that’s what kids are at her age, as you see Chihiro before she goes to the spirit world. We see Chihiro go through hardship when she arrives through the spirit world and then we have this sense of hoping for her to succeed due to bravery and strong courage to help her parents. It gives her a sense of humanity that could make you feel so much empathy for her as not only just some drawing in motion, but as a human being in the flesh in some ways.
Other characters such as Kamajii, Lin, Kaonishi, and Yubaba fill in the cast quite nicely. Kamajii and Lin filling in as nice slight comic relief character give Spirited Away a nice needed level of charm from the voice acting and dialogue. Yubaba at first does seem like the villain of the movie but from how you see around it, there really isn’t a villain in this movie. She’s nothing more than just a woman who just wants to run her bathhouse in a very authoritative way that has no ambition to do anything evil in nature. Kaonishi, the spirit that follows Chihiro in the bathhouse, gives the film a vulnerable side to it from his troubles of being alone, all through no dialogue at all, at least from his own voice so to speak.
Now we come to music. Composed by Joe Hisaishi, who has been Miyazaki’s main collaborated in almost all of his films as composer, it is pure excellence in Hisaishi’s backlog. This shouldn’t really be surprising considering how so well he composes his scores. From listening to his songs on how they interact not only with what is going on currently in the film but also how it leads the story from each scene to another just from how Hisaishi makes the songs so vibrant and adds a whole new way of looking at the films he scores. I guarantee that there is not one person in the world with a clear conscience to listen to “One Summer’s Day” and not burst into tears.
It is with utmost sincerity that Spirited Away is Hayao Miyazaki’s magnum opus. Though many will claim this to be his most “accessible” film in his filmography, especially the Miyazaki “purists”, it is, for me, the film with the most heart out of the rest. It’s the type of film that almost hurts to love, in that you feel so vulnerable watching this yet you feel a sense of awe because of how your absolutely mesmerized by how much sublime creativity was put into making Spirited Away. From all of its likeable characters, its brilliant pacing, its memorable score, and great coming of age story, from what little minimal flaws there are to be found in the film, it is all worth while to take in what is grandeur and admire it wholeheartedly. Just as with its atmosphere, nostalgia plays a part in how special Spirited Away is. Not nostalgia in the sense of how you were a kid when you first see it, but from how it invokes nostalgia from the film’s ambiance itself of showcasing childhood curiosity and adventure. Something of which more kids films really need to learn from in future generations.
The story of Spirited Away doesn't exactly seem all that children-like, because of it's mysterious and somewhat complex plot. It's about a 10-year old girl and her journey into a supernatural world filled with spirits --> witches, ghosts, divine deities, a human-spirit-dragon and more, in order to rescue her parents who have been turned into pigs. Throughout her "Alice in Wonderland" - like adventure, she has to find her identity, remember her name, remain her purity/innocence while all the meanwhile remembering what it means to be a human being/a child. Unlike most anime directors or any filmmakers for that matter, Miyazaki doesn't conceal the nightmares/terrors of childhood, which actually yield their own disquieting beauty. He respects the deep silences of his story, as well as its cacophonies. Very young children are apt to be frightened by this film but still enjoy the film if watching with a parent/older figure, proof being myself. But as children grow older and re-watch Spirited Away, they'll come to appreciate it's stunning beauty in story, art and sound.
What Spirited Away does with it's characters is truly magical. Unlike most anime, Spirited Away successfully portrays it’s characters in a more personal and intimate way. Obviously Anime characters often come off more like set pieces in a story than real, breathing people who control their own lives. But in Spirited Away, for all it’s insanity and typically over the top anime mysticism, the characters are surprisingly quietly intimate. This allows the audience to connect with, sympathize with and actually care to watch for Chichiro. But there are other characters too of some whom are symbolic characters and serve to teach the audience a lesson, of others who are there for kid's enjoyment - comedy, and others who develop into an important piece of the plot; everyone has some kind of important role to look out for. With all these positives said, there wasn't really a character I really loved, but the development of Chichiro really made her a special character.
