Back to Ezekiel_01's Profile Ezekiel_01's Profile

Shounen Ai which is a literal meaning in Japenese “Boys Love” is been around in the anime industry dating back in the late ’80s. Beginning its roots on Natsu e no Tobira for being the first movie and Patalliro! Both made by Toei animation. Only a handful of them exists mostly on OVAs and Movies but not much on TV series. Shounen Ai TV series for the most part doesn’t give much of an impact in both popularity and financial gain so the studios stopped making them. They are more like the shadows in the corner that only a selected few can notice their existent. ...

But one anime pretty much rise from the darkness and have reached the light of day and that was Junjou Romantica. Becoming a critical success in financial sales. With a devoted fanbase to back it up, it becomes a significant title in 2008.

A question start to mind, Is this anime good in tackling the intricate topic of Homosexuality? The short answer is NO! Don’t let the statistics data fooled you. To be frank Junjou Romantica is an abomination mutated from the typical shoujo clichés we used to tolerate.

For starters, I would like to say this anime has a rather sadistic approach when it comes to romantic relationships. The romance in this anime consists of an excessive amount of sexual assault, rape, harassment, and forcing the weak to love back the strong. Sounds familiar? This is literally a plot for a Hentai. I am still baffled to the fact that this show is PG-13, to begin with. It should be R-17+ or higher. I watch a bunch of anime that lesser the amount of sexual content than this anime but are still R-17 or R-15. I impress this anime did a good job of camouflaging itself. This anime is straight up a Yayoi since it bluntly presents a lot of sexual red flags that are punishable by law.

Wouldn’t you even know, the humor quite ironically composed of a lot of gay jokes which are something you desperately need to ease down your aggressively erotic romantic drama. Nice work in attempting to break the 4th Wall. The drama is a serious joke. There is no absolute consequence in this show. Nobody and no one will ever intervene with our male couple's love stories. They are free to do whatever they want. They have nothing to lose. There is no conflict here whatsoever.

Moving to the characters, there is three male love team in this show. Each having equally worst than the other. Let me summaries each love story and characters briefly.

First are Misaki and Usagi, a love story of a grown man that sexually harasses and rape his best friend younger brother. Even if the age gap between the two is 10 years apart. The only reason why this anime being safe from pedophilia territory is Misaki is conveniently 18 at the time. And why would Misaki even hesitate, Usagi is the perfect Husbudo. Usagi is rich, successful, and reliable. If Misaki becomes Usagi's bitch he will have a wonderful life. In return, Usagi will have his personal sex pillow.

Second is Hiroki and Nowaki the unbelievable couple. I have no idea why Nowaki aggressively falls in love with Hiroki even though they only just met. I assume the author wanted to have a teacher and student love story but forget how to write an introduction first. Nothing to talk about this couple aside there love story is forced.

And lastly Miyagi and Shinobu, now a grown man being forced to love his Ex-wife younger brother that is 17-years younger than him. So aside from pedophilia with got incest now? And conveniently he just got divorced recently so his Ex-wife younger brother has an absolute chance to get his man. It is totally ok because they are no longer legally siblings in law. So you got away with the homosexual incest there Junjou Romantica. I guess you're really desperate for that PG-13 tag.

As you can tell all these main characters romantic relationships are utter garbage and a joke. Truly a work of fiction.

Even the supporting characters don’t even matter. What do they even do? Absolutely nothing. What matters in this show is the sexual pleasure of our main characters.

How about the Art style and Animation? Quite mediocre, almost all the character looks the same where the slight difference is the color of their eyes and hair. This anime doesn’t even know how to draw women its only women's character. The only trademark this anime has to offer to remember it by is the disturbingly large chins.

Music and Soundtrack. Forgettable and not worth remembering. Why would you want to remember this anime?

In Conclusion, Junjou Romantica is straight out bad romance anime. This anime has no chill or regards in building a meaningful relationship. It cheaply uses sexual plot devices to move it romance forward without any respect for its characters. The main characters are sex bitches than people. They never feel like characters, to begin with. The narrative lacks any redeeming themes and concepts. The moral messages are shit. And even if you change the gender relationship to exclusively female to male relationship. I assure you this the anime still a terrible romance anime that promotes invasion of sexual privacy and what a toxic relationship is all about.

This is a Yayoi Hentai pretending to be a rom-com anime. Don't be fooled.

Bakemonogatari is one the most well know and successful titles studio Shaft adapted over the years. Influenced by Shinbou, Akiyuki directorial talent. Consist of quick-cut transition, unusual camera angle shot, and color choices. With an added usage of symbolism in the story narrative for flavor. Bakemonogatari is a product of the studio's continuous experimentation in supporting artistic freedom.

Tracing its roots from Shinbou’s early works like Hidamari Sketch and Sayonara Zetsubou Sensei. Bake is primarily a step-up improvement on Sayonara Zetsubou Sensei's style of wordplay. Refining its predecessor by for being a serious tone on visual presentation. Contrasting to the slapstick light humor transition cuts that ... were formally established.

Bakemonogatari tackles the psychology of the character's mind in correlation with supernatural entities. Entities that serve as the physical manifestation of a person's mental bias and inner desires that cause more harm than good.

Being the first installment of the Monogatari series, Bake has a rather orthodox way of story pacing. Instead of jumping to the juicy parts which some anime by the way are willing to break a leg to do so. Bake rather choose the grind game. Putting dedication in introducing the core cast first in a form of character story arcs.

This is where our main protagonist Araragi, Koyomi comes in to play, serving as the instigator for our heroines. With the help of Oshino, Meme expertise on supernatural forces. Araragi helps the girls confront their mental biases and supernatural oddities all together.

There are 5 unique story arcs in Bake. Each having a unique variety and identity of its own. I am going to discuss each on the order on my pick on least to best.

[Warning Content Below Contain Spoilers]

Please Proceed to "Miscellaneous Thought" if You Haven't Finish Bakemonagatari Yet


Mayoi Snail Arc.

Due to children's innocent nature and lack of life experience. They usually experience time rather more slowly than adults and teenagers. They are pretty slow to comprehend the world around them. Some refuse to grow-up because of the pressure of future responsibility and consequences. We are afraid to give up our freedom. And as an adult, I can relate to Araragi's statement that deep inside he still a child that is afraid of the responsibility that he might not be able to handle. Children are often get confused and lost their path in life. And I think that's a nice message.

I have a number of nitpicks, Specifically on background presentation and the Loli Humor in this arc. If you are not familiar yet on Shinbou's style. Background setting in Bake is more as stage than a living, breathing environment. A stage that centers only on the performance of its main actors.

Thought this kind of set-up work pretty well on ensuring the main character's conversation will be the main focus of the audience. It works on desolated places like abandon buildings, inside homes, and forested areas. But it feels alienating if the setting took place in urban areas and parks. The absents of bystanders can make you're setting a dead environment than an engaging world.

Moving to the "Loli Humor" between Mayoi and Araragi. The presentation of high school student overpowering a grade school student can go up to debate. I cannot deny it reflects two sides of the argument. It can be seen as an innocent dog fight, dogfights you do with your younger siblings or relatives. Or a twisted fetish, that can be file to police as child abuse or pedophilia. Choose your pick.

In fairness of on the show intent. I do give consideration and forgiveness in this arc. I appreciate what Bake is trying to do. It disregards common technical stuff like the law of physics and common visual quirks in favor of artistic expression. Looking at a different light, the loli humor gives a good character insight. We got to see another side of Araragi Childish ego that we don't usually see him showing to others. And because Araragi Ego, Mayoi was able to open up to him. Before you can understand someone, you need to go down their level of perspective first.

The Grim Dark Suruga Monkey Arc

like how dark Suruga Monkey arc compare to Snail Arc. It tackles the topic of our dark subconscious desires forming from frustration and jealousy. Becoming a destructive behavior when letting loose. Even if our common sense has taken control of the wheel to prevent us from doing so. But the build-up of negative emotions will soon overtake the wheel of reason before we even notice it. This is the first time I see how dangerous oddities can manifest in a person's heart. And what scary about this idea is that these dark desires happen every day. When frustration and envy are the motivation for extreme action, murders and suicides are always a possibility to happen.

The OP Ambivalent world dedicated to Kanbaru is quite a good extension in describing her core personality. It is much better than the Mayoi's Kaerimichi song that come-out as weird. The Lily flower symbolizes devotion or purity. But purity and devotion can be darkly tainted and twisted if left unchecked. It's pretty disturbing the people can become monsters once consumed by their twisted desires.

Tsubasa Cat Arc the Unexpected Turnaround

Nowadays, dysfunctional family, school, and work pressure is becoming a common sight. People hide their stress from their loved ones and friends. This urgent desperation to maintain control for the sake of being normal always lead to mental breakdowns. And the worst-case scenario, people develop insanity and might even resort to suicide. There is also a term called Karoshi, which can be translated literally as "overwork death" in Japanese. Hanekawa’s might be the most relatable character in the series. Her mental stress issues are quite common amongst the youth and adults in the modern world.

The fact that you see her roaming around outside even on late hours is a symptom of mental stress disorder. The way she doesn't want to stay in her own household and acting its normal. Her abnormal excellent in her studies mention by Senjougahara is above than everybody else. All the signs show how extreme her mental stress actually is. Adding up to the fact her puberty stages where hormones can escalate her stress further.

Unlike Kanbarus oddities where she can retain somewhat of control. Hanekawa's Bakeneko form is destructive and unpredictable. And She is willing to everything to ease her master's stress even involving innocent bystanders. It just to show how dangerous the culmination of negative human emotions is capable when unleash, in a metaphorical sense.

A step-up version of Suruga Monkey Arc. The Opening Sugar Sweet Nightmare symbolism sum ups what the arc is all about. It shows a totally different side of Hanekawa’s personality. A contrast on what have known about her on previous episodes as a smart, level-headed, and reliable to count on. Never judge a book by its cover they always say.

The Pure Innocences of Nadeko Snake Arc

Aside from Hanekawa, Sengoku is clearly no stranger to Araragi this put Sengoku different from the rest of the girls Araragi helped so far. Sengoku shared personal history with him. It helps that Sengoku already know him and we got to see her viewpoint about Araragi’s character that he is indeed a good person. The way she liked him is pretty much reasonable given her character background story. Thus Araragi helping her seems natural and personal. A little bit different from his usual white knight act for the other girl he just met only a short period of time.

Many can argue this arc seems irrelevant for the reason that Senjougahara has no involvement in this story. But In my argument, this arc is a critical piece of the puzzle that we should not overlook. This is the Arc that I got to know that Araragi is no perfect white knight that can save everybody. Learning the hard way that his compulsive behavior of saving everybody will do more harm than good. He regrets the fact he almost kills himself to save the person who causes Sengoku harmful curse oddity in the first place.

Araragi has a serious case “Savior Complex” behavior. A psychological construct which makes a person feel the need to save other people. A strong tendency to seek people who desperately need help and to assist them, often sacrificing their own needs for these people. This complex is not strength but a major flaw in Araragi’s Character. It defiles common sense and logic. Even Hoshino, Meme also stated that his intention is good but also sickening to watch. Since most oddities can only be resolve by the person themselves. People will never learn if they don't take responsibility for their actions.

Pretty much an improvement from the previous arcs. Nadeko Snake Arc has the best background setting amongst the arcs. I mentioned before that I don't like seeing urban areas desolated from people and abandon buildings or places with almost no people is ok. In the previous arcs, Bake setting really doesn't matter much and most of the time is quite dull and lifeless. The greyish colored structure and orange sky sceneries make me bored at times. It doesn't give an interpretation of how alive the Bakemonogatari world is. I like the relaxing lust green bamboo forest. It nailed what I wanted. An environment influencing the character's emotional tone is quite a good space of fresh air. It makes the setting quite memorable and reminded me of Katanagatari's aesthetic beauty at one point.

If I ever get asked what’s my subjectively favorite character arc in Bakemonogatari? I simple answer Nadeko Snake Arc. Ren'ai Circulation by Kana Hanazawa might be my favorite to listen to, next is "staple stable" by Chiwa Saito. I love that both songs have relaxing vibes when they are in their OST version. But Ren'ai Circulation matches the Sengoku character too well. Innocent, Cute, and Carefree. What could you even ask for?

The Tragic Past of Hitagi Crab Arc

When everything you love and cherish disappeared in an instant. You still continue to live on. Shouldering the burden that somehow it's your fault. You pray all your heart that you wanted everything to go back the way it is. But you know that whatever you do, you can't bring back what is no longer there. The heavy burden you intentionally bring upon to yourself continues to grow as time goes by. Before you know it, you lost track of who yourself. You become a prisoner of your own guilt and regret creating an unending spiral of suffering.

Hitagi Senjougahara has the best well-written background story in Bakemonogatari. Having a consistent behavior trait that justifies her seemingly bizarre actions. I love how bloody hilarious and deadly spot she delivers her lines across the show compare to the other girls in the series. Araragi and Senjougahara is the funniest talk-show duo in the entire show. They definitely make a good couple given the fact they enjoy each other's company. A good example of a healthy relationship.

Hitagi Crab Arc captures so many good elements that make-up an engaging story. The eerie soundtrack and color design make the mystery aspect of the show interesting. The bizarre visual symbolism gives a good psychological understanding of the character's mentality. While character writing is spot on in matching the supernatural entities to the main narrative. Combine with good character wordplay from the voice actors. It created a very good style of storytelling. Though all these elements existed in the following arc, for me Hitagi Crab got the credit for being the first. For me, this is the best arc in introducing the viewers to what the Monogatari franchise is capable of.

Miscellaneous Thoughts

Kimi no Shiranai Monogatari by supercell; performed by nagi (Gazelle) is an amazing musical piece. Certainly my favorite song in all Bakemonogatari music. For me, the final episode for the TV premiere won't have the same impact without this ED song. Great music in defining your main characters' romantic relationship.

The relationship Araragi shares with the girl are compelling. Every interaction is unique of its own. There are times that some conversations get quite boring to listen to but it a small price to pay. I also like to highlight that Araragi's and Oshino's brotherly friendship is pretty cool. Oshino did an awesome role as a supporting character.


Final Thoughts

Bakemonogatari achieves what it is intending to do. It did a very good job of introducing its core characters and giving insights into what the franchise could offer in the following expansion. The soundtracks have a variety of flavoring on each arc. The visuals are great. A bit minimalistic on animation movement. But the unconventional cinematic technique works well for the show's theme. Bakemonogatari open-up some creative experimentation that establishes an identity to its viewer.

Bakemonogatari is a great gateway to introducing the Monogatari franchise. A very good introduction season that holds-up a good main story potential in the future. I am looking forward to good stories to come

Arakawa Under the Bridge Review Part 2

Quick Note: I don’t like repeating what I said from my last review for the first season unless for comparison sake. Feel free to check out my Arakawa Under the Bridge Review Part 1 if you haven’t.

Arakawa Under the BridgeXBridge continues where the series left off. The animation and art style still retain the same quality and consistency from the previous season. How you experience the weird atmosphere is still carry over in the sequel. The cinematic techniques use in illustrating the narrative are the same with some added improvement. Some innovations in the ... comedy are the shifting perspective to other character's viewpoints. Instead of the standard where the protagonist is the main focal point of the story. This time side characters have the same role as Kou's in giving off some satire commentary on bizarre situations. The show provides more character exploration and exposition. It showcases a combination of interaction between the supporting cast, it spices up the already establish comedy of the show and thus delivers unexpectedly fun to watch outcomes.

The fact it’s no longer about Kou’s meeting each resident from the bridge anymore. The story focuses attention on the daily lives of each resident co-existing with each other’s weird behaviors. The show is becoming more of a well-written slice of life comedy which is a little bit different from the initial rom-com with social satire commentary the first season focus on. The show comedy is becoming more of a risk-taker by partly exploring some experimental and referential style on its humor.

Characters become more lovable. We got the chance to learn more about the resident’s personal interest. This gives depth to character ideas and motivation. Providing a far more relatable cast and adds some variation. It makes the show have a uniform theme on each character's core personality that doesn’t feel random and out of place.

In the first season, the story focus is more on Kou’s character development and internal conflict. The second season, on the other hand, reveals a marginal fraction of Nino’s background story as a Venusian. Though they gave some hints on Nino’s past, it wasn’t explored enough to be considered a consistent plot progression. Nino's past serves more as a soft catalyst to progress the story. Well for once we got a real plot but it was not the main focus of the story in general. The comedy is still good as the first season and characters are still fun and for me, that's what matters for now.

When you think the OP of the first season is weird enough. "COSMOS vs ALIEN " by Etsuko Yakushimaru will blow you away out of orbit with its outrageous shenanigans. Though it took me some time to love it. But as I continue to watch the anime I learn to love it more than the 1st Opening Venus to Jesus.

"Akai Coat by Suneohair just becomes of one my all-time favorite guitar pop-rock in the entire franchise. Smoking with a vibrant and relaxing atmosphere, it blends to the feel-good slice of life aspect of the show. A welcome edition in the show and a solid piece to remember for years to come.

What’s new about the Characters?

We got to know more about P-ko, Whitey, Jacqueline, Big Brother Billy, and Last Samurai. A nice dose of exposition is always welcome in my taste for it provides more content in the show. Last Samurai was a normal person after all with some awesome sword skills. Billy and Jacqueline's relationship by far is the most convincing romantic relationship in the series I have ever seen in a comedy show. Whitey is a capable athlete that is supported by his own family, who knew right? And Exploring P-ko background interest is indeed a respectful type of fan service for me. She also took a role similar to Kou for representing to the girl side which is lovely, while Kou's represent for the boys.

The Amazoness is a great addition in the show bizarreness. Kobayashi, Yuu did a good job of expressing two different voices, from the intimidating muscular warrior women's voice to the cocky and quite annoying “ganguro” like Japanese highschool girl mannerism. Thought the Captain is the complete opposite. I never liked his style of humor but I admire his talent as a manga artist. He’s just too normal for Arakawa Under the Bridge standard and he’s doesn’t contribute much to the comedy and main plot. For me, he’s an unnecessary edition, unlike Amazoness that did something fresh in both comedy and plot.

Speaking of character development. When it comes to Kou’s and Nino’s Relationship. They do slowly progress as a solid couple with some little love quarrel here and there. The serious romance is at the minimum but their cute and funny bonding is still enjoyable to watch.

[SPOILER SECTION if you haven’t seen the 2nd season proceed to the FINAL THOUGHT SECTION]

[COMEDY HIGHLIGHTS]

These are the specific scenarios that I enjoy in the entire series. Here the Following.

The Isolation Chambers between the Boys and the Girls

This might be the funniest social experiment on people in solitary confinement I have ever seen in an anime. It has an accurate satire on the topic which is plus in my book on creativity and uniqueness. Imagining this set of bizarre characters confine in 7 days in a closed space is a comedy of itself.

Getting Tired of Qwik-Kits Gag Routine.

The Iconic ending gag of the anime gets removed permanently because it’s become too repetitive and got replace with Kou’s daily lesson instead. The only instant the show tries to break the status quo. Chief getting sick of it is evidence of itself. Sadly it was introduced on the remaining episodes of the show. Though I wish I get more of those Daily Lesson Gags, it quite fun to watch.

The Traditional Japanese Tea Party.

This might be one of the most interesting satires of nitpicking. It’s funny how they explore the topic of pretentious people VS elitists. The gag is all about how they go all out on finding each other’s flaws is pretty funny. This type of scenario is really common in internet forums nowadays. A lot of people pretend they know everything and embarrass to admit defeat and will do everything just to prove they are right. Resulting in people hurting themselves for being pretentious.

The Clash of Titans! The Difference Between Girls and Boys Diet Routine.