Honestly, the story is great and the characters were animated/imaginative, not-realistic creations of truly "realistic" beings. But for Miyazaki's films, what can be said more than the animations and in my opinion, the greatest soundtracks in any films ever. Spirited Away's animation was nothing short of masterful; High quality doesn't begin to describe how simply stunning Spirited Away's art is. The setting of Spirited Away has a very traditional Japanese feel to it while mixing in elements of modernity as well. The animations gives the audience a sense of fresh realism in a fantasy world. And the music. Oh my the music. Joe Hisaishi, you are the greatest movie-soundtrack composer ever and without having to say, my personal favorite movie-soundtrack composer. One Summer's Day? Always With You? Sixth Shop? Dragon Boy? Your great music knows no limit. For those of you who have seen Spirited Away know what I'm talking about, and for those of you who don't... Well then go to YouTube and listen to the pieces I just mentioned. The music definitely enhances the emotions felt from each scene, and makes the movie an all the more memorable experience/memory. The voice acting added a sense of realism into characters, especially Chichiro who genuinely sounded like a fightened 10 year old child. The beauty of the sounds in Spirited Away cannot be described in words.
If you want to purely enjoy this movie and/or haven't seen the movie yet, then I recommend you skip these upcoming paragraph and skip just to the very last paragraph. because I will be analyzing the whole load of themes and symbols in Spirited Away, which is truly a childrens movie, while not actually being purely a childrens movie. There are just so many themes in Spirited Away beyong the surface of a magical masterpiece.
1. Chichiro aka Sen was stripped of her name. But what does a name really mean though, it's just a 2-couple of words assigned to you at birth right? You can just change it too right? Well, in Spirited Away, the character's names are their quest for freedom. Sen Chichiro must remember the qualities that make her who she is and remain true to them despite her name, the one word that defines her as herself, has changed. In Spirited Away, names are of fundamental importance in the spirit world, and those in power keep their control by stealing and changing names. Only those characters with the inner strength to hold onto their names and identities can free themselves.
2. What defines a person as good or evil? In Spirited Away, every character morally ambiguous; they're a mix of good and bad qualities and actions.Those who seem good at first, such as Haku and No-Face, have their share of evil qualities, and those who seem bad in the beginning, such as Zeniba, and Lin, show signs of good in Chihiro’s escape to freedom. Chihiro herself is pretty unpleasant at first until later when she reveals her better nature only after she becomes Sen. Spirited Away’s blurred line between good and evil is a much more accurate reflection of the real world outside the film. In the end, evil is not vanquished but pushed aside as characters make choices that weaken bad influences. Sen’s acts of goodness bring out the latent good in those she encounters; just like real life right?
3. Growing Up, and entering the world of adulthood. What does it mean to be a child? What separates a child from a teen from an adult? The shock of entering the working world is a theme rarely dealt with at this age level, which gives Spirited Away a mark of distinction. At the beginning of the movie, Chichiro is just sitting in the backseat doing nothing while her parents drive, and she just follows other spirits instructions. But as the story progresses, she starts to make decisions for herself and instead of idly doing nothing, she has to enter the working field and work diligently. Though hard work is not the only element of the spirit world that transforms Sen into a stronger, more capable person, it certainly helps her learn to deal with problems maturely.
4. Human Nature's greed. At the beginning of the film greed is on full display as Chihiro whines and complains to her parents (children's greed for attention) meanwhile, Chihiro’s parents’ greed leads them to eat a whole ton of (unpaid) food that eventually turns them into pigs. Literally every character in Spirited Away is greedy from a small scale to a large scale; Haku being the "good-guy" character and all is greedy for power to match Yubabu, the evil witch's power, and Yubabu is so greedy for total control of the spirit realm and gold/gold/gold, eventually leads to the destruction and chaos in the story. She even loses what she covets most as retribution for her greed. In every case, greed makes characters oblivious to what is truly important, preventing them from reaching their full potential as people and spirits. This is a reflection of human society no?
5. Life and Death. Water represents entrapment and freedom; life and death. Chihiro's realizarion that the previously dry ground is now a huge body of water of which she cannot cross. Reflection that you can't run away from fate- Life and Death. In order to survive in the spirit world, Sen works at the bathhouse, which depends on water for its livelihood. In the course of Sen’s work, she rescues a polluted river spirit by pouring liberal amounts of water over him - life. Sen nearly drowns in the process, but the spirit places her in a protective bubble that keeps her from harm, and this and other acts of kindness play a role in her liberation. But beyond just the use of water, the constant struggle between living and dying - and what it means to be alive (a magical thing) and what it means to be dead (who knows what this means) is on full display.