This is the funniest moment in the entire Second Season. I love how the comedy built upon this episode. Starting from the simple but funny strawberry diet of the girls, to the satire of men getting slimmer body than girls, somewhat hilariously gay. Escalating to Sister's Manly Military Boot Camp Training that cracks my vocal cords from laughing so hard. A satire of a totally different level. It doesn’t end there. It later becomes a well-crafted parody of shounen anime that is fueled with pure testosterone and masculinity.

You’re just a girl with superior genes worthy of accepting my seed and bearing my child!

-Tetsuo

And then soon I forgot I was watching Arakawa Under the Bridge and Not Baki the Grappler or Jojo Bizarre Adventure to an extent. This is by far the best comedy of the entire season. Oh, wait? Power? Tetsuo? It’s this an Akira reference?

[FINAL THOUGHTS]

Arakawa Under The Bridge X Bridge did a very good job as a sequel to an already successful series. I like how it becomes more creative when it comes to comedy and extending the story. The sequel also shed light on characters that didn’t get enough spotlight from the first season. I love how some character development in this show took an unexpected turn. The OST’s remain the same and good as ever and the new OP and ED is surely a good thing to have in the show.

Though, to be honest, I did get a little bit disappointed in the show's final episodes not because the comedy was bad or the characters are getting boring but the fact that this anime didn’t end in a closed conclusion. I understand that the manga is still ongoing from the time they made the second season but I wish these anime get pick-up again for the series finale.

Arakawa deserves the 3rd season. Studio Shaft did justice in the adaptation of the show. It is always nice that the studio put some effort into retaining the visuals intact and the overall theme. The best thing the sequels offer that it tries to innovate and come up with new ideas to keep the show fresh and engaging.

So far this is the first anime sequel review I made so this might come-out different from my usual writing where I always give the main message of the show. But Yeah I already discuss it in the first season and I don’t want to repeat it.

Overall Score [7.9/10] The Reason why it's a little bit higher than the First Season Score is because of Better OP and ED song.

My Final Verdict for the Sequel in Numerical View

Story [7/10] Good Comedy but lacking a Solid Plot for a Sequel

Character [8/10] Still very Good for What They are, No Complaints.

Art [8/10] Visual is always Nice and Clean to Watch. With some Surprising Presentation from time to time.

Music [9/10] S2 OP surpasses the S1 and ED for S2 is amazing, to say the least.

Arakawa Under the Bridge Review Part 1

[STORY ELEMENT PRESENTATION 7/10] [GOOD FOR A ROM COM]

Arakawa Under the Bridge from the title itself is the main setting of the story, almost all major chain of events and interactions take place here. A strange setting to circle a romance comedy. The joke has somewhat a modern take in the presentation, for it uses a combination of interchanging camera angle views, a wholesome amount of different color pallets to intensify emotional symbolism, and continued with a constant stream of jokes that built upon a major punch line. Put all this recipe together, you would have a very charming ... and engaging style of comedy from start to finish.

For the most part, the comedy itself is more of a satire commentary on criticizing societal norms, it ranges from simple discrimination, public indecency, what society thinks is acceptable, and many more but in a shallow sense to make the humor light-hearted than offensive.

Traditionally the show presents drama via internal monologues and dialogues to relay the main point towards the audience to think through. There was never a right or wrong on both sides of the argument. It was always left for the audience to decide whether to agree or disagree. I like how they put a decent amount of pacing between the comedy and drama, they don’t overlap on each other and thus it enforces the main point of the narrative in a much clearer to understand manner. It is nice to have something to learn after a good laugh and this Arakawa selling point in making its humor memorable.

[SOUND & MUSIC INTERPRETATION 8/10] [MEMORABLE]

For the technical stuff, I say the OP song Venus to Jesus is a wonderful opening sang by Etsuko Yakushimaru. Its wacky demonstration of absurdity that transcendence beyond belief. An interesting way in introducing the audience what kind of anime they are about to watch, it’s unique and I love it. While ED song Sakasama Bridge by Suneohair has a natural and relaxing atmospheric vibe to it. Both songs are completely opposite of each other but to be brief, the OP represents the bizarre premise while the ED constitute to the in-depth look of the characters

The voice acting of Sugita, Tomokazu, playing Hoshi, is a plus. It’s fun to hear. He reminds me of Gintoki's ironic shenanigans in Gintama.

OST is enjoyable and good to listen to. There times you the atmosphere of easy-going comedy and there are times when the narrative is serious in a meaningful way, it catches that mood accurately, making the show well pace between humor and short character moments.

[AESTHETICS 8/10] [CREATIVE AND INNOVATIVE]

The settings design and attention to small details are impressive. I can make desktop wallpaper in every cutout scene the show has. It has a lot of good camera shots on natural scenery around the bridge. Arakawa has some interesting symbolism and Easter eggs, especially when it comes to character design.

The character here is not defined by the color eyes or the size of the hair. Their overall design defines their personality and interest. For example, Hoshi wears a star shape mask not because he’s a weirdo but indicates that he is a “rock star!” that he always plays music to enforce his character trait. Similar things can be said to other residents of the bridge.

The cut transition scenes of Arakawa under the bridged doesn’t appear to be meaningless cut-outs to save some animation budget but a sense of insight in understanding what is the current tone of the situation is. This creates a mundane scene, like a simple conversation, more engaging, and entertaining. It doesn’t stray away from the audience in comprehending a particular scene.

[CHARACTERS 8/10] [ENJOYABLE AND LIKABLE FOR A ROM COM]

Arakawa has a specialty in introducing and fleshing out its weird set of characters. Characters in this show are at first glance seems like forgettable gag fillers, but as the story progresses there are a certain amount of depth and meaning about their motives and behavior, though if they got a moment of serious monologues and dialogues, the outcomes resulted in looking a bit pretentious because of the irony of the narrative being a comedy but still I was able to always deliver its messages in the right moment coming out as pay-off in every day to day every interaction.

The encounters of each character are dynamic. Character in the show has a sense of purpose and place to belong in the setting. They each share a good amount of life lessons to influence in the development of our main protagonist character growth. Every encounter comes out different, there is always something new and completely unexpected development happens. Thus making it very enjoyable to watch.

[CHARACTER ANALYSIS] [WARNING!!! SPOILER DETECTED AT THIS POINT][YOU CAN SKIP THIS PART IF YOU HAVEN'T SEEN THE ANIME YET] [CONTINUE TO THE FINAL THOUGHTS]

Kou Ichinomiya, in the Arakawa Bridge Resident, nickname as Recruit because of his corporate attire. Looking at the surface, “Never be indebted to anyone” is Kou Ichinomiya's motto in life, a motto that his family embedded with him since childhood. This motto made him become independent and self-sufficient. He’s the model elite of the current society. He has an impressive track record and achievements that everybody should dream to be like him and adore him for it. He has complete pride in his capabilities that the entire world is within the palm of his hands.

But even all the prestige, intelligence, and power, He still a flawed character. He lacks some common sense and basic communication skills to other people outside his corporate profession, which ultimately became his biggest weakness. This is further supported by the fact of how easily his pants was stolen by a bunch of hooligans and how awkward his interactions with the residents living near the bridge. Once his family motto was broken by his own arrogance, he goes overboard to pay-off the favors which nobody asked him to do so. Because of his stubborn ego, Kou experience negative predicaments towards the bridge residents.


He also has a prejudiced mentality, the unfair feeling of dislike for someone or something like race, sex, religion, etc., because it is not reasonable or logical. Because of his high confidence of himself, he even admits that he is special, blessed with innate intelligence and privileged upbringing not only in capabilities but physical experience having a nice body and attractive face. He’s totally arrogant and a jerk on the people around him. He thinks he's the chosen one. His first impression is always the outside appearance that resulted in misjudgments that will result in him to reap what he sows. Every time he goes with an argument base on shallow assumptions, he never wins. An innocent satire of human discrimination will always result in negative consequences on how people perceive you.

Despite his bad personality, He is actually a nice person deep inside. He is straightforward, sincere, and caring for others, once you got know him. He knows how to adapt and learn his flaws. He already made a helping hand compensate for his lack of etiquette to the local bridge residents.

Going Deeper Kou is a genius in the business world but when it comes to the mutual relationship he’s barely a middle schooler. There is a psychological reason for this and it is all linked to his childhood; Kou’s complicated relationship with his father. He idolizes and admires his father for being the top of the corporate ladder. At such a young age Kou is already been taught an iron hand about the business world that ultimately distance his relationship with his father. The cold parental love drives him to become an elitist that will someday make him as his father’s successor. Even with a bright future ahead of him, he was lonely and empty inside. Kou only wanted to earn back his Father’s love and affection.

In the end, Kou’s and his Father's relationship reached the conclusion that both father and son are just too embarrass and prideful to admit each other’s inner feelings to one another. Kou’s father is not the cold person that he was made out to be but it just Kou’s being too intimidated to approach his father. Where in fact both wanted to talk and bond with each other as father and son. For it’s pretty a nice way to bring up family issues without being one-sided. The conflict was concluded quite nicely; in the end, both father and son are just too prideful in admitting each other’s inner feelings. Characters in this show are not what they look in the surface.

Kou developed his character over the course of the series. After meeting Nino and the residents of the Arakawa bridge, he no longer needs desperate attention for love. He already had it while spending his time with Nino and others. From being a try-hard elitist jerk to being a humble and respectful person. He knows what he wanted. He eventually breaks the curse of his family motto, by being able to ask favors that totally surprise the people around him. Indeed a positive character development, even the supporting cast has a decent amount of growth over Kou adventures; they don’t remain as jerks in the remainder of the series but became one of the friendliest neighbors that you can share your life with.