This movie is truly wild runs of children's imagination/fantasies all put into one film; I personally believe after watching nearly all of Miyazaki/Studio Ghibili's films, Spirited Away was the single mof innovative and imaginative story by far. Growing up is a beautiful thing, and this movie is a pretty personal movie to me. My entire analysis of all Story, Art, Sound, and Character for Spirited Away can be summed up in entirely one word: "Beautiful~" And this movie, as a child, as a teen and now as an adult never ceases to remain as one of the most enjoyable movies ever. read more
Our tale opens with a family driving to their new home. The father gets lost and goes down a side street, eventually coming across a worn down tunnel. They arrive at a strange deserted area and find large plates piled with food at an abandoned stall. Our heroine, the young Chihiro, encourages her parents not to eat it because whoever runs the stall is going to get mad at them, but her parents help themselves because she is the only one in the group with common sense. She wanders off and encounters a young boy who tells her that she can't be there and to hurry and get across the river before night falls. She finds it strange but does as she's told. Unfortunately, when she goes looking for her parents all she finds are a couple of massive pigs and by the time she reaches the river it's stretched out far wider than it was before and she has no way to cross it. She finds herself in a strange land full of spirits with no way home. If she wants to avoid getting turned into an animal like her parents then she has to find work. The main conflict centres around Chihiro's struggle to save her parents and return home.
As rare as it is for me, I have nothing about the story to criticise. The quiet atmospheric scenes are really effective at establishing information about the world, and helping build tension. It's a good thing they didn't do something stupid like throw in narration or chatter because that would have just destroyed the lovely atmosphere. The pacing is spectacular. The narrative itself is highly compelling with a lot of interesting moments. The spirit world is fascinating and the story structure is really good with a very natural progression. I suppose that I could say that the ending is kind of obvious if I wanted to nitpick but in all fairness I can't really fault a children's movie for that especially when everything that builds up to it works so well and the ending itself has a lot of really good aspects and works very well. It may be obvious, but it's still a good ending.
Chihiro is a really interesting heroine with a good amount of complexity and she does develop quite a bit over the course of the film. It has strong coming of age elements and it handles them spectacularly. The secondary cast also has a lot of complex and interesting characters. Even the little soot ball creatures have some facets to them. I do like that the antagonist isn't some stock villain cliché but is more just kind of greedy and self-centred while having some sympathetic traits as well.
Unsurprisingly, the artwork is spectacular. I've never seen a Studio Ghibli film that didn't look gorgeous. The backgrounds are lovely. The various spirits are really well designed and have interesting looks. I particularly liked No Face and the dragon. The action sequences are really well done.
The cast is really good. Irino Miyu, yes the same gent who was in hoshi wo ou kodomo, Hiiragi Rumi, and Natsuki Mari are all really good. And Natsuki voices two different characters who deliberately sound kind of similar but she gives them both subtly different qualities that make them sound believably like different people. The music is really good as well.
No ho-yay in this one either.
Spirited Away is certainly a spectacular film. It's easy to see why it made such an impact and has garnered so much praise. The story is amazing, the characters are complex, the artwork is beautiful and the acting and music are both superb. I wouldn't call it better than Nausicca or Grave of the Fireflies but it's certainly a masterpiece in its own right and easily on par with them. As such, my final rating is going to be a 10/10. Tomorrow I'll finish up film festival week with a look at Miyamoto Musashi: Souken ni Haseru Yume. read more
So let's go quickly to the opinion i have about "Spirited Away"
As a 18 years old teen you definetely won't get so much impressed as you were expecting!
Watching this reminded me of the time i watched "Alice in Wonderland" as a kid..
And this is "Spirited Away"! A perfect movie for kids and teenagers but a typical/fantasy/funny Disney movie for the others.
I See why this is proposed for three oscars. Even if it seems to be for children anyone can watch it! The art is really nice and especially little watchers would love this movie! The movie passes messages too. Love and sacrifices for the people we love especially for family.
Story is really reminding me of "Alice in Wonderland"! Two diferrent worlds and a hidden pass from the one to the other. Trapped girl to the fantasy world where no logic exists trying to escape while maiking good friends! (This wasnt a spoil as its the first 15 minutes of the movie) There was not a part which impressed me but i had a nice time watching it.