Nino-san, a surreal character at the surface. She is the sole reason for Kou’s character growth but pretty much a hair head at times but has a heart of gold that is adored by the residents living under the bridge. Her intentions are pure and selfless where she almost symbolizes as a goddess of sorts, though she not perfect and has little knowledge when it comes to the outside world. She is Venusian apparently so I may buy that as an excuse of her being an alien because of her awkward behavior. She doesn’t know what is a date or other fancy stuff common for girls, giving Kou a very hard time deal with her but she has a right sense when it comes to critical moments, her decision and action is on the right place for the people she loves and cared for, that even Kou agrees with her without a doubt.


When it comes to Kou and Nino’s Relationship, they both have good chemistry, which most of the time is comfortable and adorable. There is a harmonious atmosphere between them. Their simple conversations made way to better understanding each other's strengths and weaknesses. Overtime their emotional connections grow stronger which is a lovely sight for a romance.


For honorable character mention, Personally, P-ko is the Best Girl for me. She is a dangerously clumsy, a bit naïve at times but aside from Nino, P-ko is one of the lovable girls in the series based on my reference. Her motives in providing the bridge residents with freshly farmed crops with love is admirable. She is adorable and naturally innocent. I will surely help her out to look for seeds in the winter. She reminds me of Little My and Snufkin's personality from the Muumins.

[FINAL THOUGHTS] [ENJOYMENT 9/10] [GLAD THERE IS A 2ND SEASON]

Arakawa Under the Bridge for me is a special romance comedy. It’s an unconventional setting for a romance with a nice set of bizarre characters. The cinematography is well-crafted on maximizing the aesthetics and it blends well with music and sound. It matches the theme of its absurd premise, definitely amazing for me. I love the moral values it showcases in valuing mutual relationship, it informs us to stop being a judgmental person. We should not be seeing a person outside appearance but through their actions and inner quality. We must see a person who he is and not what he achieves.

Respect people’s choices in life and never discriminate them just because it against your own principles in life. Be tactful on people living a simple life and don’t brag achievements that have no meaning to them. It will only destroy your character.

Arakawa Under the bridge is enjoyable to experience. It has plenty of feel-good moments that is both relaxing and soothing at times. It’s more of a slice of life than drama. But sometimes I wish there are more character development in the show but because the characters are a great addition to the comedy to work, I’ll give a pass in flying colors. It rare for me to like all the side characters in a romantic comedy given how eccentric the supporting cast in the first place.

The anime humor is not for everybody, its alienating nature could be an uncanny valley for some. But if you are tired of the same troupe on romantic comedies, It wouldn’t hurt to try Arakawa Under the Bridge. You might love it. I know I do.

Looking Forward Watching the 2nd Season

[OVERALL 7.7/10][A UNIQUE TITLE]

Level E is a series comprised of short story arcs that traverse the themes of paranormal sci-fi. Secret coexistent of different cosmic entities shrouded with mystery, whether they are peace-loving or aggressive warlike species in our daily human lives. From the horrors of invasive species struggling to survive total extinction. Political issues of small scale planetary crimes and up to the massive intergalactic crisis. Prepare to be mind-blown to the sophisticated brain-numbing twist and turns for Level E has it all.

[Art & Sound 7/10]

Aesthetic and audiovisual defines Level E identity as paranormal scifi. By listening to the soundtrack you already have an idea what ... the show it's all about. The soundtrack serves a fitting design, for it gives off an eerie and unsettling atmosphere, it delivers an uncanny valley effect, that adds up to the mystery of the story.

Character design is noteworthy. The staff did a good job of updating the art style of a decade-old manga for the modern audience. The animation is fluent and the use of CGI is alright. Spaceship, alien, and high tech technology design is never given in-depth details for reason it’s not the primary focus, to begin with. For a young studio at the time, David Production did a good job in the animation faithful to the source material.

[Story 8/10]

Level E is rather one of those few titles that tried the experimental approach. It combines two separate elements in a single entity that blends well with the narrative. Serious paranormal sci-fi and light-hearted comedy is something that is very hard to imagine that it could even exist. Sure we have western movies that made a parody and satire over the paranormal genre but its more comedy than a serious story. Level E manages to put an equal balance between unlikely elements. It establishes a solid paranormal story while at the same time create a fascinating built up of a comical impact. The show takes advantage of it to establish paranormal tropes to disguise its intellectually well-crafted humor. There is a good amount of foreshadowing in the story that justifies the means of its bizarre and unexpected plot twist. Even I was constantly fooled and trolled by the unexpected solutions this show came up that was well thought out. For comedy, I say Level E has a well-constructed parody and satire of the paranormal genre.

(This section might contain possible spoiler)

[Character Section 7/10]

When it comes to characters, there are only a few them worth mentioning in the series. Prince Baka and the Color Ranger Boys. For me, they are the most memorable in the entire cast. They have the most exposition and got some interesting development before the end of the series.

The Prince of Dogura

He's the main antagonist of the show, well he’s the protagonist but the way he antagonizes every single character in the series for the sake of his mess-up self-enjoyment might as well make me believe his the main villain of the show. But aside from all I said, he’s a good guy. He is a smart, athletic, and reliable. The problem due to his playful nature being another level annoyance, people around him call him the devil. But in Outer Space, Prince of Dogura is well known for the title of "Baka Prince".

The Color Ranger Boys

They might be the funniest and inspiring group of characters in the entire show. They have nice synergy to each other and their bonded friendship is very remarkable. Each individual ranger has unique abilities that reflect their personality. I support their adventures in kicking the forces of evil, especially the ass of our Baka Prince and it felt satisfying to see.

[Final Thoughts] [Enjoyment 6/10]

Level E is an unexpected show of 2011. It’s an old manga that got modernization treatment upon its adaptation. It’s aesthetics blends well with modern audiences, it is good service to have that Death Note design. The OSTS is good, special mention how it brilliantly parodied the sentai or power ranger series. It hit me hard especially when the Baka Prince sang the Color Ranger Song. Love the voice acting by Koyasu, Takehito, very hilarious and comical in giving impact to the Baka Prince antics. It offers a nice combination of serious paranormal tropes with unpredictable humor. It doesn’t take itself too seriously. The effort place when it comes to the scientific biology of alien species is a treat. It has a solid ending that terminates the status quo of most paranormal scifi endings.

You know, if you put aside you’re human dignity a bit, the show is fun to watch even though it feels like it is made by a guy who randomly watches a few stuff in the T.V and decided hey let’s combine all this element into a story.

Togashi you Madman!

Overall Score [7.3/10]

Treasure your Friends, Unlike Love Affairs, Friendship is for Life.

Kids on the Slope follow the story of Nishimi, Kaoru as he started a new life in the far countryside of japan. Kaoru has been struggling to form meaningful relationships with peers of his age, due to his constant switching school because of family circumstances. This unfortunate lifestyle is the sole reason why he felt alienated when encountering new people. He develops “Anxiety Nausea” as a coping mechanism whenever he becomes socially stress or nervous when people approach him. But everything changes once he forms an unlikely friendship with Mukae, Ritsuko, and Kawabuchi, Sentarou.

The story ... by itself is simple and down to earth but it excels in handling most of its genre elements. It focuses more on the coming of age slice of life aspect than romance and music. The plot values the importance of forming and preserving personal relationships. It teaches us to have the perspective that not everybody can be interpreted easily by just looking at them on the surface. Kids on the Slope have balance spacing when it comes to school drama and romance even though it is rather slow.

When it comes to the romance aspect of the show, it was never the primary focus. The romance part is used as a means of the narrative to tour our main character's internal feelings that would be very hard to show without any timed triggers. Romantic relationships exist in the show, as a form of subplot. Ultimately the purpose of romance is to strengthen the bonds of our main characters. Sometimes true love is not always about hugs, kisses, and sex but rather about the mature acceptance and respect, seeking the best for the person we love even it is painful.

For Character Relationship, the only thing worth mentioning is Bon (Kaoru’s nickname) and Sentarou interaction. Their relationship is the deciding factor whether you will like the series or not. It can be interpreted some sort of homosexual relationship for the attraction of female demographics, understandably because this show is “Josei”, or a remarkable example of a brotherly bond between two close friends. As a guy, I chose the latter interpretation. Bon and Sentarou are the complete opposite of each other when it comes to strengths and specialty. What establishes their relationship is the deep admiration for a certain music genre as a form of escapism in their daily lives, a special bond they both share. As Bon and Sentarou's friendship grew over time with a little help from Ritsuko, they both realize they share more common characteristics and weaknesses.

So far there isn’t much to say to the supporting cast, most interactions, character exposition, and development are focus on Bon, Sentarou, and Ritsuko. Some characters do have a fair share of exposition and development.

Another thing I see in the narrative that was handled incredibly well is the “conflict”. Sure the conflict and stake are most of the time are misunderstandings and sometimes 1st world problems. For me as an adult, I see the first world problem is quite common for teenagers, based on experience. But it is nice that these conflicts wouldn’t last for more than at least 2 episodes and not longer than 3 episodes. This is an amazing tactic the story uses to flesh out and develops our main characters. For every problem they encounter and every simple squabble, they manage to fix, it is a reflection that they are still innocent kids but willing to accept mistakes to maturely grow. They learn from their mistakes and they are willing to help each other out unconditional which I love to see in a slice of life anime. It’s well written and natural. The conflict presented is not too overdramatic and grey. It interprets problems as a part of our life that we must engage it forward than running away from it. It is a nice message that the story has to offer.

For the technical stuff like Music and Animation, I say this anime did an amazing job adapting the source of the highest quality. First of all the background and character design is great, special mention when it comes to lightning and shadowing. The anime has a good soundtrack. The OST’s is incredible in setting the mood. Musical performance is off the roof! The animation for performance accuracy is outstanding, that’s one amazing drum roll! There is a passion put on it. The direction with the music I say well-thought-out in the story narrative. Using music as a medium to express essential character emotion and resolve is something to credit the show for.