Art is for me the reason for the Oscars. Its terribly great for 2001. Thumbs up for the concept.
I really liked the music during the end of the movie so tha's why i'll put a 7. The other movie's music investment wasn't impressive at all.
I'm between 7 and 8 but im closer to 7. A kid having trouble with its parents being afraid and wanting to help. Very common.
The movie's messages are very nice for the youngest but i have seen a thousand of movies through my teenlife so i kind of knew the end of the story from the first 30 minutes of the movie.
It's just great for me but i can't score this with more!
I understand that many of you may find this rating unfair but the movie didnt touch me at the age i watched it :D
I had a great time though so i hope you will also have a relaxing and funny 2 hour enjoyment!
To all usefull and non usefull ratings, ty for your time! read more
The plot of Spirited Away bears a strong similarity to Alice in Wonderland. Both feature young girls stranding in a bizarre fantasy world, struggling to get back home. There are a lot of strange creatures and magic happening. For somebody from the west, some of these things may appear even weirder, but since we are in a fairy tale, that shouldn't bother you. Instead of going forward, this movie takes a couple of turns that may make it hard to follow for the very young viewers, but in general I can say that this is an entertaining ride.
I gotta be honest, Ghibli art is not my thing. That doesn't mean it's bad, not at all. Everything works well in the fantasy world, it gives all those creatures unique features and the weirdness that they are supposed to represent. I didn't really get into the humans though. Chihiros facial expressions were really weird at times, not giving the vibe of "normalness" that should probably be there to contrast the magical world she is thrown into.
Spirited Away does not feature much of a soundtrack, at least not noticeable. The music felt like it was trying to be on Disney level, but it didn't really work that way. The voice actors did a good job and gave their respective characters a little more depth.
Thankfully the number of important characters is not as big as in, say, Akira. Still it felt like some could have gotten a a little more scenes. Rin for example was an interesting character that had less screentime than I would have liked. But I can't say anything bad about the characters themselves, all feel well designed and fulfill their function. Most are likeable, while Yubaba is a classic evil witch type of character.
I seem to have not enjoyed the movie as much as most other people. That doesn't mean I didn't like it, but it will never make it in my favourite movie collection. Maybe it's because I'm not the target audience and can't relate to Chihiros quest much. It is a good movie, a great movie for children. It's just not my cup of tea in the long run. I did not regret seeing it though, but so many people have praised Spirited Away that I felt nitpicking was more appropriate for this review.
I have to go now, I can see some torches and pitchforks outside my window. read more
Now, at 21 and having seen this movie more times that I can remember, I can say that Spirited Away is its music, the music is its art, the art is the spirit of the movie. They're all woven in a thin, fluid matter from which dreams are made. The story isn't meant to be taken at face value; it happens inside Chihiro's mind, but that doesn't mean it isn't real.
I remember being a child and living adventures that happened completely inside my mind, but they existed. When I watch Spirited Away, that's what I remember; even now, when things are a bit difficult, I take a deep breath and images form in my mind - parallels of my real-world battles in a fantastic scenario.
I certainly don't expect many people to think like me on this, and that's another beauty of this movie - people can see different meanings, different sides of the story, and all of them can be right. Even those who think the story is 'as thin as a paper'. read more
Let's get to it .. Sen to Chihiro no Makikakushi or spirited away is a movie that came out in 2001 and had a huge success, it had so many that it streamed outside of japan, in many different countries and translated to many different languages.. when i first watched this movie i had 10 years old and i didn´t realize the beauty of it.. now 7 years later i decided to review this movie again, and for my surprise, as soon as i started watching it, I started remembering everything .. what does it means? That in fact, when i watched for the first time, i actually enjoyed a lot for remember it so well 7 years later just by looking at the characters.
This anime won the oscar price for best animation in 2003, yeah pretty cool hein?
Story: 9/10. One word to describe it: Magical.. it drags us into that magical world where everything seems so .. magical ! It is fresh and really enjoyable actually. I mean this can be considered a kids movie, and it is but unlike disney movies, where everything seems so childish and ridiculous, here everything looks so nice.. i don´t know why honestly, maybe it is because of the tracks used ..
The plot is interesting, creative, original, fluid, and for 120 min, has a nice pace and some twists. Even though being so great, the themes are not that different from the kids movies, which unfortunately makes it look more "close to clichê".. when we have such amazing plot and they don´t take advantage of it, it really makes me mad.
Plus, certain characters in the movie i don´t know why they even appear ! There is a black monster over there that gets 20-30 mins screen time to be totally forgotten.. really felt like he was there to fill in.. and i really hate that !
Art: 9/10. It was made in 2001 so it doesn´t look really beautiful to our eyes but still .. the animation is the most fluid animation i've ever seen ! Everything looks so real in terms of movement that it felt like it was being filmed. Plus the detail on the background is stupid amazing. While in some TV shows and even some other movies, they play with shadows, vision camps and gradients to "save" some budget by cutting of completely the background (examples: using shadows of black/white they can hide some details, so usually dark places or bright full ones are used to do it; by putting the character in the first plan of vision, they can blur the background that it won´t look bad because we will have our eyes on the character), it's techniques like these ones that manage to save some money... here ... THERE IS NOT ANYTHING LIKE THAT .. every single frame has details so deep as the colours of the pages of the books .. i mean that is just silly. The background is so full of so many things, that forces us to wonder it while the action is happening instead of focusing only the main vision plan .. it's beyond amazing...
Sound: 10/10 .. please it makes everything look unreal .. and that is the purpose so they made it well.. it fits extremely well with the enviroment, which just creates a nice mood. And this is important actually, like the animation, the sound has the power to "turn on" the anime/movie by making it look better from what actually is .. both the animation and the sound have that effect, which is just great!
Character: 7/10. Well i don´t know if it is because of being movie or whatever, but we only have this characters: Chihiro, her friends and her "enemies", if you see the movie you will understand the quotation marks on "enemies".. really disapointing.. However our main character saves the day, even though she does not have much development .. it's a movie for god sake ! They don´t have time for deep monologues talking about her personal feelings.. her story is just amazing and can even teach us something .. the rewards of bravery, friendship and nobility.
Enjoyment: Which such a nice plot, nice animation and nice tracks .. well i full enjoyed every single minute. I got sad when this movie ended .. i wanted more .. and this my friends, is the feeling that tells you if the movie/anime was good or not..
The ending was just ... like everything else.. magical. I really can´t tell you more because i want zero spoil, i want you to full appreciate this movie like i did.
Overall: 9/10 .. it has some flaws so it can´t be a 10/10 .. i would say 9.5/10 so .. you won´t have regrets about spending 5 minutes to give this movie a chance, after 5 minutes into the movie .. sayonara my friends .. i see you in the end of the movie :)
I reccomend this anime to everyone. It's a piece of art that everyone must try some day .. read more
I first watched this film 5 years ago during my senior year in high school when a friend of mine was raving about it. Back then I found the film to be boring and feature a paper thin plot. Now 5 years later and a few hundred anime titles later I was compelled to review this. However, since it was 5 years since I viewed the film, I decided to re-watch Spirited Away in preparation for this review as my memory is a bit foggy. After watching it again, I discovered 2 things about Spirited Away. I now know why I forgotten many of the events, thus needed to re-watch it and my perspective about the film really hasn’t changed.
Spirited Away begins with Chihiro’s family moving to their new home. Like any normal 10 years old girl she is quite sadden and angry about leaving her old life (hell anyone would feel this way). Chihiro’s father makes a wrong turn somewhere and decides to take a short cut through the forest. Ok, perfectly normal but what gets me is when they see an abandon building they decided to go in and explore. Next, they go, “oh look food that’s sitting out with no-one around” let eat. The events leading up to Chihiro getting trapped in the fantasy world are way too plot devicy for my taste. However, this isn’t my main complaint about the film, it’s just that the rest is so shallow I can’t really analyze it with much depth. The rest of the story can be summarized by Chihiro get a jobs, does a job, returns something, get freed and goes home. In fact, I’m quite dumfounded as to how they created a 2 hour movie with this plot line.
Although, perhaps I’m being too critical with the story and story structure that Spirited Away takes. What I think Spirited Away tries to do is create a magical world in which the viewer can escape to. It tries to take us on an adventure to somewhere very different. That is does, studio Ghibli creates a worlds that is both imaginative and beautiful. I could go on and on about the world but words wouldn’t do it justice. However, something is very wrong when the only major praise I can give is about the fantasy world that is created. They spend way too much time creating and focusing on this world. When I analyze a few scenes I realize how drawn out Spirited Away makes each scene. They could have easily cut 30-40 minutes and have a more focused story. This is how they were able to stretch such a thin plot out for 2 hours.