(Final Thoughts)

To Me Kids in the Slope, not a groundbreaking anime when it comes to the story especially for a slice of life, school drama romances type, I think it did what it wanted to accomplish, it has a good story and satisfying characters. I liked how the characters grow and develop over time. The main characters interaction and solid bond make me keep on watching the anime. I always like how the story explores Bon and Sentarou's struggles in life. Their friendship, I say the most remarkable thing the anime has to offer and the music is a good bonus. If people are looking for a simple, relaxing, and not too long coming of age slice of life, I will gladly recommend this anime.

On saying goodbye, our great father split his blood into four. The eldest inherited only his sense of responsibility, the second inherited only his easy-going personality, the youngest inherited only his innocence, and me, well, and I inherited only his idiocy. What held us, diverse brothers together was the love of our mother, deeper than the seas. The farewell we bid our great father, sometimes, one heartfelt separation can unite the ones left behind.

- by Shimogamo, Yasaburou, 3rd Son of the “Great Tanuki of Kyoto”, Shimogamo, Souichirou


Uchouten Kazoku or Eccentric Family is a story about a strong family bond that is pure, heartwarming, and inspiring ... to see. Because of this show bizarre premise, it caught me off guard. I thought this show will be a goofy, comedic, and nonsensical type of show. But it’s the complete opposite. It is a serious, well-structured piece that is consistent from start to finish. It is a work deserving of praise of its own.

The show is pretty slow-paced in introducing and establishing its cast of characters. Even though the show has only had 13 episodes to work around it, It not only it manages to introduce them in a natural passion but set-up a firm foothold on how important they are in illustrating important plot point, in only a short amount of time. This is impressive script writing. For every character, we meet and every interaction they make expands the audience's understanding of the story. It gives us time to know each character properly even though they express more on action rather than words. It is a great example of showing who your characters are in anime format.

Sometimes monologues and dialogues are not much needed in describing your characters. By understanding their behavior and action is more than enough for you to care for them. The show does on occasion use internal monologues and dialogues in describing certain scenarios and characters at the start and before the ending. But they are not lazily used to spoon-feed its audience but rather confirm what the audience perceives and gains in the story. This adds value to the words the character says and presents a huge impact on the internal message the show delivers. There is a built-up when the characters actually say something important. I can even tell how the Shimogamo Brothers loved and cared for one another despite their difference by seeing how they interact and communicate with each other, how they love their mother so much by obediently following her ridiculous request that is against their own will, and how they look up adore and respected their deceased father by humbly admitting they are a bunch useless tanukis in a melodramatic manner in comparison. There is a bunch of good examples of the subtle portrayal of character personality in this show that I deeply respected and appreciated.

It has a good transition when it comes to emotional drama and character resolves that make sense. It also gives way to a steady progression of the story, a well-executed and refined melodrama is always a bonus in layering your characters, and it certainly gave an impact for me on serious moments. The OST and visual presentation of the show help immensely in setting up the mood. It is well crafted and brilliantly timed to the point I shed some tears watching this show. If a show made me care about a bunch of fictional fur balls that aren’t even human, to begin with, this show is amazing.

Another thing that made this series great is that is has a good production value for a TV series. It has fluent animation, detailed scenery background, and precise audio design. The technical aspect of this TV series is comparable to a high-quality motion film. It felt like I am “Watching Spirited Away” or “Pom Poko” in a series format. The animation is dynamic and exciting. The setting is unique and has a special identity of its own. There is love in creating this background design and remain consistent throughout the series. If you pay attention close attention to the audio effects of the show you can hear some subtle sound. A good example is you actually hear a sound when a person touches a rock, yeah that’s some detailed sound design. Uchouten Kazoku has creative OST that is good on many occasions, not only it excels drama and melodramatic moments but also in silly moments. I also forgot to mention despite the bizarre premise, Uchouten Kazoku is plausible for being a slice of life show. It combines both visual and fined tuned music in creating a soothing atmosphere. This show is relaxing to watch.


{Miscellaneous Thought} (This is where I insert minor spoilers)

Characters have a deep respect for the elderly and adults. This is clearly shown on how they behave in front of an elderly Tengu's even though they are an objectively obnoxious and grumpy old man, They still treat them with respect and vigor. A good reflection of Japanese culture. This anime promotes being nice to your elders and loving your tsundere grandpa's which I think is a great message.

The show is creative when it comes to character encounters. Ever experience your big brother that transforms into a giant tiger that will bite out the asses of your annoying bullies? Or have you experience a family feud with your relatives instead of bad-mouthing, they shoot each other with fireworks in the sky? Do you have an older that is so useless he becomes a frog under a well? This show kind of does these ridiculous ideas and it is hilariously funny.

And these makeup with my other point what I see the show did excellently, it has intelligently made comedy. It can be explosive, relatable, and sometimes give some simple giggles on mundane things. It took advantage of the mere fact that our characters are shape-shifting tanukis in formulating these clever jokes. It experimented with some awkward but funny moments that are clearly unexpected. The comedy and drama have a decent amount of spaces between each other so you won’t be expiring sudden mood swings in the show. It gives you time to access the situation without being rush in the narrative. You can easily tell whether the scenario is serious or easy going. It's lovely.

Even the short stories the adult tell are fun and exciting to hear. It inflates the basic lore and facts behind the setting kind. It also a simple way to know the character that doesn’t have the chance to have a spotlight by hearing out their own historical story. This is another clever technique in showcasing character flashback and background story while at the same time younger character learns from it and be influenced in the process. It shows how great characters are during their prime. It established your character in a short amount of time. It makes a respectable approach to decease characters. Characters are best remembered on things they did and done while they are still alive. They should not be remembered by the way they died. I think this show did a really good job how to respect and love the decease.

I think ED "Qué Será, Será by fhána is one the wonderful addition of this show. It is not only a beautiful song by itself but it also functions as a small intro story about Benten Life. I get excitedly happy and depress every time I listen to this song. It tells an interesting story to remember.

The only few complaints that I might have of this story is maybe the Ebisugawa brothers. Well, their primary purpose is to annoy and serve as comic relief in most parts of the story. They really inherited their father's nasty trait of being deceitful little Tanuki’s. Another is some characters remain mysterious and not utilize enough in my opinion. An example Benten peculiar motives even though the show did this some justifiable foreshadowing of her action but I still see some lack of exposition but I wish it will all be answered in the 2nd season. It is also the same with Kaisei, which has a decent amount of foreshadowing in earlier episodes. Though Kaisei indeed represents a bigger role in the story and had a special debut in the grand scheme of things, It feels sort of lacking. She can be better flesh out, being indifferent from her father and brothers is not enough of a character built. We need to know more about her and the same goes for the ending of the story. Did it leave as some bewildering question? What is the Friday Fellow Agenda? Why is stewing tanuki a sacred tradition? Who they are? Why they are so mysterious and what makes Benten wanted to join them? Is financial and political gain the reason? What happens to Ebisugawa, Soun? After the exploit? So many more questions made right after the ending of the last episode. I wish all be answered in the second season. The story doesn't feel closed conclusion.


{Final Thoughts}

Uchouten Kazoku is one of those few anime that I have some unexpectedly great experience with. It promotes love and passion, respect of your own identity, acceptance of whatever you are, and enjoying the small things in life. It defines the meaning of family and how important in one's life. How critical our parents and the elderly in shaping our life. I know this sort of idea and concept is not cool or badass and sometimes embarrassing to talk about. But at the end of the day family matters the most. Society might think you are useless and garbage, most of the time, But a family can accept who you are and what you are. It doesn’t matter if you are Human, Tengu, or a Tanuki. What matters is that you have a life that you can share the fun with the people who care and love you. The message of the show is great and solid. I wish I can see more of this anime in the future. Creative, educational, inspiring, and self-revitalizing. Sometimes when I forget what I wanted in life and lose track of it. I always wish and pray, just a little glory for my family and friends. It is more than enough for me to be satisfied in life.

Because What’s Fun is Good! A Family is by itself is Fun and Exciting! Uchouten Kazoku is Good!

{This content might contain possible spoilers}

Shigatsu wa Kimi no Uso or Your Lie in April narrative is simple, easy to follow, and predictable at times. It has a combination of school life, emotional drama, and some kiddy romance and on the cherry on top, music that focuses on the sound made by the elites. It gives off an aroma, a recipe for a good anime. After I finish consuming the show contents, I thought for a moment. Why is this show lacking some distinctive flavor or a unique taste? Then I realize this show is not what it seems to be. Starting off with the ... show over repetitiveness when it comes melodrama, handling its comedy and characters internal conflict. It’s always nice to see some melodrama from time to time, especially when it comes to characters having an identity crisis due to puberty. But this anime doesn’t know what a satisfactory amount of drama is needed to make its character appealing. Instead, it rains a hefty large amount of drama in every episode. People cry in this series a lot, not dropping small droplets of tears. They burst out crying like somebody is cutting too many onions around the show. Some are justifiable while some are straight out unexpected and bizarre for the moment. There is no congruent built-up with the emotional drama, it gets lesser and lesser of an impact every time use. It treats drama such a natural occurrence. And adding salt to the wound, Shigatsu has a terrible take when it comes to tonal shift. The comedy of the show, to be honest, are short one-liner jokes with no good built up nor a creative message around it. Most of the time the comedy is about innocent green jokes, it felt cheap and dry. Thought by it owns alone I don’t think it's terrible, but once it used in diverting serious plot points to relieve tension, that is when it crosses the line. I understand that light humor is there to ease up the tension of the story atmosphere and sometimes it can be done quite nicely but the way it was handled in this show, it damages the already weakening emotional impact of the narrative. How can I take a particular scene seriously, for example, the last scene of an episode shows a girl collapsing in front of a vast audience, then follow up by the beginning of the next episode, a randomly inserted humor about showing her half-naked body and getting embarrassed afterward. And I am not kidding this scene actually happens. Not only did they throw away the built-up of an emotional drama from the previous episode but they also disrespected its character dignity. It becomes much difficult to identify your cast as relatable human beings for their emotions change drastically from time to time. It didn’t felt natural for me and it’s a lot harder to understand the situation. The show has a bad habit of manipulating the emotions of its characters and atmosphere too fast.