When reviewing anime I put the most weight on the plot and characters. I’ve already talked about how thin and weak the plot is in the above paragraphs. Sadly the characters don’t fare too much better. Chihiro does grow over the course of the movie and in the end she is a bit stronger and can now face new challenges (i.e. new school, neighborhood, etc). After going through what she went through, I don’t think a new school will faze her. However, there really isn’t much to Chihiro’s character, she’s simply a random girl that happens to go on an inadvertent adventure and becomes a little bit stronger in the end. She feels a bit like an empty shell for the audience to live through. In general, the characterization for the movie feels a bit weak, I mean do we really know these characters? If that’s all there is to these characters, then I have no choice but to conclude that most of them are extremely flat.
Ok now on to the easy part of this review, the technical aspects. It should be no surprise that the animation and art is top notch. This is studio Ghibli and Spirited Away is also a movie so there should be no excuses when it comes to animation. The environments are beautiful and quite vibrant. Characters designs are extremely consistent but I don’t like the designs that Studio Ghibli uses. Not really a negative, just a personal preference. Music, really works to create and accent the magical world of Spirited Away. However, the music is nothing too note worthy, above average I guess. In contrast, the voice work, this is a meh for me in both the English and Japanese, nothing really outstanding or bad. However, there really wasn’t anything in the movie that would require the VAs to show their talent.
As with any Miyazaki films there are themes of environmentalism along with others in particular, greed. Thankfully, these themes and ideas never become the focus or become too blatant. Also, I have to add another audience that Spirited Away may have been targeted to. That would be nostalgic Japanese adults that long for a more traditional setting away from the modern world. In that respects it does a great job however, I’m neither a child nor a Japanese adult disillusioned with the modern world. So it should be no surprise that I’m not very fond of this film, as none of the positives really appeal to me. Those would be the imaginative/magical or nostalgic world of Spirited Away.
Spirited Away is an imaginative and magical world that child will most likely enjoy. In addition, its nostalgic feel will appeal to some Japanese adults. However, it also features a paper thin plot as well as weak characterization. Spirited Away is a nice watch if you want to get away for 2 hours and turn off your brain but it is ultimately shallow and forgettable. Even now after watching it a few hours ago I’m having a hard time remembering the details. read more
In short, Spirited Away feels like a three hour recreation of someone's dream that was carelessly edited down to two hours for the sake of runtime. For starters, the movie has no true plot. Chihiro (the protagonist) has lost her parents in a spirit world and needs to get them back and escape. With that as a distant theme, the movie proceeds to throw characters and situations at us that are only tangentially connected to each other or that goal.
Are there high points along the way? Absolutely. The animation far surpasses the usual anime standard. The musical composition is excellent. The characters are unique and well-defined. Everything is vivid and bombastic and well-done...except for an actual STORY.
I'm afraid the only way to properly explain my issue is with specific examples from the film, so there are spoilers ahead. You've been warned.
Let's start with Chihiro's helper and guide, so to speak: Haku. You begin to get an impression that he's someone like her - someone who got lost in the spirit world but managed to survive by becoming Yubaba's assistant. He helps Chihiro get on her feet and avoid trouble, and then promptly ceases to be anything more than a plot device. Haku steals a trinket from Yubaba's sister for a reason that's both not fully explained and ultimately irrelevant. Yubaba's sister is angry enough to try to kill him, then just forgives him when the trinket is returned. He promptly loses any interest in taking it again, remembers he's a water spirit (...okay?), and that's the last we hear about him.
How about No-Face? An interesting character, absolutely, but pointless overall. Yes, there's a scene where he helps Chihiro, but after that, he eats a bunch of people, spits them out, and becomes a seamstress. Fun.
Characters don't so much "develop" as they change into completely different people for the sake of the story. People hate Chihiro...until they don't. There's a baby that cries and throws fits because he's worried about the germs outside...then he goes outside willingly and becomes a nice person. The witches are angry one moment and friendly the next.