Next moving to character internal conflict, it also has a recurring theme. The entire plot revolves around Arima, Kosei, all character motivation, internal struggles, and personality is circling around him. The show even bothers to give you the illusion that not everything is about Kosei by showing each character internal monologue after they were introduced to further extend the story. Thought characters giving viewpoints is also nice, but most of the time it’s all about what they view about Kosei in their own perspective, on how they were inspired and motivated in hearing Kosei's perfect musical score and they enforce how great of a character he is. And this doesn’t help define them as a character at all. They are more like tools that only serve certain points in the story. Once they are done, they eventually get shoved in the corner. The minor characters function more like musical notes for Kosei to follow in playing his story.

When it comes to Kosei’s emotional scars. First, if you put real-world psychological studies. He might have developed “Amusia”. It is a musical disorder that appears mainly as a defect in processing pitch but also encompasses musical memory and recognition. To be precise, acquired amusia, which occurs as a result of brain damage. Due to Kosei's beloved mother's death with some circumstance surrounding the events, it is most likely Kosie’s suffered a significant amount of depression and anxiety at such a young age that causes brain damage. But it can also be a coping mechanism he develops when he plays the piano. His negative feelings from his past resurface, and his mind blocks him from hearing sounds that work as a "Psychological Conditioning" association in his mind, to protect himself from a huge psychological breakdown his mind suffered in the past. Too bad nobody ever bothers calling psychologists about this problem and people assume everything is alright once he quit music. In context, there isn’t any problem with Kosei having mental and emotional scars. It has a good presentation on how it feels like to be tone-deaf. But the way the narrative explain it to the audience, repeating the explanation over and over again, it's choking me. Even though I have no reason to pity Kosei or have sympathy towards him. And instead, I like him for being an elite pianist with an interesting background story, the show doesn’t let me think it that way. It forces me to believe that I should feel sorry for him and care for him because he was abuse in many ways possible thus killing his capability to be somewhat of a decent character.


And this where discover another problem with the story towards its main characters. The show is baiting you to sympathize with your main characters; feel sorry for them in a way that how you perceive them. Even though characters themselves, never wanted to be seen that way. Scenes where I see more about Kaori’s being a tragic state for emotional appeal. Tsubaki somewhat complicated emotional feelings towards Kosei, on frequent dosage. Putting does aside, we actually don’t have the privilege of knowing them more in a positive light because Shigatsu is fast pace when it comes to its story. Characters in Shigatsu come and go. Even classical music isn’t safe from it, you actually have some instances they skip seemingly intense musical scores because of lack of airtime to do so.


{Miscellaneous Thought}

After some salty perspective when it comes to story and characters. Let me discuss the positive this show has to offer. From a technical standpoint, Shigatsu has great production value. It has a very good visual design that is sometimes emotionally outstanding at times, some background design that can carve an identity of its own and cutesy and eye-catchy character design that doesn’t resemble a blob. When comes to the OP, OST, & ED this is where the show pretty much glitters with brightness. They are objectively and personal in my viewpoint very well composed. Shigatsu also has a good moral message about music is freedom of the soul. Music is a reflection of once emotion and personality, I respect that. The final episode is the only episode I totally enjoyed watching over the course of the series, for it enforces the idea of music is the direct presentation of the soul. The very first instances that the show bothers to focus heavily on the music and visual presentation in communicating character resolve and emotion. It was the best moment of the anime, which I yearn the show should be doing in the initial episodes in the first place. My recurring complaint is the constant insertion of too many internal monologues and side comment dialogues, it destroys the immersion with the music. The character voices are louder than the music itself, thus it’s no different from background music playing while the character is talking at the heat of the moment. I know this kind of narrative works when it comes to manga, books, or other media that doesn’t have a sound but in anime with audio, it’s doesn’t feel right. I appreciate some efforts of the story in trying to make some justice when it comes to its characters. To be fair characters are not one-dimensional cardboards that we only know one side of the coin. A good example of this Kosei’s mother presented as an abusive mother at first but later on revealed she has an excusable reason to do so even though I disagree with her action. And another is Kaori’s character, in the initial episode of the series Kaori is perceive as this pure, strong, perfect, selfish, and manipulative character that annoys me from time to time, but there is a somewhat reasonable explanation about her action. But it felt too late in fleshing her out as a character in the final episode. The show also explores lots of interesting ideas and information about the music industry like social criticism, inferiority complex, stage fright, the intense pressure of public expectation, and more but remain scattered as an afterthought.


{Final Thoughts}

This anime has every element at its disposal to make a simple premise great and memorable but it completely lacking in some categories and what’s worst it handles some its potential pieces into disarray. For me, this anime could be amazing. It has good music, well-crafted animation, and an interesting premise but instead of taking advantage of this element in anime format. It chooses the easiest path for its musical direction. Sure the story is easy to understand, you don’t even need to think much to comprehend the situation but does it delivers adequate satisfaction? There is no doubt the message is good but it felt sort of lazy in practice. Most of the effort is focused on the technical side. I wish they should add a little more effort when it comes to scriptwriting and storytelling. A good character and story can also contribute to the impact of the animation and music in my personal opinion. If the show has proper balance in the emotional tonal shift, a slower pacing, more character exposition, some additional episodes, and more focus on the music than the internal monologues. It is more than enough for me to love the anime and considered it amazing. So far I don’t hate the anime but rather feel it's lacking a bit for me to actually considered liking it as a whole. But then again I really liked the music and sadly that’s the only thing I can remember this anime for.

Do the music and show reach my heart?

Yes, the music actually reaches my heart even for a stand-alone. But the character and story don't stick with me.

The Hundred Years War: the pageant and tournaments of chivalry; knights in burnished armor. The English archer destroying the flower of French chivalry; the great battle of Crecy, Poitiers, and Agincourt. A glorious battle with a sign of the brutality of the middle ages. Senseless warzones destruction; the death of thousands in the mud of France for nothing more than the greed and ambition of the Kings. There are more about this Hundred Years War, It’s a story of courage, the clash of nations A story of human endeavor and the timeless skirmish of supremacy. Yet there’s also another story here: the story of a ... Witch, who hated wars. The witch would not curse people nor do evil deeds, but instead used her power to put a stop in the fighting. Her name was Maria.


Junketsu no Maria or Maria the Virgin Witch in English, Focuses on the adventures and struggles of our main heroine Maria. She needs to stop the war taking place in her land at the same time do so without being suspected by angel Ezekiel, sent by Heavens to keep an eye on Maria's Action. From a storytelling standpoint, the conflict is nicely layered and consistently escalated between individual factions. There are a clear cause and effect going around the story. Each character's actions have effects and consequences affecting the story. The conflict has a clear meaning and agenda, there is a reason why they fight and contrast each other. Heavens is only doing its job in maintaining the natural balance of earth which obviously sees Maria's involvement by itself not normal, no human cannot stop her magic. While Maria sees the war a nuisance against her peaceful life. Even humans have a solid resolve on why they are participating in the war. England is fighting the war for the benefits of its citizens while France also does the same. Though we are only exposed to France side of the story, leaving England to the dark. I liked how the story is not your typical black & white dispute. There is no absolute good or pure evil. A good example of gray morality.


The show has morally ambiguous characters, their behavior and personality are also not purely black and white. Each character serves a fundamental bridge to the entire show narrative. Each individual represents viewpoints when it comes to the main message about human nature, human beliefs, and the meaning of life. Character interaction has a purpose, it adds up on the philosophical ideologies and context of the setting offers. The story did well in highlighting character personal conflicts. A good example of personal conflict is when it comes to Maria & Ezekiel and Joseph & Garpa's arguments. Their subtle clashing of ideals for what they believe is bad and good, pointing at each other what is deception and what is the truth but opposite in opinion but none purely correct or wrong. It gave the audience a chance to interpreted the story from a different angle, it provides a better understanding of the character's behavior and personality trait without the reliance on, heavy emphasis on the background story, or individual character arc. This technique also works in the supporting cast for each interaction they make matters. I got to know each character while at the same time easily comprehending what the story is all about. Characters are given a decent amount facing to learn and grow. A good example is Ezekiel changing of heart by refusing and going against Heaven's absolute orders, as the story progresses, it felt natural and organic. I like how interacting with different people influences once belief and viewpoints in life. This will lead to a more impactful and rewarding character resolution. This is good character writing. The minor cast has a respectable amount of development, all its characters to be precise. I liked all the characters. They are not special when it comes to appealing character design unlike Maria and Ezekiel but they make it up how they are written in the story. I love how each character matters in this show even how little impact they give in the grand scheme of things. Each character made a difference especially when it comes to the final episode. All characters were given the spotlight to confess their true thoughts and feelings. I think Junketsu no Maria wrap everything quite nicely.


Miscellaneous Thought

When it comes to minor details for the likes of animation, visual outline, and setting character design, audiovisual, and music it’s all alright, nothing outstanding but I think it could be done better if Studio I.G were given a higher budget I guess. And for the first time when it comes to medieval soldiers with CGI models, I have no complaints about and it deemed watchable. I like the small details in design accuracy when comes to being a visual presentation of the historical source. If you watched or read at least a brief history of the Hundred Years War when it comes to warfare and other details, I can appreciate the research and effort in creating the setting. The French use the crossbow and the British using the arrow to bombard French ground troops and Royal Calvary. But obviously the conclusion of the war is a totally different story altogether. It is nice that this anime did not glorify war as an awesome or epic scenario where romanticist made you believe. It gives a good metaphor about the violence and brutality of medieval times. People are only going to war not because they love to fight or kill, loot, or rape innocent people. Motivation varies from person to person. Some join the war as a necessity to find a living and the only opportunity to raise their status in life, they are mercenaries. Others are a force conscripted as foot soldiers because they don’t have a choice even if they are not a well-trained soldier like their noble knight that are better trained and equipped, they are peasant and farmers. While others fight for a selfless novel cause, protecting their lands from the enemy and fight for glory in name of the king, they are the landlords and the gloried knights we idolized in fiction works. We are also given the opportunity to explore the political disposition of the French Lands, where the Roman Catholic has a huge grip of influence when it comes to the societal order and major political decision which is historically correct on many occasions during the rule of European kingdoms. There is a fair amount of effort put in the writing of the story even it is simple but easy to understand. Minor complaints I have this show might as well is character teasing Maria about her Virginity but overall a good show.