And then there are all the little inconsistencies and allowances made for the sake of making the story work (or forgotten when it no longer matters). For example, there's a big deal made about the importance of names and how losing your name is losing your identity, but it's only relevant for two characters: Chihiro and Haku. Chihiro forgets her name but then sees it on a card and remembers it again. Haku makes a big deal about how she needs to hang onto that card so she'll always remember...and then it's never touched on again. Haku can't remember his original name, and this is treated as significant, but then Chihiro figures it out for him and exactly nothing comes of it.
Simply put, this is a mess of a movie that nonetheless gets praise because it's presented well. Perhaps I just don't have the context to really understand it (for example, maybe there are lots of details I didn't catch because I'm not familiar with Japanese culture or mysticism), but from my perspective, as someone who appreciates a good, coherent plot, Spirited Away fell utterly flat. read more
Overflowing fantasy done right. I believe those four words would examine Spirited Away the best. Starting off with the main point, I must heavily compliment the imagination used in the movie, as well as connecting just-that with some elements from the real world. By doing so, we are shown something totally new through the story, but we aren’t completely lost while doing so. We can follow the entire thing easily, and experience it in a unique way.
If perhaps you did not know, Studio Ghibli is known for the creations of whatever comes to their minds, and that is good, really good, since their minds are awesome. You won’t see anything mainstream if you give their works a try. In fact, you’ll get quite the opposite. I’m pointing this out since many like to connect the genres they see with some mainstream fan-service series that are rubbing the same things over and over again. I would like to call that a taste killer. One thing that has to known by any anime watcher out there is that some quality series should be the object to judge other things from, not some random mass-product money-draining releases.
If we go back to Spirited Away, it is a movie. A stand-alone movie, with no sequels or prequels. Such types usually express the creators’ thoughts to the maximum, since there is quite a limited time in which they have to present what’s on their minds, and if there is a lot of it, you can expect something massive, for the better or worse. This movie goes for the better. What many creators and producers forget is the pacing in such 1-2 hour presentations. Spirited Away does that amazingly well. Starting slow, suddenly experiencing a whole fantasy drop, flying up and down through the new world in order to achieve a goal, meeting many new characters and experiencing many new things, as well as performing that finish, it rounds the entire ride up greatly. Yes, we could call Spirited Away a ride, since it is an experience that you simply love to follow from one act/scene to another. Intensive as it is from time to time, you get to adore it and its supreme, as well as a tad silly fantasy.
Complexity done right equals quality. Spirited Away has it.
I’ve mentioned childhood in the beginning of my review. Indeed, you might see the movie as a completely different experience if you watch it as a kid, a teen, or later as an adult. Regardless, the quality stays in any case. I can safely say so, since I’ve seen it around 10 times, the first time being around 10 years ago, and the last time being fairly recently. It is far from being the final time seeing it, though, I’m sure times will come when I’ll want to be taken through the ride again, like a little kid wanting to go on the roller coaster over and over again. If you’re discouraged to watch it because the main character is a 10 year old girl, then I must tell you to drop that idea right away. You get to sympathize with her, regardless if you are in the same age and gender group or not. Furthermore, being all honest, it’s not her that makes the show, but the story and the presentation. It is one of those rare cases in which the characters only spice the entire thing up, but the story delivers the main blows. That itself is one more factor of a quality-made product.
For a 2001 movie, I must compliment the animation as well. Although nothing mind-blowing, it does a more than splendid job at presenting us these fantasy wonders. The sound isn’t half bad, either. The voice actors as well as some OSTs fit with the mood perfectly, contributing that much more towards the overall whole. We get to sympathize with the characters fairly easily, and want them to experience only the very best ending. The negative points of some side characters are shown nicely, such as greed, hold of a grudge, and so on. On the other side, the main leads are well-gifted with some positive treats, such as guts, dedication, being ready to assist at any moment, and so on. Basically, by having the purely good vs purely bad style, it is that much easier for us to decide on whose side will our rooting go to.
Spirited Away has been and continues to be a beautiful experience. No matter how many times I rewatch the movie, my score for enjoyment hits the maximum possible. Rounded up point: This movie is simply a must-watch, regardless of your age and gender. Even if you are not a fan of fantasy in general, you might just change your opinion after you see this movie. However, if you are always up for some wide open fantasy-like experience, then I can assure you that you will simply love Spirited Away. read more
The re-watchability is very low unless you leave it 6 months, it's a great journey while you're on it but afterwards it's kind of forgettable.
A lot of peoples favourite, but Ghibli has done much better.