Final thoughts.

It utilizes its setting and a small set of the cast even it is not perfect or groundbreaking. But it opens the doors with different interpretations. Open exposition made character and story engaging and profound. Anime promotes neutral ground, it didn’t promote Atheism, Catholic Christianity, or convince you to stop believing those ideologies but rather teach you to have common sense and start walking with your own two feet. It encourages in believing in yourself. Junketsu no Maria tough educate us not to become a sheep, we must stop lying about ourselves on what we want in life. We must learn to question and to act upon our own honest judgment. We must not bind ourselves with our own ego and highly dependent on established doctrine we don’t fully understand. We make use of these beliefs as an excuse to justify our actions. We all are given the choice to shape our destiny and no religion or philosophy to dictate it. We live to chase our dreams and happiness, it gave our life meaning. Your life is yours to design and not others to decide for you. The answer you seek in life will never be answered by religion or philosophy. Staying alive is your choice alone. It’s rare for me to see an Anime with a complete story and a satisfying ending. For me, it’s a worthwhile experience. I personally believe the anime is worth remembering and worth checking out.

The Review Contains Major Spoilers

“Deus Ex Machina” defines as a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending. This is a plot device used as an emergency escape button when a story is impossible to finish without any sort of divine intervention. “Deus Ex Machina” is the term that summarizes what Re: Zero kara Hajimeru Isekai Seikatsu or Re: Zero for short is all about. Re: Zero provided “what if scenarios” ... that are both interesting and entertaining. It can show the 2 sides of the coin by presenting an unforgiving story and a positive alternative that satisfies its audience. Re: Zero's story can be rewritten how the author sees fits. But is this enough for the show considered good and excusable for the negation of its consequences? Let’s find out.

Art (8/10) & Sound (7/10)

When it comes to production values and aesthetics quality Re: Zero deserves a pass. The visual design and color selection is well place for the art style. The character design is eye-catchy and easy to recognize. The action scenes are very good. It doesn’t felt cheap. The animation is fluent when it comes to quick motion movement. Thought the background setting is not unique and seems generic at times. And my last complaint is the selection of CGI pedestrian and CGI Dragons. It felt out of frame with your 2D character models. It looks creepy seeing both animations in the same place. But there are times the CGI looks great when it comes to fighting giant monsters. It gives an eerie atmosphere in the battles that felt unique and epic. When it comes to appealing presentation. Re: Zero combines good audio music and artistic creativity in presenting all OP and ED”s songs. The music add-up with the interpretation of the show. OP 1 Redo" by Konomi Suzuki gave an interesting presentation of the initial episodes, it gives the audience suspense and excitement, the feeling of what do you think will happen next? Sort of intensity. OP 2 "Paradisus-Paradoxum" by MYTH & ROID by far the best opening of Re: Zero. It raises the bar by showing some extreme escalation of the conflict. Its presentation of a coming epic battle intrigues me to keep on watching. ED 1 "STYX HELIX" by MYTH & ROID however unique in all the music. I like the Vocaloid type of vibes on for its bizarre music rhythm. It also functions as a good ED for RE: Zero for the music itself felt like a mystery. RE: ZERO was focus on mystery-solving before it becomes a heavy action show so it definitely fits in. The least music is "Stay Alive" by Emilia. The music is good but it feels like a stand-alone. I know the music dedicates to Emilia's innocent and hopes for a better future but the problem is the timing of the music when it was released. Emilia is not the center of the arc when it plays so it comes out as out of place. The music did good timing in other specific episodes that share the same idea of light and hope. Overall my favorite music is "STYX HELIX" by MYTH & ROID for being different while the other music still deserves a place in my playlist.

Plot (6/10)

Re: Zero revolves around Natsuki, Subaru, Your Typical Modern Day Japanese Male Teenager. He's the main protagonist of the show. He was transported in a fantasy realm with no clear reason whatsoever. The majority of the story takes place from Subaru's's viewpoints. As he struggles to know the truth, on why he was been summoned in the first place. Suburu eventually got his life in an awful predicament but was saved by Emilia, a silvered-hair half-elf human with magical powers. After that faithful encounter, Subaru decided to help Emilia out in any way possible, in payment of the compassion and kindness she showed to him. This kick-started Re: Zero main plot in motion. But unfortunately, Suburu died while helping Emilia out, ending the story. This leaves some unanswered questions and mystery in the story. Though this is not the case. The story restarted back to a certain point in time, where Subaru is still alive, with all his memories intact. He then discovers that he has the ability to reset time back to a starting point whenever he died.

Subaru takes advantage of this ability by taking precautionary measures to fix his past mistakes and planning ahead of time. Thus achieving desirable outcomes. Time resets provide interesting scenarios and character engagement. We can see different interactions; we get to know the other characters better. We learn more about the setting and the gravity of the situation.

But this type of storytelling is not without any flaws. Time resets have the capability to nullify any negative consequences of a story. It deletes permanent changes otherwise irreversible in normal means. It gives some restrain when it comes to developing its characters. It cancels out any progress and character growth. If the said interaction and action yield undesirable consequences, it cannot exist. To be precise, it negates the show's risk and tension.

The biggest offense most likely a time reset can do is overwriting its character's role. Or worst changing your character's personality to a different person entirely. It can be by times a good thing and for the better but sometimes it makes your characters irrelevant. Characters can become an empty husk that can be rewritten, depending on the need of the story.

Even though the problems I stated have indeed existed. The story still follows a linear path. Suggesting only one true and final destination the narrative is leading to. And the protagonist needs to find out the best way to reach that said route. Re: Zero narrative works like in a video game type of storytelling. Usually, this type of narrative is common in visual novels. At the start of the game, you have a choice to make a decision that will affect the outcome of the story later on. The consequences can either stop the main story on its tracks or continue forward to the true ending.

Subaru function as the player, every action he takes, any changes in a decision he makes affects the story. Suburu is the God of his story for not only he can change faith once, but he can do it again many times. The story only provided some vague information about Subaru time reset restriction. There isn’t any solid cost and consequences. Only Subaru's ever-growing guilt and fear of death are considered a consequence. Though some fears and guilt can be negated once he achieves the ultimate satisfaction, his main goal making everybody happy. Said resets can function as a convenience for the author. He can choose which events are the real canon story, whatever favors the story. This saddens me for Re: Zero can be any story it wanted to be. It can become a tragedy, it can become heavy action-adventure and it can also become a warm slice of life in a medieval setting. This all happens in RE: Zero in a short amount of time by spamming different timelines. Because Suburu decision is the only thing that matters in the direction of the story and nothing else. The show doesn’t need to bother with consistency anymore. What is consistent will be changed on the next reset, having new a set of elements and scenarios.

This type of storytelling becomes troublesome. When it comes to opposing conflict. Whatever advance and careful planning the opposition has. Any surprise attack or strategies that involves the passage of time. All the opponent's tactics are useless. Once Suburu discovers the grand scheme of things. They are all left baffled. Confuse on the discovery of their plans. Disbelief that all their hard work and timely plans got sabotage too fast. Suburu might have as well the ultimate weapon, for time is on his side. This sums0 up how Re: Zero resolves its ongoing conflict. Any villains might as well cower in fear that they have nothing to counter Suburu. Suburu has King Crimson like abilities. Having the ability to see the future and change faith itself.


Character (6/10)

There are indeed interesting and memorable characters in the series. Some characters do get their fair share in the story, while some are left forgotten when the new arc arrives. In the worst-case scenario, some characters experience some undesirable regression. Due to Subaru's time reset ability and changes in the plot direction.

The character that holds a significant role in the story changes in every arc. They also never got explored later on. They are just there for convenience's sake for the main character in a certain scenario. Like when Reinhard van Astrea introduction. He was only there to end the conflict in the first arc and we didn’t have the chance to know him better even in later arcs.

While some characters like Beatrice function as information dump only, for Subaru to learn from and help come out with a solution. Eventually, after all the problems are resolved. Beatrice and other relevant characters in a certain arc are put back in the corner and forgotten in favor of another arc. Even the characters I actually like suffers the same cycle. One of those characters is Sir Wilhelm. He actually had a solid back story that justifies his motivation. It gives a personal conflict in the current events, in return gives you a reason to invest in the story. Sadly after his story arc concluded, Wilhelm's role was reduced to an old man that is a badass with the sword. Characters really come and go in this series. The first time you know them and the next they are long gone. I felt like the story is treating its characters like equipment than people. Equipment that is put-away in the toolbox after their utilities are met in the story. Leaving has back to Suburu antics again.

It would be nice if the show bothers to explore more side character's viewpoints. Instead of relying on Suburu adventures to understand what's happening. Until now I don't see Re: Zero setting engaging or unique to other Isekai anime. Some lore and basic information are there. But we still don't know much how Re:Zero world works. We don't know about its kingdoms, races, political structure and its power system. Everything appears to be random.

Ram and Rem, are considered as moving and breathing characters in the story. They both have unique personalities that differentiate them from one another. They have an interesting back story that fleshes out their character. It gave us some valuable insights into the world of Re: Zero. The story bothers to show us, their character progression. From the moment they introduce and up to the moment the story end. They stick around from start to finish. Giving you the time to get to know them and actually cared for them more than the protagonist and main heroine.