I loved it because it's a gripping, action-packed ride. But its downfall is that it kind of drags on a bit. The first half or so is one of the best animes ever, but three quarters through, you'll be thinking about Cowboy Bebop.
In conclusion, Spirited Away is a beautiful, CGI enhance, action-packed journey, but it's rather forgettable, and it drags on, and on, and on. Theres better out there than this.
Overall Score: 9
But that is where Sen to Chihiro excels. The simplicity in which the story is unravelled, differs from others. Yes, we've seen this before but because the story isnt anything to worry too much about; it gives the writers enough effort to put into the rest of the AM. This satisfied the standards of my personal enjoyment, sound quality and art.
You see, Sen to Chihiro isn't about the story building up, it's about how to put the story together with the smaller things. Categorically, Story and Character perspectives of this AM are given a solid 9/10. This is because the characters didn't seem to flow along with the protagonist and it's as if Chihiro is being confused with what her goal is in the story. As for story-wise, it's a good solid storyline but it's been told before so there isn't much to say about that.
Let's get into the specifics now shall we:
Sen to Chihiro's story is one of those "you know the outcome" stories but the way it was delivered or presented was what separated it from different AM's. Everything went in a single flow but it did have some ups and downs.
Regardless, entertainment is given.
This is what kind of dragged me away from the anime at first.
Characters were creepy as f***. Everything up to Yubaba's appearance was creepy, weird and just plain boring to be blunt.
It did pick up it's pace at the 30 min mark throughout the movie.
It ended up leaving me satisfied so I guess it was cool.
Lovely, simply lovely. Everything in this movie was detailed out, with grassy fields to every spick of dust and wood on each floor giving the sense of reality kicking into this anime. I really mean it, I could get away with telling a kid that this is a non-fiction movie. And I'm not talking about the characters of course. This section truly is deserving a 10/10 out of respect for effort.
Typical, but I liked it you know. Sometimes the Original is good and it's meant to be that way in this case. a stranded island, leading to spiritual worlds. Nothing to complain about in my opinion.
I'm gonna be honest here' It took me two days to finish this anime. 1/4 the first, rest of the 3/4 the next day. I mentioned this in the characters section, the characters and vibe was really broken and falling apart even though it's just a beginning but it should have felt fresh and new to me but rather felt dull. I stopped around 20 mins, got something to eat and was like " forget this movie".
One thing with me is that I always will finish what I'm watching. And that determination brought me here to make this review to tell you how amazing it ended off as. Not a masterpiece, but truly something you should watch before dying lol.
This was a really good Movie. I recommend this to everyone 9-10+ years of age. Everything compiled was the key to this movie and it showed the audience what the writers are capable of.
PS: This is my second review on MAL. Help me out on my first review on Tokyo Ghoul and likewise to this review.
Hope you guys liked the review and choose whether to watch this or not!
Add me as a friend! read more
If there's one thing I enjoy about the movie is the character, Chihiro. In the beginning, she portrayed well as typical ten-year old girls. She's irresponsible and slightly rude at times, though she isn't a complete brat. Her character development was handled perfectly and is the strongest point of the movie. She suffered through many hardships as she learned to face the realities ahead of her. One thing that completely came out of nowhere is guessing that the dragon was Haku. This is one flaw that I noticed immediately in this movie when I watched it.
Unfortunately, this movie isn't perfect. What!? A movie like this have flaws!? Yes. The character Haku is, unfortunately, a weak character. He came to know Chihiro from the past, which was revealed in the end of the movie, but nothing else was developed from it. It was suggested that there is some sort of romantic relationship between him and Chihiro, but the movie just implicated the idea just for no reason. Obviously, it isn't a romance, thank goodness, because if it was, it would indeed bring issues. It's sad that we don't get more interaction between Haku and Chihiro because there bond would have been strong if it did. Remember the last scene where Haku released Chihiro's hand in the end. That scene would have had more impact if there were more interaction.
The music was handled really well as it did fit with the scenes and it was music that was pleasing to the ears.
The art is astounding as it did handle detail a lot. If this movie was recreated again, we could all agree that this would be our next scenery porn.
Overall this movie was good, despite me not enjoying at some parts (though I never apply enjoyment into a rating because it would make it biased.). This movie gets my approval.
This deserves a (7/10) "Good" read more