They are properly layered characters, especially when it comes to Rem’s character Arc. Rem’s dark past is a good stand-alone story of its own. The insecurities and doubt, Rem developed upon herself because of how the village she came from treated her. The village considered Ram a prodigy while Rem is the opposite. This led to Rem ever so growing inferiority complex towards her twin-sister Ram. After her twin-sister sudden misfortune, a quick relief lifting in her chest. This enforces Rem's subconscious envy and agony built upon over, just because of Ram simply existing. The heavy guilt soon follows after Rem realizes the mere fact that Ram is the only person in her village that actually loved her. That experience, psychological scars Rem's heart. She left to believe that she is held responsible for the misfortune of her twin-sister Ram. And Rem felt obligated to become Ram’s replacement. Even though Rem manages to surpass Ram in many tasks. She still believes she will never be better than her older sister Ram. Rem will never happy or be please in her life. Carrying a huge burden that her twin sister Ram never asked for in the first place. And that folks are an example of good character writing present in the show. Then I wish the show should have a focus on its other characters more.

Though I have some complaints about Rem's extreme devotion to Subaru is beyond me. It felt like her character was completely rewritten after her character arc finished. For the sake of pandering to the audience. Though Rem developing affection towards Suburu is reasonable. But the fact that she is willing to die for him on many occasions, is not something I can actually buy as believable.

But Subaru and Rem shared the same dark insecurity and complexities. So there is romantic character chemistry. Rem is my favorite character in the show. I actually cared for her, given she is the best-written character in the entire story.

The show's capabilities to reset and rewrite its story holds a major toll on some characters. The characters that had critical roles initial pace of the story somewhat become unimportant in later episodes. Their achievement, contribution, and progression become non-existent after a few story rewrites. There are 2 characters that greatly suffered this backlash.

The first character that suffers character regression is Emilia, the main heroine of the show. She was introduced as a strong, kind-hearted, and reliable individual. I see her worthy candidate for a ruler in the royal election. Emilia is the first person to show selfless kindness to Subaru in the first timeline. And that’s the only positive I can say about her character and that’s how her novel story as layered main heroine ends.

Her badass magic-user role, which made her a respectable character in the first few episodes, was swapped to your typical submissive housewife or “wifu” role in some sort.

Your fragile "wifu" you want to protect in your arms and get lap pillows with. Emilia is only there to serve as “emotional support” and “character improvement” to our beloved Suburu. Emilia becomes a sitting duck for the majority of the show. Letting other characters do the dirty work in which she can take part, with no problem. She was given the role of a useless princess. Her only purpose to get a “Wow” reaction to Suburu super amazing achievements. Though the same can be said to Rem, She also becomes a submissive housewife to Subaru on later Arcs. But the role Rem did over the course of the story serves a much more meaningful impact on the protagonist's journey. Rather than being a wife that serves as a lap-pillow. And it’s funny that Suburu role becomes a fragile girl that complaints a lot in later arcs. Suburu is useless in combat and wouldn’t survive a second without Rem saving his sorry ass. Emilia's regression of badass dynamic heroine becoming a damsel of distress in the final arc of the story is one of the negative consequences a story rewrite can do. It just made me sad.

This is my complaint and my analysis of how they treated their main heroine. Emilia becomes a pillow for Suburu to hug upon achieving his goal. Emilia becomeing an object to serve as the protagonist trophy.

Another character that suffers Re: Zero plot rewriting shenanigans is Romanée-Conti, Petelgeuse. The main antagonist of the last story arc. He is intimidating not because of his crazy mannerisms and demented personality. But for the fact, He commanded the witch cult that is responsible for slaughters many civilians and characters. Petelgeuse track record in human fatalities is proof of how dangerous he is. He’s careful planning and coordinated attacks in the Roswaal mansion is no laughing joke. Petelgeusei alone has broken abilities that can instantly kill his opponent in no time and you're not going to have a good time fighting him head-on. But how can a plot reset make this kind of villain irrelevant or unimportant? Petelgeusei intimidating track record for being a dangerous antagonist got negated in just a few time reset. All his carefully plan tactics and tricks become a joke. The only thing that gave the antagonist the chance for winning is the element of surprise. But it was rectified in front of the witch-cult faces. Petelgeusei becomes a clown at this point. Getting confused on how on earth did their opponent knew every trick and plan they have in their sleeves. Petelgeusei cowering in madness on how his opponent knows his abilities in a comedic manner. So, in the end, Petelgeusei becomes a forgettable character not because of how he is written but how the story treats conflict as a joke. What’s the point of risk if the main protagonist can try and try until he perfects his ideal outcome. Rendering all our antagonist efforts fruitless. Suburu certainly has an overpowered ability. You are only interested in how will the protagonist will approach and solve this conflict. Which by the way enjoyable to watch to some extent.

Finally, we reached the last character in the show. Our beloved main protagonist, Subaru, Natsuki. He is the common bland hyperactive and ambitious kind-hearted character. He is willing to sacrifice everything for the sake of his friends and loved ones. Your typical Isekai protagonists. Nothing is much known about him. We have no knowledge about his life, family, and friends.

We only know a few things, like how he knows simple work-out and basic self-defense presented in the series. He never worries or gives remorse about the people he known from his original world. This proves to be a problem for his motivation is somewhat questionable. This questionable motivation work in favor of the story to move forward.

Thought his motivation seems pure and honest in early episodes. Analyzing further down Suburu personality. Subaru has the so-called "Nice Guy" syndrome. He believes that after what he has done to save his friends from a gruesome faith, especially Emilia. That he deserved to be repaid with love and affection. Even though it's a natural trade-in, that people usually pay back kindness with kindness. After the unexpected humiliation Suburu experience with Julius. Which by the way Subarus's own fault for being stubborn and obnoxious. Not only Subaru embarrassed himself in front of a huge audience. But he also created a bad impression on other people and especially on the people who believe in him. This further worsens, by the fact. He never admitted he is the one at fault. And Suburu passes the blame towards Emilia, proclaiming his action is all for her benefits. He then tries to guilt-trip Emilia. That she is in debt with him and she must be grateful for what he did for her. Demanding overcompensation for treating her special. Even though Emilia never asked about any of the Suburus actions in the first place. This scene alone revealed Suburu true sinister intentions. It flips the table on Subaru's previous kind-hearted motivations.


His self-entitled, clingy and over-the-top behavior towards Emilia. It was only a selfish scheme to force Emilia's to become Suburu's girl. This destroys my viewpoint about him as a person. This scene back-up his Nice-Guy Syndrome as a selfish and manipulative person. I started to develop a sort of distaste and hate towards him. But that didn’t last long after I watched Subaru's redemption arc as a character and as a person in general. My opinion has changed.

Episode 18 is the main turning point for me if I will still want to continue the franchise or not. With all the violence, character deaths and complaints I had with the characters. Especially when it comes to the protagonist. Everything reverted back to zero at that point. Let me explain why. I appreciate how the anime staff handles Subaru’s redemption. For once in the series, that we get to finally know Suburu as a person. He was given the chance to speak out all his frustration to Rem. To admit his flaws that he is not the person that he makes out to be. Confessing his a weak and selfish self-entitled person. He’s tired and only wanted to release all the stress he made for himself. He explains why he keeps repeating the same mistakes. He is aware of his stubborn personality is the reason why he wasn’t able to make any good decisions. He's afraid to be left behind. He felt inferior and he needs to be somebody else to compensate for his insecurities. It only took one episode. By just letting Suburu talk about himself in the entire episode is just brilliant for me. Just allowing Subaru to honestly speak all his burden to Rem. While Rem function as a vessel for Subaru to reach out to the viewers his side of the story is more than enough for me to forgive him. Even I dislike most of the decisions and actions he made towards other people. It proves that he’s willing to learn and accept the mistake he made. He is willing to correct his flaws. In a later episode, he tried to communicate with other people properly, not screaming in front of their faces like a tantrum child. The proof that he’s an actual person that you understand and sympathize with. It gives you a reason to care for him. It is understandable that nobody is perfect. And people have strengths and weaknesses. After this revelation, I have no reason to hate him. And made the remaining episode more enjoyable to watch. And this ends my long speech when it comes to characters. After episode 18 I started to accept what Re: Zero is all about. They finally made Suburu an actual main character for once.


Enjoyment (7/10)

When comes to personal reference. Re: Zero is a roller coaster of a ride of an anime. It has ups and downs. There are times that I really love it, there are also times that is the complete opposite. My opinion changes in every episode. I question what Re: Zero is trying to do? It is anime that uses violence for entertainment? Those it has a hidden agenda? What is this anime trying to tell me in the circle of life? Then I got to the conclusion that Re: Zero it not so bad of a show. It didn’t go for cheap fan service that other anime is an expert of. It focuses on explaining and telling a story than diverting your attention to other unnecessary scenes like bath scenes or girls changing their clothes or ecchi jokes in general. There is nothing to hate or offensive about the anime except for Subaru’s actions and behavior but later he was fixed to be an understandable human being. The best thing I can say when coming to personal opinions. Re: Zero is an interesting and engaging show. It is entertaining in every moment. I didn’t get bored watching the show so that is also a compliment.


Overall Score and Impression (6.4/10) Above Average

After all said the positive and negative things I said about Re: Zero. I say Re: Zero is an alright show. Though it is not unique or special like other people say it to be. Re: Zero didn’t shy away on its concept being an anime about being Deus Ex Machina anime times 10 but embrace it and tries to tell an interesting story. I like the story, even though I have some fair amount of complaints. The characters are interesting and some I actually cared for. Soundtracks and music is a bonus gift. The art style and animation is fan service. The anime has the chances to be great but it walks in a sturdy pedestal and tries to be loud even it doesn’t need to be, It stumbles because of it. It’s an above-average show at best. And I am looking forward to the next season to be released.


Do I recommend it? First I would like to urge people to watch Stein Gate and the Higurashi Franchise first before they try out Re: Zero. For the reason, they need some reference to better understand the anime and make a solid decision whether they like it or not. Stein Gate and Higurashi share the same concept and ideas of Re: Zero Time Resets but they are handle in a different approach.


I thank you guys, who given the time to read my review.


I appreciate your feedback and opinions about the show.